Anarchist Seeds Beneath the Snow

Total Page:16

File Type:pdf, Size:1020Kb

Anarchist Seeds Beneath the Snow Anarchist Seeds beneath the Snow Goodway_00_Prelims.indd i 6/9/06 15:56:26 Goodway_00_Prelims.indd ii 6/9/06 15:56:26 Anarchist Seeds beneath the Snow Left-Libertarian Thought and British Writers from William Morris to Colin Ward DAVID GOODWAY LIVERPOOL UNIVERSITY PRESS Goodway_00_Prelims.indd iii 6/9/06 15:56:26 First published 2006 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2006 David Goodway The right of David Goodway to be identifi ed as the author of this work has been asserted by him in accordance with the Copyright, Design and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 1-84631-025-3 cased ISBN 1-84631-026-1 limp ISBN-13 978-1-84631-025-6 cased ISBN-13 978-1-84631-026-3 limp Typseset in Fournier by Koinonia, Manchester Printed and bound in the European Union by Biddles Ltd, King’s Lynn Goodway_00_Prelims.indd iv 6/9/06 15:56:26 Contents Acknowledgements vii Abbreviations x 1 Introduction 1 2 Anarchism and libertarian socialism in Britain: William Morris and the background, 1880–1920 15 3 Edward Carpenter 35 4 Oscar Wilde 62 5 John Cowper Powys I: His life-philosophy and individualist anarchism 93 6 The Spanish Revolution and Civil War – and the case of George Orwell 123 7 John Cowper Powys II: The impact of Emma Goldman and Spain 149 8 Herbert Read 175 9 War and pacifi sm 202 10 Aldous Huxley 212 11 Alex Comfort 238 12 Nuclear disarmament, the New Left – and the case of E.P. Thompson 260 13 Christopher Pallis 288 14 Colin Ward 309 15 Conclusion 326 Bibliography 339 Index 382 Goodway_00_Prelims.indd v 6/9/06 15:56:26 For Che Mah without whose love, companionship, enjoyment of life and sense of fun it is improbable this book would ever have been written Goodway_00_Prelims.indd vi 6/9/06 15:56:26 Acknowledgements First I must thank the following institutions and their staff for access to various collections: International Institute of Social History, Amsterdam (Goldman Archive); University of Leeds (Central Records); Special Collections, Brotherton Library, University of Leeds (Mattison Collection and Read Library); University College London (Alex Comfort Papers); William Andrews Clark Memorial Library, University of California, Los Angeles; Museum of People’s History, Manchester (Communist Party Archive); University of Reading (Routledge Archive); Sheffi eld Archives (Carpenter Collection); University of Victoria, Victoria, BC (Read Archive). I have also made great use of not only the Brotherton Library, University of Leeds, but also the J.B. Priestley Library, University of Bradford (and its too little utilized Commonweal Collection); the British Library; and the British Library of Political Science, London School of Economics (much appreciated for its open access to the shelves). I have had the privilege of knowing reasonably well two of my principal subjects, Alex Comfort and Chris Pallis, and a third, Colin Ward, extremely well, and I am indebted to them for answering my questions and providing me with access to their records. I should thank too Jane Comfort, Nicholas Comfort, Jeanne Pallis, Michael Pallis, Ken Weller and Harriet Ward. It is appropriate to mention here also Ben Read, Herbert Read’s youngest son and literary executor, the keeper of his father’s fl ame and an energetic support for all who write about him. I have also enjoyed the friendship over many years of Carole Pateman, Nicolas Walter, Peter Marshall, Alan Carter and Vernon Richards. I also knew, but much less well, Albert Meltzer, Norman Potter, Geoffrey Ostergaard and Ronald Sampson (whose daughter, Elizabeth Sampson, I also need to thank). I only met Edward Thompson on two or three occasions and so have had had to rely almost exclusively on his marvellous writings as well as the assistance of Dorothy Thompson. Ivan vii Goodway_00_Prelims.indd vii 6/9/06 15:56:27 viii Anarchist Seeds beneath the Snow Avakumovic´ once bought me lunch in Vancouver; I had some correspondence with George Woodcock and a very little with Tony Gibson; and I have met Stuart Christie once or twice. I am indebted for information, material, stimulation and advice to very many others, who include Cathy Adeane, Alan Anderson, Paul Anderson, John Barnes, Heiner Becker, Mark Beeson, Dave Berry, Janet Biehl, David Bradshaw, E.E. Bissell (whose extraordinary Powys collection is now to be found at the Dorset County Museum), Raymond Carr, Glen Cavaliero, Hugh Cecil, Ted Crawford, Andy Croft, Louise de Bruin, Francis Ellingham, Martyn Everett, Sharif Gemie, Paul Gibbard, Karen Goaman, Paul Gordon, Dorothy Greenald, Judy Greenway, Peter Powys Grey, Steven Halliwell, Julian Harber, Cecily Hill, Peter Hirschmann, Christian Høgsbjerg, Belinda Humfrey, James Joll, Ian Jones (for the loan of many of Edward Carpenter’s books), W.J. (Bill) Keith, Ruth Kinna, Robin Kinross, Jeff Kwintner, Morine Krissdóttir, Carl Levy, Paul Lewis, Charles Lock, Jo McGhee (the current owner of Carpenter’s house at Millthorpe), Stuart Macdonald, Roger Martlew, Sue Powell, Isobel Powys Marks, Stephen Powys Marks, Richard Maxwell, Mervyn Miller, Michael Paraskos, S.E. Parker, Bob Potter, Jon Purkis, John Quail, Susan Rands, Tom and Celia Read (for their hospitality and conversation at Stonegrave), Virginia Rowan (Louis Adeane’s widow), Alan Smith, John Sloan, Luke Spencer, Tom Steele, John Toft, Ruth Walter, Alice Wexler, Andy Whitehead, George Williamson and Mary Young. Many readers – or more probably non-readers – will be astonished to learn of the support I have received over the years from Eric Hobsbawm and John Saville (including unrestricted access to the latter’s personal papers and the loan of several fi les), right down to encouragement for this book and assistance in trying to place it for publication. My intellectual and political outlook has been shaped by the Marxism of their remarkable generation of historians, to which of course Edward Thompson belonged, as much as by anarchism. A younger member of this group, Raphael Samuel, was another dear (and much missed) friend of long standing. But I have also been greatly infl uenced by the writings, which I continue to esteem, of Murray Bookchin, the warmth and generosity of whose friendship I have had the pleasure of experiencing. This work was written in the School of Continuing Education, University of Leeds, lamentably closed on 31 July 2005 after fi fty-nine distinguished years – for seventeen of which Edward Thompson was a member of the staff – yet another indication of the sad, bad times in which we live. I am enormously indebted to the tolerant but wholehearted support of three of its chairs: Miriam Zukas, Dick Taylor who has always believed in the importance and relevance of libertarian theory, and Malcolm Chase, a fellow historian of Chartism whose comradeship has in general meant much to me. Ultimately, though, I have been dependent on a small group of intimate friends who have always been involved in whatever I have been writing. I have known for many years Tim Hyman – we fi rst met as members of the Powys Society and our Goodway_00_Prelims.indd viii 6/9/06 15:56:27 Acknowledgements ix mutual admiration of the novels of John Cowper Powys continues to be a major bond – and Richard Schofi eld (the fi nal editor of Solidarity), as also John Doheny in Vancouver, but whose death in January 2005 was a sorry blow. Much more recently Alastair Reid has joined this group. Having read sample chapters for another publisher, he established contact and has commented most empathetically, yet also critically, on each section of the book as it was completed. I only hope that the totality will not prove a disappointment. Various portions of this book have been previously published, as follows, and I am exceptionally grateful to the respective editors and publishers for their encour- agement and comments and enabling the present work to emerge. Chapter 5 is a revised version of ‘A Cult of Sensations: John Cowper Powys’s Life-Philosophy and Individualist Anarchism’, Powys Journal, XIV (2004). Parts of chapters 6 and 7 fi rst appeared in ‘The Politics of John Cowper Powys’, Powys Review, no. 15 (1984–5). Chapter 8 is a revision of ‘Introduction’, Herbert Read, A One-Man Manifesto and Other Writings for Freedom Press (London: Freedom Press, 1994), which later appeared as part of ‘Introduction’ and as ‘The Politics of Herbert Read’ in David Goodway (ed.), Herbert Read Reassessed (Liverpool: Liverpool University Press, 1998). The second half of chapter 10 was published as ‘Aldous Huxley as Anarchist’, in Ian Angus (ed.), Anarcho-Modernism: Toward a New Critical Theory: In Honour of Jerry Zaslove (Vancouver: Talonbooks, 2001). Chapter 11 is a revised version of ‘Introduction’, David Goodway (ed.), Against Power and Death: The Anarchist Articles and Pamphlets of Alex Comfort (London: Freedom Press, 1994). Parts of Chapters 10 and 11 also appeared in ‘Aldous Huxley and Alex Comfort: A Comparison’, in H. Gustav Klaus and Stephen Knight (eds.), ‘To Hell with Culture’: Anarchism and Twentieth-Century English Literature (Cardiff: University of Wales Press, 2005). Some of chapter 12 appeared as parts of ‘E.P. Thompson and the Making of The Making of the English Working Class’, in Richard Taylor (ed.), Beyond the Walls: 50 Years of Adult and Continuing Education at the University of Leeds, 1946–1996 (Leeds: The University of Leeds, 1996) and of ‘Muggletonian Marxism’, Anarchist Studies, VI (1998) and as ‘E.P.
Recommended publications
  • This American Life Pitch
    Pagan Kennedy from The Dangerous Joy of Dr. Sex, a short, eccentric biography of the man who authored The Joy of Sex One day in 1934, he sequestered himself in his family’s greenhouse in London to perform an experiment. Alex Comfort – then 14 years old – had decided to invent his own fireworks. He ground together sugar, sulfur and saltpeter, an operation so dangerous that most chemists pour water over the ingredients to prevent a blast. Alex neglected to take that precaution. The container exploded. The roof of the greenhouse blew out. A red- tinted vapor hovered in the air before him. Four fingers on his left hand had vanished, leaving a lump of meat with one thumb hanging off it. He felt no pain. Indeed, he found it thrilling to be blown apart. Or, at least, that’s how he told the story later. Alex Comfort loved explosions, even the one that mutilated him. He never would admit any regret at the loss of his four fingers. As a middle-aged physician, he bragged that his stump could be more useful than a conventional hand, particularly when it came to performing certain medical procedures— exploring a woman’s birth canal, for instance. One thing was clear after the accident: Alex should avoid laboratories, at least until he was older. So he set his sights on literary greatness instead. When he was 16, his father took him on a tramp steamer to Buenos Aires and then Senegal; Alex scribbled notes along the way. In 1938, his final year of high school, he published a little gem of travel book, titled The Silver River, billed as the “diary of a schoolboy.” The Glove.
    [Show full text]
  • Staging the Obscene in a Glastonbury Romance (1932) by John Cowper Powys
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 21 | 2020 Modernism and the Obscene Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys Florence Marie Electronic version URL: http://journals.openedition.org/miranda/27847 DOI: 10.4000/miranda.27847 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Florence Marie, “Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys ”, Miranda [Online], 21 | 2020, Online since 09 October 2020, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/27847 ; DOI: https://doi.org/10.4000/miranda.27847 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys 1 Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys Florence Marie 1 “Nobody quite knows what the word ‘obscene’ itself means, or what it is intended to mean: but gradually all the old words that belong to the body below the navel have come to be judged as obscene. Obscene means today that the policeman thinks he has a right to arrest you, nothing else” (Lawrence 625). As made clear by D. H. Lawrence in 1929, there existed no definition of the term “obscenity” under English statute law. Nevertheless the idea that “fiction has the power to corrupt and offend in its cultural significance” (Potter 2013b, 10) and as a consequence that censorship was advisable was still very much in the foreground in the 1920s.
    [Show full text]
  • Wyndham Lewis's Kulturkampf
    Wyndham Lewis's Kulturkampf by David William Lafferty, B.A. (Hons), M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Institute of Comparative Studies in Literature, Art, and Culture: Cultural Mediations Carleton University Ottawa, Canada January, 2009 © 2009, David William Lafferty Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-52094-9 Our file Notre reference ISBN: 978-0-494-52094-9 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nntemet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • The Continuum Companion to Anarchism
    The Continuum Companion to Anarchism 9781441172129_Pre_Final_txt_print.indd i 6/9/2001 3:18:11 PM The Continuum Companion to Anarchism Edited by Ruth Kinna 9781441172129_Pre_Final_txt_print.indd iii 6/9/2001 3:18:13 PM Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York, NY 10038 www.continuumbooks.com © Ruth Kinna and Contributors, 2012 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitt ed, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the permission of the publishers. E ISBN: 978-1-4411-4270-2 Library of Congress Cataloging-in-Publication Data A catalog record of this title is available from the Library of Congress. Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed and bound in the United States of America 9781441172129_Pre_Final_txt_print.indd iv 6/9/2001 3:18:13 PM Contents Contributors viii Acknowledgements xiv Part I – Research on Anarchism 1 Introduction 3 Ruth Kinna Part II – Approaches to Anarchist Research 2 Research Methods and Problems: Postanarchism 41 Saul Newman 3 Anarchism and Analytic Philosophy 50 Benjamin Franks 4 Anarchism and Art History: Methodologies of Insurrection 72 Allan Antliff 5 Participant Observation 86 Uri Gordon 6 Anarchy, Anarchism and International Relations 96 Alex Prichard Part III – Current Research in Anarchist Studies 7 Bridging the Gaps: Twentieth-Century Anglo-American Anarchist Thought 111 Carissa Honeywell 8 The Hitchhiker as Theorist: Rethinking Sociology and Anthropology from an Anarchist Perspective 140 Jonathan Purkis 9 Genders and Sexualities in Anarchist Movements 162 Sandra Jeppesen and Holly Nazar v 9781441172129_Pre_Final_txt_print.indd v 6/9/2001 3:18:13 PM Contents 10 Literature and Anarchism 192 David Goodway 11 Anarchism and the Future of Revolution 212 Laurence Davis 12 Social Ecology 233 Andy Price 1 3 Leyendo el anarchismo a través de ojos latinoamericanos : Reading Anarchism through Latin American Eyes 252 Sara C.
    [Show full text]
  • Libertarian Marxism Mao-Spontex Open Marxism Popular Assembly Sovereign Citizen Movement Spontaneism Sui Iuris
    Autonomist Marxist Theory and Practice in the Current Crisis Brian Marks1 University of Arizona School of Geography and Development [email protected] Abstract Autonomist Marxism is a political tendency premised on the autonomy of the proletariat. Working class autonomy is manifested in the self-activity of the working class independent of formal organizations and representations, the multiplicity of forms that struggles take, and the role of class composition in shaping the overall balance of power in capitalist societies, not least in the relationship of class struggles to the character of capitalist crises. Class composition analysis is applied here to narrate the recent history of capitalism leading up to the current crisis, giving particular attention to China and the United States. A global wave of struggles in the mid-2000s was constituitive of the kinds of working class responses to the crisis that unfolded in 2008-10. The circulation of those struggles and resultant trends of recomposition and/or decomposition are argued to be important factors in the balance of political forces across the varied geography of the present crisis. The whirlwind of crises and the autonomist perspective The whirlwind of crises (Marks, 2010) that swept the world in 2008, financial panic upon food crisis upon energy shock upon inflationary spiral, receded temporarily only to surge forward again, leaving us in a turbulent world, full of possibility and peril. Is this the end of Neoliberalism or its retrenchment? A new 1 Published under the Creative Commons licence: Attribution-Noncommercial-No Derivative Works Autonomist Marxist Theory and Practice in the Current Crisis 468 New Deal or a new Great Depression? The end of American hegemony or the rise of an “imperialism with Chinese characteristics?” Or all of those at once? This paper brings the political tendency known as autonomist Marxism (H.
    [Show full text]
  • Weymouth Sands to Owen Glendower
    Durham E-Theses The shattered skull: a study of john Cowper Powys' ction Fox, Jeremy Robin How to cite: Fox, Jeremy Robin (1991) The shattered skull: a study of john Cowper Powys' ction, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6023/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. THE SHATTERED SKULL: A STUDY OF JOHN COWPER POWYS' FICTION JEREMY ROBIN FOX A THESIS SUBMITTED TO THE CENTRE FOR THE STUDY OF LITERATURE AND THEOLOGY IN THE DEPARTMENT OF THEOLOGY IN THE FACULTY OF ARTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF DURHAM SEPTEMBER 1991 2 1 J UL 1992 TABLE OF CONTENTS Acknowledgements .......................................................
    [Show full text]
  • The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information
    Cambridge University Press 978-0-521-52629-6 — The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information Index Aalto, Alvar, 286, 295–6 Daniel O’Connell’s strategy, 30 Abbey Theatre, 326–31 Politics and Society in Ireland, 1832–1885, see also Deevey, Teresa; Dublin Trilogy by 29–30 Sean O’Casey; Yeats, W. B. flexibility of Gladstone’s politics, 32–3 Casadh an tSug´ ain´ , 327, 328 implications of Home Rule, and colonial administration, 329 32–3 Lionel Pilkington’s observations on, W. E. Vaughan on advanced reforms 329 and, 31–2 The Shewing Up of Blanco Posnet, 329 relation to Belfast Agreement, 39–40 Gabriel Fallon’s comments on tradition Act of Union between Great Britain and Ireland, of, 332–3 The, 310 George Russell on creation of medieval administration, colonial. See colonial theatre, 327–8 administration and theatre new building for by Michael Scott, 333 Adorno, Theodor, 168 Playboy of the Western World, 328–9 affiliation, religious, see power and religious as state theatre, 329–31 affiliation Thompson in Tir-na-nOg´ ,328 Agreement, Belfast. See Belfast Agreement Abhrain´ Gradh´ Chuige´ Chonnacht. See Love-Songs Agreement, Good Friday, 199–200 of Connacht All Souls’ Day,221 abortion alternative enlightenment, 5–6 Hush-a-Bye-Baby,217–18 America, United States of. See race, ethnicity, The Kerry Babies’ case, 218 nationalism and assimilation About Adam,221–2 Amhran´ na Leabhar,272 Absentee, The,255 Amongst Women,263 assimilation, cultural, 49 An Beal´ Bocht, 250 Academy, Royal Hibernian,
    [Show full text]
  • Squatting – the Real Story
    Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd.
    [Show full text]
  • John Buchan's Uncollected Journalism a Critical and Bibliographic Investigation
    JOHN BUCHAN’S UNCOLLECTED JOURNALISM A CRITICAL AND BIBLIOGRAPHIC INVESTIGATION PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM Volume One INTRODUCTION............................................................................................. 1 A: LITERATURE AND BOOKS…………………………………………………………………….. 11 B: POETRY AND VERSE…………………………………………………………………………….. 30 C: BIOGRAPHY, MEMOIRS, AND LETTERS………………………………………………… 62 D: HISTORY………………………………………………………………………………………………. 99 E: RELIGION……………………………………………………………………………………………. 126 F: PHILOSOPHY AND SCIENCE………………………………………………………………… 130 G: POLITICS AND SOCIETY……………………………………………………………………… 146 Volume Two H: IMPERIAL AND FOREIGN AFFAIRS……………………………………………………… 178 I: WAR, MILITARY, AND NAVAL AFFAIRS……………………………………………….. 229 J: ECONOMICS, BUSINESS, AND TRADE UNIONS…………………………………… 262 K: EDUCATION……………………………………………………………………………………….. 272 L: THE LAW AND LEGAL CASES………………………………………………………………. 278 M: TRAVEL AND EXPLORATION……………………………………………………………… 283 N: FISHING, HUNTING, MOUNTAINEERING, AND OTHER SPORTS………….. 304 PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM INTRODUCTION This catalogue has been prepared to assist Buchan specialists and other scholars of all levels and interests who are seeking to research his uncollected journalism. It is based on the standard reference work for Buchan scholars, Robert G Blanchard’s The First Editions of John Buchan: A Collector’s Bibliography (1981), which is generally referred to as Blanchard. The catalogue builds on this work
    [Show full text]
  • Wyndham Lewis and Nihilism
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen Theo van Doesburg and Wyndham Lewis Renders, Hans; van Faassen, Sjoerd Published in: The Journal of Wyndham Lewis Studies IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2018 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Renders, H., & van Faassen, S. (2018). Theo van Doesburg and Wyndham Lewis: An Aborted Attempt at Collaboration’. The Journal of Wyndham Lewis Studies, 8, 30-56. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 13-11-2019 The Journal of Wyndham Lewis Studies Wyndham Lewis Society Volume 8 (2017) ISSN 2052-5168 THE JOURNAL OF WYNDHAM LEWIS STUDIES PUBLISHED BY THE WYNDHAM LEWIS SOCIETY EDITORIAL ADDRESS The Journal of Wyndham Lewis Studies c/o Dr Nathan Waddell Department of English Literature, Arts Building University of Birmingham, Edgbaston Birmingham, B13 2TT EDITORS Zoe Gosling, Louise Kane, Michael Shallcross, Nathan Waddell REVIEWS EDITOR James Hirst EDITORIAL BOARD Rebecca Beasley, Peter Brooker, Peter Caracciolo, Edward Chaney, Paul Edwards, C.
    [Show full text]
  • Hollow Men: Colonial Forms, Irish Subjects, and the Great Famine in Modernist Literature, 1890-1930
    Graduate Theses, Dissertations, and Problem Reports 2016 Hollow Men: Colonial Forms, Irish Subjects, and the Great Famine in Modernist Literature, 1890-1930 Aaron Matthew Percich Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Percich, Aaron Matthew, "Hollow Men: Colonial Forms, Irish Subjects, and the Great Famine in Modernist Literature, 1890-1930" (2016). Graduate Theses, Dissertations, and Problem Reports. 6399. https://researchrepository.wvu.edu/etd/6399 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Hollow Men: Colonial Forms, Irish Subjects, and the Great Famine in Modernist Literature, 1890-1930 Aaron Matthew Percich A dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English. Lisa Weihman, Ph.D., Chair Dennis W. Allen, Ph.D. Gwen Bergner, Ph.D. John B. Lamb, Ph.D. Enda Duffy, Ph.D.
    [Show full text]
  • Lawrence Durrell: Panic Spring: a Romance
    Lawrence Durrell: Panic Spring: A Romance Notes &c. __________ _ Objectives __________ 1. To describe the concept of Late Modernism. _ 2. To recognize that Modernism occurred in a variety of locations __________ and times, and hence, postcolonial criticism overlaps with it. _ 3. To relate international, racial, and imperial, and colonial __________ discourses with those we have encountered in Modernism. 4. To describe the influence of the modernists on the generation of authors who came of age during the Second World War. 5. To demonstrate understanding of how the reader is made active in some texts. Reading Assignment Durrell, Lawrence. Panic Spring: A Romance. 1937. Ed. James Gifford. Victoria: ELS Editions, 2008. Print. Adam, Peter. “Spirit of Place: Lawrence Durrell’s Greece.” BBC. 9 July 1984. https://youtu.be/EIOjaroRfEI Commentary This unit takes our readings beyond the typical end point for Modernism: 1928 or at best 1934. Many older modernist scholars prefer not to pursue “Modernism” beyond any hint of World War II even though many of the authors we have read continued to be very active well beyond this date – in fact, Woolf, Eliot, and Lewis published some of their major works after 1939, and Joyce published his last major novel in that year. Much recent research has been dedicated to this notion of “Late Modernism,” including Tyrus Miller’s Late Modernism, Marina MacKay’s Modernism & World War II, and Robert Genter’s Late Modernism: Art, Culture, & Politics in Cold War America. Other scholars, like Jean-François Lyotard, have argued that postmodernism is largely a late development of Modernism itself.
    [Show full text]