DOCSLIB.ORG

Past Playlist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Past Playlist Jan. 11, 2020 Set 1 Roy Eldridge, Complete Verve Studio Sessions, “Tin Roof Blues” Vic Dickenson, Ding Dong, “Rosetta” Milt Jackson & Big Brass, For Someone I Love, “Save Your Love For Me” Set 2 Duke Ellington, Latin American Suite, “The Sleeping Lady and the Giant Who Watches Over Her” Thelonious Monk, “You Took The Words Right Out of My Heart” Rob McConnell, Three for the Road, “A Sleepin’ Bee” Set 3 Thad Jones, The Magnificent Thad Jones, “Billy Doo” Weslia Whitfield, September Songs, “I Only Have Eyes for You” John Coltrane & Paul Quinichette, Cattin’ with Coltrane & Quinichette, “Tea for Two” Set 4 Marc Copland & Greg Osby, Round and Round, “Balloonman” Yazz Ahmed, Polyhymnia, “2857” Louis Smith, Soon, “Mike” Set 5 SF Jazz Collective, Live 2009: 6th Annual Concert Tour, “Migrations” Teddy Charles, New Directions, “Decibels” Cecil Taylor, Jazz Advance, “Sweet and Lovely” Set 6 Lou Donaldson, Blue Note Sessions, “That Good Old Feeling” Karin Krog with Dexter Gordon, Some Other Spring, “Shiny Stockings” Mal Waldron & Steve Lacy, Sempre Amore, “To the Bitter” Set 7 Billie Holiday, Lady Day: The Complete Billie Holiday on Columbia, “Pennies from Heaven” Don Byas, 1944-45, “Pennies from Heaven” Dinah Washington, Complete on Mercury, “Pennies from Heaven” Eddie “Lockjaw” Davis, Smokin’, “Pennies from Heaven” Set 8 Count Basie and His Orchestra, Complete Decca Recordings, “Pennies from Heaven” Lester Young, Complete Studio Sessions on Verve, “Pennies from Heaven” Ernesto Cervini’s Turboprop, Rev, “Pennies from Heaven” Set 9 Antonio Sanchez, Quartet Live, “Question and Answer” Delfeayo Marsalis, Sweet Thunder, “Star-Crossed Lovers” Jane Ira Bloom, Sixteen Sunsets, “Gershwin’s Skyline/I Loves You, Porgy” Set 10 Ed Bickert, The Guitar Mastery of Ed Bickert, “Soul Eyes” Miles Davis Quintet, E.S.P. “Little One” Wayne Horvitz, Sweeter Than the Day, “The Little Parade” David Binney, Graylen Epicenter, “Everglow” Set 11 Joe Lovano & Hank Jones, Kids: Duets Live at Dizzy’s Club Coca Cola, “Lazy Afternoon” Frank Kimbrough &. Joe Locke, Saturn’s Child, “Trouble is a Gorgeous Dancer” Johnny Griffin, Return of the Griffin, “When We Were One” Same, “I Should Care” January 18, 2020 Set 1 Kenny Dorham, Quintet, “An Oscar for Oscar” Same, “Ruby My Dear” Kenny Dorham, Afro-Cuban, “Afrodisia” Kenny Dorham, Jazz Contrasts, “Falling in Love with Love” Set 2 Conte Candoli & Lee Morgan, Double or Nothin’, “Blues After Dark” Carla Bley, The Lost Chords, “Red” Oliver Nelson, Afro-American Sketches, “Disillusioned” Set 3 Ed Thigpen Scantet, 31, “Fast Train” Dee Dee Bridgewater, Keeping Tradition, “I’m a Fool to Want You/I Fall in Love Too Easily” Sam Rivers, Fuchsia Swing Song, “Cyclic Episode” Set 4 Kenny Dorham, Una Mas, “Sao Paulo” Kenny Dorham, Quiet Kenny, “Lotus Blossom” Kenny Dorham, Whistle Stop, “Sunset” Set 5 Hank Jones, The Oracle, “Trane Connections” Thad Jones and Mel Lewis, Dedication, “It Only Happens Every Time” Carol Sloane, Heart’s Desire, “He Loves and She Loves” Chet Baker & Art Pepper, Playboys, “Tynan Time” Set 6 Tete Montoliu, Music I Like to Play, Vol. 2, “All of You” Billie Holiday, Complete Billie Holiday on Columbia, “Let’s Dream in the Moonlight” Lou Donaldson, Blue Note Sessions, “Twist Time” Miles Okazaki, Trickster, “Kudzu” Set 7 Mildred Bailey, Complete Columbia Recordings, “Where Are You” Bunny Berrigan, His Orchestra, Complete Brunswick, Parlophone, and Vocalion Recordings, “Where Are You” Chris Connor, Chris Connor, “Where Are You” Ben Webster, Soulville, “Where Are You” Set 8 Dinah Washington, Complete Roulette Recordings, “Where Are You” Randy Weston, Get Happy, “Where Are You” Kurt Elling, Nightmoves, “Where Are You” Dexter Gordon, Go, “Where Are You” Set 9 Kenny Burrell & Illinois Jacquet, Columbia Small Group Swing Sessions, “Just Squeeze Me” Teddy Wilson, Chronological Classics, “Moanin’ Low” Christine Jensen, A Shorter Distance, “Dilemma” Toshiko Akiyoshi Jazz Orchestra, Desert Lady/Fantasy, ‘Broken Dreams” Set 10 Donald Byrd & Pepper Adams, Complete Blue Note Studio Sessions, “Here Am I” Bennie Green, Mosaic Select, “Walkin’ and Talkin’” Curtis Fuller, Imagination, “Blues de Funk” Set 11 Kenny Barron & Stan Getz, People Time, “I Remember Clifford” Ron Affif, 52nd Street, “I’ll Be Seeing You” Andrew Cyrille, Good to Go, “Aftermath” Tommy Flanagan, Jazz Poet, “Glad to be Unhappy” Same, “Lament” Playlist: January 25, 2020 Set 1 Herlin Riley, Perpetual Optimism, “Rush Hour” Hilary Kole, You Are There, “These Foolish Things” Jack DeJohnette, New Directions, “Where or Wayne” Warne Marsh, Back Home, “Big Leaps for Lester” Set 2 Sonny Rollins, Sonny Rolllins Vol. 1, “Sonnysphere” Cecile McLorin Salvant, Dreams and Daggers, “Devil May Care” Andrew Hill, A Beautiful Day, “A Beautiful Day” Set 3 Stan Kenton & His Orchestra, Kenton Presents: Cooper, Holman & Rosolino, “So Nice” Bix Beiderbecke, Complete Okeh & Brunswick Recordings, “How Am I To Know” John Abercrombie, The Hudson Project, “Little Swing” Ahmad Jamal, Complete Argo Sessions, “April in Paris” Terumasa Hino, DNA, “Black Jack” Set 4 John Fedchock New York Big Band, Up & Running, “Moment’s Notice” Jimmy Knepper, Dream Dancing, “This Time the Dream’s on Me” Susannah McCorkle, No More Blues, “Do Nothing Till You Hear From Me” Dave Douglas, Soul on Soul, “Soul on Soul” Set 5 June Christy, Ballads fort Night People, “The More I See You” Count Basie, Montreux ’77, “The More I See You” Chet Baker, It Could Happen to You, “The More I See You” Sonny Stitt, Goin’ Down Slow, “The More I See You” Set 6 Johnny Hartman, The Voice That Is, “The More I See You” Hank Mobley, Roll Call, “The More I See You” Cyrille Aimee, The Surreal Band, “The More I See You” Jimmy Heath, Triple Threat, “The More I See You” Set 7 Cedar Walton, The Bouncer, “Willie’s Groove” Harold Land, Take Aim, “Take Aim” Charles Mingus, Let My Children Hear Music, “Adagio Ma Non Troppo” Jimmy Smith, Back at the Chicken Shack, “On the Sunny Side of the Street” Set 8 Jim Hall, By Arrangement, “Art Song” Curtis Fuller, Blues-Ette Part 2, “Is It All A Game” Wallace Roney, If Only for One Night, “FMS” Regina Carter, Reverse Thread, “Day Dreaming on the Niger” Terell Stafford, This Side of Strayhorn, “Day Dream” Set 9 Jack Wilkins, Windows, “Windows” Ella Fitzgerald, Birthday Concert in Rome, “I Loves You, Porgy” Bobby Hutcherson, The View from the Inside, “Houston St. Thursday Afternoon” Pepper Adams, Pepper, “A Child Is Born” Playlist: February 1, 2020 Set 1 JD Allen, Barracoon, “The Immortal” Abdullah Ibrahim, The Balance, “Skippy” Patricia Barber, Higher, “In Your Own Sweet Way” Matt Mitchell, Phalanx Ambassadors, “Be Irreparable” Melissa Aldana, Visions, “El Castillo de Velenje” Set 2 Paul Bley, When Will the Blues Leave, “Told You So” The Brian Landrus Kaleidoscope, Capsule, “Striped Phase” Greta Matassa, Portrait, “That Day” Lucas Pino, No Net Nonet, “Strange Breakfast” Set 3 Don Byron, Random Dances and (A)tonalities, “Numbers” Art Pepper, Meets the Rhythm Section, “Imagination” Donnie McCaslin, In Pursuit, “Madonna” Mary Halvorson Septet, Illusionary Sea, “Fourth Dimensional Confession” Set 4 Mark Turner & Gary Foster, Mark Turner Meets Gary Foster, “Lennie’s Pennies” Larry Fuller, Overjoyed, “Jane’s Theme” Catherine Russell, Alone Together, “Alone Together” Fred Hersch, Plays Monk, “Five Views of Misterioso” Set 5 Benny Goodman & His Orchestra, with Louise Tobin, “I Didn’t Know What Time It Was” Ahmad Jamal, Complete Trio Argo Sessions, “I Didn’t Know What Time It Was” Peggy Lee, Black Coffee, “I Didn’t Know What Time It Was” Stan Getz, Chronological Stan Getz, “I Didn’t Know What Time It Was” Set 6 Sarah Vaughan, Linger Awhile, “I Didn’t Know What Time It Was” Lester Young, Complete Studio Sessions on Verve, “I Didn’t Know What Time It Was” Cecile McLorin Salvant, WomanChild, “I Didn’t Know What Time It Was” Set 7 Amhad Jamal, Ballades, “What’s New” John Coltrane, With the Red Garland Trio “You Leave Me Breathless” John Stowell, Petite Fleur: The Music of Sidney Bechet, “Passport” Marty Ehrlich, Trio Exaltation, “Sometimes” Set 8 Marc Copland, And I Love Her, “Day and Night” Jim Snidero, Waves of Calm, “Old Folks” Joel Ross, KingMaker, “Grey” Ed Bickert, Bye Bye Baby, “Keeping Myself for You”. Set 9 Bill Frisell & Thomas Morgan, Epistrophy, “Lush Life” Rich Pellegrin, Down, “Acceptance” Iro Haaerla, Around Again, “Intermission Music” Art Farmer & Benny Golson, Complete Argo/Mercury Recordings, “My Romance” Same, “2 Degrees East, 3 Degrees West” Playlist: February 8, 2020 Set 1 Miles Davis, Bags’ Groove, “Bags’ Groove” Grant Green, Complete Quartets with Sonny Clark, “My Favorite Things” Hank Mobley, No Room for Squares, “Up a Step” Set 2 Max Roach, Complete Mercury Plus Four Sessions, “Memo: to Maurice” Mike Reed’s Loose Assembly, The Speed of Change, “Exit Strategy” Benny Golson, Complete Farmer-Golson Jazztet, “Sock Cha” William Parker Organ Quintet, Uncle Joe’s Spirit House, “Let’s Go Down to the River” Set 3 Charles McPherson, Live at the Five Spot, “Luminescence” Dicky Wells, The Stanley Dance Sessions “Hello Smack” Mel Torme, Sings Sunday in New York, “Autumn in New York” Curtis Fuller, Curtis Fuller and Hampton Hawses with French Horns, “Roc and Troll” Set 4 Alchemy Sound Project, Adventures in Time and Space, “Ankh” Jimmy Rowles, Trio, “Crazy He Calls Me” Earl Coleman, Earl Coleman Returns, “Reminiscing” Jason Lindner, Premonition, “Mr. Demargary” Set 5 Artie Shaw Classic Bluebird and Victor Sessions, “It Had to Be You” Earl Hines & His Orchestra, 1941 Chronological Classics, “It Had to Be
Load more

Recommended publications
  • EW Hollywood Orchestra Opus Edition User Manual
    USER MANUAL 1.0.6 < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION INFORMATION The information in this document is subject to change without notice and does not represent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2021. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] For technical support for products: http://www.soundsonline.com/Support < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION CREDITS PRODUCERS Doug Rogers, Nick Phoenix, Thomas Bergersen SOUND ENGINEER Shawn Murphy ENGINEERING ASSISTANCE Jeremy Miller, Ken Sluiter, Bo Bodnar PRODUCTION COORDINATORS Doug Rogers, Blake Rogers, Rhys Moody PROGRAMMING / SOUND DESIGN Justin Harris, Jason Coffman, Doug Rogers, Nick Phoenix SCRIPTING Wolfgang Schneider, Thomas Bergersen, Klaus Voltmer, Patrick Stinson
    [Show full text]
  • December 1992
    VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
    [Show full text]
  • Booker Little
    1 The TRUMPET of BOOKER LITTLE Solographer: Jan Evensmo Last update: Feb. 11, 2020 2 Born: Memphis, April 2, 1938 Died: NYC. Oct. 5, 1961 Introduction: You may not believe this, but the vintage Oslo Jazz Circle, firmly founded on the swinging thirties, was very interested in the modern trends represented by Eric Dolphy and through him, was introduced to the magnificent trumpet playing by the young Booker Little. Even those sceptical in the beginning gave in and agreed that here was something very special. History: Born into a musical family and played clarinet for a few months before taking up the trumpet at the age of 12; he took part in jam sessions with Phineas Newborn while still in his teens. Graduated from Manassas High School. While attending the Chicago Conservatory (1956-58) he played with Johnny Griffin and Walter Perkins’s group MJT+3; he then played with Max Roach (June 1958 to February 1959), worked as a freelancer in New York with, among others, Mal Waldron, and from February 1960 worked again with Roach. With Eric Dolphy he took part in the recording of John Coltrane’s album “Africa Brass” (1961) and led a quintet at the Five Spot in New York in July 1961. Booker Little’s playing was characterized by an open, gentle tone, a breathy attack on individual notes, a nd a subtle vibrato. His soli had the brisk tempi, wide range, and clean lines of hard bop, but he also enlarged his musical vocabulary by making sophisticated use of dissonance, which, especially in his collaborations with Dolphy, brought his playing close to free jazz.
    [Show full text]
  • Chief Hadley a Mission to Serve EbiilCrqrob+
    $4 • SEPTEMBER 2009 Chief Hadley A Mission to Serve Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 2009-10 SEASON Tales from the Field with Jeff Corwin OCTOBER 9 | 8 P.M.
    [Show full text]
  • John Colianni Marty Grosz Quintet and His Hot Winds
    THE TRI-STATE SKYLARK STRUTTER Member of South Jersey Cultural Alliance and Greater Philadelphia Cultural Alliance VOLUME 19 NUMBER 7 BEST OF SOUTH JERSEY 2008 MARCH 2009 ******************************************************************************************************************************** OUR NEXT CONCERTS SUNDAY, MARCH 15 SUNDAY MARCH 29 2 PM 2 PM JOHN COLIANNI MARTY GROSZ QUINTET AND HIS HOT WINDS BROOKLAWN AMERICAN LEGION HALL Dd CONCERT ADMISSION $20 ADMISSION $15 MEMBERS $10 STUDENTS $10 FIRST TIME MEMBER GUESTS Pay At the Door No Advanced Sales S SAINT MATTHEW LUTHERAN CHURCH JOHN COLIANNI 318 CHESTER AVENUE John Colianni grew up in the Washington, D.C. metro area and first heard Jazz MOORESTOWN, NJ 08057-2590 on swing-era LP re-issues (Ellington, Goodman, Jimmie Lunceford, Count Basie, Armstrong, etc.) in his parents' home. A performance by Teddy Wilson 3 BLOCKS from Main Street in Washington attended by John when he was about 12 years old also left a strong impression, as did a Duke Ellington performance (more later). 1 THE QUINTET : In 2006, looking for an outlet for his high velocity piano for Torme' from early 1991 to mid 1995, touring and recording six albums. improvisations, John formed the John Colianni Quintet. In July 2007, the group recorded its first CD, "Johnny Chops" (Patuxent Records), which was released PLAYERS FEATURED ON JOHN'S CURRENT CD this year. JUSTIN LEES: Justin, whose guitar work is characterized by a bluesy and LES PAUL: Les Paul offered the piano spot in his group to John in August infectiously swinging phrasing and a distinctive tone, is a fresh face on the jazz 2003. Les had not used a pianist in his combo since the 1950s and, in looking scene.
    [Show full text]
  • Arnett Cobb the Complete Apollo Sessions Mp3, Flac, Wma
    Arnett Cobb The Complete Apollo Sessions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Blues Album: The Complete Apollo Sessions Country: France Released: 1984 Style: Bop, Swing MP3 version RAR size: 1855 mb FLAC version RAR size: 1437 mb WMA version RAR size: 1953 mb Rating: 4.1 Votes: 341 Other Formats: VOC AAC DXD MP1 VOX XM MPC Tracklist Hide Credits A1 Walkin' With Sid 3:02 A2 Still Flying 2:35 A3 Cobb's Idea 3:05 A4 Top Flight 2:53 When I Grow Too Old To Dream - Part I A5 3:03 Written-By – Hammerstein*, Romberg* When I Grow Too Old To Dream - Part II A6 3:03 Written-By – Hammerstein*, Romberg* Cobb's Boogie A7 2:45 Written By – LesterWritten-By – Arnett Cobb, Williams* A8 Cobb's Corner 2:40 B1 Dutch Kitchen Bounce 3:10 B2 Go, Red Go 2:37 B3 Pay It No Mind 2:57 Chick She Ain't Nowhere B4 2:57 Written-By – Arnett Cobb, Larkins* B5 Arnett Blows For 1300 2:46 B6 Running With Ray 2:50 Flower Garden Blues B7 2:57 Written By – O. ShawWritten-By – Arnett Cobb Big League Blues B8 2:33 Written-By – Arnett Cobb, Larkins* Companies, etc. Phonographic Copyright (p) – Apollo Records Copyright (c) – Vogue P.I.P. Distributed By – Vogue P.I.P. Made By – Disques Vogue P.I.P. Printed By – Offset France Credits Bass – Walter Buchanan Drums – George Jones Liner Notes, Photography By – André Clergeat Piano – George Rhodes Reissue Producer – André Vidal Tenor Saxophone – Arnett Cobb Trombone – Al King (tracks: A1 to A4), Michael "Booty" Wood* (tracks: A5 to B8) Trumpet – David Page* Vocals – Arnett Cobb (tracks: A5), Michael "Booty" Wood* (tracks: A5), David Page* (tracks: A5), George Jones (tracks: A5), George Rhodes (tracks: A5), Milt Larkins* (tracks: B7, B8), Walter Buchanan (tracks: A5) Written-By – Arnett Cobb (tracks: A1 to A4, A8 to B3, B5, B6) Notes ℗ 1947 Apollo Records.
    [Show full text]
  • The Romantic Trumpet Part Two
    110 HISTORIC BRASS SOCIETY JOURNAL THE ROMANTIC TRUMPET PART TWO Edward H. Tarr Continued from Historic Brass Society Journal, volume 5 (1993), pages 213-61. The two-part series is an expansion of an article written for Performance Practice Encyclopedia. We thank Roland Jackson, editor of this forthcoming reference work, for permission to we this material in HBSJ. For a Conclusion to Part One, containinga list oferrata, please see followingthe endnotes for the current installment. Summary of Part One In Part One, the author first attempted to show the various types of trumpets, cornets, and flugelhorns, both natural and chromaticized, that existed before the advent of valves, together with their literature. Before there were valved trumpets, for example, natural trumpets, etc., were made chromatic by the technique of hand-stopping or by being fitted with slides or keys. He then showed how the first valved brass instruments—in particular trumpets, and to a lesser extent, comets—were accepted into musical circles. Introduction to Part Two In Part Two, it is the author's aim to raise the flag on a forgotten figure in brass history— one who was reponsible not only for the development ofboth the Vienna valve and the rotary valve, but also for the creation of the first solo compositions for the newly invented valved trumpet: Josef Kail (1795-1871), the first professor of valved trumpet at the Prague Conservatory (served 1826-1867). For this reason, the central part of this study will be devoted to works hitherto unknown, written for the trumpet (and to a lesser extent the cornet, flugelhom, horn, and trombone) during his time.
    [Show full text]
  • From King Records Month 2018
    King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing.
    [Show full text]
  • African American Historic & Cultural Treasures
    AFRICAN AMERICAN HISTORIC & CULTURAL TREASURES JULY 26, 2018 African American Historic & Cultural Treasure 500: Jazz Critics Poll Down Beat Award, 1956 USD 300 - 400 First place awarded to Art Tatum in this wood and metal shield-shaped award. 7 1/2 x 7".Art Tatum is considered one of the world's greatest jazz pianists. Tatum had received some formal musical training but, utilizing his perfect pitch, was mainly self-taught. He was known for his experimental and creative playing, as well as his legendary speed and improvisational skills. Despite being nearly blind, Tatum's dexterity made him an excellent player, as can be heard on the 1933 recording 'Tea for Two,' one of his best known songs.Ahead of his time, Art Tatum's techniques would contribute to the development of modern jazz, with aspects of his technique influencing musicians including Charlie Parker, Bud Powell, and Oscar Peterson. Tatum, after his sadly premature death at age 47, was recognized for his considerable talents and his contributions to the jazz world when he was posthumously inducted into the Down Beat Jazz Hall of Fame, the International Hall of Fame, and awarded a Grammy Lifetime Achievement Award, among other honors.From the Estate of Art Tatum. 501: Stereo Review's Record of the Year Award, 1974 USD 200 - 300 8 x 10" high gloss framed award recognizing Art Tatum's "The Tatum Solo Masterpiece" as the Record of the Year.Art Tatum is considered one of the world's greatest jazz pianists. Tatum had received some formal musical training but, utilizing his perfect pitch, was mainly self-taught.
    [Show full text]
  • Debut Label Discography
    Début Label discography Début was established in 1951 by Charles Mingus and possibly others. It was located at 4364 Bryon Avenue in New York City in 1952, relocated to the Grand Central Station in 1954. By 1956 it was located at 331 West 51st Street. Début recorded jazz and pop music. Fantasy Records acquired the Début Catalog in the early 1960’s. This Debut Label discography was compiled using Schwann catalogs from 1950 to 1957, The Jazz Discography Project Website (http://www.jazzdisco.org) and The American Record Label Directory and Dating Guide, 1940-1959 by Galen Gart, 10 Inch Series DLP-1 - Strings and Keys - Charles Mingus [1951] Body and Soul/Blue Moon/Blue Tide/What Is This Thing Called Love/Darn That Dream/Yesterdays DLP-2 - Jazz at Massey Hall Volume 1- Quintet - Various Artists [1952] Perdido/Salt Peanuts//Salt Peanuts Continued/All the Things You Are DLP-3 - Jazz at Massey Hall Volume 2 - Bud Powell [1952] Embraceable You/Sure Thing/Cherokee//Jubilee/Lullabye of Birdland/Basically Speaking DLP-4 - Jazz at Massey Hall Volume 3 - Charles Mingus [1952] Wee//Hot House/A Night in Tunisia DLP-5 - Jazz Workshop Volume 1-Trombone Rapport - J.J. Johnson, Kai Winding, Benny Green & Willie Dennis [1953] Move/Stardust//Yesterdays DLP-6 - Explorations - Ted Macero [1954] Teo/I’ll Remember April/How Low the Earth//Mitzi/Yesterdays/Explorations DLP-7 - Introducing Paul Bley - Paul Bley With Art Blakey and Charles Mingus [1954] Opus 1/Teapot/Like Someone In Love//Spontaneous Combustion/Split Kick/Can’t Get Started DLP-8 - The New Oscar Pettiford
    [Show full text]
  • Chris Connor Songlist Anita Oʼday Songlist
    Please find below the extensive songlist that Kathy Kosins utilizes when selecting the repertoire for the “Ladies of Cool” show. ANITA OʼDAY SONGLIST PICK YOURSELF UP SWEET GEORGIA BROWN...PICK YOURSELF UP (1956) BUDDY BREGMAN HONEY SUCKLE ROSE NO MOON AT ALL...THIS IS ANITA...NORM GRANTZ (1955) AS LONG AS I LIVE TENDERLY WEʼLL BE TOGETHER AGAIN...ANITA SWINGS THE MOST (1957) WORLD ON A STRING…BAND...(HERB ELLIS/RAY BROWN/OSCAR PETERSON/JOHN POOLE) WHISPER NOT...DIVA SERIES (1955-1962) (VERVE) FOUR BODY AND SOUL…ANITA SINGS THE WINNERS (1958) IT COULD HAPPEN TO YOU…INCOMPBRABLE (1960) I HEAR MUSIC LOVER COME BACK TO ME…TRAVLIN LIGHT (1961) TRIBUTE TO BILLIE GREEN DOLPHIN ST…BREAKFAST SHOW (1964) LIVE AT THE BASIN ST. WEST IN A MELLOW TONE MORE THAN YOU KNOW DO NOTHIN TILL YOU HEAR FROM ME…ALL THE SAD YOUNG MEN (1961) YOUʼD BE SO NICE TO COME HOME TO DONʼT MEAN A THING STREET OF DREAMS…VINE ST. LIVE (1991) CHRIS CONNOR SONGLIST ALL I NEED IS YOU...CHRIS CRAFT (1956) ALL ABOUT RONNIE...(1954) RELEASE (LATER OTHER RECORDINGS) LULLABY OF BIRDLAND (1953) ALONE TOGETHER (all from Portrait of Chris-1960) IF I SHOULD LOSE YOU HEREʼS THAT RAINY DAY IM GLAD THERE IS YOU I WISHED ON THE MOON (from Haunted Heart-----2001..@ Rudy Van Gelders) THEY ALL LAUGHED WITCHCRAFT COME RAIN OR SHINE (all from the two box set...” I Miss You So..1956 and Witchcraft 1959) All THE THINGS YOU ARE (FROM MAYNARD AND CHRIS…DOUBLE EXPOSURE) SATURDAY IS THE LONLIEST NIGHT OF THE WEEK (FROM NEW AGAIN...1987) ALL THE WAY..
    [Show full text]
  • ART FARMER NEA Jazz Master (1999)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.
    [Show full text]