National Theatre Wales Promoters Pack
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Chapter One – „Digital Technology and Theatres‟……………………………………7
Technology; Theatres, Plays and Performance Submitted for assessment to the University of the West of England 2011 for Drama and Creative Writing degree award. Copyright: Hannah Williams Walton 2011 Photo from the Blast Theory website: http://www.blasttheory.co.uk/bt/index.php Abstract Technology is now an integral part of modern society from the internet; to computers, mobile phones and gaming. It is clear that technology has made massive advances to society in terms of connecting the world however we must also examine the disciplines which may be struggling to adapt. The world of arts and theatre is a form that is routed in tradition which brings limitations in how far people are willing to push against normal conventions. This dissertation explores three sections of technology within theatre. „Digital Technology and Theatres‟ which explores the impact that the internet has had on the theatre in terms of marketing; and participation in the arts; looking at specific theatre websites, and the services Digital Theatre and National Theatre Live. „Technology and the internet in contemporary plays‟ looks at Tim Fountain‟s play Sex Addicts that uses the internet live during performance, and the work that contemporary playwrights have developed to stage modern technology within their work. From Patrick Marber‟s chatroom scene in Closer, to Chatroom by Enid Walsh that is set almost entirely in a virtual world. „Digital Performance‟ explores theatre companies and practitioners that are pushing the boundaries between performance and technology, to create contemporary pieces of theatre. The research identified Connected an organisation dedicated to working with artists who use live and interactive media; this included Duncan Speakmen, Hide and Seek and Blast Theory. -
Information Pack Trustees Welcome
Information Pack Trustees "Since its inception, National Theatre Wales have never been afraid to ask what theatre is and what it might be” The Guardian, UK Welcome. Thank you for your interest in the role of Trustee on the Board of National Theatre of Wales (NTW). NTW collaborates with people and places to make extraordinary theatre that inspires change. We operate from a small base in Cardiff city centre, but the nation of Wales is our stage, and its incredible stories and wealth of talent is our inspiration. The role of the Board, and each of its members, is critical in bringing effective leadership, support and inspiration to the organisation as it enters a new period in its history during challenging times for the arts sector as a whole. We trust that this recruitment pack will give you the relevant information you require on the role plus some further background on NTW and its future. You will find details on how to apply on page 6. The deadline for applications to be received is 12 noon, Wednesday 11th November. Thank you for your interest in NTW and for taking the time to consider joining us. We look forward to hearing from you. Clive Jones, Chair Background National Theatre Wales (NTW) is succession planning for its board of trustees and looking for a number of Non-Executive Directors to join the board from November 2020 onwards. Chaired by Sir Clive Jones CBE since December 2016, the board supports and advances the artistic vision of Lorne Campbell, the new CEO/Artistic Director, who joined the company in March 2020. -
Open Culture: National Theatre Wales by John Mcgrath Guimarães, Open City Project August 2012
Open Culture: National Theatre Wales by John McGrath Guimarães, Open City Project August 2012 National Theatre Wales is a new theatre for an old but emerging nation. Part of the UK for many centuries, Wales now has a semi-independent government with control over key services such as health, education, and culture. As part of this shift in powers two new theatre companies were created in Wales – Theatr Genedlaethol Cymru and National Theatre Wales. Both company names mean the same thing but in two different languages – Welsh (TGC), the native language of the country spoken by about 25% of the population, and English (NTW), which is spoken by everyone but associated with the big neighbour across the border. So NTW has, of its essence, a complex relationship to nation and identity. Like all theatre companies in the UK however, it is run as an independent organisation not as a government entity. So when I was invited, with a small group of colleagues, to set up the company in 2009 we were free to find our own answers to the questions facing us. Landscape As well as the question of language, a number of other factors about theatre in Wales fed into our thinking: Wales has a relatively small population (3 million) spread quite thinly across the country. While there are some cities, the largest (Cardiff) has a population of just 300,000, and there is a historic distrust of centralisation. The option of a national theatre based in a large building in the capital city was not an idea that had much support. -
Praxis Makes Perfect
Praxis Makes Perfect NATIONaL tHEATRE WaLES & NeON NeON NationaL Theatre WaLes & Neon Neon Praxis Makes Perfect Conceived aNd PerfOrMed by Gruff Rhys aNd Boom biP LooseLy based on tHe book seNiOr service by carlo feLtriNelli B #Ntwneonneon Neon Neon bryaN Hollon ‘Boom biP’ Gruff Rhys In 2007, Gruff Rhys and Boom Bip launched Bryan is originally from Cincinnati, Ohio Gruff Rhys is a Welsh musician, performing Cerddor Cymreig yw Gruff Rhys, sy’n perfformio the electro-pop collaboration Neon Neon. and is currently based in Los Angeles. After solo and with several bands. He was born ar ei ben ei hun a gyda sawl band. Cafodd Their first album, Stainless Style, was released starting his career as a DJ – presenting on in Haverfordwest, Pembrokeshire and grew ei eni yn Hwlffordd, Sir Benfro ac fe’i magwyd in 2008 and is a concept album based on the the radio and hosting club nights – he met up in Bethesda, Gwynedd in north Wales. Gruff ym Methesda, Gwynedd yng ngogledd Cymru. life of John DeLorean, founder of the DeLorean and collaborated with other producers and first found his voice as the front man of the Daeth Gruff i’r amlwg fel prif ganwr Ffa Coffi Motor Company. The album included high-profile artists including rapper Doseone. Boom Bip band Ffa Coffi Pawb (Everyone’s Coffee Beans), Pawb (Everyone’s Coffee Beans), oedd wedi’u guest appearances from the likes of The Strokes’ and Doseone’s collaborative album Circle who were signed to Ankst and became one cofrestru ag Ankstmusik a ddaethant yn un Fab Moretti, Har Mar Superstar, Cate Le Bon was noted by John Peel in the UK, and the of the leading bands on the Welsh language o brif fandiau’r byd cerddoriaeth yng Nghymru. -
Very Best of Wales Arts Review Volume 1
What is a Critic? The Evil of Violence Conversation Gary Raymond explores the nature Cerith Mathias looks at Steph Power talks of arts criticism in a letter the Wales Window of to WNO’s David addressed to the future Birmingham, Alabama Pountney Wales Arts Review The Very Best of Wales Arts Review Volume 1 The Very Best of the Wales Arts Review: Volume 1 1 Wales Arts Contents Review Senior Editor Gary Raymond Managing Editor Phil Morris A Letter Addressed to the Future: Design Editor Up Front 3 What is a Critic? Dean Lewis Gary Raymond Fiction Editor Features 5 The Birth of a Nation: DW Griffith’s Distortion of History and Its Legacy by Phil Morris John Lavin 8 The Poet and the Public Intellectual by Dylan Moore Music Editor 11 Wales, the Artist and Society: The Legacy of Beca by Sara Rhoslyn Moore Steph Power 13 The Deep Sigh: Meditations Upon Haiku by Paul Chambers Web Editor 15 A Tribute to Dannie Abse: Goodbye, Twentieth Century Ben Glover by Adam Somerset 16 Occupy Gezi: The Cultural Impact by James Lloyd Associate Editors 21 Oh, Newport, My Lionheart: 30 years of Music and Nightlife in the Cerith Mathias City of Cider and Steel by Craig Austin Craig Austin 26 Dylan Thomas: The Industry of Tragedy and the Antithetical Mask by Gary Raymond Laura Wainwright 30 The Landscapes of Language by Trey McCain 33 From Olympia to the Valleys: What Riot Grrrl did and didn’t do for me by Rhian E Jones All banners 37 ‘Almost like a world on its own': Wales Arts Review goes to Festival designed by Dean No.6 by John Lavin Lewis, except Dark 40 To the Detriment of Us All: The Untouched Legacy of Arthur Room by Anna Koestler and George Orwell by Gary Raymond Metcalfe, which 43 Against the Evil of Violence – The Wales Window of Alabama by Cerith Mathias was taken from ‘The Brouhers’ by 46 Deeds Not Words by Ben Glover Ric Bower. -
National Contemporary Art Gallery Wales: Preliminary Feasibility Study
National Contemporary Art Gallery Wales Preliminary Feasibility Study & Options Appraisal July 2018 Client: Museums, Archives and Libraries Division (MALD), Welsh Government Event Authors: Lucie Branczik and Becky Schutt Revision no: 02 Date: July 2018 Event Communications Ltd India House 45 Curlew Street London SE1 2ND +44 (0) 20 7378 9900 [email protected] www.eventcomm.com © Event Communications Ltd 2018 The right of Event Communications Ltd to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patent Act 1988. Front cover: Laura Ford, Cardiff Contemporary Festival Source: Laura Ford Contents Executive Summary 7 Appendices 1. Introduction 17 Appendix 1: Consultation List 138 2. Findings and Opportunities 23 Appendix 2: Site Visits 140 Contemporary Art in Wales 25 Appendix 3: Bibliography 142 Supply: Visual and Applied Arts Ecology 30 Appendix 4: List of Figures 144 Demand: Audiences 51 Appendix 5: The Market 147 Key Contexts 61 Appendix 6: Longlist Options 155 Sector Ambition 86 Appendix 7: Vision and Mission Examples 227 3. Purpose and Vision 91 4. The Options 97 5. Recommendations 103 6. Details of the Model 119 7. Recommended Next Steps 131 “In Britain, whenever people come across something new and exciting, but challenging, there is a tendency for them to run for cover, to want what they know and are comfortable with. To design a great new building takes courage on everyone’s part. I think we have a lot more explaining to do.” Zaha Hadid, 1995 Jonathan Glancey, “A monumental spot of local trouble” (The Independent, Jan 1995) 5 Kelly Best, Installation View. -
An Improv-Able Legacy: Shining the Composition Spotlight on Viola Spolin’S Improvisational Pedagogy
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2021 An Improv-able Legacy: Shining The Composition Spotlight on Viola Spolin’s Improvisational Pedagogy Cory Richard Chamberlain University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Chamberlain, Cory Richard, "An Improv-able Legacy: Shining The Composition Spotlight on Viola Spolin’s Improvisational Pedagogy" (2021). Doctoral Dissertations. 2562. https://scholars.unh.edu/dissertation/2562 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. An Improv-able Legacy: Shining The Composition Spotlight on Viola Spolin’s Improvisational Pedagogy By CORY CHAMBERLAIN BA, University of North Florida, 2012 MA, University of North Florida, 2014 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy In English May 2021 Chamberlain | ii ALL RIGHTS RESERVED ©2021 Cory Chamberlain Chamberlain | iii An Improv-able Legacy: Shining The Composition Spotlight on Viola Spolin’s Improvisational Pedagogy By Cory Chamberlain This dissertation has been examined and approved. Dissertation Director, Dr. Cristy Beemer, Associate Professor of English Dr. Christina Ortmeier-Hooper, Associate Professor of English Dr. Alecia Magnifico, Associate Professor of English Deborah Kinghorn, Professor Emeritus of Theatre and Dance Dr. James Webber, Associate Professor of English, University of Nevada-Reno 3/4/2021 Date Approval signatures are on file with the University of New Hampshire Graduate School. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Issue 147.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 147 October Oxford’s Music Magazine 2007 YOUTHMOVIESYOUTHMOVIES s inspirational musical Oxford’ interview inside chameleons - PlusPlus TruckTruck FestivalFestival review;review; CarlingCarling AcademyAcademy openingopening nightnight andand sevenseven pagespages ofof locallocal gigsgigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 TRUCK RECORDS launches THE BULLINGDON hosts a new two new regular live music club weekly live bands club night every NEWNEWSS nights this autumn. Starting from Thursday from 4th October. this month, on Thursday 11th, is Project:disco is run by the same Nightshift: PO Box 312, Kidlington, OX5 1ZU Champions Of The World at the team who currently run Coo Coo Phone: 01865 372255 email: [email protected] Gladiator Social Club on Iffley Club at the Jericho Tavern. Bands Road. As well as a live set from and DJs interested in playing recent Magic Numbers support should contact Autumn at through; he’s a tough cookie”. act Danny Champion Of The [email protected], Surgeons have operated to repair World, there’ll be bingo, a cheese including MySpace links where two broken vertebrae and are auction and a disco. Meanwhile, possible. treating a smashed heel. Mickey is after being forced to move much of expected to make a full recovery, this year’s Truck Festival bill up THE THIEVES have split up. The although this may take several to Brookes University Union at band formed by Oxfordshire months. Commenting on the the last minute following the bothers Hal and Sam Stokes have cancellation of the show, Alan Day, floods, Truck have decided to go been resident in Los Angeles for the promoter for TCT Music, added, back with a once-a-term gig and past few years, constantly touring “We were really looking forward to club night. -
London Book Fair Guide 2021
London Book Fair Guide 2021 Jonathan Clowes Literary Agents 10 Iron Bridge House Bridge Approach London NW1 8BD, UK telephone: +44 (0) 20 7722 7674 www.jonathanclowes.co.uk Ann Evans [email protected] Nemonie Craven [email protected] Cara Lee Simpson [email protected] Tufayel Ahmed The Estates of Michael Baigent & Richard Leigh Dr. David Bellamy OBE Frances Bingham Jacqueline Bublitz Angela Chadwick Bethany Clift Arthur Conan Doyle Characters Ltd. Simon Critchley Maureen Duffy Brian Freemantle Miles Gibson Rana Haddad Ben Halls Francesca Hornak The Estate of Elizabeth Jane Howard CBE The Estate of Carla Lane The Estate of Doris Lessing CH The New York Times The Estate of David Nobbs Okechukwu Nzelu Gruff Rhys Barbara Voors The Estate of Gillian White Writing Revolution Toby Vieira Tufayel Ahmed To Hell With It Tufayel Ahmed is a journalist and editor who has previously worked as Senior Editor at Newsweek and News Editor at PinkNews. He has written for CNN, Forbes, Radio Times, VICE and more. He lives with his partner and pet Maltese, Gigi, in London. Tufayel is also a BA (Hons) Journalism lecturer at London South Bank University, and is currently leading the campaign #DiversifyTheNewsroom. In a similar vein to Queenie by Candice Carty-Williams, TO HELL WITH IT is a bold and witty upmarket commercial fiction novel exploring love, race, sexuality, mental health, and the ties of family and friendship in con- temporary multicultural Britain. It follows its unforgettable protagonist Am- ar, a young gay, British South Asian man, after he comes out to his family. -
Gig” “This Won’T TICKETS Be Just MONKEYSARCTICTO SEE
Gruff Rhys Pete Doherty Wolf Alice SECRET ALBUM DETAILS! Tune-Yards “I’ve been told not to tell but…” 24 MAY 2014 MAY 24 The Streets IAN BROWN IAN “This won’t Arctic be just another gig” Monkeys “It’s not where you’re from, it’s where you’re at...” on their biggest weekend yet and what lies beyond ***R U going to be down the front?*** Interviews with the stellar Finsbury Park line-up Miles Kane Tame Impala Royal Blood The Amazing Snakeheads TICKETS TO SEE On the town with Arctics’ THE PAST, PRESENT favourite new band ARCTIC & FUTURE OF MUSIC WIN 24 MAY 2014 | £2.50 HEADLINE US$8.50 | ES€3.90 | CN$6.99 MONKEYS BLACK YELLOW MAGENTA CYAN 93NME14021105.pgs 16.05.2014 12:29 BLACK YELLOW MAGENTA CYAN 93NME14018164.pgs 25.04.2014 13:55 ESSENTIAL TRACKS NEW MUSICAL EXPRESS | 24 MAY 2014 4 SOUNDING OFF 8 THE WEEK THIS WEEK 16 IN THE STUDIO Pulled Apart By Horses 17 ANATOMY OF AN ALBUM The Streets – WE ASK… ‘A Grand Don’t Come For Free’ NEW 19 SOUNDTRACK OF MY LIFE Anton Newcombe, The Brian Jonestown Massacre BANDS TO DISCOVER 24 REVIEWS 40 NME GUIDE → THE BAND LIST 65 THIS WEEK IN… Alice Cooper 29 Lykke Li 6, 37 Anna Calvi 7 Lyves 21 66 THINK TANK The Amazing Mac Miller 6 Snakeheads 52 Manic Street Arctic Monkeys 44 Preachers 7 HOW’s PETE SPENDING Art Trip And The Michael Jackson 28 ▼FEATURES Static Sound 21 Miles Kane 50 Benjamin Booker 20 Mona & Maria 21 HIS TIME BEFORE THE Blaenavon 32 Morrissey 6 Bo Ningen 33 Mythhs 22 The Brian Jonestown Nick Cave 7 Massacre 19 Nihilismus 21 LIBS’ COMEBACK? Chance The Rapper 7 Oliver Wilde 37 Charli XCX 32 Owen Pallett 27 He’s putting together a solo Chelsea Wolfe 21 Palm Honey 22 8 Cheerleader 7 Peace 32 record in Hamburg Clap Your Hands Phoria 22 Say Yeah 7 Poliça 6 The Coral 15 Pulled Apart By 3 Courtly Love 22 Horses 16 IS THERE FINALLY Courtney Barnett 31 Ratking 33 Arctic Monkeys Courtney Love 36 Rhodes 6 Barry Nicolson gets the skinny Cymbals Eat Guitars 7 Royal Blood 51 A GOOD Darlia 40 Röyksopp & Robyn 27 on their upcoming Finsbury Echo & The San Mei 22 Park shows. -
JUST ANNOUNCED Gruff Rhys + London Contemporary Orchestra
JUST ANNOUNCED Gruff Rhys + London Contemporary Orchestra Wednesday 12 September 2018 / Barbican Hall / 19:30 Tickets £17.50 – £25.00 plus booking fee Iconic Welsh musician and artist Gruff Rhys appears at the Barbican, joined by the London Contemporary Orchestra (LCO), to perform material from his forthcoming album Babelsberg – released on 8 June on Rough Trade. This record is his sixth solo outing and second release on Rough Trade since 2007’s Candylion. Babelsberg was originally recorded in 2016, but the songs were put into hibernation until additional scores were added by composer Stephen McNeff and performed by the National Orchestra of Wales, eighteen months later. The record focuses on misplaced optimism with Rhys noting the Tower of Babel as an inspiration, stating of his thought-process ‘people building towers to reach an idea of heaven (but maybe creating a kind of hell)’.The evening will also feature material from Rhys’ celebrated back catalogue. Rhys’ numerous creative endeavours, atop his work in Super Furry Animals and as a solo artist, includes electro-pop act Neon Neon. It was with Neon Neon that Rhys last appeared as part of the Barbican contemporary music programme at Village Underground in 2013. As a collaborator Rhys has recorded and performed with Gorillaz, Mogwai, Manic Street Preachers and many more. For his concert in the Barbican Hall he will team up with LCO, an ensemble that has worked with Radiohead, Frank Ocean, and last performed at the Barbican in March of this year alongside John Cale. On sale to Barbican