Doctor Returns to Gallifrey, He Learns That His Bio Data Extract Has Been Stolen from the Time Lords’ Master Computer Known As the Matrix
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On Religion and Doctor Who</Em>
Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 10-2014 Professor McGrath Offers a Scholarly Take On Religion and Doctor Who Marc Allen Butler University James F. McGrath Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the Religion Commons, and the Television Commons Recommended Citation Allen, Marc and James McGrath. "Professor McGrath Offers a Scholarly Take On Religion and Doctor Who." Nonprofit Communications Report 12.10 (2014): 4. doi: 10.1002/npcr.20022. Available from: http://digitalcommons.butler.edu/facsch_papers/442 This Article is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. ! Professor McGrath Offers a Scholarly Take On Religion and Doctor Who Take TV viewers on trips through time and space for 50 years and you’re going to pick up some admirers—including some scholarly ones. That’s what’s happened with Doctor Who, the British !series that is celebrating 50 years this month. Two of the show’s fans—Butler University Professor of Religion James McGrath and Andrew Crome, a lecturer in the history of modern Christianity at the University of Manchester (England)—have compiled a new book, Time and Relative Dimensions in Faith: Religion and Doctor Who, in which 19 scholars who also are Doctor Who fans weigh in on how the longest- !running science fiction series in television history deals with religious topics. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Issue 30 Easter Vacation 2005
The Oxford University Doctor Who Society Magazine TThhee TTiiddeess ooff TTiimmee I ssue 30 Easter Vacation 2005 The Tides of Time 30 · 1 · Easter Vacation 2005 SHORELINES TThhee TTiiddeess ooff TTiimmee By the Editor Issue 30 Easter Vacation 2005 Editor Matthew Kilburn The Road to Hell [email protected] I’ve been assuring people that this magazine was on its way for months now. My most-repeated claim has probably Bnmsdmsr been that this magazine would have been in your hands in Michaelmas, had my hard Wanderers 3 drive not failed in August. This is probably true. I had several days blocked out in The prologue and first part of Alex M. Cameron’s new August and September in which I eighth Doctor story expected to complete the magazine. However, thanks to the mysteries of the I’m a Doctor Who Celebrity, Get Me Out of guarantee process, I was unable to Here! 9 replace my computer until October, by James Davies and M. Khan exclusively preview the latest which time I had unexpectedly returned batch of reality shows to full-time work and was in the thick of the launch activities for the Oxford Dictionary of National Biography. Another The Road Not Taken 11 hindrance was the endless rewriting of Daniel Saunders on the potentials in season 26 my paper for the forthcoming Doctor Who critical reader, developed from a paper I A Child of the Gods 17 gave at the conference Time And Relative Alex M. Cameron’s eighth Doctor remembers an episode Dissertations In Space at Manchester on 1 from his Lungbarrow childhood July last year. -
ADC Theatre Sound Effects Collection – Track Listings
ADC Theatre Sound Effects Collection – Track Listings Disc: Spectacular SFX Vol. 1 (EMI) (ADC #1) ............................................................................2 Disc: Spectacular SFX Vol. 2 (EMI) (ADC #2) ............................................................................3 Disc: 101 Sound Effects (San Juan EFX002) (ADC #3)..............................................................6 Disc: Workshop of Sound (San Juan EFX004) (ADC #4) ...........................................................7 Disc: Essential Comedy SFX, Vol. 1 BBC CD 843 1984/1991 (ADC #5)...................................8 Disc: Frights of the Night (San Juan EFX001) (ADC #6).............................................................9 Disc: BBC Essential Sound Effects (ADC #7)..............................................................................9 Disc: Essential People SFX BBC CD 863 1993 (ADC #8) ........................................................10 Disc: Essential Crowd SFX BBC CD 862 1993 (ADC #9)..........................................................12 Disc: Essential Sounds of the Countryside BBC CD 861 1993 (ADC #10) ...............................13 Disc: Essential Sounds of the City BBC CD 860 1993 (ADC #11)...........................................14 Disc: Essential Foreign SFX BBC CD 870 1993 (ADC #12) ....................................................15 Disc: Essential Weather SFX BBC CD 868 1993 (ADC #13)....................................................16 Disc: Essential Seasonal Birdsong BBC CD 846 (ADC -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
February 2018: Primetime Alaskapublic.Org
schedule available online: February 2018: Primetime alaskapublic.org ver. 2 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 Father Brown: Death In Paradise: Miss Fisher's Murder Mysteries: Hinterland: Amanpour on NHK Thu 2/1 The Daughters of Jerusalem Unlike Father, Unlike Son Game, Set, Murder Both Barrels (pt. 2) PBS Newsline Washington Alaska Great Performances: Nas Alicia Keys - Landmarks Austin City Limits: Run the Amanpour on NHK Fr 2/2 Week Insight Live from Kennedy Center Live Jewels PBS Newsline Keeping Up As Time Miss Fisher's Murder Mysteries: Doctor Who Tom Baker Movies: Stories from Front and Center: Sat 2/3 Appearances Goes By Game, Set, Murder The Leisure Hive the Stage Miranda Lambert Victoria on Masterpiece: Victoria on Masterpiece: Queen Elizabeth's Secret Call the Midwife Season 6 Victoria on Masterpiece: Sun 2/4 Entente Cordiale Faith, Hope, Charity Agents (pt. 2) (pt. 5) Faith, Hope, Charity Antiques Roadshow: Antiques Roadshow: Amanpour on NHK Mon 2/5 Independent Lens: Winnie On Story New Orleans, LA (pt. 2) Jacksonville, FL (pt. 1) PBS Newsline We'll Meet Again: Africa's Greatest Civilizations: Amanpour on NHK Tue 2/6 Gilded Age: American Experience Lost Children of Vietnam Origins PBS Newsline Animals with Cameras - a NOVA: Impossible Builds: Globe Trekker: Northeast Amanpour on NHK Wed 2/7 Nature Mini-Series (pt. 2) First Face of America The Scorpion Tower England PBS Newsline Father Brown: Death In Paradise: Miss Fisher's Murder Mysteries: Hinterland: Amanpour on NHK Thu 2/8 The Three Tools of Death Death of a Detective Death Do Us Part Return to Pontarfynach (pt. -
Digital Booklet
ORIGINAL TELEVISION SCORE ADDITIONAL CUES FOR 4-PART VERSION 01 Doctor Who - Opening Theme (The Five Doctors) 0.36 34 End of Episode 1 (Sarah Falls) 0.11 02 New Console 0.24 35 End of Episode 2 (Cybermen III variation) 0.13 03 The Eye of Orion 0.57 36 End of Episode 3 (Nothing to Fear) 0.09 04 Cosmic Angst 1.18 05 Melting Icebergs 0.40 37 The Five Doctors Special Edition: Prologue (Premix) 1.22 06 Great Balls of Fire 1.02 07 My Other Selves 0.38 08 No Coordinates 0.26 09 Bus Stop 0.23 10 No Where, No Time 0.31 11 Dalek Alley and The Death Zone 3.00 12 Hand in the Wall 0.21 13 Who Are You? 1.04 14 The Dark Tower / My Best Enemy 1.24 15 The Game of Rassilon 0.18 16 Cybermen I 0.22 17 Below 0.29 18 Cybermen II 0.58 19 The Castellan Accused / Cybermen III 0.34 20 Raston Robot 0.24 21 Not the Mind Probe 0.10 22 Where There’s a Wind, There’s a Way 0.43 23 Cybermen vs Raston Robot 2.02 24 Above and Between 1.41 25 As Easy as Pi 0.23 26 Phantoms 1.41 27 The Tomb of Rassilon 0.24 28 Killing You Once Was Never Enough 0.39 29 Oh, Borusa 1.21 30 Mindlock 1.12 31 Immortality 1.18 32 Doctor Who Closing Theme - The Five Doctors Edit 1.19 33 Death Zone Atmosphere 3.51 SPECIAL EDITION SCORE 56 The Game of Rassilon (Special Edition) 0.17 57 Cybermen I (Special Edition) 0.22 38 Doctor Who - Opening Theme (The Five Doctors Special Edition) 0.35 58 Below (Special Edition) 0.43 39 The Five Doctors Special Edition: Prologue 1.17 59 Cybermen II (Special Edition) 1.12 40 The Eye of Orion / Cosmic Angst (Special Edition) 2.22 60 The Castellan Accused / Cybermen -
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45/ Friday 9:30-12:15 Allegories in Time and Space1 On November 23rd 1963, the BBC launched their new TV show Doctor Who. They did not anticipate the cultural phenomenon.what would grow out of their low budget show with cheesy special effects. British children were enchanted by William Hartnal’s Doctor and his companions: Ian, Barbara and Susan, and gleefully scared by the fearsome salt shakers of doom: The Daleks. The stories were anywhere from 4 to 12 parts, each around 25 minutes and were serialized weekly. But lying beneath the light hearted self resolving stories ran deeper elements reflecting attitudes towards history and current events. Deeply rooted in the series was the allegory to World War II. The Daleks take the place of the Nazis and the Time Lords therefore fill the opposing role of the Alliance. At many points, the story reads as if it is a future history of what would have happen if the Nazis had won World War II. This tapped into the subconscious fears of the nation as the war was still fresh in the minds of the parents of Britain. But also tied into the contemporary fears of the Cold War and the Soviet threat. These allegorical elements along with the characters in Doctor Who, such as the Daleks and the Time Lords, that correspond to actual historical events and people make the show what it is today: timeless and timely. The Daleks would not exist if not for one man- Terry Nation. -
The Ravello Dialogues… …And Other Related Documents
Andrew Baker The Ravello Dialogues… …and other related documents. September 2018 Andrew Baker The Ravello Dialogues…and various related documents. This work was composed between 2002 and 2018. Many of the ideas, and the characters, go back much further. The various sections are intended to be read in the order that they appear here, which is not quite the order in which they were written. 1 CONTENTS Page 3 DIALOGUE 1 Form – Unity 17 DIALOGUE 2 Music – The Composer 25 DIALOGUE 3 Love 31 DIALOGUE 4 Pilgrimage – The Music of the Soul 39 DIALOGUE 5 Maude on the Trinity – The Way of Negation 46 DIALOGUE 6 Walking – The Way of Affirmation 51 THE CONSOLATIONS OF MUSIC 62 DIALOGUE 7 By the Stream 71 DIALOGUE 8 In the Mist 79 DIALOGUE 9 The House on the Border 85 DIALOGUE 10 Searching for the City 93 NOTES FOR TRAVELLERS 95 THE DANCE IN THE WORLD 101 PLATO’S FOOTBALL – A 60th birthday essay 121 A MUSICAL WANDERER – a tale 132 A FRUIT FOR EACH MOON 151 POEMS 2 1 FORM – UNITY “Etrange persistence d’un souvenir.” (Berlioz - “Lelio”) And what kind of memory is this – this garden? There’s a Mediterranean clarity to the light. If I were to climb those steps behind the kiosk (selling delicious ice creams and sorbets) I would find myself far above the sea itself – looking down as if from the clouds to that dangerously alluring blue! The Belvedere of Infinity? This may be Ravello – though the planting is more ornate than my memory would lead me to expect. -
Full Circle Sampler
The Black Archive #15 FULL CIRCLE SAMPLER By John Toon Second edition published February 2018 by Obverse Books Cover Design © Cody Schell Text © John Toon, 2018 Range Editors: James Cooray Smith, Philip Purser-Hallard John would like to thank: Phil and Jim for all of their encouragement, suggestions and feedback; Andrew Smith for kindly giving up his time to discuss some of the points raised in this book; Matthew Kilburn for using his access to the Bodleian Library to help me with my citations; Alex Pinfold for pointing out the Blake’s 7 episode I’d overlooked; Jo Toon and Darusha Wehm for beta reading my first draft; and Jo again for giving me the support and time to work on this book. John Toon has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 For you. Yes, you! Go on, you deserve it. 3 Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl -
Celestial Intervention
CELESTIAL INTERVENTION www.dalesmithonline.com CELESTIAL INTERVENTION ‘The Doctor did it – somehow,’ Damon looked up from his computer console, smiling as he did, ‘The anti-matter source is gone. Omega must have been destroyed.’ ‘Unfortunate, wretched creature,’ Borusa sighed. ‘My only hope is that he has found peace at last. A deep brooding silence set up residence in the Gallifreyan computer room. All eyes went to the President as he sat, staring into an unimaginable distance as he saw the inevitable unfold before his eyes. Borusa watched, a helpless spectator, watched as he saw the end of his planet, courtesy of the Matrix. The vision left him, but the President still did not move. He sat, silently planning to save his planet from its fate. Borusa’s eyes burned with determination. He knew what he must do. 1 www.dalesmithonline.com CELESTIAL INTERVENTION He rose quickly, and the others mimicked the action respectfully, concern in their eyes. The President paced towards the door, and turned to face the Castellan before he reached it. ‘Find Maxil,’ the President ordered and the Castellan bowed slightly, showing his understanding. ‘Bring him to me. I shall be in my quarters. I need time to think.’ Borusa left the computer room, hastily followed by the Castellan. Damon went back to his computer as Thalia and Zorac looked at each other in wonder. Borusa tried to think, but he could see no other answers. The same problems kept arising to every solution he tried to find, save for two. For the sake of all Gallifrey he must try. -
Sélection Documentaire Déambulation Musicale : Dessine-Moi Un Son Arts Numériques Avec Le Collectif Matrice
20, rue Mirès – 13003 Marseille Tél. : 04 13 31 82 00 - www.biblio13.fr SÉLECTION DOCUMENTAIRE DÉAMBULATION MUSICALE : DESSINE-MOI UN SON ARTS NUMÉRIQUES AVEC LE COLLECTIF MATRICE IMAGES NUMÉRIQUES ? : LEURS EFFETS SUR LE CINÉMA ET LES AUTRES ARTS SOUS LA DIRECTION DE CAROLINE RENARD PRESSES UNIVERSITAIRES DE PROVENCE, 2014 (ARTS. THÉORIE ET PRATIQUE DES ARTS) Les auteurs, issus des domaines des arts plastiques, du cinéma, de la philosophie ou de la photographie, ont choisi de considérer le numérique comme un levier théorique invitant à repenser les pratiques actuelles et à déplacer les limites des catégories esthétiques. L’ART A-T-IL BESOIN DU NUMÉRIQUE ? SOUS LA DIRECTION DE JEAN-PIERRE BALPE, MANUELA DE BARROS HERMÈS SCIENCE PUBLICATIONS, 2006 (INFORMATION, HYPERMÉDIAS ET COMMUNICATION) Colloque de Cerisy, 20-30 juil. 2004. Réflexion sur les apports du numérique en art, les changements qu’il y a apportés, les déplacements opérés. Un panorama de propositions et de points de vue théoriques permettant de mesurer l’impact actuel de ces technologies dans le champ de la création artistique. ART ET NOUVELLES TECHNOLOGIES : ART VIDÉO, ART NUMÉRIQUE FLORENCE DE MÈREDIEU LAROUSSE, 2011 (COMPRENDRE ET RECONNAÎTRE) Donne des repères sur une nouvelle pratique artistique : l’utilisation des nouvelles technologies dans l’art contemporain. Sont étudiés : l’art vidéo, l’art par ordinateur, les installations multimédias, l’imagerie numérique, les mondes virtuels et l’interactivité, les CD- ROM d’artistes, les réseaux et l’art sur le Net. Avec des encadrés sur des artistes, des œuvres ou des notions-clés. L’ART NUMÉRIQUE CHRISTIANE PAUL THAMES & HUDSON, 2004 (L’UNIVERS DE L’ART) Les technologies numériques ont révolutionné la production et la réception de l’art.