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Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
School of Visual Culture Undergraduate Year 3 Handbook 2017-18
School of Visual Culture Undergraduate Year 3 Handbook 2017-18 A) Introduction: the Purpose of the Research Project B) Choosing a Topic for part 1 C) Writing a Research Proposal D) Research E) The Role of the Supervisor F) Research Project Supervisors G) Writing a Research Project H) Guidelines for Research Project Presentation 1. Length 2. Format 3. Binding 4. Copies 5. Organisation of Material 6. Illustrations 7. Methods of Citation 8. Citations in Text 9. Bibliography 10. Quotations 11. Titles 12. Research project Title 13. Grammar, Spelling, Punctuation, Acronyms I) Assessment Process and Criteria J) College Plagiarism Policy K) Useful Resources & Sample List of Past Visual Culture submissions L) Queries M) Calendar (2017-18) 1 A) Introduction - the Purpose of the Research Project There are 2 parts to the visual culture research project. The aims of these 2 parts are: Part 1) to complete a substantial piece of research on a clearly defined topic related to visual culture Part 2) present a short statement of practice that critically contextualises your studio work Studio students take one 10 credit module in semesters 1 & 2 of year 3. semester 1 year 3 semester 2 year 3 (75% of overall module mark) (25% of overall module mark) part 1: 6000 word research project part 2: 750 word statement of practice Education students take two 5 credit modules in semester 1 of year 3 and semester 1 of year 4. semester 1 year 3 semester 1 year 4 5 credits 5 credits 4000 word research project education elective assessment task The research project and statement of practice are supported by lectures, group and individual tutorials under the guidance of a supervisor. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Issue 30 Easter Vacation 2005
The Oxford University Doctor Who Society Magazine TThhee TTiiddeess ooff TTiimmee I ssue 30 Easter Vacation 2005 The Tides of Time 30 · 1 · Easter Vacation 2005 SHORELINES TThhee TTiiddeess ooff TTiimmee By the Editor Issue 30 Easter Vacation 2005 Editor Matthew Kilburn The Road to Hell [email protected] I’ve been assuring people that this magazine was on its way for months now. My most-repeated claim has probably Bnmsdmsr been that this magazine would have been in your hands in Michaelmas, had my hard Wanderers 3 drive not failed in August. This is probably true. I had several days blocked out in The prologue and first part of Alex M. Cameron’s new August and September in which I eighth Doctor story expected to complete the magazine. However, thanks to the mysteries of the I’m a Doctor Who Celebrity, Get Me Out of guarantee process, I was unable to Here! 9 replace my computer until October, by James Davies and M. Khan exclusively preview the latest which time I had unexpectedly returned batch of reality shows to full-time work and was in the thick of the launch activities for the Oxford Dictionary of National Biography. Another The Road Not Taken 11 hindrance was the endless rewriting of Daniel Saunders on the potentials in season 26 my paper for the forthcoming Doctor Who critical reader, developed from a paper I A Child of the Gods 17 gave at the conference Time And Relative Alex M. Cameron’s eighth Doctor remembers an episode Dissertations In Space at Manchester on 1 from his Lungbarrow childhood July last year. -
See What's on ¶O – Lelo This Week, This Hour, This Second
FOR THE WEEK OF MAY 28 - JUNE 3, 2017 THE GREAT INDEX TO FUN DINING • ARTS • MUSIC • NIGHTLIFE Look for it every Friday in the HIGHLIGHTS THIS WEEK on Fox. Jamie Foxx hosts this new game show, which TODAY TUESDAY features Shazam, the world’s most popular song identi- The Leftovers World of Dance fication app. HBO 6:00 p.m. KHNL 9:00 p.m. FRIDAY Kevin (Justin Theroux) assumes an alternate identity Extraordinary dancers from all ages and walks of life Shark Tank when he embarks on a mission of mercy in a new epi- kick off the qualifier round for the chance to win a life- sode of “The Leftovers,” airing today on HBO. altering $1-million prize in the premiere of “World of KITV 7:00 p.m. The post-apocalyptic drama follows a family of survi- Dance,” airing Tuesday on NBC. Jenna Dewan Tatum vors a few years after the mysterious simultaneous dis- serves as mentor and host, while Jennifer Lopez, Business moguls decide whether or not to invest appearance of 140 million people. Derek Hough and Ne-Yo serve as judges. their own money in new products and companies in back-to-back episodes of the critically acclaimed reali- ty TV series “Shark Tank,” airing Friday on ABC. MONDAY WEDNESDAY Hopeful entrepreneurs pitch their ideas in the hopes of Lucifer The F Word snagging a deal with a Shark. KHON 8:00 p.m. KHON 8:00 p.m. SATURDAY Charlotte (Tricia Helfer) acciden- Celebrity chef and TV personality Gordon Ram- To Tell the Truth tally charbroils a man to death say hosts as foodie families and friends compete in self-defence, and Lucifer in high-stakes cook-offs in “The F Word,” pre- KITV 7:00 p.m. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, You've Heard of Me, Then? (你們聽說
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, you've heard of me, then? (你們聽說過我?) YVONNE: Well of course we have. And I have to say, if it wasn't for you, none of us would be here. The Doctor and the Tardis. (那當然了。我得說,要不是因為你,我們根本不會在這裡。博 士和 TARDIS!!) DOCTOR: And you are? (那你是?) YVONNE: Oh, plenty of time for that. But according to the records, you're not one for travelling alone. The Doctor and his companion. That's a pattern, isn't it, right? There's no point hiding anything. Not from us. So where is she? (那可以慢慢說。不過按紀錄,你不是單獨旅行的。博 士,和他的夥伴。就這模式,對吧? 你不用隱藏什麼,至少對我們不用。那,她在哪?) DOCTOR: Yes. Sorry. Good point. She's just a bit shy, that's all. (對,有道理。抱歉。她就是有 點害羞啦。) DOCTOR: But here she is, Rose Tyler. (就是她,Rose Tyler.) DOCTOR: Hmm. She's not the best I've ever had. Bit too blonde. Not too steady on her pins. A lot of that. (她不是我最好的夥伴。有點太金髮,做事不仔細,常這樣。) DOCTOR: And just last week, she stared into the heart of the Time Vortex and aged fifty seven years. But she'll do. (就上個禮拜,她直視時間流,結果老了 57 歲。不過還好啦。) JACKIE: I'm forty! (我才四十歲!) DOCTOR: Deluded. Bless. I'll have to trade her in. Do you need anyone? She's very good at tea. Well, I say very good, I mean not bad. Well, I say not bad. Anyway, lead on. Allons-y! But not too fast. Her ankle's going. (別唬我。上帝保佑。我得把她賣了。你們需要人嗎?他很會泡茶。額,我 說「很會」意思是不差。額,不差啦。反正呢,你帶路吧,出發!別走太快,她的腳不太好。) JACKIE: I'll show you where my ankle's going. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Boats Built at Toledo, Ohio Including Monroe, Michigan
Boats Built at Toledo, Ohio Including Monroe, Michigan A Comprehensive Listing of the Vessels Built from Schooners to Steamers from 1810 to the Present Written and Compiled by: Matthew J. Weisman and Paula Shorf National Museum of the Great Lakes 1701 Front Street, Toledo, Ohio 43605 Welcome, The Great Lakes are not only the most important natural resource in the world, they represent thousands of years of history. The lakes have dramatically impacted the social, economic and political history of the North American continent. The National Museum of the Great Lakes tells the incredible story of our Great Lakes through over 300 genuine artifacts, a number of powerful audiovisual displays and 40 hands-on interactive exhibits including the Col. James M. Schoonmaker Museum Ship. The tales told here span hundreds of years, from the fur traders in the 1600s to the Underground Railroad operators in the 1800s, the rum runners in the 1900s, to the sailors on the thousand-footers sailing today. The theme of the Great Lakes as a Powerful Force runs through all of these stories and will create a lifelong interest in all who visit from 5 – 95 years old. Toledo and the surrounding area are full of early American History and great places to visit. The Battle of Fallen Timbers, the War of 1812, Fort Meigs and the early shipbuilding cities of Perrysburg and Maumee promise to please those who have an interest in local history. A visit to the world-class Toledo Art Museum, the fine dining along the river, with brew pubs and the world famous Tony Packo’s restaurant, will make for a great visit. -
Doctor Returns to Gallifrey, He Learns That His Bio Data Extract Has Been Stolen from the Time Lords’ Master Computer Known As the Matrix
When the Doctor returns to Gallifrey, he learns that his bio data extract has been stolen from the Time Lords’ master computer known as the Matrix. The bio data extract is a detailed description of the Doctor’s molecular structure—and this information, in the wrong hands, could be exploited with disastrous effect. The Gallifreyan High Council believe that anti-matter will be infiltrated into the universe as a result of the theft. In order to render the information useless, they decide the Doctor must die... Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Sunmakers Doctor Who Crossword Book Doctor Who — Time-Flight Doctor Who — Meglos Doctor Who — Four to Doomsday Doctor Who — Earthshock GB £ NET +001.35 ISBN 0-426-19342-3 UK: £1.35 *Australia: $3.95 *Recommended Price ,-7IA4C6-bjdecf-:k;k;L;N;p TV tie-in DOCTOR WHO ARC OF INFINITY Based on the BBC television serial by Johnny Byrne by arrangement with the British Broadcasting Corporation TERRANCE DICKS A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & WyndhamCompany 44 Hill Street, London W1X 8LB First published in Great Britain by W.H. Allen & Co. Ltd 1983 Novelisation copyright © Terrance Dicks 1983 Original script copyright © Johnny Byrne 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 19342 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Doctor Who's Feminine Mystique
Doctor Who’s Feminine Mystique: Examining the Politics of Gender in Doctor Who By Alyssa Franke Professor Sarah Houser, Department of Government, School of Public Affairs Professor Kimberly Cowell-Meyers, Department of Government, School of Public Affairs University Honors in Political Science American University Spring 2014 Abstract In The Feminine Mystique, Betty Friedan examined how fictional stories in women’s magazines helped craft a societal idea of femininity. Inspired by her work and the interplay between popular culture and gender norms, this paper examines the gender politics of Doctor Who and asks whether it subverts traditional gender stereotypes or whether it has a feminine mystique of its own. When Doctor Who returned to our TV screens in 2005, a new generation of women was given a new set of companions to look up to as role models and inspirations. Strong and clever, socially and sexually assertive, these women seemed to reject traditional stereotypical representations of femininity in favor of a new representation of femininity. But for all Doctor Who has done to subvert traditional gender stereotypes and provide a progressive representation of femininity, its story lines occasionally reproduce regressive discourses about the role of women that reinforce traditional gender stereotypes and ideologies about femininity. This paper explores how gender is represented and how norms are constructed through plot lines that punish and reward certain behaviors or choices by examining the narratives of the women Doctor Who’s titular protagonist interacts with. Ultimately, this paper finds that the show has in recent years promoted traits more in line with emphasized femininity, and that the narratives of the female companion’s have promoted and encouraged their return to domestic roles.