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Hispanic Archival Collections Houston Metropolitan Research Cent
Hispanic Archival Collections People Please note that not all of our Finding Aids are available online. If you would like to know about an inventory for a specific collection please call or visit the Texas Room of the Julia Ideson Building. In addition, many of our collections have a related oral history from the donor or subject of the collection. Many of these are available online via our Houston Area Digital Archive website. MSS 009 Hector Garcia Collection Hector Garcia was executive director of the Catholic Council on Community Relations, Diocese of Galveston-Houston, and an officer of Harris County PASO. The Harris County chapter of the Political Association of Spanish-Speaking Organizations (PASO) was formed in October 1961. Its purpose was to advocate on behalf of Mexican Americans. Its political activities included letter-writing campaigns, poll tax drives, bumper sticker brigades, telephone banks, and community get-out-the- vote rallies. PASO endorsed candidates supportive of Mexican American concerns. It took up issues of concern to Mexican Americans. It also advocated on behalf of Mexican Americans seeking jobs, and for Mexican American owned businesses. PASO produced such Mexican American political leaders as Leonel Castillo and Ben. T. Reyes. Hector Garcia was a member of PASO and its executive secretary of the Office of Community Relations. In the late 1970's, he was Executive Director of the Catholic Council on Community Relations for the Diocese of Galveston-Houston. The collection contains some materials related to some of his other interests outside of PASO including reports, correspondence, clippings about discrimination and the advancement of Mexican American; correspondence and notices of meetings and activities of PASO (Political Association of Spanish-Speaking Organizations of Harris County. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Crossroads of Newand Ancient
NEW MEXICO Crossroads of NewandAncient 1999 – 2000 Speakers Bureau & Chautauqua Programs Millennium Edition N EW M EXICO E NDOWMENT FOR THE H UMANITIES ABOUT THE COVER: AMATEUR PHOTOGRAPHER MARKO KECMAN of Aztec captures the crossroads of ancient and modern in New Mexico with this image of Comet Hale-Bopp over Fajada Butte in Chaco Culture National Historic Park. Kecman wanted to juxtapose the new comet with the butte that was an astronomical observatory in the years 900 – 1200 AD. Fajada (banded) Butte is home to the ancestral Puebloan sun shrine popularly known as “The Sun Dagger” site. The butte is closed to visitors to protect its fragile cultural sites. The clear skies over the Southwest led to discovery of Hale-Bopp on July 22-23, 1995. Alan Hale saw the comet from his driveway in Cloudcroft, New Mexico, and Thomas Bopp saw the comet from the desert near Stanfield, Arizona at about the same time. Marko Kecman: 115 N. Mesa Verde Ave., Aztec, NM, 87410, 505-334-2523 Alan Hale: Southwest Institute for Space Research, 15 E. Spur Rd., Cloudcroft, NM 88317, 505-687-2075 1999-2000 NEW MEXICO ENDOWMENT FOR THE HUMANITIES SPEAKERS BUREAU & CHAUTAUQUA PROGRAMS Welcome to the Millennium Edition of the New Mexico Endowment for the Humanities (NMEH) Resource Center Programming Guide. This 1999-2000 edition presents 52 New Mexicans who deliver fascinating programs on New Mexico, Southwest, national and international topics. Making their debuts on the state stage are 16 new “living history” Chautauqua characters, ranging from an 1840s mountain man to Martha Washington, from Governor Lew Wallace to Capitán Rafael Chacón, from Pat Garrett to Harry Houdini and Kit Carson to Mabel Dodge Luhan. -
The Keystone
THE KEYSTONE SOUTHWESTERN WRITERS COLLECTION | WITTLIFF GALLERY OF SOUTHWESTERN & MEXICAN PHOTOGRAPHY FALL 2006 | SPECIAL COLLECTIONS AT THE ALKEK LIBRARY | WWW. LIBRARY. TXSTATE. EDU/ SPEC- COLL UNIVERSITY SAN MARCOS A member of the Texas State University System from the CURATOR (right) Raymond, ¡Saludos! are extensively represented in the Wittliff Gallery, tells the (left) Sally Wittliff, 1991, Keith Carter The power of art in life is a story of a cleaning woman who said to him that in the the Bill Wittliff, Dawn Jones, Tommy Lee recurring motif here at the building where she worked there was one of his pictures— Jones, Sam Shepard, THANK YOU Collections, vividly set an old blind man petting a bunch of tiny kittens that were in & John Graves to all contributors forth once again by Graci- his lap and crawling over his shirt—eyes not open yet, blind of (seated)* who made gifts ela Iturbide in her book, like him. An edgy, unsentimental portrait that nevertheless Spirit (center) Emcee this fiscal year for Evan Smith, editor- Eyes to Fly With, upcoming reaches into every single chamber of your heart. She told general support or in-chief of TEXAS in the Wittliff Gallery Keith that she looked at it each day before she started work MONTHLY** to sponsor specific Series (p. 12). In the rare because it made her feel so good. anniversary gala projects: Place (below) revelatory text she ex- The life-changing power of art is not for the practition- Debbie & Jim # Azadoutioun Epperson, president plains how, after the death ers of art alone—it’s for all of us. -
Interview No. 282
University of Texas at El Paso ScholarWorks@UTEP Combined Interviews Institute of Oral History 12-1976 Interview no. 282 George E. Barnhart Follow this and additional works at: https://scholarworks.utep.edu/interviews Part of the Oral History Commons, and the Social and Behavioral Sciences Commons Recommended Citation Interview with George E. Barnhart by Carlos Tapia, 1976, "Interview no. 282," Institute of Oral History, University of Texas at El Paso. This Article is brought to you for free and open access by the Institute of Oral History at ScholarWorks@UTEP. It has been accepted for inclusion in Combined Interviews by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. UNIVERSITYOFTEXAS AT EL PASC INSTITUTEOFOR.AL HISTORY II.ITERVIEIdEE: GeorqeE. Barnhart INTERVIEI.IER: CarlosTaPia PROJECT: Class proiect DATEOF II'ITERVIEI'I: DecemberI 976 TERI''6OF USE: Unrestricted TAPENO.: 282 T:IAI'ISCRIPTI.iO.: 282 TRAIISCRISER: DATETRA|'ISCRIBED: BIOGRAPHICALSYiiOPSIS OF INTERVIEI'IEE: 01d-time E] Pasoresident. SUI{I}trRYOF I|'ITER\IIEI,I: j I ett and BioqraPhy;the MexicanRevol ution; Prohbi tion ; J'imGi JudgeRoy Bean' John|.lesleY Hardin; tf," O.pt.ssion; Worldl'lar II; 50 minutes I4 pages 'interview { Oral History with Mr- GeorgeE. Barnhart, interviewedby Carlos Tapia in December1976" ) T: Mr. Barnhar{wherewere you born and when? B: hlestBends, Okl ahoma. T: Whatwas the date? B: We]l, it's supposedto be February24, 1896. Theydidn't keepany records back in themdays. I had to checkback and I got two or three different [dates, but] that's the one I usedto look for a job. -
Registered Hostas Last Updated 12-24-2008
Registered Hostas Last updated 12-24-2008 A 1-A-Day Delight 2003 Academy Blushing Recluse 1999 A B-1 Bomber 2002 Academy Bonfire Glade 2003 A Big Splash 2004 Academy Brobdingnagian Viridity 2006 A Blue Streak 2001 Academy Celeborn 2000 A Lady in Blue 2004 Academy Chetwood 2005 A Many-splendored Thing 1999 Academy Cratered Blue 2008 A Very Good Boy 2005 Academy Devon Moor 2001 Aachen 2005 Academy Dimholt 2005 Aardvark 1991 Academy Fangorn Forest 2003 Abba Alive 1990 Academy Faux Sedge 2008 Abba Aloft 1990 Academy Fire 1997 Abba at Large 1990 Academy Flaxen Spades 2002 Abba Blue Plus 1990 Academy Flora 1999 Abba Dabba Do 1998 Academy Galadriel 2000 Abba Dew 1999 Academy Gilded Dawn 2008 Abba Fit 1990 Academy Glowing Embers 2008 Abba Fragrant Cloud 1990 Academy Gold Codswallop 2006 Abba Little Showoff 1990 Academy Golden Papoose 2004 Abba Nova 1990 Academy Grass Clippings 2005 Abba Spellbinder 1990 Academy Grins 2008 Abba Tops 1990 Academy Isengard 2003 Abbey Pond Cascades 2004 Academy Kakistocracy 2005 Abby 1990 Academy Lemon Knoll 2006 Abiqua Ambrosia 1987 Academy Lothlórien 2004 Abiqua Ariel 1999 Academy Mallorn 2003 Abiqua Aries 1999 Academy Mavrodaphne 2000 Abiqua Big Sky 2008 Academy Mirkwood 2003 Abiqua Blue Crinkles 1999 Academy Muse 1997 Abiqua Blue Edger 1987 Academy Nazgul 2003 Abiqua Blue Jay 1987 Academy Palantir 2003 Abiqua Blue Madonna 1988 Academy Redundant 1998 Abiqua Blue Shield 1988 Academy Rivendell 2005 Abiqua Delight 1999 Academy Shiny Vase 2001 Abiqua Drinking Gourd 1989 Academy Smiles 2008 Abiqua Elephant Ears 1999 -
Tours & Treks Summit
2019 Tours & Treks Summit Meet the Team Michael Vincent – Tour Director Alaine Hope – Assistant Tour Coordinator Kelsey Voskamp – Reservations Coordinator Kevin Snow – Historian & Primary Expert Tour Guide Meet the Team Dr. Tom Noel – State Historian Chair & Expert Tour Guide Dr. Andrew Gulliford– Expert Tour Guide History Colorado Volunteers – Judy, Jean, Ellen and Barb. Membership ↘ Membership is here tonight or available via phone at 303-866-3639 ↘ Chat with them if you need to renew or become a member of History Colorado ↘ They can answer any questions about your membership ↘ Only History Colorado members can register for Tours & Treks before January 2019 From the Monte Vista Crane Festival to hikes with state archaeologists, Tours and Treks is supported by you. History Colorado members and donors fund hundreds of hours of historical research and the expertise of educational tour planners -- all of the essential behind- the-scenes work that isn't covered by the price tag of attending a tour. Thank you to our members and donors for making it possible for us to offer these unique experiences to our community. Thank You! Barbara Sweeney – 40 days Janene Bertoncelj – 39 days Cynthia Schuele – 39 days New Booklet Design! Released early January Includes itineraries! Tour or Trek? Tours are two- to six-hour jaunts and include walking and bus tours Treks are usually overnight trips, or they visit areas more than 50 miles from Denver Annual Registration Fee ↘ New in 2019 will be a reduced, one-time, non- refundable, annual registration fee of $5 that goes towards the processing and handling of all History Colorado reservations in the Tours & Treks program. -
A Legacy of Hope in the Concert Spirituals Of
A LEGACY OF HOPE IN THE CONCERT SPIRITUALS OF ROBERT NATHANIEL DETT (1882-1943) AND WILLIAM LEVI DAWSON (1899-1990) A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Jeffrey Carroll Stone, II In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department Music April 2017 Fargo, North Dakota North Dakota State University Graduate School Title A LEGACY OF HOPE IN THE CONCERT SPIRITUALS OF ROBERT NATHANIEL DETT (1882-1943) AND WILLIAM LEVI DAWSON (1899-1990) By Jeffrey Carroll Stone, II The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Michael Weber Chair Dr. JoAnn Miller Dr. Cassie Keogh Dr. Ashley Baggett Approved: April 12, 2017 Dr. JoAnn Miller Date Department Chair ABSTRACT When the careers of the composers Robert Nathaniel Dett (1882-1943) and William Levi Dawson (1899-1990) began, the United States was a racially-divided society. Despite this division, both composers held a firm belief in the potential of spirituals to bring people together. Racial segregation severely limited the civil rights of people of color; however, Dett and Dawson were fueled by the hope for spirituals to bridge the racial divide in America. Both composers desired to achieve racial equality through their music. I argue that these aspirations are embodied within their concert spirituals. This disquisition examines the legacies of Dett and Dawson for the role of “hope” in their concert spirituals. -
African and African-American Contributions to World Music
Portland Public Schools Geocultural Baseline Essay Series African and African-American Contributions to World Music by John Charshee Lawrence-McIntyre, Ph.D. Reviewed by Hunter Havelin Adams, III Edited by Carolyn M. Leonard Biographical Sketch of the Author Charshee Lawrence-Mcintyre is Associate Professor of Humanities at the State University of New York at Old Westbury in the English Language Studies Program. PPS Geocultural Baseline Essay Series AUTHOR: Lawrence-McIntyre SUBJECT: Music CONTENTS Content Page BIOGRAPHICAL SKETCH OF THE AUTHOR.............................................................................................. I CONTENTS ..........................................................................................................................................................II INTRODUCTION .................................................................................................................................................1 CLASSICAL AFRICA'S INFLUENCE ON OTHER CIVILIZATIONS ........................................................4 ANCIENT EGYPTIAN INSTRUMENTS .....................................................................................................................4 ANCIENT EGYPTIAN MUSIC AND FORMS .............................................................................................................8 MIGRATION AND EVOLUTION OF MUSIC THROUGHOUT CONTINENTAL AFRICA ...................12 TRADITIONAL INSTRUMENTS .............................................................................................................................14 -
American Indian Music: Even More Than Drums and Flutes a Guide to American Indian Music
American Indian Music: Even More Than Drums and Flutes A Guide to American Indian Music Prepared for the Montana Office of Public Instruction By Scott S. Prinzing, M.Ed. MusEco Media and Education Project www.MusEco.org www.EvenMore.tv Published Winter 2009 Revised January 2015 Introduction 3 Traditional American Indian Music 4 Issues to Consider for Music Educators 4 Development of American Indian Music 5 Traditional Music 5‐6 Developments by Genre 7‐12 Contemporary American Indian Music Web Resource List 13‐14 Contemporary Popular Musicians with Indian Ancestry 15 American Indian Musicians in Montana 16‐19 Montana Indian Music Hall of Fame 20 Native American Music Awards 21 American Indian Music and General Web Resources 22 Select Bibliography 23 Acknowledgments 22 About the Author 22 Appendix 25 Lesson Plan 1 25‐27 Lesson Plan 2 28‐30 Introduction The goal of American Indian Music: Even More Than Drums and Flutes is to assist Montana teachers in incorporating an appreciation for Indian music into school music and social studies curricula to meet Indian Education for All criteria. There is often confusion regarding terminology related to the study of the history and culture of the indigenous people of the North American continent. For the purposes of this handbook, the term “Native American” refers to the original human inhabitants (and their descendants) of this continent at the time of first recorded European contact (1492), including the contiguous United States, Alaska, Hawaii, Canada, Central America, and the Caribbean Islands. The term “American Indian” (or “Indian”) will refer primarily to the original inhabitants of the contiguous United States.