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A Journal of the Central Plains Volume 37, Number 3 | Autumn 2014
Kansas History A Journal of the Central Plains Volume 37, Number 3 | Autumn 2014 A collaboration of the Kansas Historical Foundation and the Department of History at Kansas State University A Show of Patriotism German American Farmers, Marion County, June 9, 1918. When the United States formally declared war against Onaga. There are enough patriotic citizens of the neighborhood Germany on April 6, 1917, many Americans believed that the to enforce the order and they promise to do it." Wamego mayor war involved both the battlefield in Europe and a fight against Floyd Funnell declared, "We can't hope to change the heart of disloyal German Americans at home. Zealous patriots who the Hun but we can and will change his actions and his words." considered German Americans to be enemy sympathizers, Like-minded Kansans circulated petitions to protest schools that spies, or slackers demanded proof that immigrants were “100 offered German language classes and churches that delivered percent American.” Across the country, but especially in the sermons in German, while less peaceful protestors threatened Midwest, where many German settlers had formed close- accused enemy aliens with mob violence. In 1918 in Marion knit communities, the public pressured schools, colleges, and County, home to a thriving Mennonite community, this group churches to discontinue the use of the German language. Local of German American farmers posed before their tractor and newspapers published the names of "disloyalists" and listed threshing machinery with a large American flag in an attempt their offenses: speaking German, neglecting to donate to the to prove their patriotism with a public display of loyalty. -
Downtown Development Project List
DOWNTOWN DEVELOPMENT This list provides details on all public and private sector construction projects in Downtown Houston since 1995. Costs are estimated or otherwise not available. Under Construction Harris County Jury Assembly Plaza Reconstruction of the plaza and pavilion including relocation of electrical vault. Address 1210 Congress St. Developer Harris County Estimated cost $11.3 million Est. completion 3Q 2021 Website Harris County Clerk McKee City Living 4‐story, 120‐unit affordable‐workforce housing. Address 626 McKee St. Developer Gulf Coast Housing Partnership Estimated cost $29.9 million Est. completion 4Q 2021 Website McKee City Living UHD Student Wellness & Success 72,000 SF student fitness and recreation facility. Address 315 N Main St. Developer University of Houston Downtown Estimated cost $38 million Est. completion 2Q 2022 Website UHD Student Wellness & Success Center JPMorgan Chase & Co. Tower Reframing and renovations of the first and second floor lobbies, tunnel access and the exterior plaza. Address 600 Travis St. Developer Hines Estimated cost $2 million Est. completion 3Q 2021 Website JPMorgan Chase & Co Tower Frost Town Brewing Reframing and 9,100 SF brewing and taproom serving locally inspired beers Address 600 Travis St. Developer Hines Estimated cost $2.58 million Est. completion 3Q 2021 Website Frost Town Brewing Moxy Hotel by Marriott Redevelopment of the historic office building at 412 Main St. into a 13‐story, 119‐room hotel. Address 412 Main St. Developer InnJoy Hospitality Estimated cost $4.4 million P Est. completion 2Q 2022 Website Moxy Marriott Hotel V = Estimated using the Harris County Appriasal Distict public valuation data, January 2019 P = Estimated using the City of Houston's permitting and licensing data Updated 07/01/2021 Harris County Criminal Justice Center Improvement and flood damage mitigation of the basement and first floor. -
The Keystone
THE KEYSTONE SOUTHWESTERN WRITERS COLLECTION | WITTLIFF GALLERY OF SOUTHWESTERN & MEXICAN PHOTOGRAPHY FALL 2006 | SPECIAL COLLECTIONS AT THE ALKEK LIBRARY | WWW. LIBRARY. TXSTATE. EDU/ SPEC- COLL UNIVERSITY SAN MARCOS A member of the Texas State University System from the CURATOR (right) Raymond, ¡Saludos! are extensively represented in the Wittliff Gallery, tells the (left) Sally Wittliff, 1991, Keith Carter The power of art in life is a story of a cleaning woman who said to him that in the the Bill Wittliff, Dawn Jones, Tommy Lee recurring motif here at the building where she worked there was one of his pictures— Jones, Sam Shepard, THANK YOU Collections, vividly set an old blind man petting a bunch of tiny kittens that were in & John Graves to all contributors forth once again by Graci- his lap and crawling over his shirt—eyes not open yet, blind of (seated)* who made gifts ela Iturbide in her book, like him. An edgy, unsentimental portrait that nevertheless Spirit (center) Emcee this fiscal year for Evan Smith, editor- Eyes to Fly With, upcoming reaches into every single chamber of your heart. She told general support or in-chief of TEXAS in the Wittliff Gallery Keith that she looked at it each day before she started work MONTHLY** to sponsor specific Series (p. 12). In the rare because it made her feel so good. anniversary gala projects: Place (below) revelatory text she ex- The life-changing power of art is not for the practition- Debbie & Jim # Azadoutioun Epperson, president plains how, after the death ers of art alone—it’s for all of us. -
30Th Anniversary of the Center for Public History
VOLUME 12 • NUMBER 2 • SPRING 2015 HISTORY MATTERS 30th Anniversary of the Center for Public History Teaching and Collection Training and Research Preservation and Study Dissemination and Promotion CPH Collaboration and Partnerships Innovation Outreach Published by Welcome Wilson Houston History Collaborative LETTER FROM THE EDITOR 28½ Years Marty Melosi was the Lone for excellence in the fields of African American history and Ranger of public history in our energy/environmental history—and to have generated new region. Thirty years ago he came knowledge about these issues as they affected the Houston to the University of Houston to region, broadly defined. establish and build the Center Around the turn of the century, the Houston Public for Public History (CPH). I have Library announced that it would stop publishing the been his Tonto for 28 ½ of those Houston Review of History and Culture after twenty years. years. Together with many others, CPH decided to take on this journal rather than see it die. we have built a sturdy outpost of We created the Houston History Project (HHP) to house history in a region long neglectful the magazine (now Houston History), the UH-Oral History of its past. of Houston, and the Houston History Archives. The HHP “Public history” includes his- became the dam used to manage the torrent of regional his- Joseph A. Pratt torical research and training for tory pouring out of CPH. careers outside of writing and teaching academic history. Establishing the HHP has been challenging work. We In practice, I have defined it as historical projects that look changed the format, focus, and tone of the magazine to interesting and fun. -
Houston Chronicle Index to Mexican American Articles, 1901-1979
AN INDEX OF ITEMS RELATING TO MEXICAN AMERICANS IN HOUSTON AS EXTRACTED FROM THE HOUSTON CHRONICLE This index of the Houston Chronicle was compiled in the Spring and summer semesters of 1986. During that period, the senior author, then a Visiting Scholar in the Mexican American Studies Center at the University of Houston, University Park, was engaged in researching the history of Mexican Americans in Houston, 1900-1980s. Though the research tool includes items extracted for just about every year between 1901 (when the Chronicle was established) and 1970 (the last year searched), its major focus is every fifth year of the Chronicle (1905, 1910, 1915, 1920, and so on). The size of the newspaper's collection (more that 1,600 reels of microfilm) and time restrictions dictated this sampling approach. Notes are incorporated into the text informing readers of specific time period not searched. For the era after 1975, use was made of the Annual Index to the Houston Post in order to find items pertinent to Mexican Americans in Houston. AN INDEX OF ITEMS RELATING TO MEXICAN AMERICANS IN HOUSTON AS EXTRACTED FROM THE HOUSTON CHRONICLE by Arnoldo De Leon and Roberto R. Trevino INDEX THE HOUSTON CHRONICLE October 22, 1901, p. 2-5 Criminal Docket: Father Hennessey this morning paid a visit to Gregorio Cortez, the Karnes County murderer, to hear confession November 4, 1901, p. 2-3 San Antonio, November 4: Miss A. De Zavala is to release a statement maintaining that two children escaped the Alamo defeat. History holds that only a woman and her child survived the Alamo battle November 4, 1901, p. -
Mexican American History Resources at the Briscoe Center for American History: a Bibliography
Mexican American History Resources at the Briscoe Center for American History: A Bibliography The Briscoe Center for American History at the University of Texas at Austin offers a wide variety of material for the study of Mexican American life, history, and culture in Texas. As with all ethnic groups, the study of Mexican Americans in Texas can be approached from many perspectives through the use of books, photographs, music, dissertations and theses, newspapers, the personal papers of individuals, and business and governmental records. This bibliography will familiarize researchers with many of the resources relating to Mexican Americans in Texas available at the Center for American History. For complete coverage in this area, the researcher should also consult the holdings of the Benson Latin American Collection, adjacent to the Center for American History. Compiled by John Wheat, 2001 Updated: 2010 2 Contents: General Works: p. 3 Spanish and Mexican Eras: p. 11 Republic and State of Texas (19th century): p. 32 Texas since 1900: p. 38 Biography / Autobiography: p. 47 Community and Regional History: p. 56 The Border: p. 71 Education: p. 83 Business, Professions, and Labor: p. 91 Politics, Suffrage, and Civil Rights: p. 112 Race Relations and Cultural Identity: p. 124 Immigration and Illegal Aliens: p. 133 Women’s History: p. 138 Folklore and Religion: p. 148 Juvenile Literature: p. 160 Music, Art, and Literature: p. 162 Language: p. 176 Spanish-language Newspapers: p. 180 Archives and Manuscripts: p. 182 Music and Sound Archives: p. 188 Photographic Archives: p. 190 Prints and Photographs Collection (PPC): p. 190 Indexes: p. -
Lydia Mendoza Continued Honored on Her
Big Give Lydia Mendoza continued Honored on her Philis M. Barragán Siri Lindholm Queta Rodríguez Sofia Ríos 103rd Birthday Rachel Jennings Sophia Popescu Rachel Delgado Susan Ives Rae Ellen Navarro Susana Segura Rambo Salinas Susana & Pura G. Segura with an Ramon Rivera Sylvia Cruz Castillo Rebeca Velasco Sylvia Reyna Rebecca Flores Tania Olvera Historical Rebecca -Becky- Hadley Tanya Mote Rey Saldaña Thainna Washington Rhett Smith Thea Rossman Marker Richard Aguilar Theresa & Daniel Hong Rita E. Urquijo-Ruíz Toni Romero Robert Salcido Tony Villanueva Robert Salluce Tracy Zhao Join singer Lydia Mendoza’s Roberto Treviño Valeria Alderete Roger Singler Valerie & Eric Vogt family, Rodolfo Gutiérrez of Rogelio Arocha Vania González the Del Bravo Record Shop Rosa Vega Velia Suárez Rosa B. Guzmán Victoria Guajardo and the Buena gente of Te Rosemary García Virginia Sandoval Rosemary R. Martínez & Marianna R. William Tachau Esperanza Peace & Justice Coindreau Martínez William Smith Center to celebrate the late Ruth Guajardo Xavier Sánchez Salvador García Dorado Yahaira Martínez great “Alondra de la Frontera” Sandy Dunn Yoko Misu Sara DeTurk Yolanda Santos aka “La Cancionera de los Sarah Hilsman Yon Hui Bell Pobres”, as we celebrate Sarah Davis Deshaies Sergio Tejadilla Lydia Mendoza’s 103rd Sergio Flores and 54 more, Shahriyar Zarafshar anonymous birthday and observe the Sharyll S. Teneyuca Shelby Gutiérrez donors! unveiling of an historical siboney diaz marker in her honor at San Fernando Cemetery #2 on Saturday, June 1, 2019, followed by a birthday celebration at the Rinconcito de Esperanza. de LA VOZ 12 May 31, 1916 - December 20, 2007 Houston native Lydia Men- 50 LPs to her name. -
Felix Tijerina
NHD PERFORMANCE SCRIPT COVER PAGE Please Note: All text in this template must be in 12 point font. Times New Roman, Arial, or Calibri fonts accepted. PLEASE make a copy of this template before editing. PERFORMANCE INFORMATION Project Title Felix Tijerina Breaking Barriers by Opening Doors for Latin American Mathew Montiel, Andrea Urbina, Monserrat Sandoval-Malherbe, Joel Student Name(s) Santivañez, Aiden Anzaldua Division Senior Group Performance Performance 9:45 Runtime Felix Tijerina tore down the social, cultural, and language barriers of the Latino community with his philanthropic actions in his personal life and as President of Thesis LULAC. It is his contributions that influenced Lyndon B. Johnson to create a national education system that is still in use today. PERFORMANCE OVERALL SCENARIO Story Setting(s) Timeframe West Side Museum, The Original Mexican Late 1920’s, Late 1950’s, and Present Restaurant, Felix’s Mexican Restaurant, Ganado Day(2020) High School Story Synopsis The story of Felix Tijerina is a rare rags to riches story but there is so much more to Felix than his successful business ventures. In this performance we visit the West Side museum where we meet a Curator who teaches tourists about Felix Tijerina and his life. We go back in time and get to see up close the way Felix took Latino segregation into his own hands and used his wealth to give the youth a better chance at a successful life. CHARACTERS Character Performer Description/background for the character Felix Tijerina Aiden Anzaldua Mexican American entrepreneur, businessman, and President of LULAC. Isabel Verver Andrea Urbina A Mexican American student who becomes the first teacher for the Little School of 400. -
THE ROLE of THIRD-PARTY FUNDERS in the DEVELOPMENT of MEXICAN AMERICAN INTEREST GROUP ADVOCACY by Devin Fernandes
CONSTRUCTING THE CAUSE: THE ROLE OF THIRD-PARTY FUNDERS IN THE DEVELOPMENT OF MEXICAN AMERICAN INTEREST GROUP ADVOCACY by Devin Fernandes A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Political Science JOHNS HOPKINS UNIVERSITY © Devin Fernandes 2018 All rights reserved ABSTRACT For the last 25 years, scholars have raised alarms over the disappearance of local civic membership organizations since the 1960s and a concomitant explosion of third-party-funded, staff-dominated, professional advocacy organizations. This change is said to contribute to long- term declines in civic and political participation, particularly among minorities and low income Americans, and by extension, diminished electoral fortunes of the Democratic Party. Rather than mobilize mass publics and encourage their political participation, the new, largely progressive advocacy groups finance themselves independently through foundation grant money and do most of their work in Washington where they seek behind the scenes influence with unelected branches of government. However, in seeking to understand this transition “from membership to advocacy,” most current scholarship focuses on the socio-political factors that made it possible. We have little understanding of the internal dynamics sustaining individual organizations themselves to account for why outside-funded groups are able to emerge and thrive or the ways in which dependence on external subsidies alters their operating incentives. To address this hole in the literature, the dissertation engages in a theory-building effort through a case study analysis of the Mexican American Legal Defense and Educational Fund (MALDEF), founded in 1968. Drawing on archival materials from MALDEF and its primary benefactor, the Ford Foundation, the dissertation opens the black box of internal decision-making to understand in real time how resource dependence on non-beneficiaries shaped the maintenance calculus of its leaders and in turn, group behavior. -
Francisco Orozco the Tejano Music Spotlight Has Mostly Shined on Male
Tejana Women (Time: 5:22) NARRATOR: Francisco Orozco The Tejano music spotlight has mostly shined on male musicians. But women also recorded music as early as 1904. These Chicanas were usually singers because this part was seen as “fit for women.” [music] The soulful voices of these female artists had a heart-felt impact on generations of Chicanos. “The Lark of the Border,” Lydia Mendoza was one of the earliest solo superstars. In 1935 she had a hit song, “Mal Hombre,” or “Bad Man.” This song especially appealed to women because it told a story from the woman’s point of view; something different from the numerous songs about women cheaters and heartbreakers. “Mal Hombre,” Lydia Mendoza In 1940s Texas, women singing duets were very popular. One notable duet was Carmen y Laura, the first stars of Ideal Records. In 1945 they had their first hit “Se Me Fue Mi Amor.” In this cancion, their beautifully paired voices tell about a woman’s lament over her love’s departure overseas to serve in the war. “Se Me Fue Mi Amor,” Carmen y Laura Crowned “Queen of the Bolero,” Chelo Silva was one of the most popular singers in the 1950s. Her melancholy voice had an emotional quality that could make both men and women cry. This hit “Está Sellado” is a bolero; a popular ballad style originally from Cuba. “Está Sellado,” Chelo Silva In 1932 Rosita Fernandez, “The Rose of San Antonio” entered and won a radio singing contest in San Antonio. This launched her career. By the 1950s, she was appearing on local Television and starring in motion pictures. -
Volume 17, No. 1, January 2019
THE TEXAS ROOM DISPATCH A Publication of the Friends of the Texas Room (Incorporated November 27th, 2002) Volume 17, Number 1, January 2019 Monday, January 28th, 2019, Meeting Meeting location is The Julia Ideson Building, Houston Public Library, first-floor auditorium, 500 McKinney Avenue. 6:00 – 6:30 Reception 6:30 Program PROGRAM Dr. W. F. Strong, Fulbright Scholar and Professor of Communication at the University of Texas- Brownsville and native Texan who holds degrees in Communication and Literature from Abilene Christian University and The University of North Texas, will speak on the topic "Special Collections Libraries Preserve Texas Culture, from Linguistics to Folklore to Historical Truths." NEW PAPERLESS PARKING Free parking is available for FTxR members in the garage under the Jones Building accessed from Lamar Avenue. Upon arriving at the garage entrance meter, (1) select language, (2) enter your license plate number, (3) select “All Day Parking $16,” (4) select “Yes” to the question “Do you have a coupon code?,” (5) enter the code: 47683, (6) place the printed receipt on your dashboard. This is a one-time code. No code is needed upon exiting. Non-FTxR members who want to use the underground parking must pay upon entering the HPL Garage. Paper tickets will no longer be issued. Parking is also available in the Smith Garage located at 1100 Smith Street next to Pappas restaurant. The garage entrance is on Smith Street. A parking fee of $5.00 is charged after 5:00 pm. Free parking is also available on the nearby streets after 6:00 pm. -
CITY of HOUSTON Archaeological & Historical Commission Planning and Development Department
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department A RCHAEOLOGICAL S ITE D ESIGNATION R EPORT SITE NAME: Frost Town Archaeological Site - 80 Spruce Street AGENDA ITEM: III OWNER: Art and Environmental Architecture, Inc. HPO FILE NO: 09AS1 APPLICANT: Kirk Farris DATE ACCEPTED: Sept-09-09 LOCATION: 80 Spruce Street – Frost Town HAHC HEARING: Sept-24-09 30-DAY HEARING NOTICE: N/A PC HEARING: Oct-1-09 SITE INFORMATION Lot 5 (being .1284 acres situated at the northwest corner of), Block F, Frost Town Subdivision, SSBB, City of Houston, Harris County, Texas. The site is a vacant tract of land located within the former Frost Town site and has been designated as a State of Texas Archaeological Site. TYPE OF APPROVAL REQUESTED: Archaeological Site Designation HISTORY AND SIGNIFICANCE SUMMARY Frost Town was first settled in 1836 and would become the first residential suburb of the City of Houston, then-Capitol of the new Republic of Texas. Frost Town was located in a bend on the south bank of Buffalo Bayou approximately ½ mile downriver from the present site of downtown Houston. The 15-acre site was purchased from Augustus and John Allen by Jonathan Benson Frost, a Tennessee native and a recent veteran of the Texas Revolution, who paid $1,500 ($100 per acre) for the land in April 1837. Frost built a house and blacksmith shop on the property, but died shortly after of cholera. His brother, Samuel M. Frost subdivided the 15 acres into eight blocks of 12 lots each, and began to sell lots on July 4, 1838.