DOCSLIB.ORG

Sendung, Sendedatum

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sendung, Sendedatum WDR 3 Jazz & World, 04. Mai 2019 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 04.05.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Werner Wittersheim 22:04-24:00 Laufplan 1. Skip-A-Page K/T: Buddy Tate 2:11 BUDDY TATE Baton 1201; LC: 99999 LP: Instrumentals For Dancing The Lindy Hop 2. Go, Floorshow! K/T Frank Culley 2:26 FRANK CULLEY wie Titel 1 3. Gone After Hours K/T: Frank Culley/ Henry Van Walls 2:58 FRANK CULLEY Atlantic 781666; LC: 00121 LP: Atlantic Honkers 4. Sorghum Switch K/T: Jesse Stone 3:21 JIMMY DORSEY Decca 18372; LC: 00171 Single 5. Cole Slaw (Sorghum Switch) K/T: Jesse Stone 2:45 FRANK CULLEY Atlantic 874; LC: 00121 Single 6. Cole Slaw K/T: Jesse Stone 2:53 JESSE STONE RCA Victor1330; LC: 00316 Single 7. How Long Has This Been K/T: George & Ira Gershwin 3:12 Going On Dig 101; LC: 99999 BUDDY COLLETTE LP: Tanganyika 8. You’ll Never Miss The K/T: Bob Range 3:04 Water Till The Well Runs Dry Delmark 685; LC: 99999 BOB RANGE CD: Blues Around The Clock 9. Somebody Wants Me Down K/T: Bill Holman 4:01 There Vik 1070; LC: 00316 BIRDLAND DREAMBAND LP: The Birdland Dreamband 10. More West K/T: Marty Paich 2:30 BIRDLAND DREAMBAND wie Titel 9 11. Little Girl Kimbi K/T: Johnny Mandel 2:52 BIRDLAND DREAMBAND wie Titel 9 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 04. Mai 2019 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 04.05.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 12. She Didn’t Say „Yes“ K/T: Jerome Kern/ Otto Harbach 3:21 CHARLENE BARTLEY RCA Victor 1478; LC: 00316 22:04LP:-24 :00The Weekend Of A Private Scretary 13. Moon Over Miami K/T: Edgar Leslie/ Joe Burke 3:02 CHARLENE BARTLEY wie Titel 12 14. Doin’ The Bop K/T: Al Donahue 2:10 CHARLENE BARTLEY President 1004; LC: 99999 Single 15. The Weekend Of A K/T: Bernie Hanighen/ Johnny Mercer 3:22 Private Secretary wie Titel 12 CHARLENE BARTLEY 16. Hot Point K/T: Maxwell Davis 2:11 MAXWELL DAVIS Aladdin 3174; LC: 99999 Single 17. Hot House K/T: Tadd Dameron 3:05 DIZZY GILLESPIE Guild 1003; LC: 99999 Single 18. Night In Tunisia K/T: Frank Paparelli/ Dizzy Gillespie 3:02 DIZZY GILLESPIE RCA Victor 09026779; LC: 00316 CD: The First Label In Jazz Vol.3 19. The Lady In Red K/T: Allie Wrubel/ Mort Dixon 3:20 STAN GETZ Bertelsmann 31110; LC: 00116 LP: Stan Getz & Sonny Rollins 20. Godchild K/T: George Wallington 3:13 MILES DAVIS Capitol 762; LC: 00148 LP: The Birth of The Cool 21. I’ll Keep Loving You K/T: Bud Powell 3:19 AL HAIG Interplay 00288; LC: 99999 LP: A Portrait Of Bud Powell 22. Strictly Confidential K/T: Bud Powell 4:45 AL HAIG wie Titel 21 23. It’ A Wonderful World K/T: Jan Savitt 2:36 BOB FLANIGAN & Capitol1957; LC: 00148 JOHN GRAY LP: Togetherness Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 WDR 3 Jazz & World, 04. Mai 2019 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 04.05.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 24. Opus De Funk K/T: Horace Silver 13:00 MILT JACKSON & Savoy 12036; LC: 00337 FRANK WESS 22:04LP:-24 :00Opus De Jazz 25. Hodge-Podge K/T: Bullmoose Jackson 2:58 BULLMOOSE JACKSON Saxophonograph 506; LC: 99999 LP: Moose On The Loose 26. End This Misery K/T: Al Jackson 2:49 BULLMOOSE JACKSON wie Titel 24 27. Dardanella K/T: Bernard/ Fisher/ Black 2:50 BOB ROMEO Omegatape 7011; LC: 99999 LP: Aphrodisia 28. Jungle Fantasy K/T: Esy Morales 2:48 BOB ROMEO wie TItel 27 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 3 .
Load more

Recommended publications
  • QUASIMODE: Ike QUEBEC
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
    [Show full text]
  • February 27, 1967
    9 pm Wednesday Maroh 1 West Akers 've got this gigantic front-page collage and these week when Allen Ginsberg and the US Kiss-In share the two pages of copy on United Students, and we'd like to be SAME FRONT PAGEI able to say it was all planned way in advance by the editors Putting our quivers of anticipation aside for a moment and iheir ouija board and crystal ball who told us that the and talking about the Issue at hand, let us take a line or two kiss-in and the boycott and the coffeehouse would an happen to apologize to all the non-MSU students to whom the US this week (plus, needless to say, Allen Ginsberg, who started pages may seem perfectly unintelligible; let us furthermore it all), but we can't say thai, cause that's not really what feel sorry for all the MSU students who may share the out- happened. It was pure coincidence, and so will it be next of-towners' feelings. Hurry up, please, there's still lime. for a one week study of the Report ly suspect that only God knows exact­ prior to US making Its own report. ly what's going on with the parking Progress Report I personally feel that US could have situation on campus, and even ihen made such a report about eight weeks I'm not so sure. I can report only ago, but failed to do so through a that it looks like student parking combination of bad leadership and lots are slowly being moved off- that particular brand of hesitancy campus in the genral direction of which plagues so many groups whose Sidney, Austrailia, and that US is Where US is At most Important virtue should be de­ uptight about ii.
    [Show full text]
  • Savoy and Regent Label Discography
    Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.
    [Show full text]
  • Catalogo Xpress
    Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley
    [Show full text]
  • Milt Jackson from Wikipedia, the Free Encyclopedia
    Milt Jackson From Wikipedia, the free encyclopedia Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually Milt Jackson thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post­bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the Milt Jackson, Village Jazz Lounge with the Bubba twelve­bar blues at slow tempos. He preferred to set the Kolb Trio, late 1970s. vibraphone's oscillator to a low 3.3 revolutions per Background information second (as opposed to Lionel Hampton's speed of 10 Birth name Milton Jackson revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally. Born January 1, 1923 Detroit, Michigan Died October 9, 1999 (aged 76) Contents Manhattan, New York Genres Hard bop, Afro­Cuban jazz, modal 1 Biography jazz, mainstream jazz, post­bop 2 Discography 2.1 With the Modern Jazz Quartet Occupation(s) Musician, soloist, composer, 2.2 As sideman bandleader 3 References Instruments Vibraphone, piano 4 External links Labels Impulse!, Atlantic, Prestige, Apple Associated acts John Coltrane, Ray Charles, Miles Biography Davis, Dizzy Gillespie, The Modern Jazz Quartet, Thelonious Jackson was born on January 1, 1923 in Detroit, Monk, Wes Montgomery Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style.
    [Show full text]
  • TIME JAZZ CLASSICS - (© Arnold Van Kampen, 2012)
    ALL TIME JAZZ CLASSICS - (© Arnold van Kampen, 2012) 1. BEST JAZZ-CDs & JAZZ-CD-BOX-SETs: 1. Cannonball Adderley – Mercy, mercy, mercy - Live at the Club (live) * 2. Cannonball Adderley/Miles Davis – Something Else * 3. Cannonball Adderley & Lou Rawls & Nancy Wilson – In Person (live) * 4. Cannonball Adderley & Bill Evans – Know what I mean? * 5. Nat Adderley – Work Song 6. Gerald Albright – Live at Birdland West (live) 7. Monty Alexander – Montreux Alexander (live) * 8. Ernestine Anderson – Concord Jazz Festival 1990, Third Set 9. Louis Armstrong – The Complete Hot Five and Hot seven Recordings (4-cd) * 10. Louis Armstrong & Duke Ellington – The Great Summit / Complete Sessions (2-cd) * 11. Svend Asmussen & Stéphane Grappelli – Tow of a kind 12. Sidney Bechet – Master Takes: Victor Session, 1932 – 1943 (3-cd) 13. Chet Baker – In Tokyo (live) (2-cd) * 14. Patricia Barber – Café Blue 15. Kenny Barron – Live at Bradley’s & Live at Bradley’s II (The Perfect Set) (live) (2-cd) 16. Count Basie – The Original American Decca Recordings (3-cd) * 17. Sidney Bechet – En concert avec Europe 1, 1957 – 1958 (live) 18. Tony Bennett – Jazz * 19. Tony Bennett & Bill Evans – The Complete Tony Bennett / Bill Evans Recordings (2-cd) * 20. George Benson – Beyond the Blue Horizon 21. Art Blakey & Jazzmessengers – Au Club Saint Germain (live) (3-cd)* 22. Art Blakey, Jazzmessengers & Clifford Brown – A Night at Birdland, vol 1 + 2 (live) (2-cd)* 23. Art Blakey & Thelonious Monk – Art Blakey & Jazz Messengers + Thelonious Monk * 24. Dee Dee Bridgewater – Live at Yoshi’s (live) 25. Bob Brookmeijer – New Works / Celebration 26. Clifford Brown – Brownie: The Complete Emarcy Recordings of Clifford Brown (10-cd) * 27.
    [Show full text]
  • Milt Jackson the Jazz Skyline Mp3, Flac, Wma
    Milt Jackson The Jazz Skyline mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Jazz Skyline Country: US Released: 1962 Style: Contemporary Jazz, Cool Jazz MP3 version RAR size: 1507 mb FLAC version RAR size: 1639 mb WMA version RAR size: 1833 mb Rating: 4.9 Votes: 447 Other Formats: ADX AIFF XM FLAC WMA AUD AU Tracklist A1 Lover A2 Can't Help Lovin' That Man A3 The Lady Is A Tramp B1 Angel Face B2 Sometimes I'm Happy B3 What's New Credits Bass – Wendell Marshall Drums – Kenny Clarke Piano – Hank Jones Producer – Herman Lubinsky Tenor Saxophone – Lucky Thompson Vibraphone – Milt Jackson Other versions Category Artist Title (Format) Label Category Country Year The Jazz Skyline (LP, MG 12070 Milt Jackson Savoy Records MG 12070 US 1956 Album, Mono, Dee) The Jazz Skyline (LP, London LTZ-C.15074 Milt Jackson LTZ-C.15074 UK 1956 Album) Records What's New (LP, Album, Realm, Realm RM 115 Milt Jackson RM 115 UK 1963 Mono, RE) Jazz The Jazz Skyline (CD, SV-0173 Milt Jackson Savoy Records SV-0173 Japan 1992 Album) The Jazz Skyline (LP, SJC 410 Milt Jackson Savoy Jazz SJC 410 US 1985 Album, RE) Related Music albums to The Jazz Skyline by Milt Jackson Milt Jackson + Count Basie + The Big Band - Milt Jackson + Count Basie + The Big Band Vol. 2 Milt Jackson / Ray Brown - Milt Jackson Ray Brown Jam Milt Jackson - Blues For Diahann / Whisper Not Milt Jackson And The Pablo All Stars - Milt Jackson And The Pablo All Stars Milt Jackson - The Milt Jackson Big 4 At The Montreux Jazz Festival 1975 Milt Jackson - Jackson'sville The Modern Jazz Quartet, Milt Jackson Quintet - M J Q Milt Jackson, Frank Wess, Kenny Clarke, Hank Jones, Eddie Jones - Opus De Jazz.
    [Show full text]
  • Discographie Leader/Co-Leader
    Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
    [Show full text]
  • LONG PLAYING Jazz West Coast Vo' 2 Livingston, Quintet Was Signed by Associated Book­ out Exceptic John La Porta
    seem to me that anyone with a quota of five or more affirmative reactions is a MILT JACKSON very remarkable sample homo sapiens. SWINGS m SAVOY! Fabulous "Bags ' with Lucky Thomp­ The man who came to mind immedi­ son Hank Jones. Klook W. Marshall ately after I reviewed the eight ques­ on his latest and greatest! Hear tions was not a musician but a song­ Angel Face," Lover' other great writer, Walter Bishop. You probably tracks! don’t know who he is, because it’s not STEREO easy to become i ich, famous, or success­ a 11 here to ful in the music business by behaving that echoes ’ ke a 100 percent Christian. But I’ll plants of nu bet he's a happier man than a lot of ers and recc triple-A ASCAP members, and if all gone to sten the eight questions were asked of him, recorded ta he’d bat a thousand. One of th Anyhow, next time you hear some the acceptai noted jazzman unleashing a verbal Almost with barrage concerning some critic or fel­ on the nev low musician, try out the eight ques­ listening an tions on him and watch him flunk. that the advi gradual equipment 1 summa cum lamie, collect; : is somethin! that point Diogeni monaural hi ready to jump out of his tub to salute, Let’s taki not merely an honest man, but a com­ has done ir OTHER MILT JACKSON 12" LP«—$4.4E plete human being equipment i MG 12026 HOWARD McGHEE-MILT JACKSON MG 12036 OPUS DE JAZZ with F We» MG 12046 MODERN JAZZ QUARTET (or g ) • Basic p MG 12042 ROLL EM BAGS with 2 groups ment for st< MG 12061 MEET M LT JACKSON 2 «roups Trumpeter Herman has been a’ Write Dept A for Free Jen Discography quite a few Specie! Aft.
    [Show full text]
  • Pkhouse Record Collection
    Pollock-Krasner House and Study Center 830 Springs-Fireplace Road East Hampton, NY 11937 631-324-4929 www.pkhouse.org Pollock-Krasner House and Study Center Phonograph Record Collection Original inventory compiled by Nancy Dugan, June – August 1988 Transcribed from the original inventory by Jane Capozzelli, August 2009 ATTIC: All records 78 rpm and in unplayable condition unless otherwise noted. These comprise the bulk of Jackson Pollock’s personal record collection. Attic, rack 1. 1. Artist(s): Art Hodes Jazz Record Six Musicians: Henry Goodwin – trumpet; Cecil Scott – clarinet; Geroge Lugg – trombone; Art Hodes – piano; Pops Foster – bass; Kaiser Marshall – drums. Side One. Title: That’s A Plenty Written by: Pollock Side Two. Title: Ballin’ the Jack Written by: Smith – Burris Record Company: Jazz Records Album #: 1009 2. Artist(s): Al Casey and His Sextet Musicians: Willie Smith – alto; Illinois Jacquet – tenor; Gerald Wilson – trumpe; Al Casey – guitar; Horace Henderson – piano; John Simmons – bass; Sid Catlett – drums. Side One. Title: Sometimes I’m Happy Written by: Caesar – Youmans Side Two. Title: How High The Moon Written by: Lewis – Hamilton Record Company: Capitol Criterioh Album #: 20034; 559-2A Series: History of Jazz, CE-18, sides 27-28 3. Artist(s): Josh White Side One. #: MA 159-1 Title: Outskirts of Town Side Two. #: MA 170; Title: One Meat Ball Written by: Hy Zaret – Lou Singer Record Company: Asch Records, NY Album #: 348-2 4. Artist(s): Josh White Album Title: Working Blues Side One. #: MA 162 Title: Work Blues; I Got a Head Like a Rock Written by: Jacques Wolf Side Two.
    [Show full text]
  • Milt Jackson Opus De Jazz Mp3, Flac, Wma
    Milt Jackson Opus De Jazz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Opus De Jazz Country: Germany Released: 1984 Style: Bop MP3 version RAR size: 1240 mb FLAC version RAR size: 1235 mb WMA version RAR size: 1185 mb Rating: 4.2 Votes: 528 Other Formats: VOX DTS VOC XM MPC RA AIFF Tracklist A1 Opus De Funk 13:29 A2 You Leave Me Breathless 6:29 B1 Opus And Interlude 6:31 B2 Opus Pocus 7:29 Credits Bass – Eddie Jones Design, Art Direction – Ron Kellum Drums – Kenny Clarke Engineer [Recording] – Rudy Van Gelder Executive Producer – Steve Backer Flute, Tenor Saxophone – Frank Wess Illustration – Robert Weaver Liner Notes – Mark Gardner Mastered By [Original] – Rudy Van Gelder Piano – Hank Jones Recording Supervisor – Ozzie Cadena Reissue Producer – Bob Porter Vibraphone – Milt Jackson Notes Recorded in Hackensack, New Jersey on October 28, 1955. Category on cover: WL70501 Barcode and Other Identifiers Matrix / Runout (Runout Side A, Stamped): C - WL -70 501 - A Matrix / Runout (Runout Side B, Stamped): C - WL -70 501 - B/2 Barcode (On Back Cover): 0035627050114 Label Code: LC 0337 Other versions Category Artist Title (Format) Label Category Country Year Milt Jackson, Milt Jackson, Frank Frank Wess, Wess, Kenny Clarke, Savoy MG-12036 Kenny Clarke, Hank Jones, Eddie MG-12036 US 1955 Records Hank Jones, Jones - Opus De Jazz Eddie Jones (LP, Album) Milt Jackson, Milt Jackson, Frank Frank Wess, Wess, Kenny Clarke, Savoy COJY-9042 Kenny Clarke, Hank Jones, Eddie COJY-9042 Japan 1993 Records Hank Jones, Jones - Opus De Jazz Eddie
    [Show full text]
  • Tο Φλάουτο Στη Jazz Μουσική Ιστορική Επισκόπηση Και Οι Αλλαγές Που Δροµολόγησε Η Παρουσία Του - Μέχρι Την Δεκαετία Του 1980
    ΠΑΝΕΠΙΣΤΗΜΙΟ ΜΑΚΕ∆ΟΝΙΑΣ ΤΜΗΜΑ ΜΟΥΣΙΚΗΣ ΕΠΙΣΤΗΜΗΣ ΚΑΙ ΤΕΧΝΗΣ Tο φλάουτο στη Jazz µουσική Ιστορική επισκόπηση και οι αλλαγές που δροµολόγησε η παρουσία του - µέχρι την δεκαετία του 1980 Ταντανόζη Μαρίνα Αρ. µητρώου: 5/04 Επιβλέπων καθηγητής: Ζέρβας Αθανάσιος, Συνεπιβλέπων καθηγητής: Ανδρούτσος Πολύβιος Σεπτέµβριος 2008 ii Copyright © Ταντανόζη Μαρίνα 2008 Με επιφύλαξη παντός δικαιώµατος. All rights reserved. Η έγκριση της πτυχιακής εργασίας από το Τµήµα Μουσικής Επιστήµης και Τέχνης του Πανεπιστηµίου Μακεδονίας δεν υποδηλώνει απαραιτήτως και αποδοχή των απόψεων του συγγραφέα εκ µέρους του Τµήµατος. iii Περιεχόµενα 1. Εισαγωγή.........................................................................................1 2. Πρώιµες εµφανίσεις του φλάουτου στη jazz µουσική...............3 3. Η πορεία του φλάουτου στις διάφορες περιόδους της jazz, µέσα από τους πιο σηµαντικούς καλλιτέχνες........................................6 3.1. ∆εκαετία του 1950...................................................................8 3.2. ∆εκαετία του 1960.................................................................16 3.3. ∆εκαετία του 1970.................................................................24 3.4. ∆εκαετία του 1980.................................................................27 4. Σύγχρονες τεχνικές......................................................................29 5. Η αλληλεπίδραση µε άλλα µουσικά είδη...................................33 6. Ανάλυση .......................................................................................35
    [Show full text]