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EXPORT-UNION OF GERMAN CINEMA 3/2000 At San Sebastian in Competition ALASKA.DE by Esther Gronenborn RENDEZ-VOUS AT LOCARNO: Philip Gröning, Romuald Karmakar and H.C. Schmid Beta Film: THE SALES FORCE THE SUBJECTIVE VIEW vs. THE ETHNOGRAPHER Portraits of Helke Misselwitz and Rudolf Thome Kino Scene from:“alaska.de” We make the best even better Subtitling Dubbing Post-Production DVD-Mastering Graphic Design tel:+49-2205/9211-0 fax:+49-2205/9211-99 www.untertitelung.de [email protected] www. german- cinema. de/ INFORMATION ON GERMAN FILMS. GERMAN CINEMA Export-Union des Deutschen Films GmbH Tuerkenstrasse 93 · D-80799 Munich · phone +49-89-39 00 9 5 · fax +49-89-39 52 2 3 · email: [email protected] KINO 3/2000 German Films at this Summer’s 6 Location: Germany 28 International Festivals German Regional Film Commissions: a Multitude of Services 12 The Subjective View Portrait of Helke Misselwitz 13 The Ethnographer Portrait of Rudolf Thome 15 The Sales Force Beta Film 16 The Stuff Of Fairytales Cine Aktuell 18 Two At The Top Wüste Film 32 German Classics 20 KINO news 32 Der geteilte Himmel THE DIVIDED SKY Konrad Wolf 33 Hitler – 22 In Production ein Film aus Deutschland HITLER – A FILM FROM GERMANY 22 Die Eiserne Stadt Hans-Jürgen Syberberg Fred Kelemen 34 Der Untertan 22 Emil und die Detektive THE KAISER’S LACKEY Franziska Buch Wolfgang Staudte 23 Der Felsen 35 Die wunderbare Lüge Dominik Graf der Nina Petrowna 24 Gott und die Welt THE WONDERFUL LIE OF Thorsten Wettcke NINA PETROWNA 24 Die Manns – Ein Jahrhundertroman Ignatz Schwarz Heinrich Breloer 25 Oder/Odra Helke Misselwitz 26 Der Platz Jürgen Böttcher 26 Der Tunnel Roland Suso Richter 27 Venus Talking Rudolf Thome CONTENTS 52 Kalt ist der Abendhauch AT MONTREAL WORLD GREATS 36 New German Films COLD IS THE EVENING BREEZE Rainer Kaufmann 36 alaska.de AT SAN SEBASTIAN AT V E N I C E IN COMPETITION 53 Der Krieger und die Kaiserin Esther Gronenborn THE PRINCESS AND THE WARRIOR DREAMS AND VISIONS 37 L’Amour, l’Argent, Tom Tykwer l’Amour AT LO CA R N O 54 Manila AT LO CA R N O IN COMPETITION IN COMPETITION Philip Gröning Romuald Karmakar 38 Anna Wunder 55 Marmor, Stein, Eisen Ulla Wagner LOVE NEVER FAILS 39 Der Boxprinz Hansjörg Thurn THE BOXING PRINCE 56 Models Gerd Kroske Mark von Seydlitz 40 Conamara 57 München – Geheimnisse Eoin Moore AT LO CA R N O einer Stadt CRITICS’ WEEK 41 Crazy AT LO CA R N O PIAZZA GRANDE MUNICH – SECRETS OF A CITY Hans-Christian Schmid Dominik Graf, Michael Althen 42 Desire 58 Die Polizistin AT MONTREAL Colleen Murphy THE POLICEWOMAN IN COMPETITION 43 Eine Hand voll Gras Andreas Dresen A HANDFUL OF GRASS AT MONTREAL IN COMPETITION 59 Tolle Lage AT KARLOVY VARY Roland Suso Richter PERFECT SIGHT ANOTHER VIEW 44 Die Einsamkeit der Krokodile Sören Voigt THE LONELINESS OF 60 Und das ist erst der Anfang THE CROCODILES IT’S JUST THE BEGINNING Jobst Oetzmann Pierre Franckh 45 England! AT SAN SEBASTIAN 61 Undertaker’s Paradise AT SAN SEBASTIAN NEW DIRECTORS’ COMPETITION NEW DIRECTORS’ COMPETITION Achim von Borries M. X. Oberg 46 Erkan & Stefan 62 Venedig – Als hätten THE BUNNYGUARDS wir geträumt Michael ”Bully“ Herbig VENICE – LIKE A DREAM 47 Falling Rocks AT MONTREAL Wolfgang Ettlich WORLD CINEMA Peter Keglevic 48 Freunde 64 Film-Exporters TRUST ME Martin Eigler 66 Foreign Representatives / Imprint 49 Gripsholm Xavier Koller 50 Im Juli IN JULY Fatih Akin 51 Die Innere Sicherheit THE STATE I AM IN AT V E N I C E Christian Petzold CINEMA OF THE PRESENT German regional film commissions: LOCATION: GERMANY , shot in Saxony-Anhalt Forget America Forget ”Fresh“ locations on ”Fresh“ When you think of Germany, the images of fairytale castles, New Locacions In the East Steins of frothy lager beer, enormous Wurst sausages and Fräuleins in dirndls against a picturesque Alpine landscape may Then, with the creation of new funds in former East Germany invariably come to mind. such as Filmbüro Mecklenburg Vorpommern, and Mitteldeutsche Medienförderung and the Filmboard The job of the film commissions and location offices dotted Berlin-Brandenburg, producers have had their eyes opened around the country is to persuade filmmakers that Germany to many new ”fresh“ locations with potential as the backdrop amounts to much, much more. for a film production. Following the North American model of the film commissions, A good example of locations which appear almost exotic to as gathered together in the Association of Film Commis- (West) German eyes are those appearing in young filmmaker sioners International (AFCI), a number of information Vanessa Jopp’s debut film Forget America (Vergiss offices has sprung up throughout Germany since the beginning of Amerika), which won this year’s HypoVereinsbank Young the 1990s, with the Bavarian capital of Munich being the first with Director’s Prize at the Munich Film Festival in June and was shot its Film Information Office. on location in the deepest East in Saxony-Anhalt. Given the federal structure of Germany and the healthy competi- But, as Run Lola Run director Tom Tykwer points out, tion between the Länder, it was not long before a network of ”most of the (German) films are always being set in the same location offices was established, usually under the wing of one of old cities. That naturally has purely technical reasons for the the existing public film funds, such as Filmstiftung NRW, production; it is simply more complicated when nobody lives FilmFörderung Hamburg and FFF Bayern. in the place where you are shooting. That means that all of the crew have to be brought there and put up in a hotel. In Berlin, 6 a multitude of services. Contact Addresses Berlin Brandenburg Film Commission Rheinland-Pfalz August-Bebel-Str. 26-53 ArgeM - Arbeitsgemeinschaft Medien D-14482 Potsdam-Babelsberg Fritz-Kahl-Straße 24 · D-57122 Mainz phone: +49-3 31-7 43 87 30 · fax: +49-3 31-7 43 87 99 phone: +49-61 31-328 55 00, F: +49-61 31-328 55 05 e-mail: [email protected] · www.bbfc.de e-mail: [email protected] www.boomtown.de Contact: Daniel Hasler Contact: Rainer Abendrot Filmbüro Franken Saarländisches Filmbüro Solgerstraße 6 · D-90429 Nürnberg Nauwieser Straße 19 · D-66111 Saarbrücken phone: +49-911-45 48 41/201 99 50 phone: +49-6 81-360 47, F: +49-6 81-37 46 68 e-mail: [email protected] Contact: Jörg Witte Contact: Sami Haidar Regio Augsburg Tourismus GmbH Film Commission NRW Bahnhofstraße 7 · D-86150 Augsburg Kaistraße 14 · D-40221 Düsseldorf phone: +49-8 21-5 02 07 33 · fax: +49-8 21-5 02 07 46 phone: +49-2 11-93 05 00 · fax: +49-2 11-93 05 05 e-mail: [email protected] e-mail: [email protected] Contact: Gerda M. Rutsche www.filmstiftung.de Contact: Andrea Baaken Stadt Dortmund Büro für Medien- und Kommunikationswirtschaft FilmFernsehFonds Bayern Friedensplatz 1, Rathaus · D-44122 Dortmund Location Office phone: +49-2 31-5 02 20 20 · fax: +49-2 31-5 02 75 85 Schwanthalerstraße 69 · D-80336 Munich e-mail: [email protected] phone: +49-89-54 46 02 16 · fax: +49-89-54 46 02-23 Contact: Doris Zerber-Menze e-mail: [email protected] www.fff-bayern.de Landeshauptstadt Düsseldorf www.location-bayern.com Werbe- und Wirtschaftsförderungsamt Contact: Anja Metzger Mühlenstraße 29 · D-40200 Düsseldorf phone: +49-2 11-8 99 55 01 · fax: +49-2 11-8 92 90 62 Film & Medienbüro Niedersachsen e-mail: [email protected] Lohstraße 45a · D-49074 Osnabrück Contact: Michael Kosiedowski phone: +49-5 41-2 84 26 · fax: +49-5 41-2 95 07, 2 83 27 e-mail: [email protected] FilmFörderung Hamburg GmbH/ www.filmbuero-nds.de Film Commission Contact: Karl Maier, Kerstin Hehmann Friedensallee 14-16 · D-22765 Hamburg phone: +49-40-3 98 37 15 · fax: +49-40-3 98 37 10 Hessische Filmförderung e-mail: [email protected] · www.ffhh.de Am Steinernen Stock 1 · D-60320 Frankfurt am Main Contact: Kerstin Lüthje phone: +49-69-155 45 16, F: +49-69-155 45 14 Contact: Maria Wismeth Stadt Köln Amt des Oberbürgermeisters Mecklenburg-Vorpommern Film Servicebüro Film- und Fernsehproduktion e.V./Landesfilmzentrum Markmannsgasse 7 · D-50667 Cologne Röntgenstraße 22 · D-19055 Schwerin phone: +49-2 21-2 46 61 · fax: +49-2 21-2 64 06 Tel: +49-3 85-55 50 81 · fax: +49-3 85-51 27 71 e-mail: [email protected] e-mail: [email protected] www.stadt-koeln.de www.film-mv.de Contact: Andreas Füser Contact: Ruth Stegemann Stadt Münster MFG, Medien- und Filmgesellschaft Baden- Filmservice Münsterland/Presse- und Informationsamt Württemberg mbH Stadthaus 1, Klemenstraße 10 · D-48143 Münster Huberstraße 4 · D-70174 Stuttgart phone: +49-2 51-4 92 13 80 · fax: +49-2 51-4 92 77 46 phone: +49-7 11-1 22 28 33 · fax: +49-7 11-1 22 28 34 e-mail: [email protected] Contact: Katja Walter www.muenster.de/stadt/filmservice e-mail: [email protected] · www.film.mfg.de Contact: Nicola Ebel MSH - Gesellschaft zur Förderung audio- Film Commission Region Stuttgart visueller Werke in Schleswig-Holstein mbH im Media Forum Stuttgart Schildstraße 12 · D-23552 Lübeck Rosensteinstraße 22 · D-70191 Stuttgart phone: +49-4 51-1 22 41 09 · fax: +49-4 51-7 19 78 phone: +49-7 11-2 59 44 30 · fax: +49-7 11-25 94 43 33 Contact: Andrea Kunsemüller email: [email protected] e-mail: [email protected] www.film.region-stuttgart.de Contact: Marianne Gassner Mitteldeutsche Medienförderung GmbH Hainstraße 19 · D-04109 Leipzig Stadt Wuppertal phone: +49-3 41-2 69 87 23 · fax: +49-3 41-2 69 87 65 Presseamt und Stadtmarketing www.mdm-locationguide.de Rathaus · D-42269 Wuppertal Contact: Manfred Schmidt phone: +49-2 02-5 63 51 25 · fax: +49-2 02-5 63 80 66 e-mail: [email protected] www.wuppertal.de Contact: Ernst-Andreas Ziegler 7 German regional film commissions: everybody simply just goes home in the evenings, and you save hundreds of thousands of Marks.
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    Aus dem Deutschen ins Chinesische(Langzeichen) ü bersetzte Bü cher in Taiwan 由德文翻譯成繁體中文的出版品 Stand 20. Dezember 2014 Die Bü cher, die mit dem Zeichen* gekennzeichnet sind, befinden sich im Bestand der Bibliothek des Goethe-Instituts Taipei. 標有星號 * 以及書目編號的書籍已收錄於館藏中。 此列表以出版社筆劃排序 Chinesischer Titel Deutscher Titel AutorIn 作者 / Verlag Erscheinungs- ISBN 中文書名 原著 Ü bersetzerIn 譯者 出版社 jahr 國際書碼 發行年份 沒人聽我說 Auf mich hört ja keiner! Axel Hacke/ 一方 2001 9867722167 *830 Hack 劉興華 譯 我得走了 Ich muss los Annette Pehnt/ 一方 2003 0039867722329 李懷德 譯 燈塔看守員的夢 Der Traum des Sergio Bambaren/ 一方 2003 9867722140 Leuchtturmwächters 李懷德 譯 夏之屋，再說吧 Sommerhaus, später Judith Hermann/ 一方 2003 9572827669 *830 Her 李懷德 譯 惡女養成班 Gute Mädchen kommen Ute Ehrhardt/ 九歌 2007 9789866798047 in den Himmel, böse 劉平 譯 ü berall hin 最棒的小熊 Bärenmärchen Kirsten Boie u. 上人文化 2001 9572041088 Katrin Engelking/ 賴雅靜 譯 送禮小兔子 Frohe Ostern! Pauli Brigitte Weninger/ 上人文化 2001 9572041126 賴雅靜 譯 小熊兒的秘密 Das Geheimnis der Bruno Hächler/ 上人文化 2001 9572041096 Bären 賴雅靜 譯 波利，生日快樂 Herzlichen Brigitte Weninger/ 上人文化 2001 9572041118 Glü ckwunsch, Pauli 賴美伶 譯 波利，為什麼要吵架？ Pauli – Streit mit Edi Brigitte Weninger/ 上人文化 2001 957204110X 賴雅靜 譯 提歐與里歐 Theo und Leo Friederike Wagner/ 上人文化 2001 9578298994 賴雅靜 譯 不一樣的聖誕禮物 Das schönste Charise Neugebauer 上人文化 957204107X Weihnachtsgeschenk u. Barbara Nascimbeni/ 賴秀娟 譯 蘋果國王 Der Apfelkönig Giuliano Ferri u. 上人文化 9572041045 1 Francesca Bosca/ 賴雅靜 譯 天使的花朵 Die Blumen der Engel Jutta Treiber u. Maria 上人文化 2004 9867517261 Blazejovsky/ 賴雅靜 譯 大波利，小波利 Grosser Pauli, kleiner Brigitte Weninger/ 上人文化 2004 9867517377 Pauli 賴雅靜 譯 說謊的獅子 Die phantastischen Udo Weigelt u. 上人文化 2004 9867517342 Reisen des kleinen Julia Gukova/ Löwen 李紫蓉 譯 吸血鬼學校 1 Die Schule der kleinen Jackie Niebisch/ 二匠文化 1999 9570349093 畢業考 Vampire Bd.
  • German Films Quarterly 2 · 2004

    German Films Quarterly 2 · 2004

    German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.
  • Newsletter 2005 - 2009

    Newsletter 2005 - 2009

    THE FASSBINDER FOUNDATION Rainer Werner Fassbinder Foundation Newsletter 2005 - 2009 Liebe Freunde, Partner, Begleiter und Unterstützer der RWFF und der FF Inc., nachdem wir seit Dezember 2004 unsere dreisprachige Website mit aktuellen Berichten ins Netz gestellt haben, erschien uns ein Newsletter-Versand nicht mehr nötig. Aber ein regelmäßiger Überblick über unsere Aktivitäten fehlte manchem Fassbinder-Fan, so dass wir uns entschlossen haben, die Newsletter-Tradition wieder aufzunehmen. Trotzdem wollen wir Sie erneut ermuntern, unsere aktuellen Nachrichten weiterhin unter www.fassbinderfoundation.de zu verfolgen. Fassbinder-Filme: Reborn Die Schwerpunkte unserer Arbeit der Werkverbreitung waren in den vergangenen Jahren vor allem auf die Wiederaufführung von Fassbinder-Filmen im Kino sowie die Herstellung hochwertiger DVD-Ausgaben gelegt. Im Bereich des Repertoire-Abspiels sind die Strukturen in Deutschland allerdings eng gesteckt und erreichen zumeist nur bei Retrospektiven in Gedenkjahren eine größere Aufmerksamkeit. Dagegen hat sich die Präsenz des Filmwerkes auf dem deutschsprachigen DVD- Markt von Jahr zu Jahr verstärkt, insbesondere durch die Zusammenarbeit mit unserem DVD-Partner ARTHAUS/Kinowelt, mit dem wir seit 2001 kooperieren. Diese führte dazu, dass inzwischen achtundzwanzig Fassbinder-Titel unter dem ARTHAUS-Label verfügbar sind. Zusätzliche Sonderausgaben erneuerten die Präsenz wie zum Beispiel die BRD-Trilogie (2005) im Schuber mit den Klassikern Die Ehe der Maria Braun, Lola und Die Sehnsucht der Veronika Voss oder eine Sonderausgabe zum 25. RWF-Todestag (2007) mit zehn DVDs inklusive erweiterten Bonusmaterials. Die Sonderausgabe Deutscher Herbst (2008), in der RWF mit seinem Beitrag zu dem Episodenfilm Deutschland im Herbst von 1977 und Die Dritte Generation von 1978 neben Filmen von Volker Schlöndorff, Margarethe von Trotta, Alexander Kluge und Reinhard Hauff vertreten ist, intensivierte die Vermittlung des Fassbinder-Werkes.
  • Günther Domenig's Documentation Center of the National Socialist

    Günther Domenig's Documentation Center of the National Socialist

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Architecture Program: Faculty Scholarly and Architecture Program Creative Activity 2017 Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany Rumiko Handa University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/arch_facultyschol Part of the Architecture Commons, Modern Art and Architecture Commons, and the Theory and Criticism Commons Handa, Rumiko, "Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany" (2017). Architecture Program: Faculty Scholarly and Creative Activity. 45. https://digitalcommons.unl.edu/arch_facultyschol/45 This Article is brought to you for free and open access by the Architecture Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Architecture Program: Faculty Scholarly and Creative Activity by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Montreal Architectural Review Presenting the Extremely Difficult Past: Günther Domenig’s Documentation Center of the National Socialist Party Rally Grounds, Nuremberg, Germany Rumiko Handa University of Nebraska Abstract Buildings have a way of bringing the past into the present. This is important because experiences of the past often constitute impactful moments in everyday lives and allow a contemplation of existential meaning. It is an aspect often neglected by architectural professionals and critics because it lies outside the Vitruvian triad of aesthetic, functional, and structural virtues. It goes without saying that a building’s presentation of the past is ontological. In other words, individual perceptions of a building are subjective, and the building’s objective traits or histories do not guarantee that it will turn into a place of memory for everybody.