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Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
DOCTOR WHO by Matthew Jacobs Mysterious Theatre 337 – Show 200402 Part 2 - Revision 2 by the Usual Suspects Transcription by Steve Hill
DOCTOR WHO By Matthew Jacobs Mysterious Theatre 337 – Show 200402 Part 2 - Revision 2 By the usual suspects Transcription by Steve Hill (Continued from part 1) EVERYONE Thirty seconds! Twenty-nine! Twenty-eight! Twenty-seven! Twenty-six! Twenty-five! SCOTT: At least they can count. Back in the Tardis it continues. EVERYONE Twenty. Nineteen. Eighteen. EVERYONE Seventeen. Sixteen. Fifteen. SCOTT: (whenever the Master/Doctor head vibration happens) (make wibble noise) EVERYONE Twelve! Eleven! Ten! GRACE I thought surgery was difficult. RICK: Obviously it is since you killed him. EVERYONE Nine! Lightning strikes up outside. EVERYONE SCOTT: Activate the device already, bee-yatch! Eight! GRACE Re - - routing the power. MASTER I'm alive. EVERYONE Seven! GRACE I'm re-routing the power. Ow! EVERYONE Six. MASTER I'm alive. I'm alive! NEWS That's all the time we have. ALL: OK, bye! EVERYONE Three! MASTER I am alive! EVERYONE (WAGG) One! (pop) DAVE: Pop goes the weasel. Grace connects the wires, the console sparks and comes to life. Fireworks outside, clocks changing, the time rotor starting and the ROB: (12:00, tinkly music) (Wicked witch music) column beginning to move. Grace looks at the console, the clock is RICK: It's a twister! Auntie Em! Auntie Em! running backward. The Tardis is caught in a whirlwind of light and is suddenly gone. DOCTOR (flashback v.o.) We have to go back to before the eye was opened, maybe even before we arrived. 1 GRACE Alarm clock, alarm clock, think alarm clock. Entering temporal orbit, says the screen. GRACE Temporal orbit? What's a temporal orbit? ROB: (as Grace) I can figure out dimensional transference, but I don't know what a temporal orbit is! We get the stretchy shots and rapid editing that is supposed to look cool DAVE: (stretchy) 2000: The Year Things Went Stretchy. -
1 2019 Gally Academic Track Friday, February 15
2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
A Photo Journal of Doctor Who Filming
www.dwasonline.co.uk for membership EDITORIAL details!) Editor John Davies who shares his by Grant Bull love of the brilliant Red Dwarf. Welcome back one and all, Our cover this time is by the always amazing Paul Watts. As is the norm with Paul I gave Firstly I would like to thank all those that him a brief for the commission and he blew downloaded #1 and said lovely things about my mind with the end product. Nothing I saw it. The stats look good and a wide audience in my head looked this good. Incredible art. was reached but I’m hoping this issue will Check out more of Paul’s masterpieces at surpass those numbers though, so keep www.paulwatts-illustration.co.uk downloading please... and not just you Mum! My thanks again to all those involved in this issue, it would have been a blank document This issue we have a nice selection of without you, so thanks for your willingness reviews, fiction and art, along with a couple to be a part of this project. Submissions for of interviews with people behind Who further issues, feedback or virtual take-away related projects. We also introduce a new menus can be sent to [email protected] feature called ‘Other than Who’ the idea being someone is invited to discuss one of Until next time, their other favourite shows after Doctor Who. The first piece is by the ever-reliable G Celestial Toyroom (little plug there, check out Cosmic Masque Issue 2 April 2016 Published by the Doctor Who Appreciation Society Front cover by Paul Watts Layout by Nicholas Hollands All content is © relevant contributor/DWAS Doctor Who is (C) BBC No copyright infringement is intended CONTACT US DWAS, Unit 117, 33 Queen Street, Horsham, RH13 5AA FIND US ONLINE www.dwasonline.co.uk facebook.com/dwasonline twitter.com/dwas63 youtube.com/dwasonline - 2 - Series Review years ago this March but and, in what is the first credit to this book, the text manages to The Black fit this still recent living memory of Who-lore in with past and future adventures without archive making the reader feel that passing decade (plus one) too keenly. -
Rich's Notes: the Ten Doctors: a Graphic Novel by Rich Morris 102
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 102 Rich's Notes: Since the Daleks are struggling to destroy eachother as well as their attackers, the advantage goes to the Federation forces. Things are going well and the 5th Doctor checks in with the 3rd to see how the battle is playing out. The 3rd Doctor confirms that all is well so far, but then gets a new set of signals. A massive fleet of Sontaran ships unexpectedly comes out of nowhere, an the Sontaran reveal a plot to eliminate the Daleks, the Federation fleet AND the Time Lords! The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 103 Rich's Notes: The 3rd Doctor is restrained by the Sontarans before he can warn the fleet. The 5th Doctor tries as well, but the Master has jammed his signal. The Master explains how he plans to use his new, augmented Sontarans to take over the universe. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 104 Rich's Notes: Mistaking the Sontarans as surprise allies hoping to gain the lion’s share of the glory, the Draconian Ambassador and the Ice Warrior general move to greet them as befits their honour and station. But they get a nasty surprise when the Sontarans attack them. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 5 105 Rich's Notes: The Master, his plot revealed, now uses the sabotaged computer to take over control of the 5th Doctor’s ship. He uses it to torment his old enemy, but causing him to destroy the Federation allies. -
Table of Contents
Table of contents Cover by nonasuch.tumblr.com Quote by the Seventh Doctor The Tenth Doctor by Melissa Dalton Farewell Ponds by nisiedrawsstuff.tumblr.com A Personal Voyage by Hiro Miyamoto Superfly The Doctor Who Dude Problem by Vivian Jamie McCrimmon by pikse.tumblr.com A !rief List by nonasuch The !ridge by Sage H Paul Mc#ann Doesn't Count by aralias Ma%e an Adipose !aby by nonasuch Si( )istorical Women by nonasuch Li*ard Woman + Wife by Noni Boynton Clara and ,leven by tallytodd.tumblr.com Come -n, We've/// by grey_bard 0There are worlds out there where the s%y is burning. where the sea's aslee& and the rivers dream. &eople made of smoke and cities made of song. Somewhere there's danger. somewhere there's injustice and somewhere else the tea is getting cold/ Come on, Ace, we've got wor% to do." Doctor Who: A Personal Voyage The second most common question I hear whenever I bring up Doctor Who is “What is Doctor Who?” (the most common one being “Who is Doctor Who?”) It’s really hard to summarize. Too few words and you don’t capture the spirit of it. Too many and you quickly alienate the newcomer. I’ve heard people describe it as “the story of an alien who travels through time and space in a box that’s bigger on the inside.” That’s great. It encapsulates the strangeness inherent in such a series. The only problem is that you shouldn’t just give all of this info to a newcomer right off the bat. -
PROFIBUS Master Unit
MachineZX-T Automation Series Controller CJ-series PROFIBUS Master Unit Operation Manual for NJ-series CPU Unit CJ1W-PRM21 PROFIBUS Master Unit W509-E2-01 Introduction Introduction Thank you for purchasing a CJ-series CJ1W-PRM21 PROFIBUS Master Unit. This manual contains information that is necessary to use the CJ-series CJ1W-PRM21 PROFIBUS Master Unit for an NJ-series CPU Unit. Please read this manual and make sure you understand the functionality and performance of the NJ-series CPU Unit before you attempt to use it in a control sys- tem. Keep this manual in a safe place where it will be available for reference during operation. Intended Audience This manual is intended for the following personnel, who must also have knowledge of electrical sys- tems (an electrical engineer or the equivalent). • Personnel in charge of introducing FA systems. • Personnel in charge of designing FA systems. • Personnel in charge of installing and maintaining FA systems. • Personnel in charge of managing FA systems and facilities. For programming, this manual is intended for personnel who understand the programming language specifications in international standard IEC 61131-3 or Japanese standard JIS B3503. Applicable Products This manual covers the following products. CJ-series CJ1W-PRM21 PROFIBUS Master Unit CJ-series PROFIBUS Master Unit Operation Manual for NJ-series CPU Unit (W509) 1 Introduction Relevant Manuals There are three manuals that provide basic information on the NJ-series CPU Units: the NJ-series CPU Unit Hardware User’s Manual, the NJ-series CPU Unit Software User’s Manual and the NJ-series Instructions Reference Manual. -
Rich's Notes: 1 Chapter 1 the Ten Doctors: a Graphic Novel by Rich
The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 1 Rich's Notes: The 10th (and current) Doctor goes to The Eye of Orion (the Five Doctors) to reflect after the events of The Runaway Bride. He meets up with his previous incarnation, the 9th Doctor and Rose, here exploring the Eye of Orion sometime between the events of Father’s Day and The Empty Child. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 2 Rich's Notes: The 9th and 10th Doctors and Rose stumble upon the 7th Doctor and Ace, who we join at some point between Dimensions in Time and The Enemy Within(aka. The Fox Movie) You’ll notice the style of the drawings changing a bit from page to page as I struggle to settle on a realism vs. cartoony feel for this comic. Hopefully it’ll settle soon. And hopefully none of you will give a rat’s bottom. The Ten Doctors: A Graphic Novel by Rich Morris Chapter 1 3 Rich's Notes: The 10th Doctor, in order to keep the peace, attempts to explain the situation to Ace and Rose. Ace, however, has an advantage. She's seen some of the Doctor's previous incarnations in a strange time trap set up by the Rani (The 30th Anniversary special: Dimensions in Time, which blew chunks). The 2nd Doctor arrives, seemingly already understanding the situation, accompanied by Jamie and Zoe. (The 2nd Doctor arrives from some curious timeline not fully explained by the TV series. Presumably his onscreen regeneration was a farce and he was employed by the Time Lords for a time to run missions for them before they finally changed him into the 3rd Doctor. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45/ Friday 9:30-12:15 Allegories in Time and Space1 On November 23rd 1963, the BBC launched their new TV show Doctor Who. They did not anticipate the cultural phenomenon.what would grow out of their low budget show with cheesy special effects. British children were enchanted by William Hartnal’s Doctor and his companions: Ian, Barbara and Susan, and gleefully scared by the fearsome salt shakers of doom: The Daleks. The stories were anywhere from 4 to 12 parts, each around 25 minutes and were serialized weekly. But lying beneath the light hearted self resolving stories ran deeper elements reflecting attitudes towards history and current events. Deeply rooted in the series was the allegory to World War II. The Daleks take the place of the Nazis and the Time Lords therefore fill the opposing role of the Alliance. At many points, the story reads as if it is a future history of what would have happen if the Nazis had won World War II. This tapped into the subconscious fears of the nation as the war was still fresh in the minds of the parents of Britain. But also tied into the contemporary fears of the Cold War and the Soviet threat. These allegorical elements along with the characters in Doctor Who, such as the Daleks and the Time Lords, that correspond to actual historical events and people make the show what it is today: timeless and timely. The Daleks would not exist if not for one man- Terry Nation. -
The Early Adventures - 5.4 the Crash of the Uk- 201 Pdf, Epub, Ebook
THE EARLY ADVENTURES - 5.4 THE CRASH OF THE UK- 201 PDF, EPUB, EBOOK Jonathan Morris | none | 31 Jan 2019 | Big Finish Productions Ltd | 9781781789667 | English | Maidenhead, United Kingdom The Early Adventures - 5.4 The Crash of the UK-201 PDF Book Textbook Stuff. View all Movies Sites. Some of these events are wonderful, some are tragic, but together they form our lives. First Doctor. The Black Hole. Series three saw the return of the First Doctor. Prev Post. Can she fix things so she gets back to the doctor. But it never made it. Steven , Sara. Thanks for telling us about the problem. Big Finish Originals. Short Trips 14 : The Solar System. The Dimension Cannon. You must be logged in to post a comment. Social connect: Login Login with twitter. Star Wars. Subscriber Short Trips. Cancel Save. Crashing on the planet Dido, a tragic chain of events was set in motion leading to the death of almost all of its crew and a massacre of the indigenous population. File:Domain of the Voord cover. The Eleventh Doctor Chronicles. Tales of Terror. The Scarifyers. Stockton Butler marked it as to-read Aug 31, Torchwood - Big Finish Audio. This has what seems to be a wonderful effect: the crew survives, the ship proceeds to arrive at the colony Astra, and Vicki goes on to live a long, happy life, first with her father and later with her husband and children. The baddies are a bit new series Doctor Who and would have been realised very differently in Tony rated it it was amazing May 31, For the first two stories, the role of Barbara Wright was recast, as Jacqueline Hill was deceased.