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SIMONE GODANO Qualunque Sia La Tua Idea Di Famiglia, Ne Avrai Sempre Bisogno
WARNER BROS. PICTURES PRESENTA UNA PRODUZIONE WARNER BROS. ENTERTAINMENT ITALIA PICOMEDIA E GROENLANDIA ALESSANDRO JASMINE FABRIZIO FILIPPO GASSMANN TRINCA BENTIVOGLIO SCICCHITANO Cf:3. e IZIO REGIA DI SIMONE GODANO Qualunque sia la tua idea di famiglia, ne avrai sempre bisogno. DAL28FEBBRAIO AL CINEMA IlCROCEEDELIZIAILFILM #CROCEEDELIZIA :i< PICOMEDIA ®GROENLANDIA ,��-c-.., o,... .. BmG ----WARNERBROS.l'ICTURliS�--� WARNER BROS. PICTURES presenta regia di SIMONE GODANO con ALESSANDRO GASSMANN, JASMINE TRINCA, FABRIZIO BENTIVOGLIO, FILIPPO SCICCHITANO, LUNETTA SAVINO con la partecipazione di ANNA GALIENA con ROSA DILETTA ROSSI, CLARA PONSOT una produzione WARNER BROS. ENTERTAINMENT ITALIA, PICOMEDIA e GROENLANDIA prodotto da MATTEO ROVERE e ROBERTO SESSA Data di uscita: 28 Febbraio 2019 Distribuito da Croce e Delizia CAST ARTISTICO ALESSANDRO GASSMANN CARLO JASMINE TRINCA PENELOPE FABRIZIO BENTIVOGLIO TONY FILIPPO SCICCHITANO SANDRO LUNETTA SAVINO IDA ANNA GALIENA GIULIETTA ROSA DILETTA ROSSI CAROLINA CLARA PONSOT OLIVIA GIANDOMENICO CUPAIUOLO GIANLUCONE Crediti non contrattuali 2 Croce e Delizia CAST TECNICO REGIA DI SIMONE GODANO SOGGETTO GIULIA STEIGERWALT SIMONE GODANO SCENEGGIATURA GIULIA STEIGERWALT AIUTO REGIA FABRIZIO PROCACCINI FOTOGRAFIA DANIELE CIPRÌ MONTAGGIO GIANNI VEZZOSI MUSICHE ANDREA FARRI SUONO ANGELO BONANNI SCENOGRAFIA TONINO ZERA COSTUMI MONICA GAETANI CASTING SARA CASANI (U.I.C.D) ORGANIZZATORE GENERALE PAOLO LUCARINI PRODOTTO DA MATTEO ROVERE ROBERTO SESSA UNA PRODUZIONE WARNER BROS.ENTERTAINMENT ITALIA PICOMEDIA GROENLANDIA DISTRIBUITO DA WARNER BROS. PICTURES ANNO 2019 DURATA 100’ Crediti non contrattuali 3 Croce e Delizia SINOSSI I Castelvecchio sono una famiglia di eccentrici, hanno una mentalità aperta, ma sono narcisisti e disuniti. I Petagna sono tutto l’opposto: gente molto affiatata, di estrazione sociale più umile, dai valori tradizionali ma conservatori. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
NAME E-Book 2012
THE HISTORY OF THE NAME National Association of Medical Examiners Past Presidents History eBook 2012 EDITION Published by the Past Presidents Committee on the Occasion of the 46th Annual Meeting at Baltimore, Maryland Preface to the 2012 NAME History eBook The Past Presidents Committee has been continuing its effort of compiling the NAME history for the occasion of the 2016 NAME Meeting’s 50th Golden Anniversa- ry Meeting. The Committee began collecting historical materials and now solicits the histories of individual NAME Members in the format of a guided autobiography, i.e. memoir. Seventeen past presidents have already contributed their memoirs, which were publish in a eBook in 2011. We continued the same guided autobiography format for compiling historical ma- terial, and now have additional memoirs to add also. This year, the book will be combined with the 2011 material, and some previous chapters have been updated. The project is now extended to all the NAME members, who wish to contribute their memoirs. The standard procedure is also to submit your portrait with your historical/ memoir material. Some of the memoirs are very short, and contains a minimum information, however the editorial team decided to include it in the 2012 edition, since it can be updated at any time. The 2012 edition Section I – Memoir Series Section II - ME History Series – individual medical examiner or state wide system history Presented in an alphabetic order of the name state Section III – Dedication Series - NAME member written material dedicating anoth- er member’s contributions and pioneer work, or newspaper articles on or dedicated to a NAME member Plan for 2013 edition The Committee is planning to solicit material for the chapters dedicated to specifi- cally designated subjects, such as Women in the NAME, Standard, Inspection and Accreditation Program. -
Una Famiglia Perfetta
Una Famiglia Perfetta Regia: Paolo Genovese Sceneggiatura: Paolo Genovese, Fernando León de Aranoa, Marco Alessi Interpreti: Sergio Castellitto: Leone Claudia Gerini: Carmen Carolina Crescentini: Sole Marco Giallini: Fortunato Ilaria Occhini: Rosa Eugenia Costantini: Luna Eugenio Franceschini: Pietro Francesca Neri: Alicia Distribuzione: Medusa Film Durata: 120’ Origine: Italia, 2012 Il regista – Paolo Genovese Nato a Roma nel 1966, è laureato in Economia e Commercio. Inizia a lavorare come pubblicitario presso la McCann Erickson Italiana realizzando pubblicità di successo. In questo settore ha diretto innumerevoli campagne vincendo premi nazionali e internazionali. Per la televisione, nel 2005, ha diretto la serie televisiva Nati Ieri, con Sebastiano Somma e Vittoria Belvedere; nel 2006 ha diretto con Luca Miniero Viaggio in Italia, esperimento di film "in pillole", trasmesso in 20 micro-puntate a Ballarò, su Raitre; infine nel 2008 ha curato la regia di Amiche mie, una miniserie con Margherita Buy, Elena Sofia Ricci, Luisa Ranieri e Cecilia Dazzi. Il sodalizio artistico con Luca Miniero continua anche in campo cinematografico dove, insieme, scrivono e dirigono i film Incantesimo Napoletano (2001), vincitore di un David di Donatello e due globi d'oro, Nessun messaggio in segreteria (2003) con Carlo Delle Piane, Pierfrancesco Favino e Valerio Mastandrea, e Questa notte è ancora nostra (2008) con Nicola Vaporidis. Dopodichè le loro strade si dividono e, mentre Luca Miniero dirige Benvenuti al Sud (2010), Benvenuti al Nord (2012) e Un boss in salotto (2013), Paolo Genovese dirige La banda dei babbi natale (2010) con Aldo, Giovanni e Giacomo, Immaturi (2011) e il sequel Immaturi - Il viaggio (2012), commedie con Raoul Bova, Ricky Memphis, Luca Bizzarri, Paolo Kessisoglu, Ambra Angiolini, Anita Caprioli e Luisa Ranieri. -
Interrogations and Confessions
CHAPTER 16 INTERROGATIONS AND CONFESSIONS Did the police constitutionally obtain the defendant’s confession to murder? Dr. Jeffrey Metzner, a psychiatrist employed by the state hospital, testified that respondent was suffering from chronic schizophrenia and was in a psychotic state at least as of August 17, 1983, the day before he confessed. Metzner’s interviewsdistribute with respondent revealed that respondent was following the “voice of God.” This voice instructed respondent to withdraw money from the bank, to buy an airplane ticket, and to fly from Boston to Denver. When respondent arrived from Boston, God’s voice became stronger and told respondent either to confess to the killing or to commit suicide. Reluctantly following the command of the voices, respondent approached Officeror [Patrick] Anderson and confessed. Dr. Metzner testified that, in his expert opinion, respondent was experiencing “command hallucinations.” This condition interfered with respondent’s “volitional abilities; that is, his ability to make free and rational choices.” (Colorado v. Connelly, 479 U.S. 157 [1986]) CHAPTER OUTLINE post, Introduction Case Analysis Due Process Chapter Summary The Right Against Self-Incrimination Chapter Review Questions Miranda v. Arizona copy, Legal Terminology Sixth Amendment Right to Counsel: Police Interrogations not DoTEST YOUR KNOWLEDGE 1. Do you know the role of confessions in the criminal investigation process, the potential challenges and problems presented by confessions, and the explanations for false confessions? 2. Are you able to discuss the protections provided by the Fifth Amendment right against self-incrimination and what is protected by the Fifth Amendment and what is not protected? 3. Can you explain how Miranda v. -
Won't Bow Don't Know
A NEW SERIES FROM THE CREATORS OF SM WON’T BOW DON’T KNOW HOW New Orleans, 2005 ONLINE GUIDE MAY 2010 SUNDAYS 10 PM/9C SATURDAYSATURDAY NIGHTSNIGHTS The prehistoric pals trade the permafrost for paradise in this third adventure in the Ice Age series. As Manny the Mammoth and his woolly wife prep for parenthood, Sid the Sloth decides to join his furry friend by fathering a trio of snatched eggs...which soon hatch into dinosaurs! It isn’t long before Mama T-Rex turns up looking for her tots and ends up leading the pack of glacial mates to a vibrant climate under the ice where dinos rule. “The best of the three films...” (Roger Ebert). Featuring the voices of Ray Romano, Screwball quantum paleontologist Will Ferrell and three companions time warp back John Leguizamo, Denis to the prehistoric age in this comical adventure based on the cult 1970s TV series. Leary, Josh Peck and Danny McBride, Anna Friel and Jorma Taccone star as Ferrell’s cohorts whose routine Queen Latifah. (MV) PG- expedition winds up leaving them in a primitive world of dinosaurs, cave-dwelling 1:34. HBO May 1,2,4,9,15, lizards, ape-like creatures and hungry mosquitoes. Directed by Brad Silberling; 19,23,27,31 C5EH written by Chris Henchy & Dennis McNicholas, based on Sid & Marty Krofft’s Land STARTS SATURDAY, of the Lost. (AC,AL,MV) PG13-1:42. HBO May 8,9,11,16,20,22,24,27,30 C5EH MAY 1 STARTS SATURDAY, MAY 8 A NEW MOVIE EVERY SATURDAY—GUARANTEED! SATURDAYSATURDAY NIGHTSNIGHTS One night in Vegas She was born to save proves to be more her sister’s life, but at than four guys arriving what cost to her own? for a bachelor party Cameron Diaz and can handle in this Abigail Breslin star in riotous Golden Globe®- this heart-pulling drama winning comedy. -
22 Innovation Cases
22 INNOVATION CASES in Micro, Small, Medium and Large-sized Enterprises 22 INNOVATION CASES in Micro, Small, Medium and Large-sized Enterprises CNI – National Confederation of Industry Brazil Robson Braga de Andrade President SESI – Social Service of Industry Robson Braga de Andrade Director SENAI – National Service of Industrial Training Rafael Esmeraldo Lucchesi Ramacciotti General-Director SEBRAE – Brazilian Micro and Small Business Support Service Guilherme Afif Domingos President 22 INNOVATION CASES in Micro, Small, Medium and Large-sized Enterprises Brasília 2017 © 2017. CNI – National Confederation of Industry. © 2017. SESI – Social Service of Industry. © 2017. SENAI – National Service of Industrial Training. © 2017. SEBRAE – Brazilian Micro and Small Business Support Service. Any part of this publication may be reproduced, provided the source is cited. CNI Innovation Board – DI SEBRAE Technical Board – DITEC CATALOGING IN PUBLICATION DATA C748i National Confederation of Industry. Innovate to add value. 22 innovation cases in micro, small, medium and large-sized enterprises / National Confederation of Industry, Social Service for Industry, National Service of Industrial Learning, Brazilian Service of Support to Micro and Small-Sized Enterprises. Brasília: CNI, 2017. 272p. : il. 1.Innovation. 2. Micro, small, medium, and large-sized enterprises. I. Title. CDU: 347.77 CNI SEBRAE National Confederation of Industry Brazilian Micro and Small Business Support Service Headquarters Setor Bancário Norte Headquarters Quadra 1 – Bloco C SGAS -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Italian Films (Updated April 2011)
Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni.