Rich's Notes: 1 Chapter 1 the Ten Doctors: a Graphic Novel by Rich
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THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Darren Pearce and Gareth Ryder-Hanrahan ADDITIONAL DEVELOPMENT: Nathaniel Torson EDITING: Dominic McDowall-Thomas COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall-Thomas ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. “My First Begins With An Unearthly Child” The First Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trade marks of the British Broadcasting Corporation and are used Sample file under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. Printed in the USA THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CONTENTS CHAPTER ONE 4 CHAPTER SEVEN 89 Introduction 5 The Chase 90 Playing in the First Doctor Era 6 The Time Meddler 96 The Tardis 12 Galaxy Four 100 CHAPER TWO 14 CHAPTER EIGHT 104 An Unearthly Child 15 The Myth Makers 105 The Daleks 20 The Dalek’s Master Plan 109 The Edge of Destruction 26 The Massacre 121 CHAPTER THREE 28 CHAPTER NINE 123 Marco Polo 29 The Ark 124 The Keys of Marinus 35 The Celestial Toymaker 128 The -
DOCTOR WHO by Matthew Jacobs Mysterious Theatre 337 – Show 200402 Part 2 - Revision 2 by the Usual Suspects Transcription by Steve Hill
DOCTOR WHO By Matthew Jacobs Mysterious Theatre 337 – Show 200402 Part 2 - Revision 2 By the usual suspects Transcription by Steve Hill (Continued from part 1) EVERYONE Thirty seconds! Twenty-nine! Twenty-eight! Twenty-seven! Twenty-six! Twenty-five! SCOTT: At least they can count. Back in the Tardis it continues. EVERYONE Twenty. Nineteen. Eighteen. EVERYONE Seventeen. Sixteen. Fifteen. SCOTT: (whenever the Master/Doctor head vibration happens) (make wibble noise) EVERYONE Twelve! Eleven! Ten! GRACE I thought surgery was difficult. RICK: Obviously it is since you killed him. EVERYONE Nine! Lightning strikes up outside. EVERYONE SCOTT: Activate the device already, bee-yatch! Eight! GRACE Re - - routing the power. MASTER I'm alive. EVERYONE Seven! GRACE I'm re-routing the power. Ow! EVERYONE Six. MASTER I'm alive. I'm alive! NEWS That's all the time we have. ALL: OK, bye! EVERYONE Three! MASTER I am alive! EVERYONE (WAGG) One! (pop) DAVE: Pop goes the weasel. Grace connects the wires, the console sparks and comes to life. Fireworks outside, clocks changing, the time rotor starting and the ROB: (12:00, tinkly music) (Wicked witch music) column beginning to move. Grace looks at the console, the clock is RICK: It's a twister! Auntie Em! Auntie Em! running backward. The Tardis is caught in a whirlwind of light and is suddenly gone. DOCTOR (flashback v.o.) We have to go back to before the eye was opened, maybe even before we arrived. 1 GRACE Alarm clock, alarm clock, think alarm clock. Entering temporal orbit, says the screen. GRACE Temporal orbit? What's a temporal orbit? ROB: (as Grace) I can figure out dimensional transference, but I don't know what a temporal orbit is! We get the stretchy shots and rapid editing that is supposed to look cool DAVE: (stretchy) 2000: The Year Things Went Stretchy. -
1 2019 Gally Academic Track Friday, February 15
2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives. -
{PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion
Read Ebook {PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion. The Doctor and Sarah arrive in London to find it deserted. The city has been evacuated as prehistoric monsters appear in the streets. While the Doctor works to discover who or what is bringing the dinosaurs to London, Sarah finds herself trapped on a spaceship that left Earth months ago travelling to a new world… Against the odds, the Doctor manages to trace the source of the dinosaurs. But will he and the Brigadier be in time to unmask the villains before Operation Golden Age changes the history of planet Earth and wipes out the whole of human civilisation? This novel is based on a Doctor Who story which was originally broadcast from 12 January–16 February 1974. Featuring the Third Doctor as played by Jon Pertwee with his companion Sarah Jane Smith and UNIT. Doctor Who: Invasion Earth! (Classic Novels Box Set) Terrance Dicks. Malcolm Hulke. Doctor Who And The Sea-Devils. Malcolm Hulke. Doctor Who and the Cave Monsters. Malcolm Hulke. Doctor Who And The War Games. Malcolm Hulke. Doctor Who And The Green Death. Malcolm Hulke. Doctor Who And The Silurians (TV Soundtrack) Malcolm Hulke. Doctor Who And The Dinosaur Invasion. Malcolm Hulke. Doctor Who And The Doomsday Weapon. Malcolm Hulke. Doctor Who: The Faceless Ones (TV Soundtrack) David Ellis. Malcolm Hulke. DOCTOR WHO. 101 Books. Malcolm Hulke was a prolific and respected television writer from the 1950s until the 1970s. His writing credits included the early science fiction Pathfinders series, as well as The Avengers. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
![Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels](https://docslib.b-cdn.net/cover/8862/archons-commanders-notice-they-are-not-anlien-parasites-and-then-in-a-mirror-image-of-the-great-emanations-of-the-pleroma-hundreds-of-lesser-angels-438862.webp)
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
A Photo Journal of Doctor Who Filming
www.dwasonline.co.uk for membership EDITORIAL details!) Editor John Davies who shares his by Grant Bull love of the brilliant Red Dwarf. Welcome back one and all, Our cover this time is by the always amazing Paul Watts. As is the norm with Paul I gave Firstly I would like to thank all those that him a brief for the commission and he blew downloaded #1 and said lovely things about my mind with the end product. Nothing I saw it. The stats look good and a wide audience in my head looked this good. Incredible art. was reached but I’m hoping this issue will Check out more of Paul’s masterpieces at surpass those numbers though, so keep www.paulwatts-illustration.co.uk downloading please... and not just you Mum! My thanks again to all those involved in this issue, it would have been a blank document This issue we have a nice selection of without you, so thanks for your willingness reviews, fiction and art, along with a couple to be a part of this project. Submissions for of interviews with people behind Who further issues, feedback or virtual take-away related projects. We also introduce a new menus can be sent to [email protected] feature called ‘Other than Who’ the idea being someone is invited to discuss one of Until next time, their other favourite shows after Doctor Who. The first piece is by the ever-reliable G Celestial Toyroom (little plug there, check out Cosmic Masque Issue 2 April 2016 Published by the Doctor Who Appreciation Society Front cover by Paul Watts Layout by Nicholas Hollands All content is © relevant contributor/DWAS Doctor Who is (C) BBC No copyright infringement is intended CONTACT US DWAS, Unit 117, 33 Queen Street, Horsham, RH13 5AA FIND US ONLINE www.dwasonline.co.uk facebook.com/dwasonline twitter.com/dwas63 youtube.com/dwasonline - 2 - Series Review years ago this March but and, in what is the first credit to this book, the text manages to The Black fit this still recent living memory of Who-lore in with past and future adventures without archive making the reader feel that passing decade (plus one) too keenly. -
Rich's Notes: the Ten Doctors: a Graphic Novel by Rich Morris 102
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 102 Rich's Notes: Since the Daleks are struggling to destroy eachother as well as their attackers, the advantage goes to the Federation forces. Things are going well and the 5th Doctor checks in with the 3rd to see how the battle is playing out. The 3rd Doctor confirms that all is well so far, but then gets a new set of signals. A massive fleet of Sontaran ships unexpectedly comes out of nowhere, an the Sontaran reveal a plot to eliminate the Daleks, the Federation fleet AND the Time Lords! The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 103 Rich's Notes: The 3rd Doctor is restrained by the Sontarans before he can warn the fleet. The 5th Doctor tries as well, but the Master has jammed his signal. The Master explains how he plans to use his new, augmented Sontarans to take over the universe. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 104 Rich's Notes: Mistaking the Sontarans as surprise allies hoping to gain the lion’s share of the glory, the Draconian Ambassador and the Ice Warrior general move to greet them as befits their honour and station. But they get a nasty surprise when the Sontarans attack them. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 105 Rich's Notes: The Master, his plot revealed, now uses the sabotaged computer to take over control of the 5th Doctor’s ship. He uses it to torment his old enemy, but causing him to destroy the Federation allies. -
Units and Measurement
CHAPTER TWO UNITS AND MEASUREMENT 2.1 INTRODUCTION Measurement of any physical quantity involves comparison with a certain basic, arbitrarily chosen, internationally 2.1 Introduction accepted reference standard called unit. The result of a measurement of a physical quantity is expressed by a 2.2 The international system of number (or numerical measure) accompanied by a unit. units Although the number of physical quantities appears to be 2.3 Measurement of length very large, we need only a limited number of units for 2.4 Measurement of mass expressing all the physical quantities, since they are inter- 2.5 Measurement of time related with one another. The units for the fundamental or 2.6 Accuracy, precision of base quantities are called fundamental or base units. The instruments and errors in units of all other physical quantities can be expressed as measurement combinations of the base units. Such units obtained for the 2.7 Significant figures derived quantities are called derived units. A complete set of these units, both the base units and derived units, is 2.8 Dimensions of physical quantities known as the system of units. 2.9 Dimensional formulae and 2.2 THE INTERNATIONAL SYSTEM OF UNITS dimensional equations In earlier time scientists of different countries were using 2.10 Dimensional analysis and its different systems of units for measurement. Three such applications systems, the CGS, the FPS (or British) system and the MKS Summary system were in use extensively till recently. Exercises The base units for length, mass and time in these systems Additional exercises were as follows : • In CGS system they were centimetre, gram and second respectively. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Doctor Who Party
The Annual DoctorCostume ComparisonWho Gallery Party Tim Harrison, Sr. as the 4th Doctor and Eric Stein as Captain Jack Harkness Jim Martin as the 9th Doctor Sarah Gilbertson as Raffalo (The End of the World) Esther Harrison as Harriet Jones (The Christmas Invasion) Karen Martin as Rose Tyler Jesse Stein as the 10th Doctor Katie Grzebin as Novice Hame (New Earth) Timothy Harrison, Jr. as the 10th Doctor and Lindsay Harrison as Rose Tyler (Tooth and Claw) JoLynn Graubart as Martha Jones and Matt Graubart as a Weeping Angel (Blink) Andrew Gilbertson as Prof. Yana (Utopia) Kayleigh Bickings as Lady Christina (Planet of the Dead) Joe Harrison as a Whifferdill (taking the form of Joe Harrison) (DWM: Voyager) 4, 9, 10, and everyone’s favorite Canine Computer... A bowl of Adipose... No substitute for a sonic blaster, but the 9th and 10th are fans... HOME 2010 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 1st Doctor Hayley as a Dalek Camryn Bickings as ...Koquillion? (The Rescue) Timothy Harrison, Jr. as the 5th Doctor Jim Martin as the 9th Doctor Esther Harrison as Sarah Jane Smith BJ Johnson as a Weeping Angel (Blink) Sarah Gilbertson as Lucy Saxon (Last of the Time Lords) Katie Grzebin as Jenny (The Doctor’s Daughter) Karen Martin as the Visionary (The End of Time) Eric Stein as the post-regeneration 11th Doctor (The Eleventh Hour) Joe Harrison as the 11th Doctor Lindsay Harrison as Liz 10 (The Beast Below) JoLynn Graubart as Amy Pond and Matt Graubart as Rory the Roman (The Pandorica Opens) HOME 2009 2011 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 2nd Doctor Joe Harrison as Jamie McCrimmon Timothy Harrison, Jr.