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S P R I N G 2 0 0 3 Upfront 7 News Politics and Policy Culture And
spring 2003 upfront culture and economy environment 2 whitehall versus wales communications 40 rural survival strategy 62 making development analysing the way Westminster 33 gareth wyn jones and einir sustainable shares legislative power with ticking the box young say we should embrace kevin bishop and unpacking the Welsh 2001 Cardiff Bay robert hazell ‘Development Domains’ as a john farrar report on a census results denis balsom says Wales risks getting the central focus for economic new study to measure our finds subtle connections worst of both worlds policy in the Welsh countryside impact on the Welsh between the language and cover story cover environment 7 news nationality 43 making us better off steve hill calls for the 64 mainstreaming theatre special Assembly Government to renewable energy politics and policy adopt a culture of evaluation peter jones says Wales 13 35 i) a stage for wales in its efforts to improve should move towards clear red water michael bogdanov says Welsh prosperity more sustainable ways of rhodri morgan describes the Cardiff and Swansea living distinctive policy approach should collaborate to developed by Cardiff Bay over science special produce the forerunner europe the past three years for a federal national 47 i) why we need a 15 red green theatre science strategy 66 team wales abroad eluned haf reports on the progressive politics 38 ii) modest venue – phil cooke charts Wales’ adam price speculates on melodramatic progress in venturing into new Welsh representation whether a coalition between debate the -
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ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
Chapter One – „Digital Technology and Theatres‟……………………………………7
Technology; Theatres, Plays and Performance Submitted for assessment to the University of the West of England 2011 for Drama and Creative Writing degree award. Copyright: Hannah Williams Walton 2011 Photo from the Blast Theory website: http://www.blasttheory.co.uk/bt/index.php Abstract Technology is now an integral part of modern society from the internet; to computers, mobile phones and gaming. It is clear that technology has made massive advances to society in terms of connecting the world however we must also examine the disciplines which may be struggling to adapt. The world of arts and theatre is a form that is routed in tradition which brings limitations in how far people are willing to push against normal conventions. This dissertation explores three sections of technology within theatre. „Digital Technology and Theatres‟ which explores the impact that the internet has had on the theatre in terms of marketing; and participation in the arts; looking at specific theatre websites, and the services Digital Theatre and National Theatre Live. „Technology and the internet in contemporary plays‟ looks at Tim Fountain‟s play Sex Addicts that uses the internet live during performance, and the work that contemporary playwrights have developed to stage modern technology within their work. From Patrick Marber‟s chatroom scene in Closer, to Chatroom by Enid Walsh that is set almost entirely in a virtual world. „Digital Performance‟ explores theatre companies and practitioners that are pushing the boundaries between performance and technology, to create contemporary pieces of theatre. The research identified Connected an organisation dedicated to working with artists who use live and interactive media; this included Duncan Speakmen, Hide and Seek and Blast Theory. -
Annual Report 2000-2001
NATIONAL MUSEUMS & GALLERIES OF WALES report Annual Report of the Council 2000-2001 The President and Council would like to thank the following, and those who wish to remain anonymous, for their generous support of the National Museums & Galleries of Wales in the period from 1st April 2000 to 31st March 2001 Corporate Sponsors 2000 to 2001 Save & Prosper Educational Trust Arts & Business Cymru Worshipful Company of Goldsmiths of London Barclays Anonymous Trust BG Transco plc BT Individual Donors giving in excess of £250 Ceramiks David and Diana Andrews Consignia, formerly The Post Office David and Carole Burnett DCA Mrs Valerie Courage DFTA Designs from the Attic Geraint Talfan Davies Dow Corning Marion Evans ECD Energy and Environment Mrs Christine Eynon GE Aircraft Engines, Inc. Roger and Kathy Farrance Gerald Davies Ltd Michael Griffith GMB G. Wyn Howells Lloyds TSB Commercial David Watson James, OBE Paula Rosa Jane Jenkins The Principality Dr and Mrs T. P. Jones Redrow South Wales Ltd Dr Margaret Berwyn Jones Smartasystems Miss K.P. Kernick Standard Signs The Rt Hon. Neil Kinnock Stannah Dafydd Bowen Lewis Transport & General Workers Union Gerald and Pat Long Unison L. Hefin Looker United Welsh Housing Association Mr Howard Moore Wales Information Society Mrs Rosemary Morgan Wincilate Malcolm and Monica Porter Our 174 partner companies who have ensured Mathew and Angela Prichard the success of the House for the Future at the Alan K.P. Smith Museum of Welsh Life Dr P.M. Smith John and Jane Sorotos Founder and Corporate Members Roger G. Thomas GE Aircraft Engines, Inc. John Foster Thomas Golley Slater Public Relations Mrs Meriel Watkins Interbrew Richard N. -
Operational Plan This Year Reflects an Important Moment of Change
Foreword from the Chair and Chief Executive of the Arts Council of Wales These are challenging times for the publicly funded arts in Wales. This isn’t because people don’t care about them – the public are enjoying and taking part in the arts in large numbers. It isn’t because the work is poor – critical acclaim and international distinction tells us differently. The arts remain vulnerable because continuing economic pressures are forcing uncomfortable choices about which areas of civic life can argue the most persuasive case for support. Fortunately, the Welsh Government recognises and understands the value of arts and creativity. Even in these difficult times, the Government is increasing its funding to the Arts Council in 2017/18 by 3.5%. This vote of confidence in Wales’ artists and arts organisations is as welcome as it’s deserved. But economic austerity continues and this increases our responsibility to ensure that the benefits that the arts offer are available to all. If we want Wales to be fair, prosperous and confident, improving the quality of life of its people in all of the country’s communities, then we must make the choices that enable this to happen – hard choices that will require us to be clear about our priorities. We intend over the coming years to make some important changes – not recklessly or heedlessly, but because we feel that we must try harder to ensure that the benefits of the arts are available more fairly across Wales. It is time to tackle the lack of engagement, amongst those not traditionally able to take part in the arts and in those places where the chance to enjoy the arts is more limited. -
To 17Th Century Settlement Sites in South Glamorgan
The ceramic evidence for economic life and networks from 12th- to 17th century settlement sites in South Glamorgan Alice Forward PhD in Archaeology School of History, Archaeology and Religion Cardiff University December 2013 Summary Using well stratified ceramic assemblages from eight settlements across South Glamorgan this thesis places archaeology at the centre of interpretations of medieval and early post-medieval economic networks in this area. Comparative analysis and the contextualisation of the material have enabled archaeological evidence to develop new ways of understanding and interpreting the region during the 12th to the 17th centuries. Chapter 3 re-evaluates previous studies of the local ceramics, Vale Ware, and conducts further petrographic analysis on sherds from excavations at Llandaff Cathedral School, Cosmeston and Kenfig. Chapters 4 and 5 are detailed studies of the medieval and early post-medieval ceramic assemblage from Cosmeston. They discuss the contextual significance of the ceramics from the manor and its associated settlement and the changes that affected the manorial estate over 500 years. Chapter 6 focuses on assemblages from the small town, Cowbridge. This chapter develops ideas concerning the role of markets and fairs as central trading places in South Glamorgan. Chapter 7 looks at six comparative case studies: rural settlements at Barry, Sully and Rumney, the towns of Cardiff and Kenfig and the ecclesiastical centre at Llantwit Major. By comparing the assemblages from these sites to both Cosmeston and Cowbridge, i | P a g e interpretations are further developed on the role settlements had within the local and wider regional economic networks. The results emphasise the importance of the Bristol Channel to the movement of goods and people in South Glamorgan. -
Edging the Estuary
the welsh + Richard Wyn Jones Devolution’s unfinished business John Osmond Theodore Huckle and a Welsh jurisdiction Emrys Roberts Elystan Morgan’s tryst with Wales John Borkowski and Angus Walker Wales should join with West on airport Cynog Dafis Sacred landscape and sustainable development Zoë Harcombe The obesity epidemic Katie Harris Human trafficking on our streets Peter Jones Why a barrage is a step too far Gareth Rees Edging Cultural apartheid on the airwaves Karen Owen When Caernarfon was the print the estuary capital of Wales Trevor Fishlock A hole in our national trouser Nigel Jenkins In the footsteps of Y Gododdin www.iwa.org.uk | Spring 2013 | No. 49 | £8.99 The Institute of Welsh Affairs gratefully acknowledges funding support from the Joseph Rowntree Charitable Trust, the Esmée Fairbairn Foundation and the Waterloo Foundation. The following organisations are corporate members: Public Sector Private Sector Voluntary Sector • Aberystwyth University • ABACA Limited • Aberdare & District Chamber • ACAS Wales • Arden Kitt Associates Ltd of Trade & Commerce • Bangor University • Association of Chartered Certified • Alcohol Concern Cymru • BBC Cymru Wales Accountants (ACCA) • Business in the Community • Cardiff & Vale College / Coleg Caerdydd a’r Fro • Beaufort Research • Cardiff University (CAIRD) • Cardiff School of Management • BT • Cartrefi Cymru • Cardiff University • Cassidian UK Ltd • Cartrefi Cymunedol Community • Cardiff University Library • Castell Howell Foods Housing Cymru • Centre for Regeneration Excellence Wales • -
Open Culture: National Theatre Wales by John Mcgrath Guimarães, Open City Project August 2012
Open Culture: National Theatre Wales by John McGrath Guimarães, Open City Project August 2012 National Theatre Wales is a new theatre for an old but emerging nation. Part of the UK for many centuries, Wales now has a semi-independent government with control over key services such as health, education, and culture. As part of this shift in powers two new theatre companies were created in Wales – Theatr Genedlaethol Cymru and National Theatre Wales. Both company names mean the same thing but in two different languages – Welsh (TGC), the native language of the country spoken by about 25% of the population, and English (NTW), which is spoken by everyone but associated with the big neighbour across the border. So NTW has, of its essence, a complex relationship to nation and identity. Like all theatre companies in the UK however, it is run as an independent organisation not as a government entity. So when I was invited, with a small group of colleagues, to set up the company in 2009 we were free to find our own answers to the questions facing us. Landscape As well as the question of language, a number of other factors about theatre in Wales fed into our thinking: Wales has a relatively small population (3 million) spread quite thinly across the country. While there are some cities, the largest (Cardiff) has a population of just 300,000, and there is a historic distrust of centralisation. The option of a national theatre based in a large building in the capital city was not an idea that had much support. -
Praxis Makes Perfect
Praxis Makes Perfect NATIONaL tHEATRE WaLES & NeON NeON NationaL Theatre WaLes & Neon Neon Praxis Makes Perfect Conceived aNd PerfOrMed by Gruff Rhys aNd Boom biP LooseLy based on tHe book seNiOr service by carlo feLtriNelli B #Ntwneonneon Neon Neon bryaN Hollon ‘Boom biP’ Gruff Rhys In 2007, Gruff Rhys and Boom Bip launched Bryan is originally from Cincinnati, Ohio Gruff Rhys is a Welsh musician, performing Cerddor Cymreig yw Gruff Rhys, sy’n perfformio the electro-pop collaboration Neon Neon. and is currently based in Los Angeles. After solo and with several bands. He was born ar ei ben ei hun a gyda sawl band. Cafodd Their first album, Stainless Style, was released starting his career as a DJ – presenting on in Haverfordwest, Pembrokeshire and grew ei eni yn Hwlffordd, Sir Benfro ac fe’i magwyd in 2008 and is a concept album based on the the radio and hosting club nights – he met up in Bethesda, Gwynedd in north Wales. Gruff ym Methesda, Gwynedd yng ngogledd Cymru. life of John DeLorean, founder of the DeLorean and collaborated with other producers and first found his voice as the front man of the Daeth Gruff i’r amlwg fel prif ganwr Ffa Coffi Motor Company. The album included high-profile artists including rapper Doseone. Boom Bip band Ffa Coffi Pawb (Everyone’s Coffee Beans), Pawb (Everyone’s Coffee Beans), oedd wedi’u guest appearances from the likes of The Strokes’ and Doseone’s collaborative album Circle who were signed to Ankst and became one cofrestru ag Ankstmusik a ddaethant yn un Fab Moretti, Har Mar Superstar, Cate Le Bon was noted by John Peel in the UK, and the of the leading bands on the Welsh language o brif fandiau’r byd cerddoriaeth yng Nghymru. -
College of Arts and Humanities
PUBLICATIONS College of Arts and Humanities RESEARCH BULLETIN NEWS Inside this issue: CAH’s SUCCESS IN THE REF 2014 News 1 - 2 Project News & 3 - 4 Grant Capture Invited Talks 5 In the 2014 UK Government's ranked in the UK’s top 30%; for institutions for impact. This REF research ranking Exercise English Language and Literature confirms that research based in Conferences 6 - 7 CAH has scored an average GPA (School of English) in the top the College is of extremely Organized of 3.04 across the four units of 40%; for History (School of high quality and that our assessment – higher than the History, Welsh History and Schools provide a suitable Conference 7 University’s average and above the Archaeology) in the top 50%; and research environment for Papers benchmark for ‘international for Music, Drama, Dance and internationally excellent and External Offices & 8 excellence’. All CAH impact has Performing Art (Schools of world leading traditional, Appointments been rated higher than 3*, and Creative Studies and Media, and interdisciplinary and creative some units have performed Music) in the top 30%. The research. Bangor as a whole has Impact-Generating 9 better than Oxford, Cambridge College did particularly well on performed extremely well in Activities and various Russell Group impact, with two submissions the REF. It is now ranked institutions. Our submission for receiving 100% 3* and 4* ratings. amongst the top 35% of all Cross-Disciplinary 10 Modern Languages and Linguistics Indeed, Bangor’s submission for research institutions in the UK. Activities (Schools of Cymraeg, Linguistics Modern Languages and Linguistics and Modern Languages) was was ranked 2nd out of 57 Forthcoming 11 Publications & Publications 12 Contributors’ 13 LEVERHULME MAJOR RESEARCH FELLOWSHIP AWARD Schools Professor Nancy Edwards has been economy, society and beliefs, and University and the Cambrian awarded a prestigious three year how these changed over time. -
Aubrey of Llantrithyd: 1590-1856
© 2007 by Jon Anthony Awbrey Dedicated to the Memory of Marvin Richard Awbrey 1911-1989 Whose Curiosity Inspired the Writing of this Book Table of Contents Preface...................................................................... ix Descent and Arms ................................................... xvi Awbrey of Abercynrig: 1300-1621 ................... 1 Dr. William Awbrey of Kew, 1529-1595 ............ 27 Awbrey of Tredomen: 1583-1656 ....................... 42 Aubrey of Llantrithyd: 1590-1856 ...................... 87 John Aubrey of Easton Pierce, 1626-1695 ......... 105 Aubrey of Clehonger: 1540-1803 ........................ 125 Awbrey of Ynyscedwin: 1586-1683 .................... 131 Awbrey of Llanelieu and Pennsylvania: 1600-1716135 Awbrey of Northern Virginia: 1659-1804 ......... 149 Awbrey of South Carolina: 1757-1800 .................... 236 Bibliography .................................................. 263 Index .......................................................................... 268 iii Illustrations Dr. William Aubrey & Abercynrig .................... after 26 Ynsycdewin House .............................................. after 131 Goose Creek Chapel, Awbrey’s Plantation and after 186 Samuel Awbrey ................................................... Noland House ...................................................... after 201 Awbrey of Ynyscedwin: 1586-1683 .................... after 131 iv Preface In an age of relatively static social mobility, the Aubrey/Awbrey family was distinguished by the fact that they -
AG Prys-Jones Papers
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - A. G. Prys-Jones Papers, (GB 0210 PRYNES) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 05, 2017 Printed: May 05, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.;AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/g-prys-jones-papers-2 archives.library .wales/index.php/g-prys-jones-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk A. G. Prys-Jones Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................. 4 Pwyntiau mynediad |