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Curt Magazin N/F/E
curt Magazin N/F/E #158 - - - OKTOBER 2011 - - - WWW.CURT.DE Vorwort / curt #158 Ich löse vier Aspirin und zwei Alka-Seltzer in meiner Maß Bier auf, da mir das rechte Ohr pfeift. Eigendiagnose: Tinitus. Tinitus durch Ärger mit den curt-Schreiberlingen. Dabei war es von Anfang an klar: Die Besten sind eben auch immer Exzentriker. Dass mich das krank machen NEUERNEUERNEUERNEUER JOB JOBJOB JOB GEFÄLLIG? GEFÄLLIG?GEFÄLLIG? GEFÄLLIG? könnte und von einem Burn-out in den nächsten treiben würde, daran hatte ich nie gedacht. Und: Keine Besserung in Sicht. Dabei führen sie doch ein Leben in Saus und Braus hoch zehn, die curt-Recken. Denn natürlich ist es nicht unangenehm, in Cannes am richtigen Wochenende nur mit einem güldenen String bekleidet und mit einem Starlet im Arm von der Yacht herab ins Blitzlichtgewitter zu schreiten. Oder bei den MTV Awards lasziv von Gwen Stefanie begrapscht zu werden. Auch die richtige Party nach den Oscar-Verleihungen hat was, oder das Abhängen in Boxengassen. Und ebenfalls okay: die eine oder andere Filmpremiere oder Vernissage (Tach, Neo! Servus, Damien!). „Wie kann sich ein curt-Redakteur das alles leisten?“, wird sich ein Naivling jetzt fragen. Haha, Du ahnungsloser Narr! Du unwis- sender Konsument! Das kostet NISCHT! NULLINGER! Wir sind geladene Gäste im Schlaraffenland, so sieht's aus. Der Firmen-Porsche? Ein Geschenk! Der Akquise-Ferrari? Eine Spende. Der Verteiler-Hummer? Eine Leihgabe von einem Scheich, dessen Sohn wir mal zum Kopulieren NEUER JOB GEFÄLLIG? backstage gebracht haben bei der Comedy Lounge. Warum wir gerade alle in Louis Vuitton gekleidet sind? Eine Koop: Der curt-eigene Kaulquappenhund ist Model der aktuellen Kampagne. -
SS05 Naple Full Programme.Pdf
Across the globe the adaptation of Jamaican sound system culture has stimulated an innovative approach to sound technologies deployed to re-configure public spaces as sites for conviviality, celebration, resistance and different ways-of-knowing. In a world of digital social media, the shared, multi-sensory, social and embodied experience of the sound system session becomes ever more important and valuable. Sound System Outernational #5 – “Sounds in the City: Street Technology and Public Space” (4-5-6 April, 2019 - Naples, Italy) is designed as a multi-layered event hosted at Università degli Studi di Napoli L’Orientale with local social movement partners. Over three days and interacting with the city of Naples in its rich academic, social, political and musical dimensions, the event includes talks, roundtables, exhibitions and film screenings. It also features sound system dances hosting local and international performers in some of the city’s most iconic social spaces. The aim of the program is to provide the chance for foreign researchers to experience the local sound system scene in the grassroots venues that constitute this culture’s infrastructure in Naples. This aims to stimulate a fruitful exchange between the academic community and local practitioners, which has always been SSO’s main purpose. Sounds in the City will also provide the occasion for the SSO international research network meeting and the opportunity for a short-term research project on the Napoli sound system scene. Thursday, April 4th the warm-up session Thursday, April 4th “Warm Up Session” (16:30 to midnight) Venue: Palazzo Giusso, Università L’Orientale - Room 3.5 (Largo S. -
Downloaded from Brill.Com10/05/2021 07:53:15AM Via Free Access University of Chicago Press, 1998
Book Reviews -James Sidbury, Peter Linebaugh ,The many-headed Hydra: Sailors, slaves, commoners, and the hidden history of the revolutionary Atlantic. Boston: Beacon Press, 2000. 433 pp., Marcus Rediker (eds) -Ray A. Kea, Herbert S. Klein, The Atlantic slave trade. Cambridge, U.K.: Cambridge University Press, 1999. xxi + 234 pp. -Johannes Postma, P.C. Emmer, De Nederlandse slavenhandel 1500-1850. Amsterdam: De Arbeiderspers, 2000. 259 pp. -Karen Racine, Mimi Sheller, Democracy after slavery: Black publics and peasant radicalism in Haiti and Jamaica. Gainesville: University Press of Florida, 2001. xv + 224 pp. -Clarence V.H. Maxwell, Michael Craton ,Islanders in the stream: A history of the Bahamian people. Volume two: From the ending of slavery to the twenty-first century. Athens: University of Georgia Press, 1998. xv + 562 pp., Gail Saunders (eds) -César J. Ayala, Guillermo A. Baralt, Buena Vista: Life and work on a Puerto Rican hacienda, 1833-1904. Chapel Hill: University of North Carolina Press, 1999. xix + 183 pp. -Elizabeth Deloughrey, Thomas W. Krise, Caribbeana: An anthology of English literature of the West Indies 1657-1777. Chicago: University of Chicago Press, 1999. xii + 358 pp. -Vera M. Kutzinski, John Gilmore, The poetics of empire: A study of James Grainger's The Sugar Cane (1764). London: Athlone Press, 2000. x + 342 pp. -Sue N. Greene, Adele S. Newson ,Winds of change: The transforming voices of Caribbean women writers and scholars. New York: Peter Lang, 1998. viii + 237 pp., Linda Strong-Leek (eds) -Sue N. Greene, Mary Condé ,Caribbean women writers: Fiction in English. New York: St. Martin's Press, 1999. -
Logboek VOC Maart-April 2017
Logboek VOC maart – april 2017 11 juni: negende Cannabis Bevrijdingsdag in Amsterdam! Nu het grote Reguleren Seminar en de Tweede Ka- mer verkiezingen achter de rug zijn, richt het VOC zich de komende weken op ons jaarlijkse gratis pro- testival Cannabis Bevrijdingsdag. In dit Logboek de eerste namen van artiesten en sprekers. Agenda Maandelijkse openbare VOC vergadering Zie www.voc-nederland.org/agenda 11-12 april International Cannabis Business Conference, met o.a. Steve DeAn- gelo, Georg Wurth, Ed Rosenthal, Debby Goldsberry, Ngaio Bealum. Tickets vanaf $399. Maritim Ho- tel, Berlijn, Duitsland. 7 mei Global Marijuana March in ruim 200 steden wereldwijd. 11 juni Cannabis Bevrijdingsdag, Flevo- park, Amsterdam. Organisatie: stichting VOC. Gratis toegang. Het is een traditie geworden: Jesus Evil Mooon sinds 2015 verspreiden we de Highway Waarschijnlijk de jongste band die eerste posters en flyers voor Can- Geheel in het zwart gekleed brengt ooit op Cannabis Bevrijdingsdag nabis Bevrijdingsdag op Spanna- dit Rotterdamse collectief een heeft gestaan. Mooon komt uit bis, de grootste cannabisbeurs ter donkere cocktail van vooroorlogse Aarle-Rixtel en bestaat uit de broers wereld, in Barcelona. We vertrok- Western Swing, Outlaw en Hillbilly Tom en Gijs de Jong (bas en drums) ken dit jaar met een team van vijf Country, Bluegrass en een vleug en hun neef Timo van Lierop (zang, VOC’ers en twintig kilo drukwerk, rauwe Rockabilly. gitaar). Garage en blues, surf en met een dag extra om Cannabis psychedelica of zoals ze het zelf noe- Social Clubs te bezoeken. Het men: ‘Good Music’. weer was uitzonderlijk goed en de sfeer op de beurs zoals altijd uit- Heights stekend, met veel oude bekenden Meditation en heel veel cannabis. -
The Dub Issue 28 September 2018
1 2 Editorial Dub Cover photo – Natty HiFi (Garvin Dan & Leo B) at Elder Stubbs Festival 2018) Dear Reader, Welcome to issue 28 for the month of Zebulon. Festivals big and small this month – Leo B returned to Boomtown to record their 10th anniversary and interviewed the legendary Susan Cadogan. Meanwhile the Natty HiFi crew returned to the Elder Stubbs Festival, held at Rymers Lane Allotments in Oxford for the tenth year in a row and Dan-I reached Notting Hill Carnival once again. Tune in for reports from the One Love Festival next month. We finally interview one of our own writers this month, giving Steve Mosco his due respect as founder of the Jah Warrior sound and label, as well as the pioneering online reggaemusicstore. I also get to review my teenage heroes Fishbone who came on a brief tour to the UK, now busy supporting the revitalized Toots and the Maytals (who play in Oxford on Saturday 13th October at the O2) and George Clinton’s Parliament/Funkadelic on some of their US dates. We have a new column by the founder of The Dub, Natty Mark Samuels, who brings us African Herbsman, which this month gives us advice from the motherland about herbs for the treatment of asthma. We also have our regular Cornerstone and From The Roots Up columns. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Dour Festival
DOUR FESTIVAL GRASPOP / LES ARDENTES / VOX FEMINA MAGAZINE MUSICAL GRATUIT / ILLICO! 3 JUIN 2015 BREF! 4 CONCERTS & FESTIVALS 6 DOUR FESTIVAL 6 VOX FEMINA 10 ZIKOL 12 Y’A PAS L’FEU 14 DOUR FESTIVAL 6 LE FORUM FAIT SON FESTIVAL 15 FAITES DE LA CHANSON 16 GRASPOP FESTIVAL 18 MORIARTY 19 AIRE A LA FETE 20 EARTH WIND & FIRE 21 LES ARDENTES 22 THE HUMAN PLACE 23 MAIN SQUARE 24 WILD / ROCK EN STOCK 25 LENA DELUXE 26 FEAR FACTORY 27 CACTUS FESTIVAL 28 SJOCK 29 LES NUITS SECRETES 30 VOX FEMINA 10 REGGÆ GEEL 31 DRANOUTER 32 ALCATRAZ METAL 34 ESPERANZAH 35 FALL OF MESSIAH 36 LES ECLECTIQUES 37 IEPERFEST 38 GOHELLE FEST 40 RAISMESFEST 41 RETOUR EN PHOTOS 42 CD D’ICI 44 AGENDA 46 INDEX DES SALLES 61 FALL OF MESSIAH 36 Édité par MANICRAC SECRÉTAIRE DE RÉDACTION REDACTEURS Association loi 1901 Bertrand LANCIAUX Nico BIBS, Benjamin BUISINE, Guillaume Dépôt légal : à parution MISE EN PAGE CANTALOUP, Colonel CHABERT, Patrick Samuel SYLARD DALLONGEVILLE, Camille DEMARLE, SIEGE SOCIAL Maryse LALOUX, Bertrand LANCIAUX, 6 rue Wulverick 59160 LOMME PUBLICITÉ Steff LE CHIEN, Raphaël LOUVIAU, Sébas- Samuel SYLARD tien NOWICKI, Olivier PARENTY, Emma- DIRECTEUR DE LA PUBLICATION Tel : 06 62 71 47 38 nuel QUEVA, Romain RICHEZ, SCHNAPS, Samuel SYLARD [email protected] Mathy, Grégory SMETS, Sylvain STRI- [email protected] CANNE, Nicolas SWIERCZEK. IMPRIMERIE CORELIO, Bruxelles (B) RÉDACTION Photo couverture DOUR © Kmeron TEL : 06 62 71 47 38 DIFFUSION C*RED. Tirage : 20 000 exemplaires. [email protected] RÉDACTEUR EN CHEF Merci à Cyr et Benoit ainsi qu’à tous nos Prochain numéro Samedi 13 juin 2015 Charles KRO diffuseurs pour la diffusion en région. -
Black Prophet
Fomjam-Music Page 1 of 4 Black Prophet Black Prophet is an Afro - Reggae artist from Ghana and is among one of the first musicians who made conscious reggae from Ghana internationally known. His unique, harmonious reggae beat combined with a glamorous African cadence offers a very distinctive sound to his rhythm. This text will be replaced Repertoire: file://C:\FJ_WEB\Black_Prophet\Black_Prophet.htm 15.01.2013 Fomjam-Music Page 2 of 4 Reggae Biografie: In 2003, the singer and songwriter made his first tour to Europe, where he played on various festivals in the Netherlands and Belgium. In 2006 he released the Album ‘Legal Stranger’ which contains besides hits like ‘Mama Africa’ and ‘Tell me why’ the song ‘Doubting me’ which was nominated ‘Best reggae song of the year’ at the Ghana national Music Awards. In 2008 his third album “Prophecy” was published which was a compilation of powerful songs such as “No pain no gain”, “Give me back all the natural resources” or the hit tune “Hot and Cold” featuring the British – Ghanaian Rapper Sway. As his reputation further grew across continental Europe, Black Prophet has been constantly invited to play at various shows and festivals, such as the Oland Roots festival (Sweden), Rottodom Sunsplash Festival (Spain), Reggae Geel Festival (Belgium) or the Rastaplas Festival (Netherlands). In 2010 the gifted reggae artist won the Benelux – Final of the European Reggae Contest. During his latest European tour with the Jamaican Artist Turbulence in February 2012 the conscious reggae musician showcased his newest album “Tribulations” which offers a unique fusion of African and Jamaican Reggae elements with traditional African music and hip – hop beats. -
La Méthode Du Riddim : Esthétique, Pratique Et Propriété Dans Le Dancehall Jamaïcain the Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall
Volume ! La revue des musiques populaires 13 : 2 | 2017 Inna Jamaican Stylee La méthode du riddim : esthétique, pratique et propriété dans le dancehall jamaïcain The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall Peter Manuel et Wayne Marshall Traducteur : Alexandre Tanase Édition électronique URL : http://journals.openedition.org/volume/5288 DOI : 10.4000/volume.5288 ISSN : 1950-568X Éditeur Association Mélanie Seteun Édition imprimée Date de publication : 21 avril 2017 Pagination : 25-59 ISBN : 978-2-913169-42-5 ISSN : 1634-5495 Référence électronique Peter Manuel et Wayne Marshall, « La méthode du riddim : esthétique, pratique et propriété dans le dancehall jamaïcain », Volume ! [En ligne], 13 : 2 | 2017, mis en ligne le 21 avril 2020, consulté le 08 janvier 2021. URL : http://journals.openedition.org/volume/5288 ; DOI : https://doi.org/ERREUR PDO dans /localdata/www-bin/Core/Core/Db/Db.class.php L.34 : SQLSTATE[HY000] [2006] MySQL server has gone away L'auteur & les Éd. Mélanie Seteun 25 ument Doc La méthode du riddim : Esthétique, pratique et propriété dans le dancehall jamaïcain* par Peter Manuel (City University of New York) Wayne Marshall (Berklee College of Music / Harvard University) Traduit de l’anglais (États-Unis) par Alexandre Tanase Résumé : La scène et l’industrie du disque jamaï- Abstract: The Jamaican system of recording caines, des années 1950 jusqu’à nos jours, ont une and performance, from the 1950s to the present, manière bien particulière d’aborder les notions de constitutes a distinctive -
The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall1
Popular Music (2006) Volume 25/3. Copyright © 2006 Cambridge University Press, pp. 447–470 doi:10.1017/S0261143006000997 Printed in the United Kingdom The riddim method: aesthetics, practice, and ownership in Jamaican dancehall1 PETER MANUEL† and WAYNE MARSHALL‡ †127 Park Ave, Leonia, NJ 07605, USA ‡88 Holworthy Street, Cambridge, MA 02138, USA Abstract The Jamaican system of recording and performance, from the 1950s to the present, constitutes a distinctive approach to notions of composition, originality and ownership. Emerging from a tradition of live performance practice mediated by (and informing) sound recordings, the relative autonomy of riddims and voicings in the Jamaican system challenges conventional ideas about the integrity of a song and the degree to which international copyright law applies to local conceptions, as enshrined in decades of practice, of musical materials as public domain. With the spread of the ‘riddim method’ to the sites of Jamaican mass migration, as evidenced by similar approaches in hip hop, reggaeton, drum’n’bass and bhangra, reggae’s aesthetic system has found adherents among artists and audiences outside of Jamaica. This paper maps out, through historical description, ethnographic data, and musical analysis, the Jamaican system as a unique and increasingly influential approach to music-making in the digital age. The advent of commercial, mass-mediated popular music genres in the twentieth century has contributed to the spread, in many music cultures worldwide, of a certain conventional ‘mainstream’ form of song, comprising an original, autonomous and reproducible entity with a relatively unique integration of lyrics, melody and chordal accompaniment. In mainstream Western music culture, the thirty-two-bar AABA structure, perhaps repeated twice or thrice with some sort of variation, constituted a quintessential type of this conventional song form. -
Three the Hard Way Wilfred Limonious: in Fine Style Alex Bartsch: Covers Maxine Walters: Serious Things a Go Happen
HVW8 BERLIN — HVW8 Gallery Berlin in collaboration with One Love Books presents THREE THE HARD WAY WILFRED LIMONIOUS: IN FINE STYLE ALEX BARTSCH: COVERS MAXINE WALTERS: SERIOUS THINGS A GO HAPPEN Cover illustration from the LP Dance Hall Time by Various Artistes (Scar Face Music, 1986) In Fine Style: The Dancehall Art of Wilfred Limonious, is the first solo exhibition of work by prolific Jamaican illustrator Wilfred Limonious (1949–99) in Germany, and includes reproductions of work from the early 1970s through the mid-1990s, spanning three key phases in his career: his comic strips for the Jamaican newspapers, his illustrations for the publications of JAMAL (the Jamaican Movement for the Advancement of Literacy), and his distinctive artwork for the burgeoning dancehall scene coming out of 1980s Jamaica. The exhibition is curated by Al “Fingers” Newman and Christopher Bateman and is produced by One Love Books with the support of the Limonious Estate, to accompany their book, In Fine Style: The Dancehall Art of Wilfred Limonious, the first study into the artist’s life and work. London-based photographer Alex Bartsch makes his debut at HVW8 Gallery Berlin with photographs from his book, Covers: Retracing Reggae Record Sleeves in London, forthcoming on One Love Books. After researching various reggae LPs and twelve-inches from his record collection, Bartsch has re-photographed fifty sleeves in their original London locations, holding them up at arm’s-length so that they blend in with their surroundings, decades later. Presented in this way, the photographs document the transition of time, with the album cover serving as a window into the past, juxtaposed against today’s backdrop. -
Dancehall: Orígenes, Historia, Y Futuro, Hope Y Aponte
Dancehall: Orígenes, historia, y futuro, Hope Y Aponte Dancehall: Orígenes, historia, y futuro Donna P. Hope (Autor) y Jose Miguel Aponte (Traductor) Nota: Este artículo fue publicado originalmente en inglés – Hope, Donna P. “Dancehall: Origins, History, Future” en Groundings, Issue 26, July 2011, pp. 7-28. Esta traducción es un proyecto colaborativo de The Dancehall Archive and Research Initiative - [email protected] www.dancehallarchive.org 0 Dancehall: Orígenes, historia, y futuro, Hope Y Aponte Dancehall: Orígenes, historia, y futuro Donna P. Hope (Autor) y Jose Miguel Aponte (Traductor) Introducción. Este trabajo es una sinopsis de la cultura de la música dancehall, de donde viene, algunos de sus temáticas más importantes y como estas resuenan en la sociedad y cultura jamaicana. Dancehall es percibido por muchos como un fuerte ruido y un espacio molesto cargado de temas que son problemáticos. Para otros, es un lugar de muchos sonidos, canciones y temas que cuentan muchisimo acerca de la vida de los jamaiquinos de la clase trabajadora quienes están luchando para crear una imagen fantasiosa de ellos mismos que puedan articular y utilizar para proyectarse. Antecedentes tempranos del dancehall Dancehall es un componente de una trayectoria de culturas musicales en Jamaica que irrumpe en las primigenias actividades de toques de tambor y de pífano en las sociedades esclavas de las plantaciones, y luego toma prestado de todas las formas de musica jamaiquinas que precedieron su desarrollo incluyendo al mento, ska, bluebeat, dub, rocksteady y su antecedente primario, reggae. Los primeros sound systems jamaiquinos de los años 50's y 60's son un antecedente primario y directo de la cultura dancehall. -
Bunny Lion Red -Lp/Cd
BUNNY LION RED -LP/CD • Recently unearthed and available for the first time on vinyl! • Includes LP Insert with unreleased photos and interviews with Puddy Lion and LInval Thompson • First 300 copies pressed on red vinyl. Although his lack of touring kept him from being established as a major figure in overground reggae circles, Linval Thompson’s work as a singer, songwriter and producer is essential to Jamaican music. Between 1977 and 1979, he released five solo albums and produced countless artists on the side. Thompson acted as a mentor to many up-and-comers, including Junjo Lawes, Scientist, and Eek-A- Mouse. FM-003 As dancehall became more prominent in the late 1970s, Thompson began to offer up his rhythms to sound system deejays. The mysterious deejay LP, Bunny 01. Natty Rise and Shine Lion Red was originally released on London’s Starlight records in 1979. Little was 02. Jubilation written about the album at the time; however, we have uncovered that Bunny 03. Bunny Lion at the Control Lion is in fact the legendary Puddy Roots of Killamanjaro Soundsystem fame. 04. Go Rockers 05. Blackman Kingdom 06. Mont Zion Red features ten grooving Thompson Sound rhythms voiced by Puddy. This is 07. Rat Trap the earliest documented work of the criminally under-recorded Puddy Roots. It’s 08. Bubbling Dub also the perfect gateway record for anyone curious about dub, roots reggae, or 09. Ilie dancehall. 10. Heart and Soul RELEASE DATE: FEBRUARY 17th, 2015 GENRE: REGGAE / DUB/ DANCEHALL LP UPC: 817949010287 LP FORMAT: 12” LP + MP3s LP BOXLOT: 45 EXPORT: WORLD VINYL NON-RETURNABLE CD UPC: 817949010362 CD FORMAT: JEWEL CASE CD BOXLOT: 30 EXPORT: WORLD Omnian Music Group 195 Calyer St.