The Wall of Lies #144
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tenth Planet of How 1986 Would Ben Leaves a Uranium Fuel Rod Recovered
THE TENTH PIANET Seven Who fans out of ten positions of power in this brave would probably suggest The Tenth new world - perhaps the most Some of the technological Planet 4 to be the missing episode accurate prediction made in The elements seem ridiculous today. they would most like to see Tenth Planet of how 1986 would Ben leaves a uranium fuel rod recovered. This is somewhat actually turn out to be. lying around in a corridor, and at surprising given that most fans no time does anyone caution him have probably not seen The Tenth against radioactivity. It seems Planet 1-3, unavailable on BBC somewhat over-literal of the Video or (to our knowledge) UK production team to resolve that the Gold, and as such have little idea twinned nature of the planets of the quality of the production. should be shown by giving We recently viewed a fan Mondas land-masses equivalent to produced copy, cornpnsmg our own but...upside down. episodes one to three, plus the Unfortunately, in order for the soundtrack to episode four married characters to realise this within 24 with loosely appropriate images hours, when Mondas appears on The near-realism of the script is from the first three episodes, the screen, it is seen turning at about carried into the set design, which John Cura telesnaps and such film one revolution every two seconds, is, for the most part, convincing footage as survives. 43 200 times faster than its "twin" rather than spectacular. The main Earth! Nevertheless, the space set, the tracking room, follows the The tenor of the piece is very tracking aspect of the story is familiar pattern of rows of desks similar to The War Machines, the convincingly done, and as such it lined up behind one another. -
'Went the Day of the Daleks Well?' an Investigation Into the Role Of
Tony Keen ‘Invasion narratives in British television Science Fiction’ ‘Went the Day of the Daleks well?’ An investigation into the role of invasion narratives in shaping 1950s and 1960s British television Science Fiction, as shown in Quater- mass, Doctor Who and UFO If the function of art is to hold a mirror up to society, then science fiction (sf), through the distorted reflection it offers, allows the examination of aspects of society that might otherwise be too uncomfortable to confront. This essay aims to look at how invasion narratives, stories concerned with the invasion of Britain from outside, shaped three British science fiction series, and how those series interro- gated the narratives. The series will primarily be examined through aesthetic and social ap- proaches. Particular areas to be explored include the embracing and subverting of common assumptions about Britain’s attitude to invasion, and the differing attitudes to the military displayed. Introduction As an island nation, the prospect of invasion has always occupied a prominent place in the British popular imagination. According to Sellar and Yeatman, the two memorable dates in history are 55 BC and 1066, the dates of the invasions of Julius Caesar and William the Con- queror.1 Subsequent events such as the Spanish Armada of 1588 are also well-known mo- ments in history. It is inevitable that the prospect of invasion should produce speculative literature. Some works appeared around the time of Napoleon’s threatened invasion of 1803,2 but ‘invasion literature’ as a literary genre emerged out of the growing market for novels and short-story magazines, and is generally considered to have begun with the appearance of George Tomp- kyns Chesney’s 1871 story ‘The Battle of Dorking’,3 a story of the German conquest of Eng- land, prompted by the German victory in the Franco-Prussian War of 1871. -
From Cybermen to the TARDIS: How the Robots of Doctor Who Portray a Nuanced View of Humans and Technology
From Cybermen to the TARDIS: How the Robots of Doctor Who Portray a Nuanced View of Humans and Technology GWENDELYN S. NISBETT AND NEWLY PAUL Critics and fans have praised the 2000s reboot of the science fiction classic Doctor Who for its increasing use of social commentary and politically relevant narratives. The show features the adventures of the Doctor and his companions, who have historically been humans, other aliens, and occasionally robots. They travel through time and space on a spaceship called the TARDIS (which is shaped like a 1960s British police box). The show is meant for younger audiences, but the episodes involve political and social commentary on a range of issues, such as racism, sexism, war, degradation of the environment, and colonialism. The Doctor is an alien from Gallifrey and can (and does) regenerate into new versions of the Doctor. Scholars have commented extensively about the show in the context of gender and race, political messaging, transmedia storytelling, and fandom. In this project, we examine the portrayal of robots and labor, a topic that is underexplored in relation to this show. Doctor Who makes for an interesting pop culture case study because, though the show has a huge global fan base, its heart remains in children’s programming. The series originated in 1963 on the British Broadcasting Corporation (BBC) as a show for children that incorporates lessons related to courage, ingenuity, kindness, and other such qualities, which it continues to do to this day. Doctor Who is also interesting because the Doctor has a history of machines as companions: K-9 the GWENDELYN S. -
The Timeless Children
DOCTOR WHO SERIES 12 EPISODE TEN THE TIMELESS CHILDREN PROGRAMME NUMBER: DRAA753P/01 10:00:00 BBC WORLDWIDE STING CUT TO: 10:00:05 EP 9 RECAP 10:00:05 Music in 'M1 Ep 9 Recap’ THE DOCTOR We are in the very far future RYAN Only seven humans left. THE DOCTOR Cyberdrones. THE DOCTOR (CONT’D) Go with the humans. Help them. Get them out of here. You won’t make it back to the Tardis alive. ASHAD We know where you are. We will find you. BESCOT The Boundary. It’s where we’ve been trying to get to. RAVIO A gateway. A direct route out of here into another random part of the universe. THE MASTER Wow! Be afraid Doctor because everything is about to change. 10:00:35 Music out 'M1 Ep 9 Recap’ 10:00:35 OPENING TITLES 10:00:35 Music in 'M2 Opening Titles' 10:00:41 Caption 'Jodie Whittaker' 10:00:43 Caption 'Bradley Walsh' 10:00:45 Caption ‘Mandip Gill’ 10:00:47 Caption ’Tosin Cole’ 10:00:50 Caption 'BBC Doctor Who' 10:00:57 Caption 'Series Producer Nikki Wilson’ 10:01:00 Caption 'Director Jamie Magnus Stone’ 10:01:04 Caption ‘The Timeless Children’ Written by Chris Chibnall 10:01:07 Music out ‘M2 Opening Titles’ CUT TO: 10:01:07 EXT. SHANTY PLANET/SHORELINE – DAY 10:01:07 Music in ‘M3 Take My Hand’ The distant ruins of Gallifrey. THE MASTER holding out his hand to THE DOCTOR -- The Doctor resisting, in shock, staring at him -- behind her are RYAN, KO SHARMUS and ETHAN. -
William Hartnell - Biography
July 2020 >All I Want for Christmas - The ‘Must Have’ Doctor Who Toys of A selection of the Early 1960s Television Heaven’s >The Tenth Planet vs Attack of Doctor Who related the Cybermen >New Beginnings - Every articles in one online Debut Story from Hartnell to mag. McCoy William Hartnell - Biography Plus: Anthony Ainley - The Daleks - Tom Baker A 1960s Classic: The Invasion Ray Cusick Interview FREE FOR USE OF PUBLIC Back in 2000, I had an idea for a website that celebrated 20 television shows that had influenced television viewing habits over the previous 60 years, that were loved by millions, or were timeless classics. Of course, this was my own particular choice and therefore very subjective. What’s one man’s junk etc. Unsurprisingly, Doctor Who was one of those shows, even though at that time it was taking a rather longer than expected sabbatical. Over the last twenty years there’s been no shortage of writers wanting to share their love of the world’s longest running science fiction series and on the following pages are a selection of some of them. It’s amazing to think that nearly sixty years has passed since we first entered that police box in a junk yard in Totters Lane and were whisked away on one of television’s greatest adventures. Adventures that are still unfolding today. If you want to read more then pop along to the website at televisionheaven.co.uk where, as well as Doctor Who you will find reviews on over a thousand shows, articles (some serious, some light hearted), biographies and a fair bit of television history. -
Sample File the Second Doctor Sourcebook the Second Doctor Sourcebook
THE SECOND DOCTOR SOURCEBOOK THE SECOND DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Walt Ciechanowski EDITING: Dominic McDowall COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. Dedicated to Zoe. “My Second Is An Instrument Of The Past” The Second Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trademarks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/ Bob Baker/Dave Martin 1977. Printed in the USA Sample file THE SECOND DOCTOR SOURCEBOOK THE SECOND DOCTOR SOURCEBOOK B CONTENTS INTRODUCTION 4 CHAPTER SEVEN 85 The Evil of the Daleks 86 CHAPTER ONE: THE SECOND DOCTOR AND COMPANIONS 5 The Tomb of the Cybermen 91 Who is the Doctor? 6 The Abominable Snowman 96 The Doctor’s Companions 9 CHAPTER EIGHT 100 CHAPTER TWO: TOOLS OF THE TRADE 16 The Ice Warriors 101 New Characters 17 The Enemy of the World 105 New Traits 20 The Web of Fear 109 New Gadgets 23 CHAPTER NINE 112 CHAPTER THREE: ENEMIES 25 Fury of the Deep 113 Cybermen 26 The Wheel in Space -
Tides of Time 38-Proofing
THE TIDES OF TIME OXFORD DOCTOR WHO SOCIETY ISSUE 38 Summer 2016 Tides of Time 38 Summer Vacation 2016 1 The Tides of Time Change: Change is a common theme in Doctor Who. From Issue 38 Summer Vacation 2016 regeneration, to the number of memorable companions who have accompanied the Doctor over his many incarnations and even the very premise of the show, with its focus on fantastic journeys through time and Editor: Daniel Alford space, very little stays the same for long. Indeed even the iconic TARDIS and Sonic Screwdriver have [email protected] undergone many redesigns and in some cases been practically or fully retired for series at a time. In the time I have been in this society, not long Contents compared to some, it has also experienced a great deal of change. Since our last issue commemorating the 50th Marco Polo- 50 Years On: Episode 1- anniversary of the show the society has both expanded Dramatis Personae 3 and diversified, welcoming a whole new generation of Whovians and integrating a greater variety of events Katrin Thier discusses the characters, both than ever before! Live screenings of the new season, arts and crafts, fan video nights, a trip to Cardiff and a historical and fictional, in the series one Varsity Quiz against the recently established serial. Cambridge Doctor Who Society have joined weekly serial screenings and the Geek Quiz to ensure that this past year has been an exciting and eventful one for The Arcs in Space 11 veteran society members and newcomers alike. -
From Balaclavas to Jumpsuits: the Multiple Histories and Identities of Doctor Who’S Cybermen
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 30.1 (June 2008): 85–100 ISSN 0210-6124 From Balaclavas to Jumpsuits: The Multiple Histories and Identities of Doctor Who’s Cybermen Lincoln Geraghty University of Portsmouth [email protected] Through a detailed analysis of the Cybermen’s narrative evolution and changing cyborg appearance, this essay maintains that throughout the decades that spanned its series’ run, Doctor Who addressed key fears present in British society: fear of technology, loss of identity, American economic power and totalitarianism. These fears not only evolved alongside the physical appearance of the Cybermen, but also changed in significance as British television audiences accepted the consequences of technological assimilation and looked to the future in anticipation rather than apprehension. The general field of study on the cyborg in popular culture remains transfixed on the products of the big screen; American cinema is the focus for many works which continue to examine the cyborg as a predominantly American reality, for example Star Trek’s The Borg dominate the work done by scholars in these fields. Fear of technology, or fear of the automaton, is thus depicted as somehow an inherently American fear. However, this essay attempts to correct this imbalance and bring close attention to bear on the Cybermen as televisual figures of a technological complexity; one that is not necessarily American or cinematic, but rather British and televisual in origin and nature. Keywords: Cybermen; Doctor Who; cyborg; technology; television; Pedler, Kit; Science Fiction; British Culture; history; totalitarianism “Resistance is useless… you will be eliminated”. -
The Monsters Collection
THE MONSTERS COLLECTION READ BY ANNEKE WILLS • MICHAEL KILGARRIFF DAVID TROUGHTON • FRAZER HINES • PETER DAVISON WITH CYBERMAN VOICES BY NICHOLAS BRIGGS TRACK LISTING ORIGINAL BOOK ILLUSTRATIONS CD 1 1 Chapter 1: Prologue: The Creation of the Cybermen 3 Chapter 2: The Landing on the Moon 10 Chapter 3: The Moon Base 17 Chapter 4: Attack in the Medical Unit CD 2 1 Chapter 5: The Space-plague 8 Chapter 6: The Doctor Investigates 18 Chapter 7: The Cybermen’s Plot AND THE CYBERMEN CD 3 GERRY DAVIS 1 Chapter 8: The Battle with the Cybermen Chapter 2 Chapter 2 Chapter 3 Chapter 4 12 Chapter 9: Victory, perhaps... CD 4 1 Chapter 10: The March of the Cybermen 9 Chapter 11: Into Battle with the Gravitron! Chapter 6 Chapter 8 Chapter 9 Chapter11 READ BY WITH CYBERMAN VOICES ANNEKE WILLS BY NICHOLAS BRIGGS DW_Cybermen_CD6pp.indd 1 19/4/11 09:59:08 THE RECORDING THE BOOK GERRY DAVIS ANNEKE WILLS Doctor Who and the Cybermen Doctor Who and the Cybermen was first published also used Achilleos’ artwork on the front cover. Gerry Davis became a BBC story editor Anneke Wills was born in 1941. A child actress, in paperback by the Universal-Tandem Publishing As this is the first appearance in print of the in 1965 at the invitation of Head of Serials she appeared in her first film at 11, and after Company on 20 February 1975. A hardback edition Cybermen, Davis pulls out all the stops to present Donald Wilson, who had been impressed by a graduating from RADA she soon became one of WRITTEN BY CREDITS wasn’t released until the W H Allen edition in July the silver giants as menacing and effective. -
Doomwatch 1970
1970 Close-Up: DOOMWATCH 1970 Measurement of Scientific Work (to give it its posh habit of helpfully explaining the name) had been set up as a sop towards ‘green’ plots to secretary Pat Hunnisett issues. But he gave Doomwatch its teeth, and when (Wendy Hall). not nipping off to Beeston, he was bullishly ‘Suppose science produced a interrogating the Irresponsible Boffin Of The plastic-eating agent to destroy Week, or going toe-to-toe with the ruling classes – plastic waste and stop it from represented by the decanter-owning Minister (a clogging our rivers,’ postulated pre-Reggie Perrin John Barron) Davis, by way of a preview to In contrast to Quist, colleague Dr John Ridge episode one. ‘And suppose (Simon Oates) was a loud, brash, mutton-chopped some of the stuff was evocation of the go-head ‘70s. Similarly intelligent, inadvertently carried onto an he was an unashamed drinker, dabbler in fashion aircraft. And suppose it got (Oates once wore a dog collar throughout an loose…’ episode simply to win a bet) and an enthusiastic Detailing the devastating exponent of the exclamation, ‘Stone me!’ effects of these suppositions, Plus, he had an eye for what he happily referred ‘The Plastic Eaters’ set out the show’s stocks Above: The series to as ‘the fairer sex’ … in trade: A frighteningly plausible scenario gone launched with this striking ‘I like ladies and I put myself about a bit,’ crackers, stonewalling government officials, Radio Times cover, showing a twisted model remembers Oates. ‘And why not? So [producer lengthy moral arguments played at full volume and ‘plane as if attacked by Terence Dudley] let me play with that in the series. -
The Tenth Doctor Sourcebook the Tenth Doctor Sourcebook
Sample file THE TENTH DOCTOR SOURCEBOOK THE TENTH DOCTOR SOURCEBOOK B CREDITS ” My Tenth was Told Not to Blink.” LINE DEVELOPER: Andrew Kenrick The Tenth Doctor Sourcebook is published by WRITING: Alasdair Stuart, with Walt Ciechanowski and Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Andrew Kenrick. Find out more about us and our games ADDITIONAL WRITING: Will Brooks, David F. Chapman, at www.cubicle7.co.uk Alex Guttridge, Jason “Jay” Libby, Andrew Peregrine and James Whittington. © Cubicle 7 Entertainment Ltd. 2015 EDITING: Andrew Kenrick BBC, DOCTOR WHO (word marks, logos and devices), COVER: Paul Bourne TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and GRAPHIC DESIGN AND LAYOUT: Paul Bourne devices) are trademarks of the British Broadcasting Corporation and are used under licence. BBC logo CREATIVE DIRECTOR: Jon Hodgson © BBC 1996. Doctor Who logo © BBC 2009. TARDIS ART DIRECTOR: Jon Hodgson image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis PUBLISHER: Dominic McDowall 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. SPECIAL THANKS: Ross McGlinchey and the BBC team . for all their help. Printed by: Standartu, Spaustuve www.standart.lt, Vilnius, Lithuania. Sample file THE TENTH DOCTOR SOURCEBOOK B CONTENTS INTRODUCTION 4 The Master 46 How to Use this Book 4 The Time Lords 49 CHAPTER ONE: CHAPTER FIVE: THE CHILDREN OF TIME 5 THE TENTH DOCTOR’S ADVENTURES 1 5 Who is the Doctor? 6 The Christmas Invasion 52 Playing the Tenth Doctor 6 New Earth 58 The Tenth Doctor 8 Tooth and Claw 65 The -
Doctor Who Special 2013
DWSpecial13_cvr_Layout 1 11/5/13 4:23 PM Page 1 Celebrate the 50th anniversary of Doctor Who with this special feature-length story by Doctor Who TV writer Paul Cornell and artist Jimmy Broxton. When a strange force flings the TARDIS into our universe, the Doctor encounters a 12-year- old girl who happens to be a huge fan of the Doctor Who television show. The Doctor D O then must grapple with being C T a fictional character along O R with monsters lurking at W the girl’s school on the H O way to coming face-to- S P face with the actor E C who portrays him, I A L Matt Smith! 2 0 1 3 CORNELL • BROXTON Cover by Jimmy Broxton $7.99 • WWW.IDWPUBLISHING.COM DWSpecial13_ifc_Layout 1 11/6/13 9:20 AM Page 1 Written by Paul Cornell Art by Jimmy Broxton Lettering by Shawn Lee Edited by Denton J. Tipton The Girl Who Loved Doctor Who The Doctor is an alien, the last of the powerful Time Lords. He is an intrepid traveller through time and space, armed only with his incredible intelligence and his fix-anything sonic screwdriver. He travels alone except for the human companions he befriends, briefly sharing his life with them and showing them the astonishing wonders of the universe. Cover A Cover RI Art by Jimmy Broxton Art by Mark Buckingham Colors by Charlie Kirchoff Special thanks to Kate Bush, Georgie Britton, Brian Minchin, Richard Cookson, Matt Nicholls and Ed Casey at BBC Worldwide for their invaluable assistance.