Marthe Keller

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Marthe Keller Marthe Keller © Anoush Abrar nationality schweizerisch hair colour blond eyes braun languages deutsch (Muttersprache), englisch, französisch, italienisch (alle fließend) dance Ballett city Paris, Schweiz © Agentur Jovanovic est. 1948 | Tel. +49 89 18 40 91 | www.agentur-jovanovic.de Marthe Keller Awards 2021 Schweizer Filmpreis für "Schwesterlein" 2021 Oscar Nominierung der Schweiz "Schwesterlein" 2020 Europäischer Filmpreis Nominierung "Schwesterlein" 2020 Nominierung Deutscher Schauspielerpreis für "Schwesterlein" 2015 Lifetime Achievement Award of the Swiss Society of New York 2012 Ritter der französischen Ehrenlegion 2009 Ehrenpreis der Armin-Ziegler-Stiftung für das Lebenswerk 1992 Prix de la meilleure Interpretation de l'année New York Times TV / Cinema selection director channel 2021 Marie Antoinette Geoffrey TV Serie Enthoven/Pete Travis 2021 Tout le monde aime Jeanne Céline Devaux Kino 2019 We Are Who We Are Luca Guadagnino HBO 2019 La Sainte Famille Louis-Do de TV Lencquesaing 2019 Wanda, mein Wunder (AT) Bettina Oberli Kino 2019 Schwesterlein (My Little Sister) Stéphanie Chuat, Kino Véronique Reymond 2019 The Straggering Girl Luca Guadagnino Kino 2018 Jewell Stone Sandrine Dumas Kino 2018 Forget Me Not Bartek Sozanski Kino 2018 Für meinen Glauben (Dévoilées) Jacob Berger TV 2018 On ment toujours à ceux qu'on aime Sandrine Dumas TV 2018 Forget Me Not Bartek Sozanski TV 2018 The Witness Mitko Panov TV 2017 The Escape Dominic Savage TV 2017 The Romanoffs Matthew Weiner TV 2017 Les sources assassines Bruno Bontzolakis TV 2016 Miséricorde Fulvio Bernasconi Kino 2016 Die Ökonomie der Liebe Joachim Lafosse Kino 2015 Amnesia Barbet Schroeder Kino 2012 Au galop Louis-Do de Kino Lencquesaing 2011 Mein bester Feind Wolfgang TV Murnberger 2010 Hereafter - Das Leben danach Clint Eastwood Kino 2009 In einem anderen Licht Alain Tasma TV 2008 Dans l'ombre du maitre David Delrieux TV 2004 Die Nacht singt ihre Lieder Romuald Karmakar Kino 2003 Par amour Alain Tasma TV 2001 Ausgerechnet zu Weihnachten Laurent Dussaux TV 1995 Erklärt Pereira Roberto Faenza Kino 1994 Meine Freundin Max Michel Brault Kino 1989 Georg Elser - Einer aus Deutschland Klaus-Maria Kino Brandauer © Agentur Jovanovic est. 1948 | Tel. +49 89 18 40 91 | www.agentur-jovanovic.de Marthe Keller 1987 Schwarze Augen Nikita Mikhalkov Kino 1981 Wagner - Leben und Werk John Palmer TV 1982 Die Kartause von Parma Mauro Bolognini TV 1978 Fedora Billy Wilder Kino 1977 Bobby Deerfield Sidney Pollack Kino 1976 Marathon Man John Schlesinger Kino 1975 Die Antnwort kennt nur der Wind Alfred Vohrer Kino 1974 Toute une vie Claude Lelouch Kino 1972 L'Arrestation d'Arsène Lupin Jean-Pierre DecourtTV 1971 Arsène Lupin Marcello Baldi TV 1970 Les caprices de Marie Philippe de Broca Kino 1969 La Demoiselle d'Avignon Michael Wyn TV 1968 Le Diable par la queue Philippe de Broca Kino 1967 Mes funerailles à Berlin Guy Hamilton Kino © Agentur Jovanovic est. 1948 | Tel. +49 89 18 40 91 | www.agentur-jovanovic.de.

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Billy Wilder Clôt Magistralement Sa Déconstruction Du Mythe D’Hollywood !
APRÈS BOULEVARD DU CRÉPUSCULE, BILLY WILDER CLÔT MAGISTRALEMENT SA DÉCONSTRUCTION DU MYTHE D’HOLLYWOOD ! UN FILM DE BILLY WILDER AVEC WILLIAM HOLDEN ET MARTHE KELLER AU CINÉMA EN VERSION RESTAURÉE INÉDITE DCP NUMÉRIQUE LE 21 AOÛT 2013 Relations presse Programmation Retrouvez toute notre actualité et nos visuels sur CARLOTTA FILMS CARLOTTA FILMS www.carlottavod.com Mathilde GIBAULT Ines DELVAUX Tél. : 01 42 24 87 89 Tél. : 01 42 24 11 77 [email protected] [email protected] Distribution CARLOTTA FILMS 9, passage de la Boule blanche 75012 Paris Tél. : 01 42 24 10 86 – Fax : 01 42 24 16 78 « Le sujet de ce film, ce n’est pas la mort, c’est le désir de finir sa vie en beauté : toute légende est faite pour se perpétuer. » Billy Wilder edora, grande star hollywoodienne désormais retirée en Europe, met fin à sa vie en se F jetant sous un train. Lors de ses funérailles, le producteur Barry Detweiler se remémore sa dernière rencontre avec elle deux semaines auparavant à Corfou. Il s’était alors rendu sur l’île dans l’espoir de convaincre la célèbre actrice de revenir sur le devant de la scène, en la faisant jouer dans une adaptation d’Anna Karénine. Mais Fedora s’avère difficile à atteindre : elle vit recluse auprès de la vieille comtesse Sobryanski, du docteur Vando et de ses domestiques, lesquels la surveillent sans cesse. Detweiler va devoir user de tous les moyens pour tenter d’approcher la mystérieuse Fedora… Vingt-huit ans après son chef-d’œuvre Boulevard du crépuscule, Billy Wilder revient avec un formidable réquisitoire contre le star system hollywoodien et son mythe de la jeunesse éternelle.
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BARBET SCHROEDER VEGA FILM and LES FILMS DU LOSANGE Present
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[email protected] ALAN GILBERT and THE
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Ein Film Von BARBET SCHROEDER MARTHE Keller Max Riemelt
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Marathon Man
FSMCD Vol. 13, No. 5 Marathon Man Supplemental Liner Notes Contents Marathon Man 1 The Parallax View 9 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Marathon Man and The Parallax View ©1976 and 1974, respectively, Paramount Pictures. All rights reserved. FSMCD Vol. 13, No. 5 • Marathon Man • Supplemental Liner Notes Marathon Man The death of book editor Hiram Haydn in 1973 bring his Nazi villain to 1970s New York. (“If I were proved to be a turning point for screenwriter and nov- English, he would have come to London, but I live in elist William Goldman. Goldman had worked with New York so here came Szell.”) Having read an arti- Haydn for 15 years, beginning with his third novel, cle on a revolutionary heart operation performed by a Solider in the Rain, and he “worshiped” Haydn, see- doctor in Cleveland, he decided that Szell would come ing him as a father ﬁgure and later writing that he to America for lifesaving surgery, until he asked him- would have stayed with the editor “forever.” At the self, “What kind of a thriller do you have if the villain time, Goldman’s screenwriting career focused largely is already dying?” Abandoning the surgery idea, Gold- on highly commercial genre projects, most notably his man then read an article on Nazis who got rich stealing Oscar-winning screenplay for 1969’s smash hit Butch gold from the teeth of prisoners.
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Marthe Keller Une Carrière Atypique Menée Avec L’Âme D’Une Grande Actrice Pierre Ranger
Document généré le 28 sept. 2021 02:45 Séquences La revue de cinéma Marthe Keller Une carrière atypique menée avec l’âme d’une grande actrice Pierre Ranger Numéro 240, novembre–décembre 2005 URI : https://id.erudit.org/iderudit/47848ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Ranger, P. (2005). Marthe Keller : une carrière atypique menée avec l’âme d’une grande actrice. Séquences, (240), 30–31. Tous droits réservés © La revue Séquences Inc., 2005 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ ^ ENTREVUES I KELLER MARTHE KELLER UNE CARRIÈRE ATYPIQUE MENÉE AVEC L'ÂME D'UNE GRANDE ACTRICE Depuis 40 ans, Marthe Keller mène une carrière des plus enviées, tournant dans plusieurs langues avec les plus grands réalisateurs et comédiens, à la fois au théâtre, à la télévision et au cinéma. On lui doit entre autres ses prestations inoubliables dans Toute une vie de Claude Lelouch, Marathon Man de John Schlesinger, Femmes de personne de Christopher Frank, Les Yeux noirs de Nikita Mikhalkov et Mon amie Max de Michel Brault.
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