DOCSLIB.ORG

2Bc781b554524f829249b007b5f

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2Bc781b554524f829249b007b5f lzdava publisher Galerije grada Zagreba (Muzej suvremene umietnostd Habdeliteva 2, 41000 Zagreb Croatia lel. 385 1 43 13 43 lax. 385 1 43 44 04 v. d. Ravnatelja / Acting Director Nada Vddian-Kniit Kustos izIo2be koncepcija / Exhibition conceived and curaled by mr. Manjan Susovski Suradnik kustosa alone / Assistant to the curator homir Milovac Odgovorni urednik Editor in Chief mr. Marijan Susovski Urednitvo kataloga Editorial Board mr. Leonida Kova Tihomir Milovac mr. Marijan Susovski Pisci lekstova / Texts by mr. Lconida Kova mr. Marijan Susovski Kataloki podaci / Catalogue data mr. Leonida Kova Blogralije umjeinika / Biographies of the artists mr. Marijan Susovski Kustos za odnose s javnotu / Public relations Nada Bero Prilevocli / Translations Nikolina Jovanovit Maja oljan Fologralije / Photographs Darko Bavoljak Marija Braut Bons Cvjelanovie Dokumentacqa Catania grada Zagreba Lektor / Textual revision Snie2ana lefok Koreklurel Prool reading Ljerka Mlinar Wainer / Designer Dubravka Rakoci Poslav izto2be / Exhibition staged by Tihomir Milovac Marketing Komeriki Slog / Typeseled by LASER plus Tisak kataloga / Catalogue printed by Tiskara PULJKO Tisak plakata Poster printed by Brano Norval Naklada / Edition of 1000 ISBN 953-6043.03-3 Pokrovitelj izlobe je Gradsko poglavarstvo Grada Zagreba The exhibition is held under the auspices of the Municipal Council of Zagreb Poasni odbor Honorrary Board Zlatko Vitez Ministar kulture Republike Hrvatske Minister of Culture of the Republic of Croatia dr. 2eljka orak Savjetnica za kulturu Predsjednika Republike Hrvatske Cultural Advisor to the President of the Republic of Croatia Seadeta Midi Pomonica Ministra kulture Republike Hrvatske Assistant to the Minister of the Culture of the Republic of Croatia rnr. Branko Mika Gradonaelnik grada Zagreba Mayor of Zagreb mr. Boo Bikupi Dogradonaelnik grada Zagreba Vice-Mayor of Zagreb Mladen utura Sekretar Gradskog sekretarijata za prosvjetu, kulturu i znanost Secretary of the City Council for Education, Culture and Science dr. Boris Festini Pomonik Sekretara Gradskog sekretarijata za prosvjetu, kulturu i znanost Assistant Secretary of the City Council for Education, Culture and Science i lanovi incijativnog odbora za osnivanje Muzeja suvremene umjetnosti: and members of the Initiative Committee for founding of the Museum of Contemporary Art Marijan Jevovar Ivan Koari Zvonko Makovi Marijan Susovski Nada Vrkljan-Krii Igor Zidic IzIoba je organizirana pomou sredstava Ministarstva kulture Republike Hrvatske i Gradskog sekretarijata za prosvjetu, kulturu i znanost. The exhibition has been organized with the assistance of the Ministry of Culture of Republic of Croatia and by the City Council for Education, Culture and Science Post. izloibe KONSTRUKTIVIZAM I KINETICKA UMJETNOST u Domu hrvatskin lkovnih umjelnika, Zagreb. 1995. Set up ol the exhibalon CONSTRUCTIVISM AND KINETIC ART ,0 the Dom hrvalskth Iikovnili umielnka. Zagreb, 1995. MARC ADRIAN ALBERTO MAGNELLI JEAN ARP DIETER MAGNUS GETULIO ALVIANI MANFREDO MASSIRONI VOJIN BAKIC ALMIR MAVIGNIER ALBERTO BIASI MANFRED MOHR MAX BILL FRANCOIS MORELLET ANDRE BLOCK RICHARD MORTENSEN HARTMUT BOHM BRUNO MUNARI VLADIMIR BONAGIC MAURIZIO NANNUCCI GIANNI COLOMBO KOLOMAN NOVAK GIOVANNI ANTONIO COSTA IVAN PICELJ AVGUST CERNIGOJ OTTO PIENE IVAN Cl2MEK EDGAR PILLET SONIA DELAUNAY NANDA VIGO MILAN DOBE B021DAR RAICA JURAJ DOBROVIC VJENCESLAV RICHTER PIERO DORAZIO PAOLO SCHEGGI MICHEL FADAT MANFRED SCHROEDER TIBOR GAYOR JOSIP SEISSEL (JO KLEK) KARL GERSTNER RAPHAEL SOTO DIETER HACKER JESUS ALEKSANDAR SRNEC JULIJE KNIFER VLADO KRISTL ZDENEK SYKORA FERDINAND KRIWET MIROSLAV UTEJ EDOARDO LANDI SOPHIE TAEUBER ARP JULIO LE PARC LUIS TOMASELLO P. RICHARD LOHSE MILO URBAEK PETER LOWE VICTOR VASARELY ADOLF LUTHER ANTE VULIN HEINZ MACK YVARAL CONSTRUCTIVISM AND KINETIC ART Exat 51 New Tendencies From the Collection of the Gallery of Contemporary Art Zagreb Towards the Museum of Contemporary Art in Zagreb The exhibition is held to mark the 40 years of the Gallery ol Contemporary Art and the 900 years of the Zagreb Diocese Dom Hrvalskih likovnih umietnika. Gallery of Contemporary Art. Trg hrvalskih velikana bb. Katarinin trg 2 Zagreb. April /June 1995 Zagreb. May /June 1995 KONSTRUKTIVIZAM I KINETIKA UMJETNOST Exat 51 Nove tendenaje lz zbirke Galeri J0 suvremene umjetnosti Zagreb U susret Muzeju suvremene iimjelnosti Zagreb je organizirana povodom 40. obljetnice Galerije suvremene umjetnosti Zagreb 900. obljelnice zagrebake biskupije Dom Hrvatskih likovnih umjelnika, Galerija suvremene umjetnosti Trg hrvatskih velikana bb, Katannin trg 2 Zagreb, April /June 1995 Zagreb, svibanj / lipanj. 1995 Sadraj / Contents 6 Popis autora na izlobi / The List of the Authors at the Exhibition 13 Marijan Susovski KONSTRUKTIVIZAM I KINETIKA UMJETNOST lz zbirke Galerije suvremene umjetnosti 113 Marijan Susovski CONSTRUCTIVISM AND KINETIC ART From the Collection of the Gallery of Contemporary Art 25 Leonida Kova TENDENCIJE: PROSTORI REZONANCE 125 Leonida Kova TENDENCIES: SPACES OF RESONANCE 33 Slikovni pregled / Plates Biografije hrvatskih umjetnika 38 Vojin Baki 44 Vladimir Bonai 48 Ivan imek 52 Juraj Dobrovi 59 Julije Knifer 62 Vladimir Kristl 82 Ivan Picalj 88 Boidar Raica 90 Vjenceslav Richter 94 Josip Seissel 100 Aleksandar Srnec 102 Miroslav utej 110 Ante Vulin 134 Biographies of the Croatian artists 139 Katalog / Catalogue 148 Popis sudionika na izlobama Novih tendencija / The List of the Participants at the New Tendencies Exhibitions - Mr. Marijan Susovski voditelj Gale r ij e suvremene umjetnosti KONSTRUKTIVIZAM I KINETIOKA UMJETNOST Exat 51 Nove tendencije I z z G birk e a le r ije suv r em en e u m et n os t i Zagreb UVOD Galerije grada Zagreba priredile su 1986. godine u Muzejskom prostoru Li Zagrebu veliku izlobu U SUSRET MUZEJU SUVREMENE UMJETNOSTI 30 GODINA GALERIJE SUVREMENE UMJETNOSTI na kojoj su pokazale oko 700 djela od 3000 koliko ih ima fundus Galerije suvremene umjetnosti. IzIobom se htjelo upozoriti na potrebu formiranja Muzeja suvremene umjetnosti. odnosno na potrebu izgradnje ustanove nacionalnog znaaja koja bi u svom stalnom postavu mogla javnosti pokazati razvoj suvremene hrvatske umjetnosti i internacionalnu kolekciju koja je stvorena zahvaljujui izlobama inozemnih umjetnika i vezama koje je Galerija suvremene umjetnosti od svojeg osnutka 1954. godine imala s brojnim muzejima i galerijama u svijetu, pojedinim umjetnicima i medunarodnim likovnim pokretima.1 Godine 1994. povodom 40. obljetnice osnivanja Galerije suvremene umjetnosti i povodom 900. obljetnice osnutka Zagrebake biskupije, Galerije grada Zagreba odluile su prikazati izlobu U SUSRET MUZEJU SUVREMENE UMJETNOSTI II.. au i izlauti sada samo jedan segment njezina bogatog fundusa koji na proloj izlobi nije mogao biti opsenije prikazan. Ova izloba donosi slike, skulpture, multiple, objekte i grafiki materijal, vezan uz konstruktivistike tendencije umjetnika prije i poslije drugoga svjetskog rata i razna optika istraivanja a koji je dospio u njezin fundus zahvaljujui upravo djelovanju Galerije i autora vezanih uz nju u medunarodnim razmjeri- ma.2 Zagreb i ovom izlobom dokazuje snanu ukorijenjenost njegovih likovnih stvaralaca na svjetskoj umjetnikoj sceni i u najnovije doba. ZAECI I IZVORI EXAT 51 Galerija suvremene umjetnosti priredila je jo 1957. godine prvu izlobu mape svilotiska grupe konstruktivista BLOC PILLET VASARELY, neposredno nakon njezina osnivanja. Iste godine prikazala ju je u svojim prostorima i pretvorila u putujuu didaktiku izlobu o apstraktnoj umjetnosti. Bill su to zaeci znaajnog interesa Galerije u to vrijeme za apstrakciju, a posebno geometrijsku apstrakciju i konstruktivizam, koji Sll poetkom pedesetih godina utvrdili jednu od bitnih orijentacija Galerije u sljedeih dvadesetak godina, koja nije ostala samo lokalnog znaenja, 14 nego je imala ire reflekse na europsku umjetnost tog vremena. NT-1, 1961. Radovi grope ENNE. Osobe, Radoslay Pular. Cvek, Vera PayMa. Ivan Mio Mac, Boto Beck, Boris Kalamai, Aleksandar Srnec. Vienceslay Richter IzIofba grape EXAT 51, Galerija Drutva NT-1, 1961. Works by the ENNE Group. arhitekala, Zagreb, 1953. Persons Radoslay Pular. Cvek, Vera PayII.. Ivan PicaII. Mio Mikac, Bo2o Exhibition of the EXAT 51 Group, Gallery Beck. Boris Kelemen, Aleksandar Smec, of the Association of the Croatian Vienceslay Richter Architects, 1953. Kopu na medunarodna zbivanja odmah poetkom pedesetih godina izvrio je EXAT 51 (Ekspe- rimentalni atelje 51), koji je sainjavala grupa umjetnika, arhitekata, dizajnera i teoretiara koja je djelovala od 1950. do 1956. Grupa je obznanila svoj Manifest 7. prosinca 1951. na godinjem plenumu ULUPUH-a (Udruenje likovnih umjetnika primijenjenjih umjetnosti Hrvatske). a potpisali su ga Bernardo Bernardi, Zdravko Bregovac, Ivan Picelj, Zvonimir Radi, Boidar Raica, Vjenceslav Richter, Aleksandar Srnec i Vladimir Zaharovi. Grupi se 1952. pridruuje i Vladimir Kristl. Pojedini se lanovi ve ranije (1948.) u oblikovanju i unutarnjem uredenju izlobenih paviljona u Zagrebu, Beu, Stockholmu, Parizu, Hannoveru i Chicagu koriste naslije- dem geometrijske apstrakcije tako da je grupa predstavljala iznimku medu tadanjim komunisti- kim zemljama i njezini su se autori prvi medu njima vratili naslijedu konstruktivizma. Programska idejna osnova grupe bila je »borba protiv preivjelih shvaanja i produkcije na podruju likovnih umjetnosti,, i stajalita da »metode rada i principi nefigurativne odnosno tzv. apstraktne umjetnosti nisu izraz dekadentnih tenji, ve naprotiv mogunost da se studijem tih metoda i principa razvije
Load more

Recommended publications
  • Bauhaus Networking Ideas and Practice NETWORKING IDEAS and PRACTICE Impressum
    Museum of Contemporary Art Zagreb Zagreb, 2015 Bauhaus networking ideas and practice NETWORKING IDEAS AND PRACTICE Impressum Proofreading Vesna Meštrić Jadranka Vinterhalter Catalogue Bauhaus – Photographs Ј Archives of Yugoslavia, Belgrade networking Ј Bauhaus-Archiv Berlin Ј Bauhaus-Universitat Weimar, Archiv der Moderne ideas Ј Croatian Architects Association Archive, Graphic design Zagreb Aleksandra Mudrovčić and practice Ј Croatian Museum of Architecture of the Croatian Academy of Sciences and Arts, Zagreb Ј Dragan Živadinov’s personal archive, Ljubljana Printing Ј Graz University of Technology Archives Print Grupa, Zagreb Ј Gustav Bohutinsky’s personal archive, Faculty of Architecture, Zagreb Ј Ivan Picelj’s Archives and Library, Contributors Museum of Contemporary Art, Zagreb Aida Abadžić Hodžić, Éva Bajkay, Ј Jernej Kraigher’s personal archive, Print run Dubravko Bačić, Ruth Betlheim, Ljubljana 300 Regina Bittner, Iva Ceraj, Ј Katarina Bebler’s personal archive, Publisher Zrinka Ivković,Tvrtko Jakovina, Ljubljana Muzej suvremene umjetnosti Zagreb Jasna Jakšić, Nataša Jakšić, Ј Klassik Stiftung Weimar © 2015 Muzej suvremene umjetnosti / Avenija Dubrovnik 17, Andrea Klobučar, Peter Krečič, Ј Marie-Luise Betlheim Collection, Zagreb Museum of Contemporary Art, Zagreb 10010 Zagreb, Hrvatska Lovorka Magaš Bilandžić, Vesna Ј Marija Vovk’s personal archive, Ljubljana ISBN: 978-953-7615-84-0 tel. +385 1 60 52 700 Meštrić, Antonija Mlikota, Maroje Ј Modern Gallery Ljubljanja fax. +385 1 60 52 798 Mrduljaš, Ana Ofak, Peter Peer, Ј Monica Stadler’s personal archive A CIP catalogue record for this book e-mail: [email protected] Bojana Pejić, Michael Siebenbrodt, Ј Museum of Architecture and Design, is available from the National and www.msu.hr Barbara Sterle Vurnik, Karin Šerman, Ljubljana University Library in Zagreb under no.
    [Show full text]
  • A N in Qu Iry in to D Ig Ita L H Is to Ry O F a Rt a N D a Rc H Ite C Tu Re E D Ito Rs
    An Inquiry into Digital History of Art and Architecture Editors Ljiljana Kolešnik Sanja Horvatinčić Institute of Art History Online Editions, book 11 1 MODERN AND CONTEMPORARY ARTISTS’ Contents NETWORKS. An Inquiry into Digital History of Art and Architecture 6 Ljiljana Kolešnik On Digital Art History: The Objectives and the Results of the Project ARTNET Editors Ljiljana Kolešnik and Sanja Horvatinčić 14 CASE STUDIES Zagreb, 2018 16 Irena Kraševac, Petra Šlosel Networking of Central European Artists’ Associations via Exhibitions. The Slovenian Art Association, Czech Mánes and Polish Sztuka in Zagreb in the Early 20th Century 38 Dalibor Prančević Between Art Nouveau and the Avant-Garde: The Personal (Ego) Network of Ivan Meštrović and the Map of Critical Reception of His Work during the 1910s 64 Tamara Bjažić Klarin, Nikola Bojić CIAM Network Visualisation – Detecting Ideological Ruptures in the CIAM Discourse 84 Ljiljana Kolešnik The Transition of New Tendencies from Neo-Avant-Garde Subculture to Institutional Mainstream Culture. An Example of Network Analysis 124 Sanja Horvatinčić Between Creativity and Pragmatism: Structural Network Analysis and Quan- titative Survey of Federal Competitions for Yugoslav Monuments and Me- morial Complexes (1955–1980) 166 Željka Tonković, Sanja Sekelj Duality of Structure and Culture: A Network Perspective on the Independent Cultural Scene in Zagreb and the Formation of the WHW Curatorial Collective 196 Contributors 202 Literature, archival and online sources This book is the result of the research conducted
    [Show full text]
  • Non-Aligned Modernity / Modernità Non Allineata
    Milan, 16 September 2016 , FM Centro per l'Arte Contemporanea, the new center for contemporary art and collecting inaugurated last April at the Frigoriferi Milanesi, reopens its exhibition season on 26 October with three new exhibitions and a cycle of meetings aimed at art collectors. NON-ALIGNED MODERNITY / MODERNITÀ NON ALLINEATA Eastern-European Art and Archives from the Marinko Sudac Collection / Arte e Archivi dell’Est Europa dalla Collezione Marinko Sudac 27 October – 23 December 2016 Curated by Marco Scotini, in collaboration with Andris Brinkmanis and Lorenzo Paini 25 October 2016, 11 am - press preview 26 October 2016, 6 pm - opening event 27 October 2016, 7 pm - exhibition talk Under the patronage of: Republic of Croatia, Ministry of Foreign and European Affairs Consolato Generale della Repubblica di Croazia, Milano Ente Nazionale Croato per il Turismo, Milano After L’Inarchiviabile/The Unarchivable , an extensive review of the Italian art in the 1970s, FM Centro per l’Arte Contemporanea’s exhibition program continues with a second event, once again concerning an artistic scene that is less known and yet to be discovered. Despite the international prestige of some of its representatives, this is an almost submerged reality but one that represents an exceptional contribution to the history of art in the second half of the twentieth century. Non-Aligned Modernity not only tackles art in the nations of Eastern Europe but attempts to investigate an anomalous and anything but marginal chapter in their history, which cannot be framed within the ideology of the Soviet Bloc nor within the liberalistic model of Western democracies.
    [Show full text]
  • Zivot Umjetnosti, 7-8, 1968, Izdavac
    ivan picelj kompozicija 15/1, 1952./1956. 50 vlado kristl varijanta, 1958./1962. 51 igor zidić apstrahiranje predmetnosti i oblici apstrakcije u hrvatskom slikarstvu 1951/1968. bilješke aleksandar srnec kompozicija, 1956. 52 Opće je mjesto kritičke svijesti da pojam apstraktne umjetnosti ne znači više ono što je značio prije pola stoljeća, pa ni ono što je značio još prije dvadeset godina. Da je razvoj ove umjetnosti tada prestao, da se ona uslijed iscrpljenja urušila u se svejedno bi­ smo bili u prilici da zapazimo oscilacije značenja pojma. Domašaj svijesti u naporu da razumije i od­ redi pojavu ne može izbjeći ograničenjima same svi­ jesti. Zato se pred različitim očima svaka pojava raspada u toliko različitih pojavnosti koliko je razli­ čitih promatrača; ni jedan vid ne govori o gleda­ nome toliko koliko o viđenome — što će reći, da se, u svemu što gleda, oko i samo ogleda: vid je, tako­ đer, dio viđenoga. Ne treba, stoga, pomišljati da je 1918. ili 1948. po­ stojala apsolutna suglasnost o značenju pojma ap­ straktne umjetnosti ili pak, da će ikad i postojati. Ali činjenica da apstraktna umjetnost nije do sada »potrošila« oblike svog postojanja kaže nam da se pojam o njoj mora izmijeniti već i zbog toga što se ona mijenjala. Slikovito će nam otvoriti put razumijevanju naravi njezina početka jedan nedovoljno iskorišten aspekt predobro poznate priče o izvrnutoj slici u ateljeu Kandinskoga. Zatomimo li znatiželju povjesnika, koji u datumu događaja (1908.) vidi razlog pričanja, obratit ćemo pozornost okolnostima u kojima je vi­ đena pseudoprva pseudoapstraktna slika, u kojima je ta i takva slika — ni prva među apstraktnim, ni apstraktna među figurativnim — bila, dakle, pse- udoviđena.
    [Show full text]
  • DESIGN and INDUSTRY: the Role and Impact of Industrial Design in Post-War Yugoslavia
    Special Call “Design Policies: Between Dictatorship and Resistance” | December 2015 Editorial DESIGN AND INDUSTRY: The Role and Impact of Industrial Design in Post-War Yugoslavia Dora Vanette, Parsons The New School for Design, New York Key Words Yugoslavia, midcentury, industrial design, media ABSTRACT This study offers an overview of the design developments in the period following the Second World War in Yugoslavia and indicate the points of contact and departure between an emerging generation of architects and designers and state sanctioned design. The goal of this paper is to trace the development of the discipline of industrial design in this context, and argue for its revolutionary position in the development of a modern Yugoslavia. INTRODUCTION Following the end of World War II a new generation of architects and designers emerged in Yugoslavia, seeking to mediate socialist ideology with modernist forms. The group, mostly gathered around the progressive environment of the newly established Academy of Applied Art (1949-1955), attempted to promote art and design that was highly functional and aesthetically pleasing, and most importantly, available to all. What began as a probing of design terminology became a wide-reaching attempt to 1/15 www.iade.pt/unidcom/radicaldesignist | ISSN 1646-5288 promote modernist design as the appropriate expression of contemporary life. Through forming design organizations and developing relationships with manufacturers, the designers strove to bring their products to the market, at the same time utilizing various design publications in an attempt to educate the public on what was believed to be proper design. Finally, these ideas were disseminated to an international public through participation and organization of design fairs.
    [Show full text]
  • Kolektivne Prakse I Fotografija
    KOLEKTIVNE PRAKSE I FOTOGRAFIJA COLLECTIVE PRACTICES AND PHOTOGRAPHY | 2018 KOLEKTIVNE PRAKSE I FOTOGRAFIJA COLLECTIVE PRACTICES AND PHOTOGRAPHY | 2018 07 20 27 40 53 65 73 83 91 102 109 134 Slađana Petrović Varagić i Miroslav Karić Kolektivne prakse i fotografija Collective Practices and Photography Dejan Sretenović „Pred jednim zidom“ ‘In Front of a Wall’ Andrea Palašti Fotografija kao dokument u udruženoj jugoslovenskoj umetničkoj praksi The Photograph as a Document in the Collective Yugoslav Art Practice Iva Prosoli Nekoliko primjera udruženog i vaninstitucionalnog fotografskog djelovanja u Hrvatskoj od 1960-ih do danas Several Examples of Collective Non-institutional Photography Initiatives in Croatia from the 1960's to Today Miha Colner Foto-izdavaštvo u Sloveniji Photo-publishing in Slovenia Milica Lapčević Prespektive kolektivizma The Perspectives of Collectivity Izložba Kolektivne prakse i fotografija u regionu – Fotodokumenti / The exhibition Collective Practices and Photography in the Region – Photodocuments, 2017 Peter Rauch foto / photo: Milan Kralj Kolektivne prakse i fotograja Collective Practices and Photography Sladana Petrovic Varagic i Miroslav Karic 7 Publikacija Kolektivne prakse i fotografija, priređena i objavljena u okviru projekta Fotodokumenti, nastavak je istraživanja fenomena kolektivizma na regionalnoj fotografskoj sceni, koje je započeto 2017. godine istoimenom izložbom i stručnim skupom, realizovanim u okviru programa Galerije Artget u Kulturnom centru Beograda. Predstavljajući relevantne aktere u domenu fotografske
    [Show full text]
  • Conflicting Visions of Modernity and the Post-War Modern
    Socialism and Modernity Ljiljana Kolešnik 107 • • LjiLjana KoLešniK Conflicting Visions of Modernity and the Post-war Modern art Socialism and Modernity Ljiljana Kolešnik Conflicting Visions of Modernity and the Post-war Modern art 109 In the political and cultural sense, the period between the end of World War II and the early of the post-war Yugoslav society. In the mid-fifties this heroic role of the collective - seventies was undoubtedly one of the most dynamic and complex episodes in the recent as it was defined in the early post- war period - started to change and at the end of world history. Thanks to the general enthusiasm of the post-war modernisation and the decade it was openly challenged by re-evaluated notion of (creative) individuality. endless faith in science and technology, it generated the modern urban (post)industrial Heroism was now bestowed on the individual artistic gesture and a there emerged a society of the second half of the 20th century. Given the degree and scope of wartime completely different type of abstract art that which proved to be much closer to the destruction, positive impacts of the modernisation process, which truly began only after system of values of the consumer society. Almost mythical projection of individualism as Marshall’s plan was adopted in 1947, were most evident on the European continent. its mainstay and gestural abstraction offered the concept of art as an autonomous field of Due to hard work, creativity and readiness of all classes to contribute to building of reality framing the artist’s everyday 'struggle' to finding means of expression and design a new society in the early post-war period, the strenuous phase of reconstruction in methods that give the possibility of releasing profoundly unconscious, archetypal layers most European countries was over in the mid-fifties.
    [Show full text]
  • Ovdje Riječ, Ipak Je to Po Svoj Prilici Bio Hrvač, Što Bi Se Moglo Zaključiti Na Temelju Snažnih Ramenih I Leđnih Mišića
    HRVATSKA UMJETNOST Povijest i spomenici Izdavač Institut za povijest umjetnosti, Zagreb Za izdavača Milan Pelc Recenzenti Sanja Cvetnić Marina Vicelja Glavni urednik Milan Pelc Uredništvo Vladimir P. Goss Tonko Maroević Milan Pelc Petar Prelog Lektura Mirko Peti Likovno i grafičko oblikovanje Franjo Kiš, ArTresor naklada, Zagreb Tisak ISBN: 978-953-6106-79-0 CIP HRVATSKA UMJETNOST Povijest i spomenici Zagreb 2010. Predgovor va je knjiga nastala iz želje i potrebe da se na obuhvatan, pregledan i koliko je moguće iscrpan način prikaže bogatstvo i raznolikost hrvatske umjetničke baštine u prošlosti i suvremenosti. Zamišljena je Okao vodič kroz povijest hrvatske likovne umjetnosti, arhitekture, gradogradnje, vizualne kulture i di- zajna od antičkih vremena do suvremenoga doba s osvrtom na glavne odrednice umjetničkog stvaralaštva te na istaknute autore i spomenike koji su nastajali tijekom razdoblja od dva i pol tisućljeća u zemlji čiji se politički krajobraz tijekom povijesnih razdoblja znatno mijenjao. Premda su u tako zamišljenom povijesnom ciceroneu svoje mjesto našli i najvažniji umjetnici koji su djelovali izvan domovine, žarište je ovog pregleda na umjetničkoj baštini Hrvatske u njezinim suvremenim granicama. Katkad se pokazalo nužnim da se te granice preskoče, odnosno da se u pregled – uvažavajući zadanosti povijesnih određenja – uključe i neki spomenici koji su danas u susjednim državama. Ovaj podjednako sintezan i opsežan pregled djelo je skupine uvaženih stručnjaka – specijalista za pojedina razdoblja i problemska područja hrvatske
    [Show full text]
  • ZAGREB Written Series of Guidebooks.” the New York Times
    Hotels Restaurants Cafés Nightlife Sightseeing Events Maps “In Your Pocket: A cheeky, well- ZAGREB written series of guidebooks.” The New York Times October - November 2009 It’s our birthday! Gifts and specials to celebrate! It’s Autumn Perfect to sip on wine, nibble on cheese, fresh air... N°50 - complimentary copy zagreb.inyourpocket.com Culture Almanac Take a breakfast and cultural tour around the city with us! CONTENTS 3 ESSENTIAL CITY GUIDES Contents Arriving in Zagreb 6 Your first view of the capital city The Basics 7 More than just climate stats (not much) History 8 Kings, queens, rooks and pawns Culture & Events 9 Interesting and boring stuff included Autumn in Zagreb 24 Golden leaves, ruby wine, feelin‘ fine! Where to stay 28 The sounds of trumpets will add to the spice of life at the Vip Jazzg A place to rest your weary head Festival! See page 20. Dining & Nightlife 35 Lions, wolves and bear cubs welcome Sightseeing What to see 46 Cafés 40 All those things you mustn’t miss Easily the best scene in the world! Mail & Phones Nightlife 42 Smoke signals and carrier pigeons 50 When you just gotta boogie Getting around 51 Save on shoe leather Transport map 53 Directory Shopping 54 Helping you get rid of that extra cash Lifestyle Directory 56 The most essential support Business Directory 59 Become a millionaire in no time Maps & Index Street index 61 City centre map 62 City map 64 Autumn is here and there is not better time to savour a drop of fresh Country map 65 young wine as it gets blessed in and around the different counties of Zagreb on Martinje - a traditional day dedicated to St.
    [Show full text]
  • Art in Europe 1945 — 1968 the Continent That the EU Does Not Know
    Art in Europe 1945 Art in — 1968 The Continent EU Does that the Not Know 1968 The The Continent that the EU Does Not Know Art in Europe 1945 — 1968 Supplement to the exhibition catalogue Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Phase 1: Phase 2: Phase 3: Trauma and Remembrance Abstraction The Crisis of Easel Painting Trauma and Remembrance Art Informel and Tachism – Material Painting – 33 Gestures of Abstraction The Painting as an Object 43 49 The Cold War 39 Arte Povera as an Artistic Guerilla Tactic 53 Phase 6: Phase 7: Phase 8: New Visions and Tendencies New Forms of Interactivity Action Art Kinetic, Optical, and Light Art – The Audience as Performer The Artist as Performer The Reality of Movement, 101 105 the Viewer, and Light 73 New Visions 81 Neo-Constructivism 85 New Tendencies 89 Cybernetics and Computer Art – From Design to Programming 94 Visionary Architecture 97 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Introduction Praga Magica PETER WEIBEL MICHAEL BIELICKY 5 29 Phase 4: Phase 5: The Destruction of the From Representation Means of Representation to Reality The Destruction of the Means Nouveau Réalisme – of Representation A Dialog with the Real Things 57 61 Pop Art in the East and West 68 Phase 9: Phase 10: Conceptual Art Media Art The Concept of Image as From Space-based Concept Script to Time-based Imagery 115 121 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know ZKM_Atria 1+2 October 22, 2016 – January 29, 2017 4 At the initiative of the State Museum Exhibition Introduction Center ROSIZO and the Pushkin State Museum of Fine Arts in Moscow, the institutions of the Center for Fine Arts Brussels (BOZAR), the Pushkin Museum, and ROSIZIO planned and organized the major exhibition Art in Europe 1945–1968 in collaboration with the ZKM | Center for Art and Media Karlsruhe.
    [Show full text]
  • Modeli Interpretacije Djela Mladena Stilinovića
    Modeli interpretacije djela Mladena Stilinovića Tomljenović, Anja Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:773455 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-07 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences SVEUČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET Odsjek za povijest umjetnosti Diplomski rad MODELI INTERPRETACIJE DJELA MLADENA STILINOVIĆA Anja Tomljenović Mentorica: dr. sc. Lovorka Magaš Bilandžić, doc. ZAGREB, 2020. Temeljna dokumentacijska kartica Sveučilište u Zagrebu Diplomski rad Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij MODELI INTERPRETACIJE DJELA MLADENA STILINOVIĆA Models of Interpretation of Mladen Stilinović's Works Anja Tomljenović SAŽETAK U fokusu rada je analiza interpretativne recepcije umjetničkih radova Mladena Stilinovića na međunarodnim izložbama na Zapadu. Stilinović je jedan od najprisutnijih hrvatskih autora na svjetskoj umjetničkoj sceni. Dvaput je pozvan na Venecijansko bijenale i njegovi radovi predstavljeni su u brojnim uglednim svjetskim muzejima poput Muzeja moderne umjetnosti u New Yorku i Centra Georges Pompidou u Parizu. Pitanje interpretacije njegova rada postavlja se u širi kontekst nove geopolitičke podjele svijeta nakon 1989. godine te interesa Zapada za umjetnost i kulturu dotad „nepoznatih“ zemalja koje nisu dio dominantnog kanona. S obzirom na Stilinovićev umjetnički interes i propitivanje ideologije, politike i ekonomije, njegov opus zanimljivo je analizirati upravo iz rakursa zapadnjačke percepcije o umjetniku postjugoslavenskog prostora. Na primjeru međunarodne izložbene prakse nakon 1989. godine u radu se analizira zapadnjački pogled na Stilinovićeve najčešće izlagane radove.
    [Show full text]
  • Tendencije 4 Tendencies 4 Zagreb, 1968--1969
    • t4 tendencije 4 tendencies 4 zagreb, 1968--1969. zagreb, 1968-1969. kompjuteri i vizuelna istraživanja computers and visual research međunarodni kolokvij i izložba international colloquy and exhibition centar za kulturu i informacije centar za kulturu i informacije preradovićeva 5 preradovićeva 5 zagreb, 3-4, kolovoza 1968. zagreb august 3-4, 1968. kompjuteri i vizuelna istraživanja computers and visual research informativni seminar informativ-e seminar centar za kulturu i informacije centar za kulturu i informacije preradovićeva 5 preradovićeva 5 zagreb, 10-12 siječnja 1969. zagreb, january 10-12, 1969. kompjuteri i vizuelna istraživanja computers and visual research međunarodna izložba international exhibition galerija suvremene umjetnosti galerija suvremene umjetnosti ka tarinin trg 2 katarinin trg 2 zagreb, 5. svibnja - 30. kolovoza 1969. zagreb, may 5 - august 30, 1969. nove tendencije 4 new tendencies 4 međunarodna izložba international exhibition muzej za umjetnost i obrt muzej za umjetnost i obrt trg maršala tita 10 trg maršala tita 10 zagreb, 5. svibnja - 30. lipnja 1969. zagreb, may 5 - june 30, 1969. kompjuteri i vizuelna istraživanja computers and visual research međunarodni simpozij international symposium radničko sveučilište »rnoša pijade- radničko sveučilište »moša pijade« proleterskih brigada 68 proleterskih brigada 68 zagreb, 5-6. svibnja 1969. zagreb, may 5-6, 1969. typoezija typoezija međunarodna izložba international exhibition galerija studentskog centra galerija studentskog centra savska cesta 25 savska cesta 25 zagreb, 6. svibnja - 24. svibnja 1969. zagreb, may 6 - 24, 1969. ~zložba publikacija i knjiga exhibition of books and publications Internacionalna stalna izložba publikacija (ISlP) permanent international exhibition of publications (IST P) savska cesta 18 savska cesta 18 zagreb, 6. svibnja - 30.
    [Show full text]