Tides of Time 38-Proofing
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
VORTEX Playing Mrs Constance Clarke
THE BIG FINISH MAGAZINE MARCH 2021 MARCH ISSUE 145 DOCTOR WHO: DALEK UNIVERSE THE TENTH DOCTOR IS BACK IN A BRAND NEW SERIES OF ADVENTURES… ALSO INSIDE TARA-RA BOOM-DE-AY! WWW.BIGFINISH.COM @BIGFINISH THEBIGFINISH @BIGFINISHPROD BIGFINISHPROD BIG-FINISH WE MAKE GREAT FULL-CAST AUDIO DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND/OR DOWNLOAD WE LOVE STORIES Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, Dark Shadows, Blake’s 7, The Avengers, The Prisoner, The Omega Factor, Terrahawks, Captain Scarlet, Space: 1999 and Survivors, as well as classics such as HG Wells, Shakespeare, Sherlock Holmes, The Phantom of the Opera and Dorian Gray. We also produce original creations such as Graceless, Charlotte Pollard and The Adventures of Bernice Summerfield, plus the THE BIG FINISH APP Big Finish Originals range featuring seven great new series: The majority of Big Finish releases ATA Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence can be accessed on-the-go via Investigate, Blind Terror, Transference and The Human Frontier. the Big Finish App, available for both Apple and Android devices. Secure online ordering and details of all our products can be found at: bgfn.sh/aboutBF EDITORIAL SINCE DOCTOR Who returned to our screens we’ve met many new companions, joining the rollercoaster ride that is life in the TARDIS. We all have our favourites but THE SIXTH DOCTOR ADVENTURES I’ve always been a huge fan of Rory Williams. He’s the most down-to-earth person we’ve met – a nurse in his day job – who gets dragged into the Doctor’s world THE ELEVEN through his relationship with Amelia Pond. -
Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Doctor Who 50 Jaar Door Tijd En Ruimte
Doctor Who 50 jaar door tijd en ruimte 1963-1989 2005-nu 1963-1989 2005-nu Doctor Who • Britse science fiction Sydney Newman, Verity Lambert, Warris Hussein Doctor Who • Britse science fiction • Moeilijke start • Showrunners • Genre • Studio • Karakter Doctor • 23 november 1963 Doctor Who • Britse science fiction • Show bijna afgevoerd • Educatief kinderprogramma • Tijdreizen = • Toekomst: wetenschap • Verleden: geschiedenis Doctor Who • Britse science fiction • Show bijna afgevoerd • Educatief kinderprogramma • Vier hoofdpersonages • Ian Chesterton • Barbara Wright • Susan Foreman • The Doctor ? Doctor WHO? The Oncoming Storm The Doctor (1963-1966) • Alien • ‚Time Lord’ van planeet Gallifrey • Reist door tijd en ruimte in TARDIS • Vast op aarde met kleindochter William Hartnell - Eerste Doctor Ian, Barbara en Susan TARDIS • ‚Chameleon Circuit’ • Time And Relative Dimension In Space • Eigen zwaartekracht-veld Daleks • Creativiteit op een beperkt budget • Eerste aliens in de show • Planeet Skaro • Aartsvijand Doctor • Culturele invloed • Iconisch uiterlijk Cybermen • Laatste verhaal William Hartnell • Emotieloos • Mens in Cyberman veranderen • ‚Upgrades’ • The Borg Regeneratie Tweede Doctor (1966-1969) • Regeneraties • Van ‚strenge grootvader’ naar ‚kosmische vagebond’ • Twee harten • Sonic screwdriver Patrick Troughton - Tweede Doctor Sonic Screwdriver • Opent sloten, scant omgeving • Kan alles (behalve hout) • Kan te veel? De Time Lords Tweede Doctor (1966-1969) • Regeneraties • Van ‚strenge grootvader’ naar ‚kosmische vagebond’ • Twee harten -
Sample File Under Licence
THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Darren Pearce and Gareth Ryder-Hanrahan ADDITIONAL DEVELOPMENT: Nathaniel Torson EDITING: Dominic McDowall-Thomas COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall-Thomas ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. “My First Begins With An Unearthly Child” The First Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trade marks of the British Broadcasting Corporation and are used Sample file under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. Printed in the USA THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CONTENTS CHAPTER ONE 4 CHAPTER SEVEN 89 Introduction 5 The Chase 90 Playing in the First Doctor Era 6 The Time Meddler 96 The Tardis 12 Galaxy Four 100 CHAPER TWO 14 CHAPTER EIGHT 104 An Unearthly Child 15 The Myth Makers 105 The Daleks 20 The Dalek’s Master Plan 109 The Edge of Destruction 26 The Massacre 121 CHAPTER THREE 28 CHAPTER NINE 123 Marco Polo 29 The Ark 124 The Keys of Marinus 35 The Celestial Toymaker 128 The -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
1 Asdatown: the Intersections of Classed Places and Identities. Dr. B
Asdatown: The intersections of classed places and identities. Dr. B. Gidley and Dr. Alison Rooke Dept of Sociology Goldsmiths Introduction This chapter will explore the intersections between classed places and identities, focusing on the UK and examining the ways in which the figures of the ‘chav’ and the ‘pikey’ have been represented in British popular culture and in official policy discourses. We will argue that these representations conflate the racialized identity of the Gypsy Traveller with white working class identities and draw on the presence or proximity of Irish or Gypsy Travellers to the white ‘underclass’ in order to metonymically racialize the white working class as a whole. The politics of space, we will argue, is central to this process. Existing sociological and cultural geography literature hints at the active role of the spatial imaginary in classing people (Charleworth 2000, Robson 2000, Haylett 2000, Hewitt 2005, Skeggs 2005). We will argue that particular spaces and places – housing estates, and places described as ‘chav towns’ – are used discursively as a way of fixing people in racialized class positions. In British culture, there is a long history of reading poverty and class spatially. Indeed, the roots of British empirical sociology can be found in a middle class preoccupation with the poor working class others who could be located in districts of the city. While the persistence of poverty is explained in policy discourse in terms of ‘cycles’ and ‘cultures’ of poverty entrenched in a regressive or ‘backwards’ working 1 class, we will argue that what is regressive – and tainted by its Victorian imperialist history – is the persistent classing gaze which fixes working class people in place. -
Ben Cogan 2015 - Freelance Casting Director
Ben Cogan 2015 - Freelance Casting Director 2016 Trendy (Feature Film) Executive Producer: Marilena Parouti Director: Louis Lagayette 2016 Son of Perdition (Short Film) Producer: Alex Carapuig Director: Matthew Harrison 2015 Just Charlie (Feature Film) Executive Producer: Karen Newman Director: Rebekah Fortune 2015 After the Fray (Short Film) Producer: Alex Carapuig Director: Matthew Harrison 2002 - 2015 Casting Director at BBC 2006 – 2015 Casualty (183 episodes and regulars) Executive Producers: Mervyn Watson, Belinda Campbell, Jonathan Phillips and Oliver Kent Series Producers: Jane Dauncey, Oliver Kent, Nikki Wilson and Erika Hossington Producers: Various Directors: Various BAFTA nominations for ‘Continuing Drama’ in 2007 (won), 2009, 2010, 2011, 2014 and 2015. 2009 Wish 143 (Short Film) Producer: Samantha Waite Director: Ian Barnes Oscar nominated. 2008 Kiss of Death (TV Movie) Executive Producer: Patrick Spence Producer: Jane Steventon Director: Paul Unwin 2007 The Real Deal Executive Producer: Will Trotter Producer: Ben Bickerton Director: Ian Barnes 2002 – 2006 Doctors (345 episodes and regulars) Executive Producers: Carson Black & Will Trotter Series Producers: Beverley Dartnall Producers: Various Directors: Various 2005 The Trouble with George Executive Producer: Mal Young & Serena Cullen Producer: Sam Hill Director: Matthew Parkhill 2000 – 2002 Casting Assistant at BBC EastEnders (225 episodes) Executive Producer: John Yorke Series Producer: Lorraine Newman Producers: Various Directors: Various Holby City (38 episodes) Executive Producer: Mal Young Series Producer: Kathleen Hutchinson Producers: Various Directors: Various In Deep (4 episodes) Executive Producer: Mal Young Producer: Steve Lanning Director: Colin Bucksey Waking the Dead (4 episodes) Executive Producer: Alexei de Keyser Producer: Joy Spink Director: Robert Knights & Gary Love EastEnders: The Return of Nick Cotton Executive Producers: Mal Young & John Yorke Producer: Beverley Dartnall Director: Chris Bernard . -
The Aesthetics of Mainstream Androgyny
The Aesthetics of Mainstream Androgyny: A Feminist Analysis of a Fashion Trend Rosa Crepax Goldsmiths, University of London Thesis submitted for the degree of Ph.D. in Sociology May 2016 1 I confirm that the work presented in this thesis is my own. Rosa Crepax Acknowledgements I would like to thank Bev Skeggs for making me fall in love with sociology as an undergraduate student, for supervising my MA dissertation and encouraging me to pursue a PhD. For her illuminating guidance over the years, her infectious enthusiasm and the constant inspiration. Beckie Coleman for her ongoing intellectual and moral support, all the suggestions, advice and the many invaluable insights. Nirmal Puwar, my upgrade examiner, for the helpful feedback. All the women who participated in my fieldwork for their time, patience and interest. Francesca Mazzucchi for joining me during my fieldwork and helping me shape my methodology. Silvia Pezzati for always providing me with sunshine. Laura Martinelli for always being there when I needed, and Martina Galli, Laura Satta and Miriam Barbato for their friendship, despite the distance. My family, and, in particular, my mum for the support and the unpaid editorial services. And finally, Goldsmiths and everyone I met there for creating an engaging and stimulating environment. Thank you. Abstract Since 2010, androgyny has entered the mainstream to become one of the most widespread trends in Western fashion. Contemporary androgynous fashion is generally regarded as giving a new positive visibility to alternative identities, and signalling their wider acceptance. But what is its significance for our understanding of gender relations and living configurations of gender and sexuality? And how does it affect ordinary people's relationship with style in everyday life? Combining feminist theory and an aesthetics that contrasts Kantian notions of beauty to bridge matters of ideology and affect, my research investigates the sociological implications of this phenomenon. -
Blink by Steven Moffat EXT
Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper. -
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, You've Heard of Me, Then? (你們聽說
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, you've heard of me, then? (你們聽說過我?) YVONNE: Well of course we have. And I have to say, if it wasn't for you, none of us would be here. The Doctor and the Tardis. (那當然了。我得說,要不是因為你,我們根本不會在這裡。博 士和 TARDIS!!) DOCTOR: And you are? (那你是?) YVONNE: Oh, plenty of time for that. But according to the records, you're not one for travelling alone. The Doctor and his companion. That's a pattern, isn't it, right? There's no point hiding anything. Not from us. So where is she? (那可以慢慢說。不過按紀錄,你不是單獨旅行的。博 士,和他的夥伴。就這模式,對吧? 你不用隱藏什麼,至少對我們不用。那,她在哪?) DOCTOR: Yes. Sorry. Good point. She's just a bit shy, that's all. (對,有道理。抱歉。她就是有 點害羞啦。) DOCTOR: But here she is, Rose Tyler. (就是她,Rose Tyler.) DOCTOR: Hmm. She's not the best I've ever had. Bit too blonde. Not too steady on her pins. A lot of that. (她不是我最好的夥伴。有點太金髮,做事不仔細,常這樣。) DOCTOR: And just last week, she stared into the heart of the Time Vortex and aged fifty seven years. But she'll do. (就上個禮拜,她直視時間流,結果老了 57 歲。不過還好啦。) JACKIE: I'm forty! (我才四十歲!) DOCTOR: Deluded. Bless. I'll have to trade her in. Do you need anyone? She's very good at tea. Well, I say very good, I mean not bad. Well, I say not bad. Anyway, lead on. Allons-y! But not too fast. Her ankle's going. (別唬我。上帝保佑。我得把她賣了。你們需要人嗎?他很會泡茶。額,我 說「很會」意思是不差。額,不差啦。反正呢,你帶路吧,出發!別走太快,她的腳不太好。) JACKIE: I'll show you where my ankle's going. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled.