Disgyddiaeth Recordiau Cymraeg 10/11/2019
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6 September 2019 Dear Colleague, As the Schools Go Back And
6 September 2019 Dear Colleague, As the schools go back and students are gearing up for university life the UHB has been as busy as ever. To those of you who have enjoyed a summer break - welcome back. The summer period did not result in the usual dip in numbers with as many patients presenting at EU remaining as during some of our busiest winter months and this has in some areas placed some pressures on us, which is a picture replicated across the whole of Wales. Politically the activity on the run-up to Brexit has increased including a lot more interest in the health service and how we would cope with a shortage of medicines, reduced access to medical equipment and, vitally important, our staffing levels. I’m pleased to say that all of the indications for us are that there is no exodus of EU staff as a result of Brexit and the surveys completed by workforce colleagues are demonstrating that people are providing us with their nationality details so that we can engage with them on obtaining Settled Status in the UK post-Brexit. We have continued the forward planning and contingency work to ensure that we are as prepared as we possibly can be to mitigate any kind of shortages. So, while we are not complacent - none of us can be specific on what a no deal Brexit will mean for health care or health services we provide for our patients - our priority is that staff nor patients are affected adversely by any of the scenarios deal or no deal and that we will remain an open and inclusive NHS service and employer to all. -
Allen Lane Particular Books Pelican Books Penguin Classics Penguin Modern Classics Penguin Paperbacks 3 31 41 49 55 75
CONTENTS Allen Lane 3 Particular Books 31 Pelican Books 41 Penguin Classics 49 Penguin Modern Classics 55 Penguin Paperbacks 75 Penguin Press 80 Strand London 1 1 2 3 3 3 The Secret World Money and Government A History of Intelligence Unsettled Issues in Macroeconomics Christopher Andrew Robert Skidelsky A stupendous history of intelligence, its uses and its neglect A major challenge to economic orthodoxy, by one of - by the world's leading historian of intelligence Britain's leading historians and economists The history of espionage is far older than any of today's The dominant view in economics is that money and intelligence agencies, yet the long history of intelligence government should play only a minor role in economic life. operations has been largely forgotten. The first mention of Money, it is claimed, is nothing more than a medium of espionage in world literature is in the Book of Exodus.'God exchange; and economic outcomes are best left to the sent out spies into the land of Canaan'. From there, 'invisible hand' of the market. The view taken in this important Christopher Andrew traces the shift in the ancient world from new book is that the omnipresence of uncertainty make money divination to what we would recognize as attempts to gather and government essential features of any market economy. real intelligence in the conduct of military operations, and One reason we need money is because we don't know what considers how far ahead of the West - at that time - China and the future will bring. Government - good government - makes India were. -
The BBC National Orchestra of Wales Is the Nation's Only Full-Time
CC(3) AC 11 Communities and Culture Committee Inquiry into the „accessibility of arts and cultural activities in Wales‟ Submission by the BBC National Orchestra of Wales We are grateful for the opportunity to provide evidence for the Committee‟s Inquiry. The first part of our submission provides an overview of the Orchestra‟s work. The second part addresses a number of questions posed in the consultation letter. A. Background The BBC National Orchestra of Wales (BBC NOW) is the nation‟s only full-time professional symphony orchestra. It has an established reputation as one of the leading orchestral ensembles in the UK. It has won considerable audience and critical acclaim in recent years, under its conducting team, led by Thierry Fischer. The Orchestra‟s home is the newly-built Hoddinott Hall at the Wales Millennium Centre in Cardiff, and it produces extensive output for BBC Radio 3, BBC Radio Wales and BBC Radio Cymru. With the crucial funding support of Arts Council Wales, the Orchestra has also developed a major national role, touring throughout Wales each year (this role is described in more detail in our response to question 1) and delivering a highly-regarded community outreach and education programme (please see our response to question 2). In any one season, BBC NOW strives to present a broad repertoire of both past and contemporary music to allow audiences to experience works drawn from the whole panoply of orchestral music – from the baroque to present day film and jazz. The Orchestra works with a wide range of contemporary composers and has two positions specifically for composers within its artistic roster. -
Daniel Jones Symphonies Nos
Daniel Jones Symphonies Nos. 3 & 5 BBC Welsh Symphony Orchestra conducted by Bryden Thomson ‘The process of writing any piece of music really is one of discovery and the feeling I always have is that what I’m setting myself to write already exists and that what I have Also Available by Daniel Jones Symphonies on Lyrita to do is unveil it, discover it’.1 This characterisation by Daniel Jones of the creative process as one of exploration and excavation seems appropriate for a composer whose Symphony No. 1 BBC Welsh Symphony Orchestra, Bryden Thomson scores have a powerful sense of rightness and inevitability. His lifelong dedication to Symphony No. 10 BBC Welsh Symphony Orchestra, Bryden Thomson.………………..SRCD358 music meant that he was unwilling to compromise by diluting it with other work, such as teaching. When he was mischievously accused of never having had a proper job, his Symphony No. 2 BBC Welsh Symphony Orchestra, Bryden Thomson Symphony No. 11 BBC Welsh Symphony Orchestra, Bryden Thomson…..…..…………SRCD364 response was to tap his manuscript and reply, ‘This is a proper job’.2 Born in Pembroke, South Wales, on 7 December 1912, he was brought up in Swansea Symphony No. 4 Royal Philharmonic Orchestra, Sir Charles Groves Symphony No. 7 Royal Philharmonic Orchestra, Sir Charles Groves where he lived for most of his life, describing it as ‘that magnet city’.3 His mother was Symphony No. 8 BBC Welsh Symphony Orchestra, Bryden Thomson.………………….SRCD329 a singer and his father, Jenkin Jones, was an amateur composer who wrote religious and choral pieces. The young Daniel soon began to compose and by the time he was nine Symphony No. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Big Lottery Fund 2017
Big Lottery Fund | Annual Report and Accounts 2017-18 Accounts and Report | Annual Fund Big Lottery Big Lottery Fund Annual Report and Accounts 2017-18 HC 1363 SG/2018/115 Big Lottery Fund Annual Report and Accounts For the financial year ended 31 March 2018 Presented to Parliament pursuant to section 23(3) of, and paragraph 21 of Schedule 4A to, the National Lottery etc. Act 1993 (as amended by the National Lottery Act 1998 and the National Lottery Act 2006). Laid before the Scottish Parliament by the Scottish Ministers on 11 July 2018. Laid before the Northern Ireland Assembly. Ordered by the House of Commons to be printed on 11 July 2018. HC 1363 SG/2018/115 3 Contents Part 1: A year in review Introduction................................................8 – 9 A message from the Chair and Chief Executive Our year in numbers ......................................10 – 11 Our year at a glance ......................................12 – 13 Our strategic framework . 14 – 15 Our six principles . 16 – 17 A view across our programmes and portfolios.............18 – 39 An overview of our work and sharing stories Part 2: Accountability report Our corporate governance report . 42 – 76 Directors’ report; Statement of Accounting Officer’s responsibilities; Governance statement Our remuneration and staff report . .76 – 83 Executive directors; staff Our parliamentary accountability and audit report ...... 84 – 120 © Crown copyright 2018 Report of Comptroller and Auditor General; Financial Statements This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open- Our statutory background .............................121 – 135 government-licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
St. David's Welsh Society of the Suncoast
St. David’s Welsh Society of the Suncoast APRIL 2017 welshsocietyofthesuncoast.org Nancy Mellican, editor EVERYONE INVITED NEWSLETTER SPONSORS CROESO It still costs a great deal to publish and mail this newsletter—much more than our mea- Regular meetings of the St. David’s Welsh Soci- ger dues can cover. Sharing news from ety of the Suncoast are held at noon on the our friends is one of the ways we keep in third Tuesday of the month. From October to touch with our Welsh friends. Again this April at the Lake Seminole Presbyterian year we are soliciting donations to cover the Church, 8600 113th Street N, Seminole Florida costs. Large or small donations are appreci- (right on the corner). ated. We appreciate everyone who contrib- A potluck luncheon and program entertain all utes to keeping this newsletter going. This persons with an interest in celebrating Welsh newsletter is sponsored by Cathy Reed, heritage. We have great fun so bring a friend to Betty Walker, and Beth Smidt. Thank you socialize. (They do not even have to be Welsh all. to be welcome.) HOW TO SPELL WELSH Someone forgot to tell The next meeting of the St. David’s Welsh Soci- Banquet Masters’ sign ety will be April 18 at the usual location. Our makers that is was the program will explore the experiences of the WELSH (not Welch) Soci- Welsh colonies in Patagonia, a sparsely populat- ety that was coming to din- ed region shared by Argentina and Chile located ner. Hope they can do at the southern end of South America. -
London Welsh Festival P13
From the London Welsh Centre l at Grays Inn Road LWTachwedd/November 2013 • Rhif/IssCue 69 L £2.00 www.londonwelsh.org London Welsh Festival p13 Cylchgrawn Cymry Llundain The magazine of the London Welsh 2 LW CLl O’R GANOLFAN/FROM THE CENTRE A stellar performance for the London Welsh Centre’s first Festival Over the years we’ve had a forum, hosted We want to create a space that will be all sorts of events and put on plenty of the natural home for festivals and first-class one-day courses at the London Welsh events showcasing the talent we represent in Centre. But have we ever hosted our own London and Wales. But more than that we FesTIvaL at Gray’s Inn Road? want people to be excited about coming to In October after months of planning the Centre and to leave with a lasting sense and preparation, the Centre successfully of our cultural identity, as much as they staged the inaugural London Welsh might when they leave the Wales Literature Festival with fabulous Millennium Centre or the Guggenheim. contributions from across the literary It is a bold ambition. But the London spectrum. Welsh have always been bold. We may not I want to thank and congratulate Iain, stretch to flamboyant architecture, but in Rhian and all the team for bringing such a emulating the vibrant atmosphere and bold project to life at the Centre. If you capturing the essence of our community we missed it, you can read all about the are absolutely determined to deliver a stellar cast of speakers and performers in Alex Meredith mini-Guggenheim or Wales Millennium this edition of the London Welsh Magazine. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
@Widedays #Widedays18 CONTENTS 3 Foreword by Olaf Furniss & Michael Lambert
C M Y CM MY CY CMY SCOTLAND K @WideDays #WideDays18 CONTENTS 3 Foreword By Olaf Furniss & Michael Lambert 4-5 Edinburgh’s Music Map Getting around Wide Days 2018 8-9 Playlists to drink Whisky to 11 In memory of David Balfour 12 Creative Scotland | Alan Morrison 13-15 2018 Panels What we are talking about this year 16-17 2018 Speakers Meet this year’s speakers 18-19 Fri 20 April Convention timetable 20 Fri 20 April Showcase Showcase timetable 21 Sat 21 April Saturday’s itinerary 26-29 2018 Showcase Artists Who is playing at Wide Days 2018 30 Scottish Networking Party At The Great Escape The Spook School (pic Jannica Honey) 2 FOREWORD One of the founding principles of Wide Days is a belief that artists and music businesses benefit most where individuals connect. Rather than frenzied speed-meetings or zealous networking, our favoured approach has always been to create an environment for friendly socialising and relaxed business discussions. Last year, 92% of delegates said Wide Days combined business with pleasure, a statistic which is met with widespread approval when we mention it at other industry events. There is a growing consensus that our approach leads to more collaborations, working relationships and often friendships. These ‘outcomes’ are underpinned by a willingness on the part of partner organisations, sponsors, speakers and delegates to turn up, engage and in most cases, stay for the duration of the event. In essence, it is about being alert to the possibilities and open to developing ideas. Our long-standing ties with PPL, EmuBands, EUSA, the SMIA, the MU, CMU and the University of the Highlands & Islands, are evidence of this in action, while more recent partnerships with Eventbrite, PRS Foundation, Help Musicians and Creative Scotland have enabled us to take Wide Days to a new level. -
Bangor University DOETHUR MEWN ATHRONIAETH Tri Dramodydd Cyfoes Meic Povey, Siôn Eirian Ac Aled Jones Williams Williams, Manon
Bangor University DOETHUR MEWN ATHRONIAETH Tri dramodydd cyfoes Meic Povey, Siôn Eirian ac Aled jones Williams Williams, Manon Award date: 2015 Awarding institution: Prifysgol Bangor Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Tri Dramodydd Cyfoes: Meic Povey, Siôn Eirian ac Aled Jones Williams Traethawd Ph.D. Manon Wyn Williams Ysgol y Gymraeg Prifysgol Bangor Hydref 2015 Datganiad a Chaniatâd Manylion y Gwaith Rwyf trwy hyn yn cytuno i osod yr eitem ganlynol yn y gadwrfa ddigidol a gynhelir gan Brifysgol Bangor ac/neu mewn unrhyw gadwrfa arall yr awdurdodir ei defnyddio gan Brifysgol Bangor. Enw’r Awdur: Manon Wyn Williams Teitl: Tri Dramodydd Cyfoes: Meic Povey, Siôn Eirian ac Aled Jones Williams Goruchwyliwr/Adran: Yr Athro Gerwyn Wiliams, Ysgol y Gymraeg Corff cyllido (os oes): Y Coleg Cymraeg Cenedlaethol Cymhwyster/gradd a enillwyd: ……………………………………………………………………….