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Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Doctor Who Party
The Annual DoctorCostume ComparisonWho Gallery Party Tim Harrison, Sr. as the 4th Doctor and Eric Stein as Captain Jack Harkness Jim Martin as the 9th Doctor Sarah Gilbertson as Raffalo (The End of the World) Esther Harrison as Harriet Jones (The Christmas Invasion) Karen Martin as Rose Tyler Jesse Stein as the 10th Doctor Katie Grzebin as Novice Hame (New Earth) Timothy Harrison, Jr. as the 10th Doctor and Lindsay Harrison as Rose Tyler (Tooth and Claw) JoLynn Graubart as Martha Jones and Matt Graubart as a Weeping Angel (Blink) Andrew Gilbertson as Prof. Yana (Utopia) Kayleigh Bickings as Lady Christina (Planet of the Dead) Joe Harrison as a Whifferdill (taking the form of Joe Harrison) (DWM: Voyager) 4, 9, 10, and everyone’s favorite Canine Computer... A bowl of Adipose... No substitute for a sonic blaster, but the 9th and 10th are fans... HOME 2010 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 1st Doctor Hayley as a Dalek Camryn Bickings as ...Koquillion? (The Rescue) Timothy Harrison, Jr. as the 5th Doctor Jim Martin as the 9th Doctor Esther Harrison as Sarah Jane Smith BJ Johnson as a Weeping Angel (Blink) Sarah Gilbertson as Lucy Saxon (Last of the Time Lords) Katie Grzebin as Jenny (The Doctor’s Daughter) Karen Martin as the Visionary (The End of Time) Eric Stein as the post-regeneration 11th Doctor (The Eleventh Hour) Joe Harrison as the 11th Doctor Lindsay Harrison as Liz 10 (The Beast Below) JoLynn Graubart as Amy Pond and Matt Graubart as Rory the Roman (The Pandorica Opens) HOME 2009 2011 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 2nd Doctor Joe Harrison as Jamie McCrimmon Timothy Harrison, Jr. -
Rich's Notes: 1 Chapter 1 the Ten Doctors: a Graphic Novel by Rich
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 1 Rich's Notes: The 10th (and current) Doctor goes to The Eye of Orion (the Five Doctors) to reflect after the events of The Runaway Bride. He meets up with his previous incarnation, the 9th Doctor and Rose, here exploring the Eye of Orion sometime between the events of Father’s Day and The Empty Child. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 2 Rich's Notes: The 9th and 10th Doctors and Rose stumble upon the 7th Doctor and Ace, who we join at some point between Dimensions in Time and The Enemy Within(aka. The Fox Movie) You’ll notice the style of the drawings changing a bit from page to page as I struggle to settle on a realism vs. cartoony feel for this comic. Hopefully it’ll settle soon. And hopefully none of you will give a rat’s bottom. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 3 Rich's Notes: The 10th Doctor, in order to keep the peace, attempts to explain the situation to Ace and Rose. Ace, however, has an advantage. She's seen some of the Doctor's previous incarnations in a strange time trap set up by the Rani (The 30th Anniversary special: Dimensions in Time, which blew chunks). The 2nd Doctor arrives, seemingly already understanding the situation, accompanied by Jamie and Zoe. (The 2nd Doctor arrives from some curious timeline not fully explained by the TV series. Presumably his onscreen regeneration was a farce and he was employed by the Time Lords for a time to run missions for them before they finally changed him into the 3rd Doctor. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Gold-En Music: the New Series of Doctor Who by Robin Lapasha January 2006 (Copyright © L
Gold-en Music: the New Series of Doctor Who by Robin LaPasha January 2006 (Copyright © L. Robin C. LaPasha. All Rights Reserved.) When Doctor Who returned to television, the BBC advertised the show with a particularly punchy trailer including a fireball special effect, and Christopher Eccleston saying of the new series: “It’s not quiet, it’s not safe, and it’s not calm.” The same can be said for the music by Murray Gold. It’s not quiet; the music is not occasional or ‘incidental’—it’s an integral layer. Melody and dialogue happen at the same time. It’s not safe; there are over 30 identifiable musical motifs in the first 13 episodes. Half of the motifs are used in more than one episode, and most actively support story arcs. You can’t create that many pieces of musical composition over 10 hours of broadcast and get them all completely right. There are a few missteps. It’s not calm; the styles used stretch from Euro-technopop to opera, Philip Glass to Latin dance. It’s not the same as the old Doctor Who music, and it is wonderful. Scoring Who There are four types of music presented in Doctor Who in its 21st century incarnation. The first is the overall series theme, functionally the same as its initial creation in 1963. The general frame of the theme as devised by Ron Grainer, Delia Darbyshire, and the BBC Radiophonic Workshop is so recognizable by people all over the world—including many who have never watched the show—that there would be no possibility of changing the melody; interpretation is restricted to instrumentation and percussion choices and the resulting mood choices highlighted by each re-mix. -
A Study of Russell T. Davies's Doctor
The Posthuman Lifeworld: A Study of Russell T. Davies’s Doctor Who Item Type Article Authors Hay, Jonathan Citation Hay, J. (2020). The Posthuman Lifeworld: A Study of Russell T. Davies’s Doctor Who. Language, Literature, and Interdisciplinary Studies, 3(3). Publisher Language, Literature, and Interdisciplinary Studies Journal Language, Literature, and Interdisciplinary Studies Rights Attribution-ShareAlike 4.0 International Download date 26/09/2021 20:23:38 Item License http://creativecommons.org/licenses/by-sa/4.0/ Link to Item http://hdl.handle.net/10034/623307 The Posthuman Lifeworld: A Study of Russell T. Davies’s Doctor Who Jonathan Hay Abstract Via the analysis of a cross-section of episodes from Russell T. Davies’s era of the revived BBC Science Fiction television series Doctor Who (2005 – 2010), this paper demonstrates that the programme utilises representations of the viewer’s everyday lifeworld to figure a posthuman rhetoric. Through the viewer’s in-phenomenal interaction with its representation of the mundane, the show emphasises the already significantly posthuman nature of the technologically saturated lifeworld of the contemporary individual. It challenges Darko Suvin’s notion of cognitive estrangement, which fails to describe the show’s Science Fictional1 discourse, and instead proposes the alternate mechanism of cognitive engagement. This inquiry therefore reappraises the thematic concerns of the show during the years when Russell T. Davies served as the programme’s showrunner, revealing Doctor Who’s emphasis upon the everyday (post)human lifeworld. It concludes that the show refutes technocentric ideologies, and thus rigorously demonstrates the consonance between the (post)human present and posthuman future. -
NVS 11-1-7 L-Lawrence.Pdf
Doctor Who and the Neo-Victorian Christmas Serial Tradition Lindsy Lawrence (University of Arkansas – Fort Smith, Arkansas, USA) Abstract: Christmas stories are a tradition in British serial literature, be it the annuals and special weekly and monthly magazines published in the nineteenth century or the Christmas- themed episodes of popular television serials today. Festival literature produces an ‘eerie’ sense of past, present, and future, and many of these productions evoke past traumas for narrative impact. For example, Christmas editions of Charles Dickens’s Household Words and All the Year Round provided readers with specially commissioned stories that explored past traumas in order to enable their characters to morally improve, to the betterment of themselves and society. The rebooted Doctor Who, in ‘The Next Doctor’ (2008), ‘A Christmas Carol’ (25 December 2010), and ‘The Snowmen’ (2012), has reinvented the Victorian Christmas serial both via narrative echoes and explicit use of neo-Victorian and steampunk visual designs. In so doing, these neo-Victorian TV specials critique some of the same social problems as Dickens did, commenting on greed and the concept of ‘Victorian values’ while also remediating the affective nature of Christmas stories to help people come to terms with past traumas. Keywords: All the Year Round, Christmas serials, Christmas specials, Russell T. Davies, Charles Dickens, Doctor Who, Household Words, Steven Moffat, Sherlock. ***** In the first new Doctor Who Christmas special, Rose Tyler (Billie Piper) explains to her much put-upon boyfriend, Mickey Smith (Noel Clarke), “You just forget about Christmas and things in the TARDIS. They don’t exist. You get sort of timeless” (Hawes and Davies 2005: 6:14-6:18). -
Doctor Who, New Dimensions and the Inner World: a Reciprocal Review
84 Media Education Research Journal Doctor Who, New Dimensions and the Inner World: A Reciprocal Review Two significant additions to Doctor Who’s academic ‘canon’ were published recently and, continuing our interest in new ways of approaching the review format, here we ask two authors, Iain MacRury and Matt Hills, to appraise each others’ texts. Iain MacRury, I. and Rustin, M. (2013) The Inner World of Doctor Who London: Karnac Books. This book, part of the ‘Psychoanalysis and Popular Culture’ series, does two things that are relatively unusual within the dimensions of Doctor Who scholarship. Firstly, it relates psychoanalytic thinking to the programme, and secondly it focuses on a selected range of texts, which, though they all hail from the BBC Wales’ version of the show, are not otherwise structured by production eras. Instead, case study texts are chosen on the basis of the authors’ emotional and mindful responses to them. MacRury and Rustin deliberately set out to neglect many things that have preoccupied recent media/cultural studies, e.g. the productivity of fan audiences or the proliferation of transmedia and promotional paratexts. Perhaps these might constitute the ‘outer worlds’ of Doctor Who, markers of its industrial and cultural contexts. By contrast, this book seeks to return to traditional modes of textual study. It’s a decision that leads to some characteristic strengths and occasional weaknesses. On the plus side, there are many smart observations here which provoke new ways of seeing ‘nu Who’. The Daleks, for example, have been thought about previously as symbolic of Nazism, as representing rage-filled children’s tantrums, or even as resembling BBC cameras from the 1960s. -
E3-L2 Dr Who Comprehension
May 2008. To print your own copies of this document visit http://www.skillsworkshop.org/ Name________________________ Date___________ Doctor Who guru Davies steps down From BBC Entertainment News 20.05.08 http://news.bbc.co.uk/1/hi/entertainment/7411177.stm Russell T Davies is to step down as executive producer of Doctor Who, the BBC has announced. Davies is credited with breathing new life into the Russell T. Davies show which he brought back to television screens in 2005. Bafta-winning writer Steven Moffat will succeed Davies as lead writer and executive producer of the fifth series of Doctor Who. Moffat said that the whole of his career had been "a secret plan to get this job". DAVIES' CAREER BBC Fiction controller Jane Tranter said the past four HIGHLIGHTS series of Doctor Who had been "brilliantly helmed" by Children's Ward (1993-1995) the "spectacularly talented" Davies. Touching Evil (1997) "As lead writer and executive producer, he has Queer As Folk (1999) overseen the creative direction and detail of the 21st Casanova (2005) century re-launch of Doctor Who and we are delighted Doctor Who (2005-2008) to have his continued presence on the specials over Torchwood (2006-2008) the next 18 months," she added. Davies will remain in charge of four specials to be shown in I applied before 2009. The fifth series, with Moffat at the helm, is scheduled to but I got knocked be broadcast on BBC One in spring 2010. back 'cos the BBC wanted someone Moffat has already written some of the most memorable else. -
Table of Contents
TABLE OF CONTENTS Acknowledgments ...........................................................................................................................5 Table of Contents ..............................................................................................................................7 Foreword by Gary Russell ............................................................................................................9 Preface ..................................................................................................................................................11 Introduction .......................................................................................................................................13 Chapter 1 The New World ............................................................................................................16 Chapter 2 Daleks Are (Almost) Everywhere ........................................................................25 Chapter 3 The Television Landscape is Changing ..............................................................38 Chapter 4 The Doctor Abroad .....................................................................................................45 Sidebar: The Importance of Earnest Videotape Trading .......................................49 Chapter 5 Nothing But Star Wars ..............................................................................................53 Chapter 6 King of the Airwaves .................................................................................................62 -
The Top 10 Doctor Who Episodes BBC America Pole Taken in 2013
The Top 10 Doctor Who Episodes BBC America pole taken in 2013 At the time of the 50th anniversary, there were an incredible 738 individual episodes of Doctor Who, making up a total 239 different stories. Unsurprisingly, then, over those five decades the fandom as a whole has tended to find it difficult to pin down exactly which is the undisputed “best episode.” The show means so many different things to so many different people, that the concept of a favorite episode can vary wildly depending on what a particular viewer actually looks for in the show. As such, while Doctor Who Magazine readers voted “The Caves of Androzani” as their number one story back in 2009, for the superfans polled in 2013 it didn’t even make the top 10. That’s not to say it isn’t highly-regarded—just that the range of choices were so varied that the tiniest margins could bump an episode up or down the list. Indeed, as many as 87 different episodes were nominated somewhere in the top fives of our jury. 10: Inferno (classic Who) This eight part serial is the one time the classic series dabbled with the concept of alternative timelines, in this 1970 Third Doctor story by Don Houghton, it was such a definitive take that it proved difficult to return to this theme. *9: The Empty Child/The Doctor Dances (“Everybody Lives!”) This two part episode holds a special place in the hearts of fans since it allows the ninth Doctor, so damaged by his experiences in the Time War, to actually glow with delight. -
Doctor Who Companion’S Toolkit
FANDOM FORWARD DOCTOR WHO COMPANION’S TOOLKIT 1 Fandom Forward is a project of the Harry Potter Alliance. Founded in 2005, the Harry Potter Alliance is an international non-profit that turns fans into heroes by making activism accessible through the power of story. This toolkit provides resources for fans of Doctor Who to think more deeply about the social issues represented in the story and take action in our own world. Contact us: [email protected] #FandomForward @TheHPAlliance 2 CONTENTS Introduction Facilitator Tips Representation Issue 1: Feminism Talk it Out Take Action Issue 2: Indigenous Rights Talk it Out Take Action Issue 3: War Talk it Out Take Action Resources Thanks 3 INTRODUCTION “Somewhere there’s danger, somewhere there’s injustice, somewhere else, the tea’s getting cold.” The universe is a wonderful, terrifying, ever-expanding adventure. There’s injustice to overcome, people to save, communities to empower, and a lot to learn. Through the Doctor and their companions’ journeys, we learn that no matter the cost it’s important to try our very best to help people because every life is important. And, thanks to the Doctor, we know we can’t help everyone by ourselves. We have to rely on our friends, our communities, and the help of strangers to make the biggest impact. While no journey is ever easy, we hope you’ll take this one with us. In this Companion’s Toolkit, we’ll be talking about feminism, indigenous rights, and the history and effects of war. These topics can be difficult, and solutions to the problems we’re addressing aren’t always clear, but that doesn’t mean we can’t try.