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VORTEX Playing Mrs Constance Clarke
THE BIG FINISH MAGAZINE MARCH 2021 MARCH ISSUE 145 DOCTOR WHO: DALEK UNIVERSE THE TENTH DOCTOR IS BACK IN A BRAND NEW SERIES OF ADVENTURES… ALSO INSIDE TARA-RA BOOM-DE-AY! WWW.BIGFINISH.COM @BIGFINISH THEBIGFINISH @BIGFINISHPROD BIGFINISHPROD BIG-FINISH WE MAKE GREAT FULL-CAST AUDIO DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND/OR DOWNLOAD WE LOVE STORIES Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, Dark Shadows, Blake’s 7, The Avengers, The Prisoner, The Omega Factor, Terrahawks, Captain Scarlet, Space: 1999 and Survivors, as well as classics such as HG Wells, Shakespeare, Sherlock Holmes, The Phantom of the Opera and Dorian Gray. We also produce original creations such as Graceless, Charlotte Pollard and The Adventures of Bernice Summerfield, plus the THE BIG FINISH APP Big Finish Originals range featuring seven great new series: The majority of Big Finish releases ATA Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence can be accessed on-the-go via Investigate, Blind Terror, Transference and The Human Frontier. the Big Finish App, available for both Apple and Android devices. Secure online ordering and details of all our products can be found at: bgfn.sh/aboutBF EDITORIAL SINCE DOCTOR Who returned to our screens we’ve met many new companions, joining the rollercoaster ride that is life in the TARDIS. We all have our favourites but THE SIXTH DOCTOR ADVENTURES I’ve always been a huge fan of Rory Williams. He’s the most down-to-earth person we’ve met – a nurse in his day job – who gets dragged into the Doctor’s world THE ELEVEN through his relationship with Amelia Pond. -
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who 50 Jaar Door Tijd En Ruimte
Doctor Who 50 jaar door tijd en ruimte 1963-1989 2005-nu 1963-1989 2005-nu Doctor Who • Britse science fiction Sydney Newman, Verity Lambert, Warris Hussein Doctor Who • Britse science fiction • Moeilijke start • Showrunners • Genre • Studio • Karakter Doctor • 23 november 1963 Doctor Who • Britse science fiction • Show bijna afgevoerd • Educatief kinderprogramma • Tijdreizen = • Toekomst: wetenschap • Verleden: geschiedenis Doctor Who • Britse science fiction • Show bijna afgevoerd • Educatief kinderprogramma • Vier hoofdpersonages • Ian Chesterton • Barbara Wright • Susan Foreman • The Doctor ? Doctor WHO? The Oncoming Storm The Doctor (1963-1966) • Alien • ‚Time Lord’ van planeet Gallifrey • Reist door tijd en ruimte in TARDIS • Vast op aarde met kleindochter William Hartnell - Eerste Doctor Ian, Barbara en Susan TARDIS • ‚Chameleon Circuit’ • Time And Relative Dimension In Space • Eigen zwaartekracht-veld Daleks • Creativiteit op een beperkt budget • Eerste aliens in de show • Planeet Skaro • Aartsvijand Doctor • Culturele invloed • Iconisch uiterlijk Cybermen • Laatste verhaal William Hartnell • Emotieloos • Mens in Cyberman veranderen • ‚Upgrades’ • The Borg Regeneratie Tweede Doctor (1966-1969) • Regeneraties • Van ‚strenge grootvader’ naar ‚kosmische vagebond’ • Twee harten • Sonic screwdriver Patrick Troughton - Tweede Doctor Sonic Screwdriver • Opent sloten, scant omgeving • Kan alles (behalve hout) • Kan te veel? De Time Lords Tweede Doctor (1966-1969) • Regeneraties • Van ‚strenge grootvader’ naar ‚kosmische vagebond’ • Twee harten -
DW10: EP 1 "A Star in Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT
DOCTOR WHO SERIES 10 EPISODE 1 "A Star In Her Eye" By Steven Moffat SHOOTING SCRIPT 16/06/2016 (SHOOTING BLOCK 1) DW10: EP 1 "A Star In Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT. THE DOCTOR’S OFFICE - DAY 1 - 16.00 1 The quietest opening we’ve ever had. We’re in a reasonably untidy office. Dust and books. Obviously academic. A university lecturer’s office. We hold this stationary shot - there’s a pleasing symmetry. There’s a door on the left of the screen, and a slightly open one on the right - like the two doors on a weather clock. Through the slightly open door we can see another, smaller room. In between the doors, there’s a desk, facing across the screen. Two empty chairs. The one in front of the closed door, is a simple, wooden chair. Facing it across the desk is an elegant swivel chair. Distantly, a bell chiming. We hear the chatter of distant voices - young people, chatting and laughing. Under that, the drone of traffic. Ordinary and still, for as long as we dare. Then: Squeak! Squeak! Squeak! It’s like the squeaking wheel on a supermarket trolley - and it’s getting closer. Now the closed door opens, revealing: Nardole. Much as we last saw him in The Husbands Of River Song. He steps into the room (always a squeak on his left leg) revealing: In the doorway, Bill. Young, female, cheeky as hell. Nardole stands clear of the door, gestures towards the wooden chair. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
Doctor Who 4 Ep 17.GREENS
Doctor Who 4 Episode 17 By Russell T Davies Shooting Script GREENS 18th April 2009 Prep starts: 23rd Feb Shooting starts: 30th March Tale Writer's The Doctor Who 4 Episode 17 SHOOTING SCRIPT 20/03/09 page 1 1 FX SHOT - PLANET EARTH 1 FX: THE EARTH, suspended in space, in all its beauty. Over this, the NARRATOR. An old, wise man. NARRATOR It is said that in the final days of Planet Earth, everyone had bad dreams. MIX TO: 2 EXT. SHOPPING STREET - NIGHT 1 2 CAMERA craning down a huge, outdoor CHRISTMAS TREE... NARRATOR To the west of the north of that world, the Human Race did gather, in celebration of a pagan rite, to banish the cold and the dark. ...craning down to find a SALVATION ARMY BRASS BAND. God Rest Ye Merry Gentlemen; the most mournful of carols. Moving round to find a few ONLOOKERS Tale(SHOPPERS in b/g). People, just dotted about, pausing. A woman & gran. Three teenagers. A family, mum, dad and little daughter... NARRATOR (CONT'D) Each and every one of those people had dreamt of the terrible things to come. But they forgot, because they must; they forgot their nightmares, of fire and war and insanity. Writer's They forgot... ...then finding WILFRED MOTT. NARRATOR (CONT'D) TheExcept for one. Wilf's troubled, uneasy, and on his CLOSE UP - INTERCUT, fast, violent - CU of a FACE, bleached, against black - manic laughter - a familiar face, it's - Wilf blinks. Shakes it off. Turns away... CUT TO WIDER. Wilf wandering along. Lost in thought. -
“Sherlock Holmes: Study in Scarlet” and Mark Gatiss and Steven Moffat’S Film “Sherlock: Study in Pink”
THE ANALYSIS OF PLOT STORY BETWEEN SIR ARTHUR CONAN DOYLE’S NOVEL “SHERLOCK HOLMES: STUDY IN SCARLET” AND MARK GATISS AND STEVEN MOFFAT’S FILM “SHERLOCK: STUDY IN PINK” THESIS Mochammad Muzayid Chasbullah NIM 14320065 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2018 THE ANALYSIS OF PLOT STORY BETWEEN SIR ARTHUR CONAN DOYLE’S NOVEL “SHERLOCK HOLMES: STUDY IN SCARLET” AND MARK GATISS AND STEVEN MOFFAT’S FILM “SHERLOCK: STUDY IN PINK” THESIS Presented to Universitas Islam Negeri Maulana Malik Ibrahim Malang In Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra (S.S.) By: Mochammad Muzayid Chasbullah NIM 14320065 Advisor: Dr. Hj. Istiadah, M.A NIP. 196703131992032002 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2018 i ii iii MOTTO “Let it be” iv DEDICATION This thesis is specially dedicated to my beloved parents, H. Thoha Mashud Chasbullah and Hj. Siti Maysaroh, to my brother, sister, all of my friends and teachers who always support me in everything to finish this thesis. v ACKNOWLEDGEMENTS All deepest praises to Allah SWT for the bless and mercy to accomplish this thesis entitled “The Analysis of Plot Story between Sir Arthur Conan Doyle’s Novel “Sherlock Holmes: Study in Scarlet” and Mark Gatiss and Steven Moffat’s Film “Sherlock: Study in Pink”.” as the requirement for the Degree of Sarjana Sastra. Sholawat and Salam are always delivered to the prophet Muhammad SAW, who has guided his followers to the rightness. On this occasion, I would like to gratitude to my family, especially my beloved Father and Mother, H. -
1 2019 Gally Academic Track Friday, February 15
2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives. -
The Early Adventures 6.1 the Home Guard Pdf, Epub, Ebook
THE EARLY ADVENTURES 6.1 THE HOME GUARD PDF, EPUB, EBOOK Simon Guerrier | none | 31 Dec 2019 | Big Finish Productions Ltd | 9781787038639 | English | Maidenhead, United Kingdom The Early Adventures 6.1 The Home Guard PDF Book Fourth Doctor 2. People are so quick to say big finish copy the new series but most of the time such as a story with 2 masters it was done by big finish and then copied by the TV. Funko scale figurine collection Eaglemoss scale figurines Robert Harrop 38mm miniatures collection Warlord Games scale collector figures Big Chief Studios 3. Skip to main content. Buy It Now. Blood of the Daleks Doctor Who. Binding: CD. PG min Action, Crime, Drama. Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California. About this product. R min Action, Horror, Sci-Fi. When LexCorps accidentally unleash a murderous creature, Doomsday, Superman meets his greatest challenge as a champion. Southern Comfort R min Action, Thriller 7. Also a massive Zoe fan! View all Our Sites. But Di Bruno Bros. See details for additional description. Darren Jones. Author: Guerrier, Simon. R 92 min Comedy, Drama. The Companion Chronicles 12 3. June 17th, 7 comments. Doctor Who: Molten Heart. Steve Tribe. The Early Adventures 6.1 The Home Guard Writer R min Action, Horror, Sci-Fi. Fact-based drama set during the Detroit riots in which a group of rogue police officers respond to a complaint with retribution rather than justice on their minds. Do you think more stories should be explored with this incarnation of the Master? PG min Drama, Romance. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
THE CRIMSON HORROR.Fdr
(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable) Address Phone Number 1 INT. MRS GILLYFLOWER’S HOUSE. PARLOUR. DUSK. 1 The crashing chords of a pipe organ. Someone is bashing out the tune of a grim and worthy hymn. We’re in a large, red- walled room, suffocating in Victorian bric-a-brac. Track past a series of strange still-lifes. Those oddly disturbing Victorian tableaux - colourful birds stuffed and arranged on twigs, surrounded by artificial flowers and under big glass bell-jars. Gas-light glints in the creatures’ beady glass eyes. The playing stops and a woman rises from the organ. We don’t see her face as she runs her hand over the line of bell-jars. MRS GILLYFLOWER Like pretty maids all in a row. She makes a gentle cooing. Then there’s another sound. A strangely horrible gurgling. Like a contented baby. A door opens behind the woman, framing a black-bonneted silhouette. CUT TO: 2 INT. MILL. SPIRAL STAIRCASE. DUSK. 2 Tap, tap, tap. A white cane clatters away as a pair of neat little feet ascend a darkened, spiral staircase. The staircase finally ends in a door, padded with old, stained green baize. Fumbling, lace-gloved female hands flutter around the bottom of the door, eventually locating a sort of cat-flap. The hands push through a bowl of grisly-looking food. From the other side of the door comes the sound of heavy, ragged breathing. -
111077NCJRS.Pdf
If you have issues viewing or accessing this file contact us at NCJRS.gov. ' "-1- ~ : • ,. - .. _.~ , . .• • • //1 077 111077 U.S. Department of Justice Nationat Institute of Justice ThIs document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are Ihose of the authors and do not necessarily represent the offIcial position or policies of the National Institute of Justice. PermiSSIon to reproduce thIs copyrighted material has been granted by Northumbria Poljce Department to the National Crimmal Justice Reference Service (NCJHS). Further reproductIon outsIde of the NCJRS system reqUIres p,,,mls, sIan of the copYright owner. Force Headquatters Ponteland Newcastle upon Tyne April 1988 To The Right Honourable the Secretary of state for the Home Department and to the Chairman and Members of the Northumbria Police Authority. Sir. Mr Chairman. Ladies and Gentlemen. The following report on the policing of Northumbria has been prepared in compliance with Sections 12( I) and 30( 2) of the Police Act 1964. I have the honour to be. Sir, Ladies and Gentlemen, Your obedient servant. Sir Stanley E Bailey. CBE. QPM. DL. CBIM Chief Constable 2 Acknowledgements of Public Motor and Motorcycle Patrols 71 Assistance 88 Multi-agency Initiatives 54 Adm1n!stration 88 NALGO 89 Annual Inspection of the Force 89 Newcastle 19 AppencUces A· R (Statistics) 97 Northern 13 Casualty Bureau 61 North Tyneslde and Blyth 23 Central Ticket Office 73 Northumbria Crime Squad 47 The ChIef