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BARBET SCHROEDER VEGA FILM Et LES FILMS DU LOSANGE Présentent
Un film de BARBET SCHROEDER VEGA FILM et LES FILMS DU LOSANGE présentent MARTHE KELLER MAX RIEMELT amnesia UN FILM DE BARBET SCHROEDER Avec la participation de PRESSE : TONY ARNOUX / ANDRÉ-PAUL RICCI BRUNO GANZ 6 place de la Madeleine – 75008 Paris Tel : 01 49 53 04 20 Port. Tony Arnoux : 06 80 10 41 03 assisté de Gustave Schaïmi : 06 50 05 75 35 [email protected] DISTRIBUTION : LES FILMS DU LOSANGE (RÉGINE VIAL / ALEXANDRA LEDUC / CAMILLE VERRY / GREGORY PETREL) 22 avenue Pierre 1er de Serbie - 75012 Paris Tél. : 01 44 43 87 15 / 16 / 17 www.filmsdulosange.fr Photos & dossier de presse téléchargeables sur www.filmsdulosange.fr SORTIE LE 19 AOÛT 2015 SUISSE - FRANCE • 2015 • 1H30 • 1.85 - 2K • COULEUR • SON 5.1 • VISA N°139 604 Ibiza. Début des années 90, Jo a vingt ans, il vient de Berlin, il est musicien et veut faire partie de la révolution électronique qui commence. Pour démarrer, l’idéal serait d'être engagé comme DJ dans le club L'Amnesia. Martha vit seule, face à la mer, depuis quarante ans. Une nuit, Jo frappe à sa porte. La solitude de Martha l'intrigue. Ils deviennent amis alors que les mystères s'accumulent autour d'elle : ce violoncelle dont elle ne joue plus, cette langue allemande qu'elle refuse de parler… Alors que Jo l'entraîne dans le nouveau monde de la musique techno, Martha remet en question ses certitudes… amnesia - 3 - (Les propos qui suivent sont tirés d’un entretien recueilli par Émilie Bickerton) le choix de martha omment une femme qui n’a jamais rien vu sans être une victime. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Entretien Avec Sergio Castellitto/Non Ti Muovere
Document generated on 10/01/2021 1:44 a.m. Ciné-Bulles Le cinéma d'auteur avant tout Entretien avec Sergio Castellitto Non ti muovere Michel Coulombe Volume 22, Number 4, Fall 2004 URI: https://id.erudit.org/iderudit/26493ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this document Coulombe, M. (2004). Entretien avec Sergio Castellitto / Non ti muovere. Ciné-Bulles, 22(4), 28–33. Tous droits réservés © Association des cinémas parallèles du Québec, 2004 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Non ti muo*s&r& « Le film raconte l'histoire d'un homme qui apprend à demander des excuses. » Sergio Castellitto PAR MICHEL COULOMBE En Italie, Sergio Castellitto est un acteur de premier plan. Il a fait ses débuts au cinéma au côté de Marcello Mastroianni dans Le Général de l'armée morte de Luciano Tovoli il y a un peu plus de 20 ans. Par la suite, il a partagé l'écran avec, notamment, Marie Trintignant (Le Cri de la soie de Yvon Marciano), Nino Manfredi (Alberto Express d'Arthur Joffé), Isabelle Adjani (Toxic Affair de Philomène Esposito) et Michel Serrault (Ne quittez pas! d'Arthur Joffé). -
Lee Percy Editor
LEE PERCY EDITOR FEATURES CHARMING THE HEARTS OF MEN High Hopes Productions Prod: Brian David Cange, Richard T. Lewis Dir: S.E. DeRose (Editor) THE HALF OF IT (Editor) Netflix Prod: Blair Breard, Anthony Bregman Dir: Alice Wu SKIN (Editor) A24 Prod: Oren Moverman, Dillon D. Jordan Dir: Guy Nattiv Jamie Ray Newman THE KINDERGARTEN TEACHER Netflix Prod: Maggie Gyllenhaal, Ged Dickersin Dir: Sara Colangelo (Editor) MAPPLETHORPE (Editor) Samuel Goldwyn Films Prod: Richard Bosner, Eliza Dushku Dir: Ondi Timoner THE MOUNTAIN BETWEEN US (Editor) 20th Century Fox Prod: Peter Chernin, Dylan Clark Dir: Hany Abu-Assad SNOWDEN (Editor) Open Road Films Prod: Moritz Borman, Eric Kopeloff Dir: Oliver Stone ANGELICA (Editor) Pierpoline Films Prod: Mitchell Lichtenstein, Joyce Pierpoline Dir: Mitchell Lichtenstein TOUCHED WITH FIRE (Editor) Roadside Attractions Prod: Jeremy Alter, Kristina Nikolova, Dir: Paul Dalio Jason Sokoloff CARRIE (2013) (Editor) MGM / Screen Gems Prod: Kevin Misher Dir: Kimberly Peirce DISCONNECT (Editor) LD Entertainment Prod: William Horberg, Mickey Liddell Dir: Henry Alex Rubin Jennifer Monroe WHAT MAISIE KNEW Millennium Entertainment Prod: Daniel Crown, Daniela Taplin, Lundberg, Dir: Scott McGehee, David Siegel (Additional Editor) William Teitler, Charles Weinstock THIN ICE (Editor) ATO Pictures Prod: Mary Frances Budig, Elizabeth Redleaf, Dir: Jill Sprecher Christine K. Walker AS GOOD AS DEAD (Editor) First Look International Prod: Jordan Gertner, Ali Abouomar Dir: Jonathan Mossek SALT (Additional Editor) Sony Prod: Lorenzo -
Lilo Linke a 'Spirit of Insubordination' Autobiography As Emancipatory
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Lilo Linke a ’Spirit of insubordination’ autobiography as emancipatory pedagogy : a Turkish case study http://bbktheses.da.ulcc.ac.uk/177/ Version: Full Version Citation: Ogurla, Anita Judith (2016) Lilo Linke a ’Spirit of insubordination’ auto- biography as emancipatory pedagogy : a Turkish case study. PhD thesis, Birkbeck, University of London. c 2016 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email Lilo Linke: A ‘Spirit of Insubordination’ Autobiography as Emancipatory Pedagogy; A Turkish Case Study Anita Judith Ogurlu Humanities & Cultural Studies Birkbeck College, University of London Submitted for the degree of Doctor of Philosophy, February 2016 I hereby declare that the thesis is my own work. Anita Judith Ogurlu 16 February 2016 2 Abstract This thesis examines the life and work of a little-known interwar period German writer Lilo Linke. Documenting individual and social evolution across three continents, her self-reflexive and autobiographical narratives are like conversations with readers in the hope of facilitating progressive change. With little tertiary education, as a self-fashioned practitioner prior to the emergence of cultural studies, Linke’s everyday experiences constitute ‘experiential learning’ (John Dewey). Rejecting her Nazi-leaning family, through ‘fortunate encounter[s]’ (Goethe) she became critical of Weimar and cultivated hope by imagining and working to become a better person, what Ernst Bloch called Vor-Schein. Linke’s ‘instinct of workmanship’, ‘parental bent’ and ‘idle curiosity’ was grounded in her inherent ‘spirit of insubordination’, terms borrowed from Thorstein Veblen. -
Course Outline
Prof. Fatima Naqvi German 01:470:360:01; cross-listed with 01:175:377:01 (Core approval only for 470:360:01!) Fall 2018 Tu 2nd + 3rd Period (9:50-12:30), Scott Hall 114 [email protected] Office hour: Tu 1:10-2:30, New Academic Building or by appointment, Rm. 4130 (4th Floor) Classics of German Cinema: From Haunted Screen to Hyperreality Description: This course introduces students to canonical films of the Weimar, Nazi, post-war and post-wall period. In exploring issues of class, gender, nation, and conflict by means of close analysis, the course seeks to sensitize students to the cultural context of these films and the changing socio-political and historical climates in which they arose. Special attention will be paid to the issue of film style. We will also reflect on what constitutes the “canon” when discussing films, especially those of recent vintage. Directors include Robert Wiene, F.W. Murnau, Fritz Lang, Lotte Reiniger, Leni Riefenstahl, Alexander Kluge, Volker Schlöndorff, Werner Herzog, Wim Wenders, Rainer Werner Fassbinder, Andreas Dresen, Christian Petzold, Jessica Hausner, Michael Haneke, Angela Schanelec, Barbara Albert. The films are available at the Douglass Media Center for viewing. Taught in English. Required Texts: Anton Kaes, M ISBN-13: 978-0851703701 Recommended Texts (on reserve at Alexander Library): Timothy Corrigan, A Short Guide to Writing about Film Rob Burns (ed.), German Cultural Studies Lotte Eisner, The Haunted Screen Sigmund Freud, Writings on Art and Literature Siegfried Kracauer, From Caligari to Hitler Anton Kaes, Shell Shock Cinema: Weimar Cinema and the Wounds of War Noah Isenberg, Weimar Cinema Gerd Gemünden, Continental Strangers Gerd Gemünden, A Foreign Affair: Billy Wilder’s American Films Sabine Hake, German National Cinema Béla Balász, Early Film Theory Siegfried Kracauer, The Mass Ornament Brad Prager, The Cinema of Werner Herzog Eric Ames, Ferocious Reality: Documentary according to Werner Herzog Eric Ames, Werner Herzog: Interviews N. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Billy Wilder Clôt Magistralement Sa Déconstruction Du Mythe D’Hollywood !
APRÈS BOULEVARD DU CRÉPUSCULE, BILLY WILDER CLÔT MAGISTRALEMENT SA DÉCONSTRUCTION DU MYTHE D’HOLLYWOOD ! UN FILM DE BILLY WILDER AVEC WILLIAM HOLDEN ET MARTHE KELLER AU CINÉMA EN VERSION RESTAURÉE INÉDITE DCP NUMÉRIQUE LE 21 AOÛT 2013 Relations presse Programmation Retrouvez toute notre actualité et nos visuels sur CARLOTTA FILMS CARLOTTA FILMS www.carlottavod.com Mathilde GIBAULT Ines DELVAUX Tél. : 01 42 24 87 89 Tél. : 01 42 24 11 77 [email protected] [email protected] Distribution CARLOTTA FILMS 9, passage de la Boule blanche 75012 Paris Tél. : 01 42 24 10 86 – Fax : 01 42 24 16 78 « Le sujet de ce film, ce n’est pas la mort, c’est le désir de finir sa vie en beauté : toute légende est faite pour se perpétuer. » Billy Wilder edora, grande star hollywoodienne désormais retirée en Europe, met fin à sa vie en se F jetant sous un train. Lors de ses funérailles, le producteur Barry Detweiler se remémore sa dernière rencontre avec elle deux semaines auparavant à Corfou. Il s’était alors rendu sur l’île dans l’espoir de convaincre la célèbre actrice de revenir sur le devant de la scène, en la faisant jouer dans une adaptation d’Anna Karénine. Mais Fedora s’avère difficile à atteindre : elle vit recluse auprès de la vieille comtesse Sobryanski, du docteur Vando et de ses domestiques, lesquels la surveillent sans cesse. Detweiler va devoir user de tous les moyens pour tenter d’approcher la mystérieuse Fedora… Vingt-huit ans après son chef-d’œuvre Boulevard du crépuscule, Billy Wilder revient avec un formidable réquisitoire contre le star system hollywoodien et son mythe de la jeunesse éternelle. -
Call Me by Your Name Berlin Syndrome Mr. Stein Goes
2017 NEW IN SUNDANCE IN PARIS RENDEZ-VOUS UPCOMING CONTACTS IN PARIS THE APPARITION CALL ME MR. STEIN GOES THE MIDWIFE GRAND HOTEL by Xavier Giannoli BY YOUR NAME ONLINE by Martin Provost EMILIE GEORGES (January 12th – 15th) In Pre Production by Luca Guadagnino by Stephane Robelin Completed [email protected] / +33 6 62 08 83 43 SCRIPT AVAILABLE Premieres World Market Premiere GOOD TIME NICHOLAS KAISER (January 12th – 15th) PARIS PRESTIGE BERLIN SYNDROME by Ben & Joshua Safdie [email protected] / +33 6 43 44 48 99 by Hamé & Ekoué by Cate Shortland In Post Production MATHIEU DELAUNAY (January 12th – 15th) Screening in Paris World Competition [email protected] / + 33 6 87 88 45 26 WORLD MARKET PREMIERE THELMA by Joachim Trier In Post Production design: www.clade.fr / Graphic non-contractual Credits MY HAPPY FAMILY OFFICE IN PARIS by Nana & Simon SWEET COUNTRY MEMENTO FILMS INTERNATIONAL Sundance - World Competition by Warwick Thornton 9 Cité Paradis – 75010 Paris – France WORLD MARKET PREMIERE In Post Production Tel: +33 1 53 34 90 20 Fax: +33 1 42 47 11 24 DIAS [email protected] by Jonathan English [email protected] In Production www.memento-films.com Follow us on Facebook NEW IN PRE PRODUCTION THE APPARITION XAVIER GIANNOLI By the director of Marguerite, The Singer, In the Beginning With Vincent Lindon (Best Actor Cannes 2015 – The Measure of a Man, Rodin, Welcome) IN PRE PRODUCTION NEW SCRIPT AVAILABLE THE APPARITION A FILM BY XAVIER GIANNOLI By the director of Marguerite, (1,2 million admissions in France, 4 César Awards including Best Actress for Catherine Frot, Venice In Competition 2015), The Singer (Cannes In Competition 2006, César for Best Sound, Lumière Award for Best Actor to Gérard Depardieu) and In The Beginning (Cannes In Competition 2009) With Vincent Lindon (Best Actor Cannes 2015 – The Measure of a Man, Rodin, Welcome), Galatéa Bellugi (Keeper, Heal the Living) and Patrick D’Assumçao (Stranger by the Lake, Diary of a Chambermaid) Jacques is a journalist at a large regional newspaper in France. -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may.