February 27, 1967
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C. -
Thad Jones Discography Copy
Thad Jones Discography Compiled by David Demsey 2012-15 Recordings released during Thad Jones’ lifetime, as performer, bandleader, composer/arranger; subsequent CD releases are listed where applicable. Each entry lists Thad Jones compositions/arrangements contained on that recording. Album titles preceded by (•) are contained in the Thad Jones Archive collection. I. As a Leader or Co-Leader Big Band Leader or Co-Leader (chronological): • Thad Jones/Mel Lewis Orchestra, Live at the Vanguard (rec. 1/7 [sic], 3/21/66) [live recording donated by George Klabin] Contains: All My Yesterdays (2 versions), Backbone, Big Dipper (2 versions), Mean What You Say, Morning Reverend, Little Pixie, Willow Weep for Me (Brookmeyer), Once Around, Polka Dots and Moonbeams (small group), Low Down, Lover Man, Don’t Ever Leave Me, A-That’s Freedom • Thad Jones/Mel Lewis Orchestra, On Tour (rec. varsious dates and locations in Europe) Discs 1-7, 10-11 [see Special Recordings section below] On iTunes. • Thad Jones/Mel Lewis Orchestra, In the Netherlands (rec. 1974) [unreleased live recording donated by John Mosca] • Thad Jones/Mel Lewis Orchestra, Presenting the Thad Jones-Mel Lewis Orchestra (rec. 5/4-5-6/66) Solid State UAL18003 Contains: Balanced Scales = Justice, Don’t Ever Leave Me, Mean What You Say, Once Around, Three and One • Thad Jones/Mel Lewis Orchestra, Opening Night (rec. 1[sic]/7/66, incorrect date; released 1990s) Alan Grant / BMG Ct. # 74321519392 Contains: Big Dipper, Polka Dots and Moonbeams (small group), Once Around, All My Yesterdays, Morning Reverend, Low Down, Lover Man, Mean What You Say, Don’t Ever Leave Me, Willow Weep for Me (arr. -
Pilot Testing of a Transition Tool for Rural Palliative Patients and Their Family Caregivers
PILOT TESTING OF A TRANSITION TOOL FOR RURAL PALLIATIVE CARE PATIENTS AND THEIR FAMILY CAREGIVERS A Thesis Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Nursing In the College of Nursing University of Saskatchewan Saskatoon By Lori Jean Cooper Copyright Lori Jean Cooper, March 2012. All Rights Reserved PERMISSION TO USE This thesis is presented in partial fulfillment of the requirements for the Degree of Master of Nursing from the University of Saskatchewan. I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department, the Dean of the College of Nursing. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Dean of the College of Nursing University of Saskatchewan 107 Wiggins Road Saskatoon, Saskatchewan S7N 5E5 Canada i ABSTRACT There is a consensus in the literature that end of life care in rural areas is suboptimal. -
BOY S GOLD Mver’S Windsong M If for RCA Distribim
Lion, joe f AND REYNOLDS/ BOY S GOLD mver’s Windsong M if For RCA Distribim ARM Rack Jobbe Confab cercise In Commi i cation ista Celebrates 'st Year ith Convention, Concert tal’s Private Stc ijoys 1st Birthd , usexpo Makes I : TED NUGENFS HIGH WIRED ACT. Ted Nugent . Some claim he invented high energy. Audiences across the country agree he does it best. With his music, his songs and his very plugged-in guitar, Ted Nugent’s new album, en- titled “Ted Nugent,” raises the threshold of high energy rock and roll. Ted Nugent. High high volume, high quality. 0n Epic Records and Tapes. High Energy, Zapping Cross-Country On Tour September 18 St. Louis, Missouri; September 19 Chicago, Illinois; September 20 Columbus, Ohio; September 23 Pitts, Penn- sylvania; September 26 Charleston, West Virginia; September 27 Norfolk, Virginia; October 1 Johnson City, Tennessee; Octo- ber 2 Knoxville, Tennessee; October 4 Greensboro, North Carolina; October 5 Philadelphia, Pennsylvania; October 8 Louisville, x ‘ Kentucky; October 11 Providence, Rhode Island; October 14 Jonesboro, Arkansas; October 15 Joplin, Missouri; October 17 Lincoln, Nebraska; October 18 Kansas City, Missouri; October 21 Wichita, Kansas; October 24 Tulsa, Oklahoma -j 1 THE INTERNATIONAL MUSIC-RECORD WEEKLY C4SHBCX VOLUME XXXVII —NUMBER 20 — October 4. 1975 \ |GEORGE ALBERT President and Publisher MARTY OSTROW cashbox editorial Executive Vice President Editorial DAVID BUDGE Editor In Chief The Superbullets IAN DOVE East Coast Editorial Director Right now there are a lot of superbullets in the Cash Box Top 1 00 — sure evidence that the summer months are over and the record industry is gearing New York itself for the profitable dash towards the Christmas season. -
Texas Review's Gordian Review
The Gordian Review Volume 2 2017 The Gordian Review Volume 2, 2017 Texas Review Press Huntsville, TX Copyright 2017 Texas Review Press, Sam Houston State University Department of English. ISSN 2474-6789. The Gordian Review volunteer staff: Editor in Chief: Julian Kindred Poetry Editor: Mike Hilbig Fiction Editor: Elizabeth Evans Nonfiction Editor: Timothy Bardin Cover Design: Julian Kindred All images were found, copyright-free, on Shutterstock.com. For those graduate students interesting in having their work published, please submit through The Gordian Review web- site (gordianreview.org) or via the Texas Review Press website (texasreviewpress.org). Only work by current or recently graduated graduate students (Masters or PhD level) will be considered for publication. If you have any questions, the staff can be contacted by email at [email protected]. Contents 15 “Nightsweats” Fiction by James Stewart III 1 “A Defiant Act” 16 “Counting Syllables” Poetry by Sherry Tippey Nonfiction by Cat Hubka 4 “Echocardiogram” 17 “Missed Connections” 5 “Ants Reappear Like Snowbirds” 6 “Bedtime Story” Poetry by Alex Wells Shapiro 6 “Simulacrum” 21 “Feralizing” 7 “Cat Nap” 21 “Plugging” 22 “Duratins” 23 “Opening” Nonfiction by Rebekah D. Jerabek 7 “Of Daughters” 23 “Desiccating” Poetry by Kirsten Shu-ying Chen Acknowledgements 14 “Astronimical dawn” 15 “Brainstem” Author Biographies A Defiant Act by James Stewart III father walks to the back of the family mini-van balancing four ice cream cones in his two hands. He’s holding them away from hisA body so they don’t drip onto his stained jeans in the midsummer heat. He somehow manages to open the back hatch of the van while balancing the treats. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
Sendung, Sendedatum
WDR 3 Jazz & World, 04. Mai 2019 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 04.05.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Werner Wittersheim 22:04-24:00 Laufplan 1. Skip-A-Page K/T: Buddy Tate 2:11 BUDDY TATE Baton 1201; LC: 99999 LP: Instrumentals For Dancing The Lindy Hop 2. Go, Floorshow! K/T Frank Culley 2:26 FRANK CULLEY wie Titel 1 3. Gone After Hours K/T: Frank Culley/ Henry Van Walls 2:58 FRANK CULLEY Atlantic 781666; LC: 00121 LP: Atlantic Honkers 4. Sorghum Switch K/T: Jesse Stone 3:21 JIMMY DORSEY Decca 18372; LC: 00171 Single 5. Cole Slaw (Sorghum Switch) K/T: Jesse Stone 2:45 FRANK CULLEY Atlantic 874; LC: 00121 Single 6. Cole Slaw K/T: Jesse Stone 2:53 JESSE STONE RCA Victor1330; LC: 00316 Single 7. How Long Has This Been K/T: George & Ira Gershwin 3:12 Going On Dig 101; LC: 99999 BUDDY COLLETTE LP: Tanganyika 8. You’ll Never Miss The K/T: Bob Range 3:04 Water Till The Well Runs Dry Delmark 685; LC: 99999 BOB RANGE CD: Blues Around The Clock 9. Somebody Wants Me Down K/T: Bill Holman 4:01 There Vik 1070; LC: 00316 BIRDLAND DREAMBAND LP: The Birdland Dreamband 10. More West K/T: Marty Paich 2:30 BIRDLAND DREAMBAND wie Titel 9 11. Little Girl Kimbi K/T: Johnny Mandel 2:52 BIRDLAND DREAMBAND wie Titel 9 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. -
Thad Jones Chronology Copy
Thad Jones Chronology Compiled by David Demsey • 1923/March 28 - Born, Pontiac Michigan; father a lumber inspector for General Motors, had moved to MI from Vicksburg, MS. One of ten children – Thad: “We lost one sister in a drowning accident, and Elvin had a twin brother that died at an early age, but the remaining eight survive.” (Source: liner of H. Jones Have You Met This Jones?) • Professional career began during high school (later 1930s) • C. 1936-7, started to play trumpet at age 14 • C. 1936 in Arcadia Club Band in Pontiac, MI, led by trumpet-playing uncle Bill; band also contained Hank Jones • C. 1939, Formed The Hungry Five, played school dances; contained pianist Vivian Scott, tenorist Dan Turner • Last year in high school (1939?) played in 13-piece band in Saginaw, MI; had first contact with Big Nick Nicolas and Sonny Stitt, formed group with others from Flint, MI, went on road for 2.5 years, broke up in Indianapolis • 1941 traveling with Connie Cornell band through South • 1943 in Dallas for about six months, with band led by altoist Red Calhoun • 1943/December-April 1946 – U.S. Army; first big band experience in G.I. band led by Jack Teagarden, Jr.; arranged for G.I. band that toured with the show “Bedtime Stories” • 1946, formed own band in Oklahoma City • 1946, played in Des Moines with Harold and Seymour Gray for 7 months • 1948, recorded Swing, Not Spring, w/Billy Mitchell, Terry Pollard, piano/vibes; James Richardson? Alvin Jackson?, b; Elvin Jones, d. • 1950-53 formed group with tenor saxophonist Billy Mitchell, also -
Song of Myself"
Walt Whitman's "Song of Myself" Walt Whitman's "Song of Myself" A Mosaic of Interpretations by Edwin Haviland Miller University of Iowa Press Iowa City . ~·· :-. University of Iowa Press, Iowa City 52242 Copyright © 1989 by the University of Iowa All rights reserved Printed in the United States of America First paperback printing, 1991 Design by Richard Hendel Typesetting by G&S Typesetters, Austin, Texas Printing and binding by Malloy Lithographing, Ann Arbor, Michigan No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Miller, Edwin Haviland. [Song of myself] Walt Whitman's "song of myself": a mosaic of interpretations/by Edwin Haviland Miller. p. em. Bibliography: p. Includes index. ISBN 0-87745-227-X, ISBN 0-87745-345-4 (pbk.) 1. Whitman, Walt, 1819-1892. Song of myself. I. Title. PS3222.S63M55 1989 88-38069 811'.3-dc19 CIP Dedicated to almost 300 critics of "Song of Myself" wlw in the past 130 years have contributed to the creation of A MOSAIC OF INTERPRETATIONS Contents Preface ix Introduction xi The 1855 Version of "Song of Myself" 1 The Mosaic of Interpretations 45 Whitman's Catalogues 141 Notes 147 Bibliography 159 Index 173 Preface I undertook the preparation of what I call "A Mosaic of Interpretations" for two reasons. For more than twenty-five years in print and in the classroom I have wrestled with "Song of Myself" as much perhaps for my own enlightenment as my readers' or students'. -
Catalogo Xpress
Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley -
Vince Giordano Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION BIOGRAPHICAL SKETCH Born in Brooklyn, New York, Vince Giordano’s passion for music from the 1920s and 1930s, and the people that made it, began at age 5. He has amassed an amazing collection of over 60,000 band arrangements, 1920s and 1930s films, 78 recordings and jazz-age memorabilia. Giordano sought out and studied with important survivors from the period: Paul Whiteman’s hot arranger Bill Challis and drummer Chauncey Morehouse, as well as bassist Joe Tarto. Giordano’s passion, commitment to authenticity, and knowledge led him to create a sensational band of like-minded players, the Nighthawks. Giordano has single-handedly kept alive an amazing genre of American music that continues to spread the joy and pathos of an era that shaped our nation. A Grammy-winner and multi-instrumentalist, Giordano has played in New York nightclubs, appeared in films such as The Cotton Club, The Aviator, Finding Forrester, Revolutionary Road, and HBO’s Boardwalk Empire; and performed concerts at the Town Hall, Jazz At Lincoln Center and the Newport Jazz Festival. Recording projects include soundtracks for the award- winning Boardwalk Empire with vocalists like Elvis Costello, Patti Smith, St. Vincent, Regina Spektor, Neko Case, Leon Redbone, Liza Minnelli, Catherine Russell, Rufus Wainwright and David Johansen. He and his band have also recorded for Todd Haynes' Carol, Terry Zwigoff’s Ghost World, Tamara Jenkins’ The Savages, Robert DeNiro’s The Good Shepherd, Sam Mendes’ Away We Go, Michael Mann’s Public Enemies, and John Krokidas’ debut feature, Kill Your Darlings; along with HBO’s Grey Gardens and the miniseries Mildred Pierce.