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Metaphors of Relative Elevation, Position and Ranking in Popol Vuh
METAPHORS OF RELATIVE ELEVATION, POSITION AND RANKING IN POPOL VUH Nathaniel TARN and Martin PRECHTEL Rutgers University This paper is an account of work very much in progress on the textual analysis of Popol V uh, and is one study among others (since this theme is attracting a number of students today) of inter-con nections and mutual illuminations between Popol Vuh and the con temporary ethnographic record in Highland Guatemala and Chiapas. For some considerable time now Popol Vuh has been considered as the major extant text of the Mesoamerican literary traditions, and as one of the most remarkable of all human creation stories, both for its beauty and for the complexity of its cosmological and mythical messages. While it may or may not have had a hieroglyphic original, the present alphabetic version of Po pol V uh wars written down some where between 1545 and 1558 by an anonymous member of the Cavek lineage of the Quiche Maya of Guatemala. This lineage had been a ruling house until it fell to the Spaniards in 1524. The manu script was copied by Francisco de Ximenez, a Spanish priest, some 150 years later. While there are references to Christianity in the text, these are few and it is generally regarded as one of the purest extant accounts of prehispanic Maya world-view. At the end of the hook, what we call mythical history shades into the historical history of the Quiche, so that the hook can serve as an illustration of the extent to which these two kinds of history are not held a,part by Maya generally. -
The Toltec Invasion and Chichen Itza
Other titles of interest published by Thames & Hudson include: Breaking the Maya Code Mexico: From the Olmecs to the Aztecs Angkor and the Khmer Civilization India: A Short History The Incas The Aztecs See our websites www.thamesandhudson.com www.thamesandhudsonusa.com 7 THE POSTCLASSIC By the close of the tenth century AD the destiny of the once proud and independent Maya had, at least in northern Yucatan, fallen into the hands of grim warriors from the highlands of central Mexico, where a new order of men had replaced the supposedly more intellectual rulers of Classic times. We know a good deal about the events that led to the conquest of Yucatan by these foreigners, and the subsequent replacement of their state by a resurgent but already decadent Maya culture, for we have entered into a kind of history, albeit far more shaky than that which was recorded on the monuments of the Classic Period. The traditional annals of the peoples of Yucatan, and also of the Guatemalan highlanders, transcribed into Spanish letters early in Colonial times, apparently reach back as far as the beginning of the Postclassic era and are very important sources. But such annals should be used with much caution, whether they come to us from Bishop Landa himself, from statements made by the native nobility, or from native lawsuits and land claims. These are often confused and often self-contradictory, not least because native lineages seem to have deliberately falsified their own histories for political reasons. Our richest (and most treacherous) sources are the K’atun Prophecies of Yucatan, contained in the “Books of Chilam Balam,” which derive their name from a Maya savant said to have predicted the arrival of the Spaniards from the east. -
Huehuetenango Y La Sierra De Los Cuchumatanes
LAS LECTURAS MÚltIPLES DE UNA FRONTERA: HUEHUETENANGO Y LA SIERRA DE LOS CUCHUMATANES Alejandro J. Garay Herrera Instituto de Investigaciones Históricas, Antropológicas y Arqueológicas Escuela de Historia, Universidad de San Carlos de Guatemala ¡Oh cielo de mi Patria! ¡Oh caros horizontes! ¡Oh ya dormidos montes la noche ya os cubrió!: adiós, oh mis amigos, dormid, dormid en calma, que las brumas en la alma, ¡ay, ay! las llevo yo . JUAN DIÉGUEZ OLAVERRI (1813-1866) Canto a los Cuchumatanes (fragmento) Resumen: En este artículo se pretende analizar la región de Huehuetenango en general, y la Sierra de los Cuchumatanes en particular, como una zona de múl- tiples transformaciones e identidades que se traslapan entre sí a lo largo del tiempo y el espacio . Al realizar diversas lecturas (históricas, culturales, lingüísti- cas) de esta región, se constata que el concepto de frontera se puede aplicar en diferentes formas y momentos a este espacio geográfico, y no solo en referen- cia a la moderna frontera política que marca los límites entre dos estados sobe- ranos, como son Guatemala y México . Palabras clave: Huehuetenango, Frontera, Cultura, Historia, Lingüística, Maya, Los Cuchumatanes . Abstract: In this article it is expected to show the Huehuetenango region, in gen- eral, and Los Cuchumatanes mountain range, in particular, as a zone of multiple transformations and identities that overlap between themselves, thru time and space . By making diverse «lectures» or «readings» (historical, cultural, linguistic) of this region it’s shown that the frontier concept can be applied in different forms and times to this geographical space, and do not only refers to the modern political frontier that marks the limits of two sovereign states, as Guatemala and Mexico . -
Resistencia E Identidades De Mujeres Mam En Oposición a La Mina Marlin En San Miguel Ixtahuacán, Guatemala
Resistencia e Identidades de mujeres Mam en oposición a la mina Marlin en San Miguel Ixtahuacán, Guatemala Nancy Isabella Sabas Gonzalez Universidad Nacional de Colombia Maestría en Estudios de Género, Escuela de Estudios de Género Bogotá, Colombia 2019 Resistencia e Identidades de mujeres Mam en oposición a la mina Marlin en San Miguel Ixtahuacán, Guatemala Nancy Isabella Sabas Gonzalez Tesis presentada como requisito parcial para optar al título de: Maestría en Estudios de Género Director (a): Ph.D., Astrid Ulloa Línea de Investigación: Globalización, Desigualdades Sociales y Políticas Públicas Universidad Nacional de Colombia Maestría en Estudios de Género, Escuela de Género Bogotá, Colombia 2019 La propiedad y el dinero […] son materialmente acaparaciones, desvitalizaciones de lo vivo, abstracciones de la muerte, en el sentido gaiatico de la muerte, porque se realiza matando la vida. […] Lo que la propiedad y la posesividad significan en realidad es lo contrario a lo que pretenden significar: la desposesión de la abundancia de la vida. Casilda Rodrigañez Agradecimientos En primer lugar, agradezco a mi madre, Nora González, por inspirarme para estudiar sobre las desigualdades que experimentan día a día las mujeres racializadas y empobrecidas en la sociedad. Así mismo, agradezco de manera especial a la Diócesis de San Marcos, Guatemala, por su admirable trabajo en San Miguel Ixtahuacán y por conectarme con esta comunidad para realizar esta investigación. También extiendo mi más profunda gratitud y admiración a todas las mujeres Mam que resisten a diario contra el extractivismo en sus comunidades, particularmente a Maudilia López por ofrecerme su amistad y aportar profundamente para esta tesis. Agradezco también a la Parroquia de San Miguel Ixtahuacán, por su contribución a esta investigación y por proveer un espacio para mi autocuidado y sanidad interior durante mi estadía allá. -
Research Note 10
Textdatenbank und Wörterbuch des Klassischen Maya Arbeitsstelle der Nordrhein-Westfälischen Akademie der Wissenschaften und der Künste an der Rheinischen Friedrich-Wilhelms-Universität Bonn ISSN 2366-5556 RESEARCH NOTE 10 Published 28 May 2018 DOI: 10.20376/IDIOM-23665556.18.rn010.en The Signs 740 and 812 for SIH “Gift”: Representation and Meaning in the Maya Codices Christian M. Prager1 1) Rheinische Friedrich-Wilhelms-Universität, Bonn In his sign catalog, Eric Thompson (1962:320–322) includes under sign no. 740 two graphs that are nearly identical. Their icon represents an upward-facing iguana head, but differ by a row of dots atop the mouth of one variant. The first variant of T740 lacking the dots represents the syllable hu1 (Figure 1a); the second grapheme with the row of dots (Figure 1b) is read as SIY, SIH, or SIJ, depending on its respective context (Houston 1997:292; Stuart 2005:78). All these respective linguistic readings of the logogram are plausible interpretations that will be discussed below in further detail. a b Figure 1. Grapheme (a) denotes the syllabic sign hu; and (b) represents the logogram SIH ‘bestow’ or ‘be born’, respectively (drawings by Christian Prager). Hieroglyphs meaning ‘birth’, including siyaj ‘be born’, sihyaj or sijyaj ‘be bestowed’ (represented by the grapheme T740), and pan kab or tal kab ‘touch the earth’ (T217:526) (MacLeod 1991:2–3; Stuart 2005:79) are, with over 100 attestations, among the most frequently used verbs in texts from the Classic period (Gronemeyer 2014:617–621), because of the large number of biographical reports about Maya rulers and members of their courts (Proskouriakoff 1960; Schele 1982). -
Arxiv:1601.03132V7 [Math.HO] 15 Nov 2018 [2]
Solution of the Mayan Calendar Enigma Thomas Chanier1∗ 1Independent researcher, 1025 12th avenue, Coralville, Iowa 52241, USA The Mayan calendar is proposed to derive from an arithmetical model of naked-eye astronomy. The Palenque and Copan lunar equations, used during the Maya Classic period (200 to 900 AD) are solution of the model and the results are expressed as a function of the Xultun numbers, four enigmatic Long Count numbers deciphered in the Maya ruins of Xultun, dating from the IX century AD, providing strong arguments in favor of the use of the model by the Maya. The different Mayan Calendar cycles can be derived from this model and the position of the Calendar Round at the mythical date of creation 13(0).0.0.0.0 4 Ahau 8 Cumku is calculated. This study shows the high proficiency of Mayan mathematics as applied to astronomy and timekeeping for divinatory purposes.a I. INTRODUCTION In the Calendar Round, a date is represented by αXβY with the religious month 1 ≤ α ≤ 13, X one of the 20 Mayan priests-astronomers were known for their astro- religious days, the civil day 0 ≤ β ≤ 19, and Y one of the nomical and mathematical proficiency, as demonstrated 18 civil months, 0 ≤ β ≤ 4 for the Uayeb. Fig. 1 shows a in the Dresden Codex, a XIV century AD bark-paper contemporary representation of the Calendar Round as book containing accurate astronomical almanacs aiming a set of three interlocking wheels: the Tzolk'in, formed to correlate ritual practices with astronomical observa- by a 13-month and a 20-day wheels and the Haab'. -
CRÓNICAS Mesoamericanas Tomo I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008
CRÓNICAS MESOAMEricanas TOMO I CRONICAS MESOAMERICANAS (TOMO I) © 2008 Universidad Mesoamericana ISBN: 978-99922-846-9-8 Primera Edición, 2008 Consejo Directivo: Félix Javier Serrano Ursúa, Jorge Rubén Calderón González, Claudia María Hernández de Dighero, Carlos Enrique Chian Rodríguez, Ana Cristina Estrada Quintero, Luis Roberto Villalobos Quesada, Emilio Enrique Conde Goicolea. Editor: Horacio Cabezas Carcache. Traducción de textos mayas-quichés: Marlini Son, Candelaria Dominga López Ixcoy, Robert Carmack, James L. Mondloch, Ruud van Akkeren y Hugo Fidel Sacor. Revisor de estilo: Pedro Luis Alonso. Editorial responsable: Editorial Galería Guatemala. Consejo Editorial: Estuardo Cuestas Morales, Egemberto Alvergue Oliveros, Carlos Enrique Zea Flores, María Olga Granai de Zoller, Mario Estuardo Montes Granai. Diseño y diagramación: QUELSA. Ilustraciones en acuarela: Victor Manuel Aragón. Fotografía proporcionada por Fundación Herencia Cultural Guatemalteca, Fototeca de Justin Kerr de su catálogo Maya Vase Database y Fototeca de Fundación G&T Continental (páginas 119,134,140). Impresión: Tinta y Papel Derechos reservados. La reproducción total o parcial de esta obra sólo podrá hacerse con autorización escrita de la Universidad Mesoamericana. http://www.umes.edu.gt 40 Calle, 10-01, Zona 8, Guatemala, C. A. CRÓNICAS MESOAMEricanas TOMO I CONTENIDO PRÓLOGO 9 FÉLIX JAVIER SERRANO URSÚA INTRODUCCIÓN 11 HORACIO CABEZAS CARCACHE CÓDICES mayas Y MEXICANOS 17 TOMÁS BARRIENTOS Y MARION POPENOE DE HATCH Crónicas DE YAXKUKUL Y CHAC Xulub CHEN 31 ERNESTO VARGAS PACHECO CRÓNICA DE CHAC XULUB CHEN 44 TÍTULO DE LOS SEÑORES DE Sacapulas 59 RUUD VAN AKKEREN HISTORIA DE SU ORIGEN Y VENIDA DE SUS PADRES EN LAS TIERRAS DEL QUICHÉ. 78 PARTE I. FRAGMENTO QUIChé [K’iChe’] 88 TÍTULO DE CAGCOH [KAQKOJ] 93 ENNIO BOSSÚ TESTAMENTO Y TÍTULO DE LOS ANTECESORES DE 100 LOS SEÑORES DE CAGCOH SAN CRISTÓBAL VERAPAZ. -
Disharmony in Maya Hieroglyphic Writing: Linguistic Change and Continuity in Classic Society
DISHARMONY IN MAYA HIEROGLYPHIC WRITING: LINGUISTIC CHANGE AND CONTINUITY IN CLASSIC SOCIETY Stephen HOUSTON Brigham Young University David STUART Harvard University John ROBERTSON Brigham Young University Some forty-five years ago Yuri Knorosov discovered the existence of pho- netic syllables in Maya writing (1952, 1958, 1965, 1967). Despite strong oppo- sition, Knorosov made an excellent case that Maya script recorded signs of con- sonant + vowel form. When combined in groupings of two or more glyphs these signs spelled words like ma + ma —> mam or ku + tsu —> kuts. In each instance the final vowel of the second syllable —a superfluous, dead vowel— could be safely detached once the two syllables were joined into a CVC (or CVCVC) root, the most common configuration in Mayan languages. Knorosov' s insight has been discussed elsewhere, either as an issue in intellectual history (Houston 1988; Coe 1992) or as a topic in decipherment (Justeson and Campbell 1984). Today, few epigraphers question the singular importance of Knorosov' s contri- bution. Working in near-total isolation from other Mayanists, he succeeded in achieving a breakthrough that fundamentally changed modern views of Maya writing. Yet Knorosov could not explain one feature of syllabic signs: What, precisely, determined the final sign in such groupings? Knorosov detected a default arran- gement, which he labeled synharmony,' by which the vowel of the second sign duplicated that of the first (Knorosov 1965:174-175). As Kelley pointed out, this pattem explained a large number of spellings (Kelley 1976:18). Lounsbury, too, found that synharmony accorded with morphophonemic processes in Mayan languages (1973:100), especially the echo' syllable, a voiceless .. -
Glyph Dwellers Phonological Variation in the Maya Codices
Phonological Variation in the Madrid Codex 9/17/00 7:57 PM Glyph Dwellers is an occasional publication of the Maya Hieroglyphic Database Project, at the University of California, Davis, California. Its purpose is to make available recent discoveries about ancient Maya culture, history, iconography, and Mayan historical linguistics deriving from the project. Funding for the Maya Hieroglyphic Database Project is provided by the National Endowment for the Humanities, grants #RT21365-92, RT21608-94, PA22844-96, the National Science Foundation, #SBR9710961, and the Department of Native American Studies, University of California, Davis. © 1998 Martha J. Macri & Matthew G. Looper. All rights reserved. Written material and artwork appearing in these reports may not be republished or duplicated for profit. Citation of more than one paragraph requires written permission of the publisher. No copies of this work may be distributed electronically, in whole or in part, without express written permission from the publisher. ISSN 1097-3737 Glyph Dwellers Report 9 November 1999 Phonological Variation in the Maya Codices Gabrielle Vail Examples of phonological variation in the Maya codices provide evidence that the same processes that characterize speech were also occasionally represented in the hieroglyphic script. This in turn suggests that the script recorded in the codices reflects certain features of the spoken language, or vernacular, of the population inhabiting the Maya lowlands during the Postclassic period. One of the phonological processes that operates in the modern Yucatecan languages is nasal assimilation, such that syllable-final /n/ optionally becomes [m] before a labial and [ng] before a velar (Blair and Vermont-Salas 1965:15; Hofling 1991:8). -
Maya Ritual and Myth: Human Sacrifice in the Context of the Ballgame and the Relationship to the Popol Vuh Jessica Zaccagnini
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 12-2003 Maya Ritual and Myth: Human Sacrifice in the Context of the Ballgame and the Relationship to the Popol Vuh Jessica Zaccagnini Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Zaccagnini, Jessica, "Maya Ritual and Myth: Human Sacrifice in the Context of the Ballgame and the Relationship to the Popol Vuh" (2003). Honors Theses. Paper 336. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Maya Ritual and Myth: Human Sacrifice in the Co?text of the Ballgame and the Relationship to the Popol yUh Jessica Zaccagnini Dr. Jonathan Hill Anthropology 480 December 8, 2003 Maya Ritual and Myth: Ritual Human Sacrifice in the Context ofth~ Ballgame and the Relationship to the Popol Vuh Abstract The ballgarne existed as an integral facet of Mayan life. Ritual and mythic expression are inextricably linked to the execution ofthe ballgarne and are deeply integrated into Mayan culture. Ritual human sacrifice is an unquestionable aspect related to the ballgarne. The Maya rulers extended the outcome of the ballgarne by satisfYing th., deities through ritual and human sacrifice (Scarborough 1991 :143). The Quiche book of epic narratives, named the Papal Vuh, is a recurring theme in the exploration of the ballgarne and it is deeply weighted with mythic significance. A discussion of how this theme is interwoven into the political, social, and religious aspects of Mayan society wil! be addressed in this paper. -
El Popol Wuj Una Interpretación Para El Día De Hoy
El Popol Wuj una interpretación para el día de hoy por Ricardo Falla sj Una publicación de la Asociación para el Avance de las Ciencias Sociales en Guatemala –AVANCSO– Directora: Clara Arenas Edición al cuidado de Helvi Mendizabal Saravia Fotografía y diseño de portada: Victoriano Castillo sj, en taller con el grupo de jóvenes Qajb’al Q’ij Presentación Fotografías e ilustraciones interiores: El Popol Wuj ha sido objeto de estudio y motivo de reflexión en la Justin Kerr, Newberry Library, John Powell, Robert Carmack, Nivio trayectoria de Ricardo Falla desde los inicios de su formación. Constituyó López Vigil, Carlos Sánchez Fernández y Ricardo Falla. el tema de su tesis al concluir sus estudios de teología en la tercera década Se reproducen con fina autorización de sus autores. de su vida y ha permanecido siendo un hilo conductor en casi todo su trabajo antropológico. Desde Wucub’ Kaquix hasta el Jabalí de pelo blanco, los personajes del Popol Wuj pueblan los escritos de Falla y sus historias iluminan no pocos de sus estudios sobre los procesos del pueblo maya en Guatemala, agosto de 2013. Guatemala. Primera impresión: 1,500 ejemplares Impreso y diagramado en los talleres de Editorial Artgrafic Internacional El libro de Falla que ahora presentamos, El Popol Wuj, una interpretación Se autoriza la reproducción del contenido de esta publicación, siempre para el día de hoy, no es un trabajo más sobre este libro sagrado de los que se cite adecuadamente la fuente. k’ichés. Es una invitación a encontrar en él algo útil para la vida en el siglo ISBN 978-9929-8095-9-8 XXI, desde la certeza de que el Popol Wuj está vivo. -
The PARI Journal Vol. XVI, No. 2
ThePARIJournal A quarterly publication of the Ancient Cultures Institute Volume XVI, No. 2, Fall 2015 In This Issue: For Love of the Game: For Love of the The Ballplayer Panels of Tipan Chen Uitz Game: The Ballplayer Panels of in Light of Late Classic Athletic Hegemony Tipan Chen Uitz in Light of Late Classic CHRISTOPHE HELMKE Athletic Hegemony University of Copenhagen by CHRISTOPHER R. ANDRES Christophe Helmke Michigan State University Christopher R. Andres Shawn G. Morton and SHAWN G. MORTON University of Calgary Gabriel D. Wrobel PAGES 1-30 GABRIEL D. WROBEL Michigan State University • The Maya Goddess One of the principal motifs of ancient Maya ballplayers are found preferentially at of Painting, iconography concerns the ballgame that sites that show some kind of interconnec- Writing, and was practiced both locally and through- tion and a greater degree of affinity to the Decorated Textiles out Mesoamerica. The pervasiveness of kings of the Snake-head dynasty that had ballgame iconography in the Maya area its seat at Calakmul in the Late Classic (see by has been recognized for some time and Martin 2005). This then is the idea that is Timothy W. Knowlton has been the subject of several pioneering proposed in this paper, and by reviewing PAGES 31-41 and insightful studies, including those some salient examples from a selection • of Stephen Houston (1983), Linda Schele of sites in the Maya lowlands, we hope The Further and Mary Miller (1986:241-264), Nicholas to make it clear that the commemoration Adventures of Merle Hellmuth (1987), Mary Miller and Stephen of ballgame engagements wherein local (continued) Houston (1987; see also Miller 1989), rulers confront their overlord are charac- by Marvin Cohodas (1991), Linda Schele and teristic of the political rhetoric that was Merle Greene David Freidel (1991; see also Freidel et al.