Hermeneutic Approach to the Research on Maxim Gorky's
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M.A. Russian 2019
************ B+ Accredited By NAAC Syllabus For Master of Arts (Part I and II) (Subject to the modifications to be made from time to time) Syllabus to be implemented from June 2019 onwards. 2 Shivaji University, Kolhapur Revised Syllabus For Master of Arts 1. TITLE : M.A. in Russian Language under the Faculty of Arts 2. YEAR OF IMPLEMENTATION: New Syllabus will be implemented from the academic year 2019-20 i.e. June 2019 onwards. 3. PREAMBLE:- 4. GENERAL OBJECTIVES OF THE COURSE: 1) To arrive at a high level competence in written and oral language skills. 2) To instill in the learner a critical appreciation of literary works. 3) To give the learners a wide spectrum of both theoretical and applied knowledge to equip them for professional exigencies. 4) To foster an intercultural dialogue by making the learner aware of both the source and the target culture. 5) To develop scientific thinking in the learners and prepare them for research. 6) To encourage an interdisciplinary approach for cross-pollination of ideas. 5. DURATION • The course shall be a full time course. • The duration of course shall be of Two years i.e. Four Semesters. 6. PATTERN:- Pattern of Examination will be Semester (Credit System). 7. FEE STRUCTURE:- (as applicable to regular course) i) Entrance Examination Fee (If applicable)- Rs -------------- (Not refundable) ii) Course Fee- Particulars Rupees Tuition Fee Rs. Laboratory Fee Rs. Semester fee- Per Total Rs. student Other fee will be applicable as per University rules/norms. 8. IMPLEMENTATION OF FEE STRUCTURE:- For Part I - From academic year 2019 onwards. -
Vol. 73, No. 7JULY/AUGUST 1968 Published•By Conway Hall
Vol. 73, No. 7JULY/AUGUST 1968 CONTENTS Eurnmum..• 3 "ULYSSES": THE BOOK OF THE FILM . 5 by Ronald Mason THE PHENOMENOLOGY OF RELIGION . 8 by Dr. H. W. Turner JEREMY BENTFIAM .... 10 by Maurice Cranston, MA MAXIM GORKY•••• • 11 by Richard Clements, aRE. BOOK REVIEW: Gown. FORMutEncs. 15 by Leslie Johnson WHO SAID THAT? 15 Rum THE SECRETARY 16 TO THE EDITOR . 17 PEOPLEOUT OF 11113NEWS 19 DO SOMETHINGNICE FOR SOMEONE 19 SOUTH PLACENaws. 20 Published•by Conway Hall Humanist Centre Red Um Square, London, Wel SOUTH PLACE ETHICAL SOCIETY Omens: Secretary: Mr. H. G. Knight Hall Manager and Lettings Secretary: Miss E. Palmer Hon. Registrar: Miss E. Palmer Hon. Treasurer: Mr. W. Bynner Editor, "The Ethical Record": Miss Barbara Smoker Address: Conway Hall Humanist Centre, Red Lion Square, London, W.C.I (Tel.: CHAncery 8032) SUNDAY MORNING MEETINGS, II a.rn. (Admission free) July 7—Lord SORENSEN Ivory Towers Soprano solos: Laura Carr. July 14—J. STEWART COOK. BSc. Politics and Reality Cello and piano: Lilly Phillips and Fiona Cameron July 21—Dr. JOHN LEWIS The Students' Revolt Piano: Joyce Langley SUNDAY MORNING MEETINGS are then suspended until October 6 S.P.E.S. ANNUAL REUNION Sunday, September 29, 1968, 3 p.m. in the Large Hall at CONWAY HUMANIST CENTRE Programme of Music (3 p.m.) Speeches by leaders of Humanist organisations (3.30 P.m.) Guest of Honour: LORD WILLIS Buffet Tea (5 p.m.) Tickets free from General Secretary CONWAY DISCUSSIONS will resume on Tuesdays at 6.45 p.m. from October 1 The 78th season of SOUTH PLACE SUNDAY CONCERTS will open on October 6 at 6.30 p.m. -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
The Arts in Russia Under Stalin
01_SOVMINDCH1. 12/19/03 11:23 AM Page 1 THE ARTS IN RUSSIA UNDER STALIN December 1945 The Soviet literary scene is a peculiar one, and in order to understand it few analogies from the West are of use. For a vari- ety of causes Russia has in historical times led a life to some degree isolated from the rest of the world, and never formed a genuine part of the Western tradition; indeed her literature has at all times provided evidence of a peculiarly ambivalent attitude with regard to the uneasy relationship between herself and the West, taking the form now of a violent and unsatisfied longing to enter and become part of the main stream of European life, now of a resentful (‘Scythian’) contempt for Western values, not by any means confined to professing Slavophils; but most often of an unresolved, self-conscious combination of these mutually opposed currents of feeling. This mingled emotion of love and of hate permeates the writing of virtually every well-known Russian author, sometimes rising to great vehemence in the protest against foreign influence which, in one form or another, colours the masterpieces of Griboedov, Pushkin, Gogol, Nekrasov, Dostoevsky, Herzen, Tolstoy, Chekhov, Blok. The October Revolution insulated Russia even more com- pletely, and her development became perforce still more self- regarding, self-conscious and incommensurable with that of its neighbours. It is not my purpose to trace the situation histori- cally, but the present is particularly unintelligible without at least a glance at previous events, and it would perhaps be convenient, and not too misleading, to divide its recent growth into three main stages – 1900–1928; 1928–1937; 1937 to the present – artifi- cial and over-simple though this can easily be shown to be. -
Socialist Realism Seen in Maxim Gorky's Play The
SOCIALIST REALISM SEEN IN MAXIM GORKY’S PLAY THE LOWER DEPTHS AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By AINUL LISA Student Number: 014214114 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 SOCIALIST REALISM SEEN IN MAXIM GORKY’S PLAY THE LOWER DEPTHS AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By AINUL LISA Student Number: 014214114 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 i ii iii HHaappppiinneessss aallwwaayyss llooookkss ssmmaallll wwhhiillee yyoouu hhoolldd iitt iinn yyoouurr hhaannddss,, bbuutt lleett iitt ggoo,, aanndd yyoouu lleeaarrnn aatt oonnccee hhooww bbiigg aanndd pprreecciioouuss iitt iiss.. (Maxiim Gorky) iv Thiis Undergraduatte Thesiis iis dediicatted tto:: My Dear Mom and Dad,, My Belloved Brotther and Siistters.. v vi ACKNOWLEDGEMENTS Firstly, I would like to praise Allah SWT for the blessings during the long process of this undergraduate thesis writing. I would also like to thank my patient and supportive father and mother for upholding me, giving me adequate facilities all through my study, and encouragement during the writing of this undergraduate thesis, my brother and sisters, who are always there to listen to all of my problems. I am very grateful to my advisor Gabriel Fajar Sasmita Aji, S.S., M.Hum. for helping me doing my undergraduate thesis with his advice, guidance, and patience during the writing of my undergraduate thesis. My gratitude also goes to my co-advisor Dewi Widyastuti, S.Pd., M.Hum. -
Sof'ia Petrovna" Rewrites Maksim Gor'kii's "Mat"
Swarthmore College Works Russian Faculty Works Russian 2008 "Mother", As Forebear: How Lidiia Chukovskaia's "Sof'ia Petrovna" Rewrites Maksim Gor'kii's "Mat" Sibelan E.S. Forrester Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-russian Part of the Slavic Languages and Societies Commons Let us know how access to these works benefits ouy Recommended Citation Sibelan E.S. Forrester. (2008). ""Mother", As Forebear: How Lidiia Chukovskaia's "Sof'ia Petrovna" Rewrites Maksim Gor'kii's "Mat"". American Contributions to the 14th International Congress of Slavists: Ohrid 2008. Volume 2, 51-67. https://works.swarthmore.edu/fac-russian/249 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Russian Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Mother as Forebear: How Lidiia Chukovskaia’s Sof´ia Petrovna Rewrites Maksim Gor´kii’s Mat´* Sibelan E. S. Forrester Lidiia Chukovskaia’s novella Sof´ia Petrovna (henceforth abbreviated as SP) has gained a respectable place in the canon of primary sources used in the United States to teach about the Soviet period,1 though it may appear on history syllabi more often than in (occasional) courses on Russian women writers or (more common) surveys of Russian or Soviet literature. The tendency to read and use the work as a historical document begins with the author herself: Chukovskaia consistently emphasizes its value as a testimonial and its uniqueness as a snapshot of the years when it was writ- ten. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
Round 12.Pdf
Cavalier Classic XII Round 12 Page 2 of 10 Tossups I . A poem of this man's is the basis of Canadian engineering schools' "Iron Ring" graduation ceremony. "Puck of Pook's Hill" tells stories of England, but collections like "Barrack Room Ballads- and "The Phantom Rickshaw" discuss his native land. Novels include The Light That Failed. which incorporated themes of the British Empire, an institution this author critiqued in "Recessional- but supported in "The White Man's Burden." FTP, name this author of "The Man Who Would be King," "If-." "Gunga Din," and The Jungle Book. Answer: Rudyard Kipling 2. A morning engagement here between Hooker's and Jackson's forces north of Dunker Church saw thousands of casualties at West Woods and the Cornfield. In the afternoon, Burnside's attack on Longstreet's men was delayed by a costly and time-consuming assault on a bridge. Between these two engagements was almost four hours of fighting for a sunken road, later given the name "Bloody Lane." Resulting in Lee's retreat across the Potomac, FIT, name this Civil War battle in Maryland in which Union forces under McClellan triumphed, and which saw the most Americans killed in a single day in U.S. history. Answer: Battle of Antietam or Sharpsburg 3. One of their secondary functions is to help repair damage to the cell membrane by sealing off wounds. The membrane surrounding them keeps their contents, at a pH of 4.8, from destroying the surrounding cell. Their primary function is used in phagocytosis, endocytosis, and autophagy. FTP, what are these cellular organelles, whose job it is to digest other organelles and foreign particles? Answer: lysosomes 4. -
Odessa 2017 UDC 069:801 (477.74) О417 Editorial Board T
GUIDE Odessa 2017 UDC 069:801 (477.74) О417 Editorial board T. Liptuga, G. Zakipnaya, G. Semykina, A. Yavorskaya Authors A. Yavorskaya, G. Semykina, Y. Karakina, G. Zakipnaya, L. Melnichenko, A. Bozhko, L. Liputa, M. Kotelnikova, I. Savrasova English translation O. Voronina Photo Georgiy Isayev, Leonid Sidorsky, Andrei Rafael О417 Одеський літературний музей : Путівник / О. Яворська та ін. Ред. кол. : Т. Ліптуга та ін., – Фото Г. Ісаєва та ін. – Одеса, 2017. – 160 с.: іл. ISBN 978-617-7613-04-5 Odessa Literary Museum: Guide / A.Yavorskaya and others. Editorial: T. Liptuga and others, - Photo by G.Isayev and others. – Odessa, 2017. — 160 p.: Illustrated Guide to the Odessa Literary Museum is a journey of more than two centuries, from the first years of the city’s existence to our days. You will be guided by the writers who were born or lived in Odessa for a while. They created a literary legend about an amazing and unique city that came to life in the exposition of the Odessa Literary Museum UDC 069:801 (477.74) Англійською мовою ISBN 978-617-7613-04-5 © OLM, 2017 INTRODUCTION The creators of the museum considered it their goal The open-air exposition "The Garden of Sculptures" to fill the cultural lacuna artificially created by the ideo- with the adjoining "Odessa Courtyard" was a successful logical policy of the Soviet era. Despite the thirty years continuation of the main exposition of the Odessa Literary since the opening day, the exposition as a whole is quite Museum. The idea and its further implementation belongs he foundation of the Odessa Literary Museum was museum of books and local book printing and the history modern. -
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The Liberal Imagination in The Middle of the Journey Christopher Phelps When Lionel Trilling's first and only novel, The Middle of the Journey, was published in 1947, the circle of writers and cultural critics with whom he had long been associated was near the completion of its political transformation from anti-Stalinist radicalism to anti-communist liberalism. Only ten years before, most of these figures, yet to reach their self-anointed destiny as "the New York intellectuals," had been revolutionary socialists. Following a momentary association with Communism in the early thirties, they had become outspoken opponents of the bureaucratic despotism that had over- taken the global Communist movement, all the while upholding Marxism and retaining their opposition to imperialism and capitalism. By the late 1940s, however, a succession of international disasters - the Moscow trials, the Hitler-Stalin pact, the Second World War and the emergent Cold War, as well as the toll exacted over time by the condition of marginality to which revolu- tionary anti-Stalinists were relegated - had unmoored the New York intel- lectuals, with few exceptions, from their commitment to the liberation of the working class and the abolition of capitalism. The Middle of the Journey appeared at that unique moment in postwar intellectual history when the New York intellectuals' attachment to revolutionary aims had been severed but their ultimate course was not yet altogether fixed. If the mid-1940s were somewhat fluid, by the early 1950s the New York intellectuals were the practitioners of a suave, disappointed liberalism. Although they continued to refer to themselves as the "anti-Stalinist left," or part of it, their politics became ever more narrowly liberal as they ceased to distinguish between the worldview of Marxism, or the social ideal of commu- nism, and the reality of Stalinism. -
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harsha Ram, Chair Professor Irina Paperno Professor Yuri Slezkine Fall 2010 ABSTRACT Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Harsha Ram, Chair The breakup of the Soviet Union in 1991 reminded many that “Soviet” and “Russian” were not synonymous, but this distinction continues to be overlooked when discussing Soviet literature. Like the Soviet Union, Soviet literature was a consciously multinational, multiethnic project. This dissertation approaches Soviet literature in its broadest sense – as a cultural field incorporating texts, institutions, theories, and practices such as writing, editing, reading, canonization, education, performance, and translation. It uses archival materials to analyze how Soviet literary institutions combined Russia’s literary heritage, the doctrine of socialist realism, and nationalities policy to conceptualize the national literatures, a term used to define the literatures of the non-Russian peripheries. It then explores how such conceptions functioned in practice in the early 1930s, in both Moscow and Baku, the capital of Soviet Azerbaijan. Although the debates over national literatures started well before the Revolution, this study focuses on 1932-34 as the period when they crystallized under the leadership of the Union of Soviet Writers. -
A Companion to Andrei Platonov's the Foundation
A Companion to Andrei Platonov’s The Foundation Pit Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman A Companion to Andrei Platonov’s The Foundation Pit Thomas Seifrid University of Southern California Boston 2009 Copyright © 2009 Academic Studies Press All rights reserved ISBN 978-1-934843-57-4 Book design by Ivan Grave Published by Academic Studies Press in 2009 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com iv Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com CONTENTS CHAPTER ONE Platonov’s Life . 1 CHAPTER TWO Intellectual Influences on Platonov . 33 CHAPTER THREE The Literary Context of The Foundation Pit . 59 CHAPTER FOUR The Political Context of The Foundation Pit . 81 CHAPTER FIVE The Foundation Pit Itself .