Festival Runnin's
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Rototom Sunsplash 2018 Fait Un Nouveau Fontaines D’Eau Fraîche, Mieux Dans Le Conteneur Gris
16-22 FR AOÛT BENICÀSSIM 2018 25 ANS : LA FAMILLE S’AGRANDIT Le Rototom Sunsplash souffle 25 bougies avec 3,2 millions de partici- pants et plus de 2.300 artistes à l’affiche à son actif, en plus de ce voyage des Alpes italiennes à la mer Mé- diterranée de Benicàs- sim. 25 ans pendant lesquels la famille s’est agrandie, sous l’égide de l’inter-culturalité du genre jamaïcain qui lui a donné vie. 1994 – 2018 SPECTACLES UNIQUES Écouter David Rodi- 25 YEARS gan qui fête ses 40 ans dans le reggae avec des invités spéciaux et un orchestre classique de 25 musiciens. C’est WALKING l’un des spectacles spéciaux que réserve cette édition histo- rique, avec d’autres interventions stellaires TOGETHER comme celle de Ben Harper au format reg- gae en exclusivité pour le festival ou encore Alborosie, qui par- tagera ses 25 ans de carrière au Rototom. SUPER KIT FESTIVALIER L’envie de s’amuser est la première chose qu’il faut mettre dans sa valise en venant au Rototom Sunsplash. Mais il y a d’autres éléments qu’il faut apporter à Benicàssim pour que l’expérience festivalière soit idyllique. Ce guide vous fournit quelques conseils pour passer des vacances ‘de folie’ et compléter votre kit 25 * EUROPEAN REGGAE FESTIVAL parfait. Amb la col.laboració de / Con la colaboración de Le festival DES ALPES ITALIENNES À LA MÉDITERRANÉE DE BENICÀSSIM 25 ANS La première discothèque à Gaio. Le camping Girasole en 1999. DE CHEMIN ENSEMBLE Le collectif Rototom à la discothèque en 1998. -
Lila Iké | Biography Lila Ike (Pronounced Lee-Lah Eye-Kay) Is on the Brink of Stardom. the 26-Year-Old Jamaican Songbird
Lila Iké | Biography Lila Ike (pronounced Lee-lah Eye-kay) is on the brink of stardom. The 26-year-old Jamaican songbird has an edge and ease in her voice that creates an immediate gravitational pull with her listener, fusing contemporary reggae with elements of soul, hip-hop and dancehall. The free-spirited, easy-going singer has already released a handful of velvety smooth songs through In.Digg.Nation Collective, a record label and talent pool for Jamaican creatives, founded by reggae star Protoje. The ExPerience will be Lila Iké’s debut EP for Six Course/RCA Records in a new partnership with In.Digg.Nation Collective. She breathes a delicate testimony of love, infatuation, and spiritual guidance in the 7-track release out this Spring. The EP is padded with previously-released songs such as “Where I’m Coming From” and “Second Chance.” Pivoting from the singles that earned her international acclaim in 2018 and 2019, Lila Iké unveils playful seduction on “I Spy,” her first release of 2020 produced by Izy Beats (the hitmaker behind Koffee’s “Toast”). Beckoning with innocent flirtation over soft guitar licks, Lila in a sweet falsetto sings, “I spy I spy, that you see something you might like. Won’t you come over if you really mean it.” The layers to Lila are in full bloom as she opens up about the daily pressures she faces through her interaction with people and wanting peace of mind in “Solitude” — . On “Stars Align,” Lila flips the instrumental from Protoje’s “Bout Noon” into an anthem about falling in love through the metaphor of making music. -
Media and Advertising Information Why Advertise on Bigup Radio? Ranked in the Top 50,000 of All Sites According to Amazon’S Alexa Service
Media and Advertising Information Why Advertise on BigUp Radio? Ranked in the top 50,000 of all sites according to Amazon’s Alexa service Audience 16-34 year-old trend-setters and early adopters of new products. Our visitors purchase an average of $40–$50 each time they buy music on bigupradio.com and more than 30% of those consumers are repeat customers. Typical Traffic More than 1,000,000 unique page views per month Audience & Traffic 1.5 million tune-ins to the BigUp Radio stations Site Quick Facts Over 75,000 pod-cast downloads each month of BigUp Radio shows Our Stations Exclusive DJ Shows A Strong Image in the Industry Our Media Player BigUp Radio is in touch with the biggest artists on the scene as well as the Advertising Opportunities hottest upcoming new artists. Our A/R Dept listens to every CD that comes in selecting the very best tracks for airplay on our 7 stations. Among artists that Supporting Artists’ Rights have been on BigUp Radio for interviews and special guest appearances are: Rate Card Beenie Man Tanya Stephens Anthony B Contact Information: Lil Jon I Wayne TOK Kyle Russell Buju Banton Gyptian Luciano (617) 771.5119 Bushman Collie Buddz Tami Chynn [email protected] Cutty Ranks Mr. Vegas Delly Ranx Damian Marley Kevin Lyttle Gentleman Richie Spice Yami Bolo Sasha Da’Ville Twinkle Brothers Matisyahu Ziggi Freddie McGregor Jr. Reid Worldwide Reggae Music Available to anyone with an Internet connection. 7 Reggae Internet Radio Stations Dancehall, Roots, Dub, Ska, Lovers Rock, Soca and Reggaeton. -
Read Or Download
afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Shilliam, Robbie. "Dread Love: Reggae, Rastafari, Redemption." the Black Pacific: Anti- Colonial Struggles and Oceanic Connections
Shilliam, Robbie. "Dread Love: Reggae, RasTafari, Redemption." The Black Pacific: Anti- Colonial Struggles and Oceanic Connections. London: Bloomsbury Academic, 2015. 109–130. Bloomsbury Collections. Web. 23 Sep. 2021. <http://dx.doi.org/10.5040/9781474218788.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 11:28 UTC. Copyright © Robbie Shilliam 2015. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Dread Love: Reggae, RasTafari, Redemption Introduction Over the last 40 years roots reggae music has been the key medium for the dissemination of the RasTafari message from Jamaica to the world. Aotearoa NZ is no exception to this trend wherein the direct action message that Bob Marley preached to ‘get up stand up’ supported the radical engagements in the public sphere prompted by Black Power.1 In many ways, Marley’s message and demeanour vindicated the radical oppositional strategies that activists had deployed against the Babylon system in contradistinction to the Te Aute Old Boy tradition of tactful engagement. No surprise, then, that roots reggae was sometimes met with consternation by elders, although much of the issue revolved specifically around the smoking of Marijuana, the wisdom weed.2 Yet some activists and gang members paid closer attention to the trans- mission, through the music, of a faith cultivated in the Caribbean, which professed Ethiopia as the root and Haile Selassie I as the agent of redemption. And they decided to make it their faith too. -
Heather Augustyn 2610 Dogleg Drive * Chesterton, in 46304 * (219) 926-9729 * (219) 331-8090 Cell * [email protected]
Heather Augustyn 2610 Dogleg Drive * Chesterton, IN 46304 * (219) 926-9729 * (219) 331-8090 cell * [email protected] BOOKS Women in Jamaican Music McFarland, Spring 2020 Operation Jump Up: Jamaica’s Campaign for a National Sound, Half Pint Press, 2018 Alpha Boys School: Cradle of Jamaican Music, Half Pint Press, 2017 Songbirds: Pioneering Women in Jamaican Music, Half Pint Press, 2014 Don Drummond: The Genius and Tragedy of the World’s Greatest Trombonist, McFarland, 2013 Ska: The Rhythm of Liberation, Rowman & Littlefield, 2013 Ska: An Oral History, McFarland, 2010 Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, ed. Donna P. Hope, “Freedom Sound: Music of Jamaica’s Independence,” Ian Randle Publishers, 2015 Kurt Vonnegut: The Last Interview and Other Conversations, Melville House, 2011 PUBLICATIONS “Rhumba Queens: Sirens of Jamaican Music,” Jamaica Journal, vol. 37. No. 3, Winter, 2019 “Getting Ahead of the Beat,” Downbeat, February 2019 “Derrick Morgan celebrates 60th anniversary as the conqueror of ska,” Wax Poetics, July 2017 Exhibition catalogue for “Jamaica Jamaica!” Philharmonie de Paris Music Museum, April 2017 “The Sons of Empire,” Deambulation Picturale Autour Du Lien, J. Molineris, Villa Tamaris centre d’art 2015 “Lee ‘Scratch’ Perry’s Super Ape,” Wax Poetics, November, 2015 “Don Drummond,” Heart and Soul Paintings, J. Molineris, Villa Tamaris centre d’art, 2012 “Spinning Wheels: The Circular Evolution of Jive, Toasting, and Rap,” Caribbean Quarterly, Spring 2015 “Lonesome No More! Kurt Vonnegut’s -
Logboek VOC Maart-April 2017
Logboek VOC maart – april 2017 11 juni: negende Cannabis Bevrijdingsdag in Amsterdam! Nu het grote Reguleren Seminar en de Tweede Ka- mer verkiezingen achter de rug zijn, richt het VOC zich de komende weken op ons jaarlijkse gratis pro- testival Cannabis Bevrijdingsdag. In dit Logboek de eerste namen van artiesten en sprekers. Agenda Maandelijkse openbare VOC vergadering Zie www.voc-nederland.org/agenda 11-12 april International Cannabis Business Conference, met o.a. Steve DeAn- gelo, Georg Wurth, Ed Rosenthal, Debby Goldsberry, Ngaio Bealum. Tickets vanaf $399. Maritim Ho- tel, Berlijn, Duitsland. 7 mei Global Marijuana March in ruim 200 steden wereldwijd. 11 juni Cannabis Bevrijdingsdag, Flevo- park, Amsterdam. Organisatie: stichting VOC. Gratis toegang. Het is een traditie geworden: Jesus Evil Mooon sinds 2015 verspreiden we de Highway Waarschijnlijk de jongste band die eerste posters en flyers voor Can- Geheel in het zwart gekleed brengt ooit op Cannabis Bevrijdingsdag nabis Bevrijdingsdag op Spanna- dit Rotterdamse collectief een heeft gestaan. Mooon komt uit bis, de grootste cannabisbeurs ter donkere cocktail van vooroorlogse Aarle-Rixtel en bestaat uit de broers wereld, in Barcelona. We vertrok- Western Swing, Outlaw en Hillbilly Tom en Gijs de Jong (bas en drums) ken dit jaar met een team van vijf Country, Bluegrass en een vleug en hun neef Timo van Lierop (zang, VOC’ers en twintig kilo drukwerk, rauwe Rockabilly. gitaar). Garage en blues, surf en met een dag extra om Cannabis psychedelica of zoals ze het zelf noe- Social Clubs te bezoeken. Het men: ‘Good Music’. weer was uitzonderlijk goed en de sfeer op de beurs zoals altijd uit- Heights stekend, met veel oude bekenden Meditation en heel veel cannabis. -
The Dub Issue 28 September 2018
1 2 Editorial Dub Cover photo – Natty HiFi (Garvin Dan & Leo B) at Elder Stubbs Festival 2018) Dear Reader, Welcome to issue 28 for the month of Zebulon. Festivals big and small this month – Leo B returned to Boomtown to record their 10th anniversary and interviewed the legendary Susan Cadogan. Meanwhile the Natty HiFi crew returned to the Elder Stubbs Festival, held at Rymers Lane Allotments in Oxford for the tenth year in a row and Dan-I reached Notting Hill Carnival once again. Tune in for reports from the One Love Festival next month. We finally interview one of our own writers this month, giving Steve Mosco his due respect as founder of the Jah Warrior sound and label, as well as the pioneering online reggaemusicstore. I also get to review my teenage heroes Fishbone who came on a brief tour to the UK, now busy supporting the revitalized Toots and the Maytals (who play in Oxford on Saturday 13th October at the O2) and George Clinton’s Parliament/Funkadelic on some of their US dates. We have a new column by the founder of The Dub, Natty Mark Samuels, who brings us African Herbsman, which this month gives us advice from the motherland about herbs for the treatment of asthma. We also have our regular Cornerstone and From The Roots Up columns. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Dossier Festival Estoesloquehay
DOSSIER DE PRENSA Información general y actividades programadas Para más información: Rosa Casbas - Tel. 657 97 01 70 [email protected] www.estoesloquehay.com Sala de prensa (para descargar información y fotografías) 1. Información general Después de una décima edición especial aniversario en Fonz dedicada a la música negra, llega la undécima edición de Estoesloquehay a la ribera del Cinca para recalar en la población oscense de Zaidín. Estoesloquehay, una muestra artística única por su formato itinerante y multidisciplinar, dedicará esta edición a lo “latino”, programando una docena de interesantes propuestas culturales gratuitas en la localidad oscense de Zaidín entre el 28 y el 30 de junio de 2013. Las actuaciones musicales de esta undécima edición abarcan la latinidad de una forma poliédrica, en múltiples variantes y estilos. Los Coronas , el grupo de surf instrumental español por excelencia, subirá al escenario el 29 de junio en Zaidín (Huesca) como actuación estelar de la XI edición de la muestra. Padrinos de la escena surf actual y considerada una de las mejores bandas instrumentales del momento, su estilo surf con reminiscencias latinas y fronterizas y su vigoroso directo les ha convertido en un cotizado grupo con fans tan ilustres como Steve Van Zandt, el guitarrista de la E-Street Band de Bruce Springsteen. La banda madrileña ofrecerá su actuación en Zaidín dentro de la gira de presentación de su último disco Adiós Sancho (2013), su álbum más abierto, superando fronteras y etiquetas, que han publicado tras el regreso de su exitosa gira por Australia. Además, curiosamente el vídeo promocional de Rockaway Surfers, el primer sencillo de Adiós Sancho, se grabó en la zona de la N-II cercana a Fraga , localidad próxima a Zaidín. -
Jamaica Tourist Everything You Need to Know for the Perfect Vacation Experience
JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT VACATION EXPERIENCE ISSUE 17 - SPRING 2011 IN THIS ISSUE FIRST CLASS MUSIC FESTIVALS BAREFOOT LUXURY AT GOLDENEYE ISLAND ADVENTURES THE PALMYRA RESORT & SPA LAUNCHES PRIVATE RESIDENCE CLUB INTERNATIONAL STARS PERFORM FOR CHARITY EXERCISE: THE PATH TO A BEAUTIFUL BODY PURE, ORGANIC MARLEY COFFEE A DIFFERENT CLUBBING EXPERIENCE SEVEN NIGHTS A WEEK LUXURY SHOPPING RESTAURANTS & DINING SPOTS OWN A TROPICAL HOME AT THE PALMYRA Look for the FREE GEMSTONE offer in the luxury shopping section! YOUR FREE SEE ISLAND MAP INSIDE ISSUE FIRST CLASS MUSIC FESTIVALS hat began with the Reggae Sunsplash festival back in 1978 has evolved to establish Jamaica as the main Caribbean island for open-air reggae festivals, celebrating the captivating rhythms and the Rastafari vibe. Music lovers mark their calendars in advance to travel to attend one of the many annual Wfestivals on “The Rock” featuring reggae, jazz, blues, pop and rock music. Once you have experienced Sumfest, Jamaica Jazz & Blues Festival or one of the many other music festivals, you will discover that it is not only about great music, but about the special vibe that spreads throughout the venues where locals and visitors mingle, socialize and have a good time. Fans of dancehall music flock to the annual a major part of today’s festivals, bringing the standards of performances to a world ‘Sting’ festival in December, and serious renowned level. However, despite being much more commercialized, the magic of reggae and Rastafari followers don’t miss the the festivals has not changed much and determined festival goers faithfully flock to yearly Rebel Salute every January. -
A Music Genre That Originated in Jamaica in the 1960'S. Roots Reggae
Music Year 2 In this unit of work children will learn a song entitled, ‘Zoo Time’. Children will explore elements of the song such as, pulse, rhythm and pitch. The song is the Reggae style of music and children will explore this genre and it’s key indicators. In this unit children will: Key Vocabulary • Listen and appraise the song Zoo Time. Reggae: A music genre that originated in • Learn and perform Zoo Time. • Learn about the Reggae style of music and where Jamaica in the 1960’s. it come from. Roots Reggae: Music that deals with • Learn about the key indicators of Reggae. social and racial issues and brings • Learn about key Reggae artists such as Bob in elements of Rastafari. Marley, UB40, Aswad, Donald Jay Fagen, Marcia Foreground: What can be mostly heard/more prominently in a piece of Griffiths, Jimmy Cliff. • Listen to Reggae songs, e.g. Kingston Town. music. • Look at where Reggae fits in the historical Lyrics: The words to a song. context of music. Rastafarian: A person who follows a set • Played untuned percussion instruments. of beliefs/a religion developed in Jamaica in the 1930’s. Off-beat: If a piece of music has 4 Prior Learning EYFS: Develops preferences for forms of expression, creates beats in a bar i.e. 1 2 3 4, to movement in response to music, makes up rhythms, clap on the off-beat you would clap captures experiences and responses with music, represents on beats 2 and 4 not 1 and 3. thoughts and feelings of music. Children sing songs, make Backing vocal: Singers who provide a music and experiment with ways of changing them. -
Dour Festival
DOUR FESTIVAL GRASPOP / LES ARDENTES / VOX FEMINA MAGAZINE MUSICAL GRATUIT / ILLICO! 3 JUIN 2015 BREF! 4 CONCERTS & FESTIVALS 6 DOUR FESTIVAL 6 VOX FEMINA 10 ZIKOL 12 Y’A PAS L’FEU 14 DOUR FESTIVAL 6 LE FORUM FAIT SON FESTIVAL 15 FAITES DE LA CHANSON 16 GRASPOP FESTIVAL 18 MORIARTY 19 AIRE A LA FETE 20 EARTH WIND & FIRE 21 LES ARDENTES 22 THE HUMAN PLACE 23 MAIN SQUARE 24 WILD / ROCK EN STOCK 25 LENA DELUXE 26 FEAR FACTORY 27 CACTUS FESTIVAL 28 SJOCK 29 LES NUITS SECRETES 30 VOX FEMINA 10 REGGÆ GEEL 31 DRANOUTER 32 ALCATRAZ METAL 34 ESPERANZAH 35 FALL OF MESSIAH 36 LES ECLECTIQUES 37 IEPERFEST 38 GOHELLE FEST 40 RAISMESFEST 41 RETOUR EN PHOTOS 42 CD D’ICI 44 AGENDA 46 INDEX DES SALLES 61 FALL OF MESSIAH 36 Édité par MANICRAC SECRÉTAIRE DE RÉDACTION REDACTEURS Association loi 1901 Bertrand LANCIAUX Nico BIBS, Benjamin BUISINE, Guillaume Dépôt légal : à parution MISE EN PAGE CANTALOUP, Colonel CHABERT, Patrick Samuel SYLARD DALLONGEVILLE, Camille DEMARLE, SIEGE SOCIAL Maryse LALOUX, Bertrand LANCIAUX, 6 rue Wulverick 59160 LOMME PUBLICITÉ Steff LE CHIEN, Raphaël LOUVIAU, Sébas- Samuel SYLARD tien NOWICKI, Olivier PARENTY, Emma- DIRECTEUR DE LA PUBLICATION Tel : 06 62 71 47 38 nuel QUEVA, Romain RICHEZ, SCHNAPS, Samuel SYLARD [email protected] Mathy, Grégory SMETS, Sylvain STRI- [email protected] CANNE, Nicolas SWIERCZEK. IMPRIMERIE CORELIO, Bruxelles (B) RÉDACTION Photo couverture DOUR © Kmeron TEL : 06 62 71 47 38 DIFFUSION C*RED. Tirage : 20 000 exemplaires. [email protected] RÉDACTEUR EN CHEF Merci à Cyr et Benoit ainsi qu’à tous nos Prochain numéro Samedi 13 juin 2015 Charles KRO diffuseurs pour la diffusion en région.