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The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information Cambridge University Press 978-0-521-52629-6 — The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information Index Aalto, Alvar, 286, 295–6 Daniel O’Connell’s strategy, 30 Abbey Theatre, 326–31 Politics and Society in Ireland, 1832–1885, see also Deevey, Teresa; Dublin Trilogy by 29–30 Sean O’Casey; Yeats, W. B. flexibility of Gladstone’s politics, 32–3 Casadh an tSug´ ain´ , 327, 328 implications of Home Rule, and colonial administration, 329 32–3 Lionel Pilkington’s observations on, W. E. Vaughan on advanced reforms 329 and, 31–2 The Shewing Up of Blanco Posnet, 329 relation to Belfast Agreement, 39–40 Gabriel Fallon’s comments on tradition Act of Union between Great Britain and Ireland, of, 332–3 The, 310 George Russell on creation of medieval administration, colonial. See colonial theatre, 327–8 administration and theatre new building for by Michael Scott, 333 Adorno, Theodor, 168 Playboy of the Western World, 328–9 affiliation, religious, see power and religious as state theatre, 329–31 affiliation Thompson in Tir-na-nOg´ ,328 Agreement, Belfast. See Belfast Agreement Abhrain´ Gradh´ Chuige´ Chonnacht. See Love-Songs Agreement, Good Friday, 199–200 of Connacht All Souls’ Day,221 abortion alternative enlightenment, 5–6 Hush-a-Bye-Baby,217–18 America, United States of. See race, ethnicity, The Kerry Babies’ case, 218 nationalism and assimilation About Adam,221–2 Amhran´ na Leabhar,272 Absentee, The,255 Amongst Women,263 assimilation, cultural, 49 An Beal´ Bocht, 250 Academy, Royal Hibernian, 305 An Chead´ Chloch,248 activism for Gaeltacht,54 Anderson, Perry, 164, 226 Act of Union, 25–40 An Chulb Drama´ ıochta,´ 331 See also architecture and national identity An Claidheamh Soluis,248 consequences of, 27–8, 29 An Comhar Dramu´ ıochta,´ 331 James Barry’s drawings representing, 309, An Crann Faoi Blath´ , 186 310 Anderson, Perry, 163–4, 226 longevity of, 29–39 An Duanaire, 175 adaptability of Tory politics, 33 Angel,213 and architectural influence of British Angela’s Ashes,215 state, 36–7 Anglo-Irish ascendancy, 192–4 basis for popularity of Irish Republican see also Yeats, W. B. Brotherhood, 30 Anne Devlin, 213 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-52629-6 — The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information 340 Index An Taibhdhearc, 331 arts, visual. See visual arts An tAthair Nioclas´ Mac Sıthigh:´ Caoineadh do Arts and Crafts movement, 160, 292–3 Chum a Dheirfiur´ ,97 Ascendancy,219 antebellum America, 123 ascendancy, Anglo-Irish, 192–4 anthologies. See Field Day Anthology of Irish see also Yeats, W. B. Writing, The; folk culture; poetry ‘As I Roved Out’, 277 anti-Catholicism assimilation. See race, ethnicity, nationalism Ian Paisley’s cultural unionism and, 91 and assimilation John Brewer and Gareth Higgins on, association football, 193–4 71 see also political and religious division in An Tine Bheo,279–80 sports anti-revivalism. See counter-revivalism; establishment of Belfast Celtic Football Joyce, James Club, 196 An tOileanach´ ,249–50 popularity of despite bans on, 196 Appeal of One Half of the Human Race, Women Athletic Association, Gaelic, 147–51, Against the Pretensions of the Other Half, 194–201, 204–5 Men,99 Atlantean, 212 Aran Fisherman’s Drowned Child, The, 307–8 At Swim-Two-Birds, 260 Aran Islands, The,232 authenticating history. See theatre archbishops. See Catholicism autobiographies. See Blasket architecture, moderation in, 295 autobiographies architecture and national identity, 285–301 see also contemporary architecture and Bailegangaire, 334 national identity; Dublin; Irish Free ballads, 274 State; New York World’s Fair; Ballroom of Romance, The,215 Republic of Ireland; Trinity College Balls, Granard, 268 Museum Banim, John, 256 after Act of Union, 289–93 Banim, Michael, 256 Belfast’s City Hall, 291 banks. See Dublin Herman Muthesius on English Arts Banville, John, 261 and Crafts movement, 292–3 Barker, Thomas, 309–11 influence of British state, 36–7 Barnacle, Nora. See Nora Irish Industrial Village at Chicago Barnett, Anne, 264 Exhibition, 292 Barrett, Cyril, 312 after independence, 293–6 Barry, James, 305 nationalism and modernism in, Eylsium and Tartarus or the State of Final 285–9 Retribution, 307 Adrian Forty’s comments on, 289 see also Act of Union ‘Character and Composition’, 288 Bateman, Colin, 264 The International Style, 287–8 ‘Battle of two Civilisations’, 159 Ludwig Mies Van Der Rohe’s design, Bean na hEireann´ ,103 286–7 Beckett, Samuel Space, Time and Architecture, 287–8 comparison between O´ Cadhain and, The Stones of Venice,288–9 168 Arensberg, Conrad modernist English language prose fiction, Family and Community in Ireland and, 259–60 240 Theodor Adorno on Beckett’s Ecce Homo, The Irish Countryman,240 168 arms, nation in, 86 Waiting for Godot, 332 Army, Irish Citizen, 103 Belfast Agreement Army, Irish Republican. See Irish Republican and cultural identity politics, 90–3 Army relation to Act of Union, 39–40 army of Britain, 35, 36 Belfast Banking Company, 290, 291 Arrah-na-Pogue,325 Belfast Celtic Football Club, 196, 203 Arthur, Paul, 132 Belfast City Art Gallery, 306 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-52629-6 — The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information Index 341 Belfast Harp festival, 229–30 Bowen, Elizabeth, 262 and United Irishmen, 268–70 Brah, Avtar, 119 Granard Balls, 268 Brewer, John, 71 research by Edward Bunting, 269 Britain Theobald Wolfe Tone’s views on, 268 see also Act of Union, longevity of; race, Belfast Harp Society, 270 ethnicity, nationalism and Belfast’s City Hall, 291 assimilation Bell, Desmond, 74 army of, 35, 36 Bell, Sam Hanna, 264 relationship of state and Catholic church, Benjamin, Walter, 166 64–5 Bennet, Edward, 219 British Broadcasting Company, 221 Bennett, Louie, 107 British School of art, influence on Bennett, Tony, 240 nineteenth-century visual arts, 304–5 Besant, Annie, 101 A Dictionary of Irish Artists, 305 Beside the Fire,233 Daniel Maclise, 305 Birth of a Nation, The,206 James Barry, 305 bishops. See Catholicism Sir John Lavery, 305 Bishop’s Story, The,215 British state, bureaucracy of, and longevity Black, Cathal, 215, 218 of Union, 37 Black Atlantic, The, 20, 119 Joseph Chamberlain’s complaints over, 37 ‘Blackbird of Derrycairn, The’, 180 Margaret O’Callaghan conclusions on, 37 Black Day at Blackrock, 222–3 Brooke, Charlotte, 229 Blacklist, Section H,260–1 Brotherhood, Irish Revolutionary. See Irish Blackwood Golf Centre, 300, 301 Revolutionary Brotherhood Blair, Les, 220 Brown, Terence, 159, 164, 297 Blasket autobiographies, 249–50 Bruckheimer, Jerry, 221 Fiche Blian ag Fas´ ,249 Buckstone, John Baldwin, 324–5 parody of in An Beal´ Bocht,250 Budawanny, 215 Peig,249 Bunting, Edward, 269 An tOileanach´ , 249–50 A General Collection of the Ancient Music of Blau, Eve, 292 Ireland,230 Bloody Sunday,219 relationship with Thomas Moore, 271 Blythe, Ernest, 331 Burke, Peter, 150–1 Boehmer, Elleke, 169–70 Burning of Bridget Cleary, The,102,237 Bogwoman,219–20 Burton, Frederic William, 307–8 Bolg an Tsolair, 230 Busaras. See Central Bus Station for Dublin Bolger, Dermot, 263 Butcher Boy, The, 216, 265 Bonnett, Alistair, 127 Butler, Eleanor, 100 Boorman, John, 221 Butler, Josephine, 101 Bord Scannan´ na hEireann´ , institutional Byrne, Patrick, 270 support for film production by, 212, 213–14 Cahill, Martin. See urban gangster films Angel, 213 Cailın´ ı´ Beaga Ghleann na mBlath´ , 252 Anne Devlin,213 Cal,213 Cal,213 Callanan, Jeremiah, 179–80 Eat the Peach, 213–14 Caoineadh Airt Uı´ Laoire, 212 The Outcasts, 213 caoineadh oral lament poetry, 97–8 Roddy Doyle’s works, 213 see also Nı´ Chonaill, Eibhlın´ Dubh Bothy Band, The, 280 Caoineadh Sheamuis´ Mhic Choitir,97 Boucicault, Dion impact of Great Famine on, 141–3 The Colleen Bawn, 325 An tAthair Nioclas´ Mac Sıthigh:´ Caoineadh do on lack of originality in Irish plays, 325 Chum a Dheirfiur´ ,97 nationalism in Arrah-na-Pogue,325 Carleton, William, 256–7 Bourdieu, Pierre, 62 Carrigan Commission, 145 Bourke, Angela, 102, 237 Casablanca,324 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-52629-6 — The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information 342 Index Casadh an tSug´ ain´ , 327, 328 Folk Song Movement, 275 Castle Rackrent, 254–5 rejection of Thomas Moore, 276 categorisation, diasporic, 119–20 and Charles Villiers Stanford, 276 Cath Cheim´ an Fhia,272 and oppression of women writers, 169 Cathleen ni Houlihan,328 and prose fiction in Irish language, 247–9 Catholic–Dissenter alliance, 86 Oireachtas competition, 247–8 Catholicism Seadna´ ,249 see also cinema, contemporary issues in; Terence Brown’s account of Devotional Revolution; Penal Laws; counter-revival, 159 Republic of Ireland Celtic Tiger economy, and cinema, 220–3 Margaret O’Callaghan’s comments on, see also About Adam 106 All Souls’ Day,221 challenges to in Republic of Ireland, 72–4 Black Day at Blackrock,222–3 influence on feminism in Irish Free State, Family, 221 105–7 Flick,221 statement by Archbishops and Bishops, Guiltrip, 221 106 Into the West, 221 W. B. Yeats’s arguments against This Is My Father,223 discrimination, 107 When Brendan Met Trudy, 222 in Kate O’Brien’s fiction, 262 Celtic Twilight, The,232 lack of emancipation under Union, 28, 29 censorship. See cinema and culture, Liam Ryan on church as moral conscience, romanticism and censorship in 68 Censorship of Films Act, 210 and longevity of Act of Union, 37–9 Central Bus Station for Dublin, 296 John Hutchinson’s arguments on, 38 Ceoltoir´ ı´ Chualann,280 role of Royal Irish Constabulary, 38 Chamberlain, Joseph, 37 Senia Paseta’s research on, 37–8 Charabanc theatre company, 336 loyalty to Catholic Church, 63–4 ‘Character and Composition’, 288 see also Protestantism character types, Irish.
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