Yellowman Live at Reggae Sunsplash Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Yellowman Live at Reggae Sunsplash Mp3, Flac, Wma Yellowman Live At Reggae Sunsplash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Live At Reggae Sunsplash Country: UK Released: 1983 Style: Dancehall, Ragga MP3 version RAR size: 1932 mb FLAC version RAR size: 1984 mb WMA version RAR size: 1582 mb Rating: 4.2 Votes: 165 Other Formats: XM APE AUD WMA DMF AIFF MP2 Tracklist M.C. Introduction 1:42 A1 Yah Yah Made Us For A Purpose 2:00 A2 Raggae Sunsplash / Herb Man Special (Medley) 3:20 A3 Jamaica Proud Of Me / Me To Sexy (Medley) 2:45 A4 I Goin' To Laugh Off Of Them 1:50 Me Have To Much Woman / Talk Of The Town / Day-O / What A Pumpy A5 4:25 Bubble 'Pon Me Fronty (Medley) A6 Soldiers Take Over / No More Army Life (Medley) 2:50 B1 Gunman / Gunman Connection (Medley) 3:50 B2 Love Letter 2:40 B3 Mr. Chin / Mr. Wrong (Medley) 3:45 B4 Get Me To The Family Court On Time (I'm Getting Married) 2:44 B5 Sit Under You 3:33 Companies, etc. Pressed By – MPO Notes Made in France Other versions Category Artist Title (Format) Label Category Country Year Live At Reggae Sunsplash RS 8903 Yellowman RS 8903 US 1983 Sunsplash (LP, Album) Records Live At Reggae Sunsplash RS 8903 Yellowman RS 8903 US 1983 Sunsplash (CD, Album) Records Sunsplash RS-8903, RSC Live At Reggae Records, RS-8903, RSC Yellowman US 1983 8903 Sunsplash (Cass) Sunsplash 8903 Records Live At Reggae Sunsplash RS 8903 Yellowman RS 8903 Jamaica 1984 Sunsplash (LP, Album) Records Live At Reggae NETCD 8903 Yellowman Munich Records NETCD 8903 Europe 1992 Sunsplash (CD, Album) Related Music albums to Live At Reggae Sunsplash by Yellowman Tyrone Evans, Johnny Clarke, Tad Iwah - Reggae Medley Songs Various - Reggae Sunsplash - Dance Hall '89 Yellowman - Duppy Or Gunman DJ Panik - Fashion Victim / Sunsplash Various - Best Of Reggae Sunsplash - Part 2 Various - Reggae Sunsplash Dancehall '89 Lime / Various - A Man And A Woman / Mastermind Medley R. Zee Jackson - Reggae Disco Medley Heptones - Original Medley No. 3 Kenny Meez - Old School Medley Yellowman & General Trees - A Reggae Calypso Encounter Owen Gray - Joslyn McHardy / Ochi Brown - Medley Reggae Connection.
Recommended publications
  • Jamaica Tourist Everything You Need to Know for the Perfect Vacation Experience
    JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT VACATION EXPERIENCE ISSUE 17 - SPRING 2011 IN THIS ISSUE FIRST CLASS MUSIC FESTIVALS BAREFOOT LUXURY AT GOLDENEYE ISLAND ADVENTURES THE PALMYRA RESORT & SPA LAUNCHES PRIVATE RESIDENCE CLUB INTERNATIONAL STARS PERFORM FOR CHARITY EXERCISE: THE PATH TO A BEAUTIFUL BODY PURE, ORGANIC MARLEY COFFEE A DIFFERENT CLUBBING EXPERIENCE SEVEN NIGHTS A WEEK LUXURY SHOPPING RESTAURANTS & DINING SPOTS OWN A TROPICAL HOME AT THE PALMYRA Look for the FREE GEMSTONE offer in the luxury shopping section! YOUR FREE SEE ISLAND MAP INSIDE ISSUE FIRST CLASS MUSIC FESTIVALS hat began with the Reggae Sunsplash festival back in 1978 has evolved to establish Jamaica as the main Caribbean island for open-air reggae festivals, celebrating the captivating rhythms and the Rastafari vibe. Music lovers mark their calendars in advance to travel to attend one of the many annual Wfestivals on “The Rock” featuring reggae, jazz, blues, pop and rock music. Once you have experienced Sumfest, Jamaica Jazz & Blues Festival or one of the many other music festivals, you will discover that it is not only about great music, but about the special vibe that spreads throughout the venues where locals and visitors mingle, socialize and have a good time. Fans of dancehall music flock to the annual a major part of today’s festivals, bringing the standards of performances to a world ‘Sting’ festival in December, and serious renowned level. However, despite being much more commercialized, the magic of reggae and Rastafari followers don’t miss the the festivals has not changed much and determined festival goers faithfully flock to yearly Rebel Salute every January.
    [Show full text]
  • Fashion Dread Rasta - Jamaican Music Since Bob Marley's Death; Includes Glossary of Reggae Terms
    Fashion dread Rasta - Jamaican music since Bob Marley's death; includes glossary of reggae terms Gregory Stephens It is amazing that a religious sect on a small Caribbean island could produce a style of Pop music that has had toes tapping around the world. A lot has happened to Jamaican music since Bob Marley's death in 1981. Greg Stephens lives in Austin, Texas, where he is a journalist and songwriter, Part of his fascination with reggae music stems from time spent in Southern Bible Belt churches in his youth. -Richard Nilsen THE HISTORY OF POPULAR MUSIC BEGINS with slavery. With the African diaspora, the rhythm of the earth was ripped apart and left to right itself where it could. Black rhythm filtered across the earth, infecting the West with a fever which is gradually taking over the host. The whole world is sneezing, and more and more of us are liking it. Who feels it knows it. As Michael Ventura described it in "Hear That Long Snake Moan" (WER #54 and #55), the Africans built their temples in their bodies with their rhythms. Like a Morse code of !he unconscious, African-derived music ,has a not-entirely-understood unifying force, a power I call the One. "Keep it on the One," musicians will say. A form of Unity. Nowhere have the magical properties of African music been more fully developed than in Jamaican reggae, as epitomized by the music of Bob Marley. Although we still tend to think of reggae as cult music, it has had an influence entirely disproportionate to the number of people who actually practice the Reggae Rasta beliefs (see glossary).
    [Show full text]
  • Strategies Used to Promote Reggae Music As Jamaica's Cultural Heritage
    Eastern Illinois University The Keep Faculty Research and Creative Activity Communication Studies January 2001 “No Problem, Mon”: Strategies Used to Promote Reggae Music as Jamaica’s Cultural Heritage Stephen A. King Eastern Illinois University, [email protected] P. Renee Foster Delta State University Follow this and additional works at: http://thekeep.eiu.edu/commstudies_fac Part of the Communication Commons, and the Music Commons Recommended Citation King, Stephen A. and Foster, P. Renee, "“No Problem, Mon”: Strategies Used to Promote Reggae Music as Jamaica’s Cultural Heritage" (2001). Faculty Research and Creative Activity. 10. http://thekeep.eiu.edu/commstudies_fac/10 This Article is brought to you for free and open access by the Communication Studies at The Keep. It has been accepted for inclusion in Faculty Research and Creative Activity by an authorized administrator of The Keep. For more information, please contact [email protected]. “No Problem, Mon”: Strategies Used to Promote Reggae Music as Jamaica’s Cultural Heritage Stephen A. King & P. Renee Foster ABSTRACT. This paper examines efforts by the Jamaican government and its surrogates to control the Rastafarian movement and reggae music. Since the 1970s, the Jamaican establishment has employed an adjustment tactic, co-optation, to transform reggae music and Rastafari into a cultural attraction. In recent years, however, Rastafarian images and reggae have become increasingly important in the promotion of Jamaica’s tourist industry. The Jamaican government and its supporters have marketed the Rastafarian movement and reggae music as part of Jamaica’s “cultural heritage.” As a result, the Rastafarian movement has declined as a political and social force in Jamaica.
    [Show full text]
  • August 3-6 in Jamaica
    30 ❤ Reggae Sunsplash August 3-6 is back! in Jamaica Reggae Festival Guide 2006 In 1978, four friends came together and started what was others still clamoring eventually to become the most recognized brand of live reggae to be included. music concerts in the world, Reggae Sunsplash. In keeping with Some say Reggae Sunsplash was the best assembly of live the integrity of its repu- reggae music ever. Some would say it was the essence of reggae tation, four nights of music and a free spirit pervaded every concert, no matter where in music will showcase the world it was staged. Some have been amazed that this music, the full range of the from such humble beginnings, could be so revered the world over. reggae music genre Whatever the description, the common thread running through with Dancehall, World- www.reggaesunsplashja.com it all, was that it always had a great vibe. It is that vibe that led beat, International many people to badging Sunsplash as the “Woodstock” of all and Singers nights. Some of the hottest artists such as Beenie Man, reggae shows – a true compliment. Now after a nine-year hiatus, Elephant Man, Bounty Killer and Wayne Marshall will perform. the team at Reggae Sunsplash is committed to bringing back the The lionized festival will also showcase some of the greats of biggest and best true reggae show on earth! the genre including Freddie McGregor, Morgan Heritage, Diana Reggae Sunsplash is scheduled to take place August 3-6, 2006. King and Gregory Issacs. Major international superstars will also With an explosive lineup, a new and magnificent location and include Luciano, Steel Pulse, UB40 and Maxi Priest.
    [Show full text]
  • Artsandentertainment Ndergraduate Xhibit
    ARTSANDENTERTAINMENT , r /- 'iV ¡1 , ■ 4SWI§i I ■ _ _ _ I iss " " » V i ■ ■ ■ ■ I NDERGRADUATE XHIBIT by laurie I. mccullough arts and entertainment editor The diversity of strengths the deftness of the student the perceptional view. The pieces which jut to one side exhibit, are witty, bright and and weaknesses permeates imagination and ability to natural quality of the in a symbolically violent provoking. Installations the Annual Undergraduate grasp the significance of the materials works with the movement. often present difficulties Exhibition, but the year-end representational object. involvement of the viewer, Though the smaller pieces because of the variety and show is filled with an Jennifer P ark e r’s wool who is meant to sit in the are greatly unfulfilling, the freedom of materials the abundance of talented and covered and pebbled chair, and the bizarre larger three-dimensional medium affords and often exciting works that ensure a outlined chair Instead of the emotional entrapment of the works show the same ap­ they are shrouded in a the preeminence of talented Avocado Orchard is topped headpiece. Taylor Stamper’s titude of invention that the lack of definition that this artists at UCSB. The with a wooden cage-like Old Chair in Wind is one of chair studies do. The in­ very liberation gives. But displayed works at the on- helmet designed with the few works of this exhibit stallations, so-called these students maintain a campus University Art changeable screens to cover with rough uncut wood that because they are built into a coherency and response Musuem are chosen by the the sitter’s face and change fulfills the use of the broken particular space of an within their work.
    [Show full text]
  • King of the Dancehall Beenie Man Free Download
    king of the dancehall beenie man free download Beenie Man - Dancehall: Beenie Man (2018) Artist : Beenie Man Title : Dancehall: Beenie Man Year Of Release : 2018 Label : PMI Jet Star Genre : Reggae, Dancehall Quality : Mp3 320 kbps / FLAC (tracks) Total Time : 88:04 min Total Size : 202 / 566 MB WebSite : Album Preview. 01. Girls I See 02. Wicked Slam 03. Missing You 04. Old Dog 05. Music a De Beat 06. Clash Oonu Want 07. Who You Wanna Dis 08. Cross the Bridge 09. Storm (On & on) 10. Got to Be There 11. Never See 12. Monster Look 13. Ganja Anthem 14. Steve Biko 15. Dancehall: Beenie Man - Continuous Mix. One of Jamaica's biggest exports, Beenie Man's recording career stretches back to 1981, although it was in the sound systems where he later made his mark. The witty toaster began his true ascent to stardom in the early '90s, and by 1994, his reputation couldn't be beat. Beenie Man was born Moses Davis in the tough Waterhouse district of Kingston, Jamaica, on August 22, 1973. By the time he was ready for school, the toddler had already decided on a career as a DJ. He wasn't the first tot with dreams of the limelight, but Beenie actually had a true gift for gab. His shot at stardom came when he was only eight, when he took first prize at the national Teeny Talent contest. This led to a meeting with producer Junjo Lawes, who recorded the diminutive DJ's debut single, "Too Fancy." Bunny Lee then took the boy under his wing and put him to work at his Unlimited sound system.
    [Show full text]
  • 37Th Annual Summer Arts & Music Festival
    Happy Reggae! After many rivers crossed, we at the Mateel French’s Camp property in Jack’s honor (and with But while music often gets the focus, it is Community Center give great thanks in welcoming all permitting hurdles behind us), things have truly ultimately the experience that matters most. you to the 29th annual Reggae On The River! come full circle, the way it was intended. And we, When diverse people come together to share in turn, are ready once again to step it up, and to in a weekend of incredible vibes, the magic of Bringing it home to French’s Camp, a venue that has do it in a way that honors our past and improves it community happens, and this is what keeps served as the festival’s spiritual nexus since 1984, for the future- a mantra we call “back to the future.” people coming back to Reggae On The River. when Jack Arthur (our local version of Woodstock’s The experience is heightened when you know Max Yasgur) first took a risk and offered his land Similarly represented in our approach to artist your patronage is also supporting a variety of for this now-famous fundraiser. Initially presented scheduling, we shine light from the roots to the fruits important non-profit organizations working as a benefit to rebuild the community center after with foundational groups like The Meditations, who hard to make our world a better place. an arsonist’s fire burned its original Fireman’s played the very first ROTR, to Chronixx and Kabaka Hall location, throughout the years Reggae On Pyramid, two of the hottest artists in Jamaica for And this is why we do it- to sustain ourselves, to The River has continued to serve as the primary their first-ever Cali performance.
    [Show full text]
  • Jamaican Canadian Music in Toronto in the 1970S and 1980S
    Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History by Keith McCuaig A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario May 18th, 2012 ©2012 Keith McCuaig Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91556-1 Our file Notre reference ISBN: 978-0-494-91556-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • United Reggae Magazine #7
    MAGAZINE #19 - May 2012 Christopher Ellis Peter Hunnigale I-WAYNE HOLLIE COOK PRINCE FATTY HORSEMAN HARD BREAKA JESSE ROYAL BROTHER CULTURE TARRUS RILEY DEAN FRASER ROOTZ UNDERGROUND MARLEY MOVIE PREMIERE Sly Dunbar “When I see the red light I go for it. I take chances” EDITORIAL by Erik Magni SUMMARY 1/ NEWS 88 2/ INTERVIEWS • Hollie Cook, Prince Fatty and Horseman at St Pancras Station 14 • Christopher Ellis 18 • Jesse Royal 24 • Peter Hunnigale 26 I-Wayne Reveals his Top • Hard Breaka 34 Tunes • Sly Dunbar 38 • Brother Culture 54 90 3/ REVIEWS 102 The children are coming 108 • Skarra Mucci - Return Of The Raggamuffin 60 It must be hard growing up with a world-renowned mother or father. Being in the • The Dualers - Prince Buster Shakedown 61 • Listen to the Music: Caltone’s Jamaican 45’s 1966-69 62 spotlight from an early age and when reaching adulthood you’re predestined the • Cool Runnings 63 same career path. Kind of like the royal families around the world. • Nazarenes - Meditation 64 • Lloyd de Meza - Back To Eden 65 Bankie Banx and The Dune The nearest you come royalty in reggae is the Marley’s. Several of Bob and Rita’s • Marley Movie 66 Preserve... Just CooL! children – along with kids from Bob’s affairs – started early in the music business • Prince Fatty Presents Hollie Cook in Dub 68 and have had successful careers, especially Damian, Ziggy and Stephen. • Romain Virgo - The System 69 • Rootstep by Zacharri and Roommate 70 There are however several kids of famous reggae singers that have came forward • Anthony B - Freedom Fighter 71 in recent years.
    [Show full text]
  • Jamaican Migrant and Canadian Host in Toronto's Transnational Re
    King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation.
    [Show full text]
  • Web Paramount Historical Calendar 6-12-2016.Xlsx
    Paramount Historical Calendar Last Update 612-2016 Paramount Historical Calendar 1928 - Present Performance Genre Event Title Performance Performan Start Date ce End Date Instrumental - Group Selections from Faust 3/1/1928 3/7/1928 Movie Memories 3/1/1928 3/7/1928 Movie News of the Day 3/1/1928 3/7/1928 Instrumental - Group Organs We Have Played 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Dance Accent & Jenesko 3/1/1928 3/7/1928 Dance Felicia Sorel Girls 3/1/1928 3/7/1928 Vocal - Group The Royal Quartette 3/1/1928 3/7/1928 Comedian Over the Laughter Hurdles 3/1/1928 3/7/1928 Vocal - Group The Merry Widow Ensemble 3/1/1928 3/7/1928 Movie Feel My Pulse 3/1/1928 3/7/1928 Instrumental - Individual Don & Ron at the grand organ 3/1/1928 3/7/1928 Movie The Big City 3/8/1928 3/14/1928 Instrumental - Individual Don & Ron at the grand organ 3/8/1928 3/14/1928 Variety Highlights 3/8/1928 3/14/1928 Comedian A Comedy Highlight 3/8/1928 3/14/1928 Vocal - Individual An Operatic Highllight 3/8/1928 3/14/1928 Variety Novelty (The Living Marionette) 3/8/1928 3/14/1928 Dance Syncopated 3/8/1928 3/14/1928 Dance Slow Motion 3/8/1928 3/14/1928 Dance Millitary Gun Drill 3/8/1928 3/14/1928 Comedian Traffic 3/8/1928 3/14/1928 Instrumental - Group novelty arrangement 3/8/1928 3/14/1928 Comedian Highlights 3/8/1928 3/14/1928 Movie West Point 3/15/1928 3/21/1928 Instrumental - Individual Don & Ron at the grand organ 3/15/1928 3/21/1928 Variety
    [Show full text]
  • This Is a Proof
    reggaeXclusive -- Web Site: www.reggaexclusive.com --- Phone: 416-287-1335 -- Email: [email protected] Pg - 3 reggaeXclusive -- Web Site: www.reggaexclusive.com --- Phone: 416-287-1335 -- Email: [email protected] Pg - 3 What’s Inside ReggaeXclusive’s 18th Issue pg 4 Artist Spotlight - Prince Everald Launches New CD pg 5 JuLion’s Views - Willi Williams - The Man, The Gorgon, The Icon; Luciano; Pop-Up: KoreXion pg 6 Rastafest 2007; I & I Promotions Presents; Calgary Reggaefest 2007; Montreal Int’l. Reggae Festival 2007; Jamaica Day 2007; Interviews to be cont’d. in Sept. 07 issue Publisher: Contributing Writers: pg 7 Canadian Foundation For Child Development; reggaeXclusive Stephanie Aleung ReggaeXclusive Condolences; Ras Iyahkayah Publications pg 7 Top Reggae DVD Picks - 416-287-1335 Layout & Design: pg 10 ReggaeX Reviews: Capleton Blazed The Docks, Collie Buddz All rights reserved. Paul Murton from Promote The Herbs; Rockaz Rejoice During Royal Visit No part of this publication pg 11 Interview with Sanchez; New Voice of Reggae: Param may be reproduced or transmitted dbsduplication.com pg 12 Band/Group Spotlight: Black Uhuru feat. Michael Rose; Third in any form without prior permission from the Publisher. Photographers: World; Kymani Marley; Dean Fraser (c) 2007 reggaeXclusive pg 13 Artist Watch: Balvin Banton; Ernie Smith. Glen Ricks Sandi Destonis pg 16 Barrington Levy To Perform FREE Concert @ Harbourfront Publisher: Lisa Connors Centre August 5th; Tony Rebel; Queen Ifrica ReggaeXclusive Publishing Halina T. Di-Lallo pg 17 Errol Blackwood; Richie Stephens; Tanya Mullings; Causion Iyah Roots pg 18 Kay Morris Wins Special Award; Nana McLean Wins “Top Editor: Gospel Album” Award in New York City; Lyric DVD Magazine Loraine Gomes Send Photo and ads to: forms Lyric Music Group; Pop-ups: Steele; Sister Carol [email protected] ( 300 lines Tiff, Jpg no “gif” or pg 19 Levi Myaz; Michael Thompson; Tinga Stewart; Mikey General Marketing & Sales: Corel Draw).
    [Show full text]