HINO PENDAR Throughout the Music Industry
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Leroy Sibbles Love Won't Come Easy / Keep on Knocking Mp3, Flac, Wma
Leroy Sibbles Love Won't Come Easy / Keep On Knocking mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Love Won't Come Easy / Keep On Knocking Country: UK Released: 1987 Style: Roots Reggae MP3 version RAR size: 1204 mb FLAC version RAR size: 1395 mb WMA version RAR size: 1529 mb Rating: 4.3 Votes: 540 Other Formats: MP3 DTS AC3 ASF AA VOX WAV Tracklist A –Leroy Sibbles Love Won't Come Easy B –Jacob Miller Keep On Knocking Notes Comes in a Greensleeves Disco sleeve Other versions Category Artist Title (Format) Label Category Country Year Leroy Heptones* / Leroy Jachob Miller* - Love Rockers none Heptones* / none Jamaica 1979 Won't Come Easy / Keep International Jachob Miller* On Knocking (12") The Heptones / Pablo All The Heptones / Stars / Jacob Miller / Pablo All Stars / Rockers All Stars - Love Greensleeves GRED 22 Jacob Miller / Won't Come Easy / GRED 22 UK 1979 Records Rockers All Rockers Dub / Keep On Stars Knocking / Original Rockers (12") Leroy Heptones* / Leroy Jachob Miller* - Love dsr8223 Heptones* / Message dsr8223 Jamaica 1988 Won't Come Easy / Keep Jachob Miller* On Knocking (12") Love Won't Come Easy / Rockers none Jacob Miller none Jamaica Unknown Keep On Knocking (12") International Related Music albums to Love Won't Come Easy / Keep On Knocking by Leroy Sibbles 1. Augustus Pablo - Rockers International 2. Jacob Miller, Joe Gibbs & The Professionals - Back Yard Movement 3. Jacob Miller - Tenement Yard 4. The Heptones - Sweet Talking / Sweet Dubbing 5. Stranger Cole / Leroy Sibbles / Bullwackies All Stars - The Time is Now / Revolution / Take Time 6. Jacob Miller / The Heptones - Tenement Yard / Book Of Rules 7. -
Bass Culture
Bass Culture Traduit de l’anglais par , e Bass Culture When reggae was king Photographie de couverture : King Tubby. Photographie de quatrième de couverture : Mikey Dread. © .. pour les illustrations. © Lloyd Bradley, . © Éditions Allia, Paris, , , pour la traduction française. Pour Diana, Georges et Elissa. “Les gens pour lesquels le reggae a été inventé ne l ’ont jamais décomposé en styles distincts. Non. C ’est une musique qui vient de l ’esclavage, en passant par le colo nialisme, donc c ’est bien plus qu ’un simple style. Venant par la route de la patate ou la route des bananes ou les flancs des collines, les gens chantent. Pour se débar - rasser de leurs frustrations et élever leur esprit, les gens chan tent. C’était aussi une forme de distraction pendant les week-ends, que ce soit à l ’église ou à une “neuf nuits ” , ou simplement devant . Une veillée caribéenne se pro longe ta maison, tu allais te mettre à chanter. Tu chantes en taillant ta traditionnellement pen dant neuf nuits. (Toutes les notes sont du traducteur.) haie, tu chantes en bêchant ton jardin. La musique est une vibra- tion. C ’est un mode de vie. Il faut bien comprendre que ce n ’est pas seulement cette musique que l ’on joue : c ’est un peuple … une culture … une attitude, un mode de vie qui émane d ’un peuple. ” Bass Culture : quand le reggae était roi a été une véritable aventure. Elle m’a emmené en Jamaïque, à New York, à Miami, dans certains quartiers de Londres dont j’avais oublié l’existence, et dans les recoins les plus profonds de ma collection de disques. -
Jamaica Tourist Everything You Need to Know for the Perfect Vacation Experience
JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT VACATION EXPERIENCE ISSUE 17 - SPRING 2011 IN THIS ISSUE FIRST CLASS MUSIC FESTIVALS BAREFOOT LUXURY AT GOLDENEYE ISLAND ADVENTURES THE PALMYRA RESORT & SPA LAUNCHES PRIVATE RESIDENCE CLUB INTERNATIONAL STARS PERFORM FOR CHARITY EXERCISE: THE PATH TO A BEAUTIFUL BODY PURE, ORGANIC MARLEY COFFEE A DIFFERENT CLUBBING EXPERIENCE SEVEN NIGHTS A WEEK LUXURY SHOPPING RESTAURANTS & DINING SPOTS OWN A TROPICAL HOME AT THE PALMYRA Look for the FREE GEMSTONE offer in the luxury shopping section! YOUR FREE SEE ISLAND MAP INSIDE ISSUE FIRST CLASS MUSIC FESTIVALS hat began with the Reggae Sunsplash festival back in 1978 has evolved to establish Jamaica as the main Caribbean island for open-air reggae festivals, celebrating the captivating rhythms and the Rastafari vibe. Music lovers mark their calendars in advance to travel to attend one of the many annual Wfestivals on “The Rock” featuring reggae, jazz, blues, pop and rock music. Once you have experienced Sumfest, Jamaica Jazz & Blues Festival or one of the many other music festivals, you will discover that it is not only about great music, but about the special vibe that spreads throughout the venues where locals and visitors mingle, socialize and have a good time. Fans of dancehall music flock to the annual a major part of today’s festivals, bringing the standards of performances to a world ‘Sting’ festival in December, and serious renowned level. However, despite being much more commercialized, the magic of reggae and Rastafari followers don’t miss the the festivals has not changed much and determined festival goers faithfully flock to yearly Rebel Salute every January. -
Fashion Dread Rasta - Jamaican Music Since Bob Marley's Death; Includes Glossary of Reggae Terms
Fashion dread Rasta - Jamaican music since Bob Marley's death; includes glossary of reggae terms Gregory Stephens It is amazing that a religious sect on a small Caribbean island could produce a style of Pop music that has had toes tapping around the world. A lot has happened to Jamaican music since Bob Marley's death in 1981. Greg Stephens lives in Austin, Texas, where he is a journalist and songwriter, Part of his fascination with reggae music stems from time spent in Southern Bible Belt churches in his youth. -Richard Nilsen THE HISTORY OF POPULAR MUSIC BEGINS with slavery. With the African diaspora, the rhythm of the earth was ripped apart and left to right itself where it could. Black rhythm filtered across the earth, infecting the West with a fever which is gradually taking over the host. The whole world is sneezing, and more and more of us are liking it. Who feels it knows it. As Michael Ventura described it in "Hear That Long Snake Moan" (WER #54 and #55), the Africans built their temples in their bodies with their rhythms. Like a Morse code of !he unconscious, African-derived music ,has a not-entirely-understood unifying force, a power I call the One. "Keep it on the One," musicians will say. A form of Unity. Nowhere have the magical properties of African music been more fully developed than in Jamaican reggae, as epitomized by the music of Bob Marley. Although we still tend to think of reggae as cult music, it has had an influence entirely disproportionate to the number of people who actually practice the Reggae Rasta beliefs (see glossary). -
Strategies Used to Promote Reggae Music As Jamaica's Cultural Heritage
Eastern Illinois University The Keep Faculty Research and Creative Activity Communication Studies January 2001 “No Problem, Mon”: Strategies Used to Promote Reggae Music as Jamaica’s Cultural Heritage Stephen A. King Eastern Illinois University, [email protected] P. Renee Foster Delta State University Follow this and additional works at: http://thekeep.eiu.edu/commstudies_fac Part of the Communication Commons, and the Music Commons Recommended Citation King, Stephen A. and Foster, P. Renee, "“No Problem, Mon”: Strategies Used to Promote Reggae Music as Jamaica’s Cultural Heritage" (2001). Faculty Research and Creative Activity. 10. http://thekeep.eiu.edu/commstudies_fac/10 This Article is brought to you for free and open access by the Communication Studies at The Keep. It has been accepted for inclusion in Faculty Research and Creative Activity by an authorized administrator of The Keep. For more information, please contact [email protected]. “No Problem, Mon”: Strategies Used to Promote Reggae Music as Jamaica’s Cultural Heritage Stephen A. King & P. Renee Foster ABSTRACT. This paper examines efforts by the Jamaican government and its surrogates to control the Rastafarian movement and reggae music. Since the 1970s, the Jamaican establishment has employed an adjustment tactic, co-optation, to transform reggae music and Rastafari into a cultural attraction. In recent years, however, Rastafarian images and reggae have become increasingly important in the promotion of Jamaica’s tourist industry. The Jamaican government and its supporters have marketed the Rastafarian movement and reggae music as part of Jamaica’s “cultural heritage.” As a result, the Rastafarian movement has declined as a political and social force in Jamaica. -
Yellowman Live at Reggae Sunsplash Mp3, Flac, Wma
Yellowman Live At Reggae Sunsplash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Live At Reggae Sunsplash Country: UK Released: 1983 Style: Dancehall, Ragga MP3 version RAR size: 1932 mb FLAC version RAR size: 1984 mb WMA version RAR size: 1582 mb Rating: 4.2 Votes: 165 Other Formats: XM APE AUD WMA DMF AIFF MP2 Tracklist M.C. Introduction 1:42 A1 Yah Yah Made Us For A Purpose 2:00 A2 Raggae Sunsplash / Herb Man Special (Medley) 3:20 A3 Jamaica Proud Of Me / Me To Sexy (Medley) 2:45 A4 I Goin' To Laugh Off Of Them 1:50 Me Have To Much Woman / Talk Of The Town / Day-O / What A Pumpy A5 4:25 Bubble 'Pon Me Fronty (Medley) A6 Soldiers Take Over / No More Army Life (Medley) 2:50 B1 Gunman / Gunman Connection (Medley) 3:50 B2 Love Letter 2:40 B3 Mr. Chin / Mr. Wrong (Medley) 3:45 B4 Get Me To The Family Court On Time (I'm Getting Married) 2:44 B5 Sit Under You 3:33 Companies, etc. Pressed By – MPO Notes Made in France Other versions Category Artist Title (Format) Label Category Country Year Live At Reggae Sunsplash RS 8903 Yellowman RS 8903 US 1983 Sunsplash (LP, Album) Records Live At Reggae Sunsplash RS 8903 Yellowman RS 8903 US 1983 Sunsplash (CD, Album) Records Sunsplash RS-8903, RSC Live At Reggae Records, RS-8903, RSC Yellowman US 1983 8903 Sunsplash (Cass) Sunsplash 8903 Records Live At Reggae Sunsplash RS 8903 Yellowman RS 8903 Jamaica 1984 Sunsplash (LP, Album) Records Live At Reggae NETCD 8903 Yellowman Munich Records NETCD 8903 Europe 1992 Sunsplash (CD, Album) Related Music albums to Live At Reggae Sunsplash by Yellowman Tyrone Evans, Johnny Clarke, Tad Iwah - Reggae Medley Songs Various - Reggae Sunsplash - Dance Hall '89 Yellowman - Duppy Or Gunman DJ Panik - Fashion Victim / Sunsplash Various - Best Of Reggae Sunsplash - Part 2 Various - Reggae Sunsplash Dancehall '89 Lime / Various - A Man And A Woman / Mastermind Medley R. -
Communiqu De Presse
Contact média seulement : Marie-Ève Villeneuve Directrice, Communications corporatives Téléphone : 514-759-2556 Cellulaire : 514-466-1713 COMMUNIQUÉ DE PRESSE Pour diffusion immédiate Le documentaire Rocksteady : The Roots of Reggae maintenant disponible sur illico sur demande et Indigo Montréal, le 6 juillet 2009 - Vidéotron est heureuse d’offrir à tous les mélomanes la possibilité de voir le documentaire acclamé par la critique Rocksteady : The Roots of Reggae sur illico sur demande et Indigo dès demain. Présenté en grande première mondiale au Musée d'art contemporain du 4 au 12 juillet prochain dans le cadre du Festival International de Jazz de Montréal (FIJM), le film retrace l’histoire des pionniers du rocksteady, ancêtre du reggae. Le documentaire musical met en vedette les plus grands noms de ce genre musical qui a pris naissance il y a plus de 40 ans, comme Judy Mowatt, Marcia Griffiths ainsi que Dawn Penn, Hopeton Lewis, Stranger Cole, Derrick Morgan, Ken Boothe, Leroy Sibbles et U-Roy. Parmi les musiciens, il y a Ernest Ranglin, Sly Dunbar, Jackie Jackson, Gladstone Anderson, Hux Brown et Scully Simms. On retrouve également Rita Marley qui, avec Judy Mowatt et Marcia Griffiths formaient les I-Threes, choristes pour Bob Marley. Tous ces artistes vous feront voyager dans le temps avec les incontournables succès Rivers of Babylon, The Tide Is High, Stop That Train et autres. Les derniers des grands chanteurs et musiciens de ce style de musique qui faisait fureur en Jamaïque avant l’arrivée du reggae, seront sur la scène General Motors du FIJM demain dès 21h00. Les clients illico télé numérique pourront ensuite suivre leur histoire à la maison en visionnant le documentaire sur illico sur demande. -
United Reggae Magazine #7
MAGAZINE #12 - October 2011 Queen Ifrica INTERVIEW FRANZ JOB SOLO BANTON DAWEH CONGO JOHNNY CLARKE JUNIOR MURVIN DON CORLEON, PRESSURE AND PROTOJE Sugar Minott - Dennis Brown - Peter Tosh - Tony Rebel J-Boog - Ce’Cile - Ruff Scott - I-Wayne - Yabass - Raging Fyah Bunny Lee and The Agrovators - Sly and Robbie - Junior Reid United Reggae Magazine #12 - October 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Don Corleon, Pressure and Protoje 16 • Solo Banton 18 • Johnny Clarke 23 • Daweh Congo 25 • Queen Ifrica 29 • Franz Job 32 • Junior Murvin 35 3/ REVIEWS • The Upsessions - Below The Belt 41 • J-Boog - Backyard Boogie 42 • CeCile - Jamaicanization 44 Discover new music • Ruff Scott - Roots And Culture 45 • I-Wayne - Life Teachings 46 In the heydays of music magazines in the 90’s and early 2000’s getting a complimentary • Yabass - Back A Yard Dub 47 music CD was a regular pleasure. I for one found several new artists and groups due to • Bunny Lee and The Agrovators - Dub Will Change Your Mind 48 this promotional tool. Since then the music and publishing businesses have radically • Raging Fyah - Judgement Day 49 changed. Consumers have taken their reading and listening habits online and this has • The Bristol Reggae Explosion 2: The 1980s 50 lead to a dramatic decrease in sold physical units. -
August 3-6 in Jamaica
30 ❤ Reggae Sunsplash August 3-6 is back! in Jamaica Reggae Festival Guide 2006 In 1978, four friends came together and started what was others still clamoring eventually to become the most recognized brand of live reggae to be included. music concerts in the world, Reggae Sunsplash. In keeping with Some say Reggae Sunsplash was the best assembly of live the integrity of its repu- reggae music ever. Some would say it was the essence of reggae tation, four nights of music and a free spirit pervaded every concert, no matter where in music will showcase the world it was staged. Some have been amazed that this music, the full range of the from such humble beginnings, could be so revered the world over. reggae music genre Whatever the description, the common thread running through with Dancehall, World- www.reggaesunsplashja.com it all, was that it always had a great vibe. It is that vibe that led beat, International many people to badging Sunsplash as the “Woodstock” of all and Singers nights. Some of the hottest artists such as Beenie Man, reggae shows – a true compliment. Now after a nine-year hiatus, Elephant Man, Bounty Killer and Wayne Marshall will perform. the team at Reggae Sunsplash is committed to bringing back the The lionized festival will also showcase some of the greats of biggest and best true reggae show on earth! the genre including Freddie McGregor, Morgan Heritage, Diana Reggae Sunsplash is scheduled to take place August 3-6, 2006. King and Gregory Issacs. Major international superstars will also With an explosive lineup, a new and magnificent location and include Luciano, Steel Pulse, UB40 and Maxi Priest. -
7Th Annual Hartford, CT Saturday, August 4Th 2012, 1:00Pm-11:00Pm
7th Annual Hartford, CT Saturday, frontAugust 4 th cover2012, 1:00pm-11:00pm SUPPORTS TASTE OF THE CARIBBEAN AND JERK FESTIVAL School & Community-Based Programs • Summer and After School Programs • Workforce Development • Faith and Civic Partnerships • Organized Sports • Higher Education Partnerships: Capital Community College, UCONN School of Social Work, and Springfield College LEGEND SPRINTER PAYS TRIBUTE TO CELEBRATES THE ACHIEVEMENTS JAMAICA’S PAST OF JAMAICA AFTER AND FUTURE 50 YEARS OF SUCCESSES IN INDEPENDENCE WORLD SPORTS, AND THE MANY ESPECIALLY CONTRIBUTIONS TRACK & FIELD MADE BY OUR ATHLETICS. MANY NOTABLE COUNTRYMEN. HCTC SHALL CREATE A NON-VIOLENT AND DRUG FREE ENVIRONMENT THROUGH THE COORDINATION AND COLLABORATION OF SERVICES, PROMOTION OF EDUCATION, HEALTHY LIFESTYLES, AND PRACTICES AND BY THE FORMATION OF EFFECTIVE PARTNERSHIPS WITH KEY MEMBERS OF THE COMMUNITY. Andrew Woods, Executive Director IN HONOR OF JAMAICA’S 50TH ANNIVERSARY Phone: 860-724-1237 Hartford Communities That Care, Inc. Email: [email protected] 2550 Main Street 2 2 012 GRACE FOODS TASTE OF THE CARIBBEAN & JERK FESTIVAL 2 012 GRACE FOODS TASTE OF THE CARIBBEAN & JERK FESTIVAL 3 Website: www.hartfordctc.org Hartford CT 06120 www.facebook.com/gracefoods www.twitter.com/gracefoods www.gracefoods.com 2012 Members Special thanks is also extended to the Taste of the Caribbean & Jerk Festival’s Board of Executive Officers Directors, Committee members, vendors, Marcia Whittingham - President entertainers, the many volunteers, entertainers Leslie Perry - Executive Director and YOU the attendees; without whom this Melinda Debeatham - Vice-President would not be possible. We also recognize the Juliet Relph - Executive Secretary efforts of our partner, CAYASCO and our host Desrey Downer - Corr. -
Airwaves Dub
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO www.greenfuturesfestivals.org.uk/www.kingstongreenradio.org.uk + TuneInRadio Thurs - 9-11pm - Cornerstone feat. Baps and Nico aka Wiseman DESTINY RADIO 105.1FM www.ultracultureradio.com/www.destinyradio.uk Sat – 10-1am - Cornerstone Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – Destination feat. Ras Hugo and Jah Sticks. Strictly roots session. Tues – 7-10pm - One Drop Collective feat. Garvin Dan, D-Ninety and Laura Peachy Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM – Daddy Mark - Stevenage - sessions Mon – 10-midnight Sun – 9-midday. Strictly roots session. Editor's Dub Dear Reader After leafing through and seeing the lack of reggae coverage in the five music magazines I recently picked up in the Truck Shop on Cowley Road, re-emphasised for me, the need to produce one: a regular channel, for the celebration of Roots Reggae music. So here’s the first issue, of the first roots reggae magazine, for the Thames Valley region. It’s envisaged as a quarterly production, focusing on Oxfordshire, Buckinghamshire and Berkshire. As well as a channel for roots reggae music, I hope this publication will also be a source of knowledge for Black History – and a showcase for local and regional talents: the poets, artists, writers and budding journalists. Salutes go to Gary Constant, Helen Baillie, Dan I Cameron and John Green: for the early boost they gave this initiative - the Dub Visionaries! To the Oxford City Council Culture Fund, Name It Youth Project, Alex and Jules Dalitz, Nick Barber and Sasha East. -
Artsandentertainment Ndergraduate Xhibit
ARTSANDENTERTAINMENT , r /- 'iV ¡1 , ■ 4SWI§i I ■ _ _ _ I iss " " » V i ■ ■ ■ ■ I NDERGRADUATE XHIBIT by laurie I. mccullough arts and entertainment editor The diversity of strengths the deftness of the student the perceptional view. The pieces which jut to one side exhibit, are witty, bright and and weaknesses permeates imagination and ability to natural quality of the in a symbolically violent provoking. Installations the Annual Undergraduate grasp the significance of the materials works with the movement. often present difficulties Exhibition, but the year-end representational object. involvement of the viewer, Though the smaller pieces because of the variety and show is filled with an Jennifer P ark e r’s wool who is meant to sit in the are greatly unfulfilling, the freedom of materials the abundance of talented and covered and pebbled chair, and the bizarre larger three-dimensional medium affords and often exciting works that ensure a outlined chair Instead of the emotional entrapment of the works show the same ap they are shrouded in a the preeminence of talented Avocado Orchard is topped headpiece. Taylor Stamper’s titude of invention that the lack of definition that this artists at UCSB. The with a wooden cage-like Old Chair in Wind is one of chair studies do. The in very liberation gives. But displayed works at the on- helmet designed with the few works of this exhibit stallations, so-called these students maintain a campus University Art changeable screens to cover with rough uncut wood that because they are built into a coherency and response Musuem are chosen by the the sitter’s face and change fulfills the use of the broken particular space of an within their work.