Chris Connor Songlist Anita Oʼday Songlist
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
LIBERTY RECORDS a History of the Recording Company and Its Stars, 1955-1971
LIBERTY RECORDS A History of the Recording Company and Its Stars, 1955-1971 h Michael "Doc Rock" Kelly with a foreword by SI WARONKER McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Contents Acknowledgments vii Foreword xiii Preface xv Part One : Anatomy of a Record Label 1 Rock 'n' Roll Record Labels 3 2 Liberty in the Beginning 7 3 1955 The Liberty Girl, Julie London 13 4 1956 The Little Liberty Girls, Patience and Prudence 19 5 1957 Eddie Cochran, Snuff Garrett, Sharon Sheeley, and Margie Rayburn 23 6 1958 "Witch Doctor" and the Chipmunks 43 7 1959 Martin Denny, Bobby Vee, Dolphin Records, the Fleetwoods, the Frantics, and Little Bill and the Blue Notes 52 8 I960 Johnny Burnette, Buddy Knox, Ernie Freeman, and the Ventures 77 9 1961 Avnet, Gene McDaniels, Timi Yuro, Vic Dana, Troy Shondell, and Dick and DeeDee 101 10 1962 The Crickets, Jan & Dean, the Marketts, the Rivingtons, Danny and Gwen, Walter Brennan, Jackie DeShannon, Willie Nelson, and Vikki Carr 131 11 1963 Ricky Nelson, Fats Domino, and More from Bobby Vee, Jan & Dean, Jackie DeShannon, the Fleetwoods, and the Crickets 164 12 1964 Matt Monro, Billy J. Kramer with the Dakotas, the Searchers, the Beatles, Irma Thomas, Johnny Rivers, the Swinging Blue Jeans, and the Hollies 199 x Contents 13 1965 Gary Lewis and the Playboys, P. J. Proby, T-Bones, Hal Blaine, O'Jays, Jimmy McCracklin, and Cher 222 14 Liberty Stereo Little LPs, EPs, 78s, and Picture Sleeves 261 15 1966 Bob Lind and Del Shannon 267 16 Liberty Acquisitions, Special Series, and Subsidiaries -
The Bar Jazz
thejazzbar 5th-28th August 2016 Jazz Funk Blues Acoustic Shows from 1pm daily Bar to 5am nightly! IT'S A YEAR-ROUND THING ... Everybody loves this place! Welcome to Edinburgh's famed, multiple award- winning, totally unique, non-stop focus for top-class music, with its wonderful internal ambience and very cool vibe. We stage multi-genre gigs every day, every week, all year round, as one-third Jazz, one-third Acoustic/Roots/Blues, and one-third Funk/Soul/Electric. Every single night you'll hear a wide range of extremely high-quality music, in a fabulous ambience. Open your ears - it's all good stuff! FRINGE SHOWS In August the venue is used by Fringe Shows, who come in from all over the World to perform here. Each show is totally independent, and they keep ALL admissions money for their shows, which are all listed here, as well as in the official Fringe Programme and Website. To book advance tickets for all shows, use the Fringe Box Office, or you can pay cash (sorry - no cards!) at the door, at showtime. NOTE: the venue does NOT take bookings, nor reserve seating, for ANY shows. Fringe Box Office: 180 High Street EH1 1QS phone 0131 226 0000; www.edfringe.com 'JAZZ BAR MUSIC' As well as hosting those Fringe Shows, we stage our own programme of Jazz and Late Night Funk featuring really excellent local and visiting bands. The Fringe Programme lists these as 'Jazz Bar Music', and advance tickets are bookable via the Fringe Box Office, or you can just pay cash (sorry - no cards!) on the door at showtime. -
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茱莉·倫敦 音樂專輯 串行 (专辑 & æ—¶é— ´è¡¨) Feeling Good https://zh.listvote.com/lists/music/albums/feeling-good-5441384/songs Make Love to Me https://zh.listvote.com/lists/music/albums/make-love-to-me-17036594/songs Julie Is Her Name https://zh.listvote.com/lists/music/albums/julie-is-her-name-6308277/songs All Through the Night: Julie London Sings https://zh.listvote.com/lists/music/albums/all-through-the-night%3A-julie-london- the Choicest of Cole Porter sings-the-choicest-of-cole-porter-4729812/songs Lonely Girl https://zh.listvote.com/lists/music/albums/lonely-girl-6671594/songs Sophisticated Lady https://zh.listvote.com/lists/music/albums/sophisticated-lady-7563108/songs https://zh.listvote.com/lists/music/albums/yummy%2C-yummy%2C-yummy- Yummy, Yummy, Yummy 8061142/songs London by Night https://zh.listvote.com/lists/music/albums/london-by-night-6671092/songs Julie...At Home https://zh.listvote.com/lists/music/albums/julie...at-home-17016537/songs Julie https://zh.listvote.com/lists/music/albums/julie-6307990/songs Your Number Please https://zh.listvote.com/lists/music/albums/your-number-please-8058901/songs Calendar Girl https://zh.listvote.com/lists/music/albums/calendar-girl-5019486/songs Easy Does It https://zh.listvote.com/lists/music/albums/easy-does-it-5331119/songs https://zh.listvote.com/lists/music/albums/julie-is-her-name%2C-volume-ii- Julie Is Her Name, Volume II 6308280/songs https://zh.listvote.com/lists/music/albums/the-wonderful-world-of-julie-london- The Wonderful World of Julie London 7775694/songs Swing -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954
Capitol Albums, 501 to 600 and Series Labels Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954. A Man and his Music Capitol L-502 Skitch Henderson Released May, 1954. Unreleased/unknown Capitol 503 Ray Anthony Plays for Dancing Capitol EAP-1-504 Ray Anthony Released June, 1954. Unreleased/unknown Capitol 505 I Get So Lonely Capitol EAP-1-506 The Four Knights Released June, 1954. Dixieland Capitol EAP-1-507 Pee Wee Hunt Released May, 1954. Stan Kenton Plays the Compositions of Pete Rugolo Capitol EAP-1-508 Stan Kenton Released June, 1954. Music, Martinis, and Memories Capitol EAP 1 through 4-509 = W-509 Jackie Gleason Released August, 1954. Later pressed as two double-EP’s, EBF-1-509 and EBF-2-509. Later pressed as two ten-inch LP’s, H1-509 and H2-509. Young at Heart Capitol EAP-1-510 Frank Sinatra Released March, 1954. And Awaaay We Go! Capitol H-511 Jackie Gleason Released May, 1954. No Reservations Capitol H-512 Frances Faye Released July, 1954. Barrelhouse, Boogie and the Blues Capitol H-513 Ella Mae Morse Released 1954. Nat King Cole 10th Anniversary Album Capitol W-514 Nat King Cole Released May, 1954. White label with purple print. Although Jackie Gleason’s Music, Martinis, and Memories has a lower catalog number, this LP was the first album in the W- series. At the time this was an experimental and novel idea. The records contained sixteen songs – twice what one found on a ten-inch LP. However, the album cost less than two ten- inch albums, making it more economical to buy the W- series album in the larger size. -
MCA Label, Part 3
MCA 300 Series by Dvaid Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 300 Main Series: MCA 300 - Entertainer of the Year - Loretta Lynn [1973]. (3-73 #1CW) Rated “X”/’Til The Pain Outwears The Shame/Ruby, Madge And Mable/Legend In My Mind/Ain't It Funny/Yesterday Will Come Again Tonight//Hanky Panky Woman/I'm All He's Got (But He’s Got All Of Me)/I'm Paying For My Raising/Possessions/I Need Someone To Hold Me (When I Cry) MCA 301 - Do You Know What It’s LikeTo Be Lonesome - Jerry Wallace [1973] (2-73 #179 #6CW) Do You Know What It's Like To Be Lonesome?/Sound Of Goodbye/The Love Song Of The Year/Until You/A Standing Ovation//Hot Line/The Song That Nobody Sings/Even The Bad Times Are Good/Where Did He Come From?/The Greatest Feeling MCA 302 - Old Hat - Uncle Dog [1973] River Road/Movie Time/Old Hat/Boogie With Me/We’ve Got Time//Smoke/I’ll Be Your Baby Tonight/Mystery Train/Lose Me MCA 303 - She Needs Someone - Conway Twitty [1973] (3-73 #3CW) She Needs Someone to Hold Her (When She Cries)/Sweet Memories/I’ve Just Destroyed The World/Even The Bad Times Are Good/It’s Not Love (But It’s Not Bad)/Dim Lonely Places//Darlin’/I Don’t Believe I’ll Fall in Love Today/Each Season Changes You/Why Not Tonight/Don’t Cry Daddy MCA 304 - Hi Ho Silver - Kajanus Pickett [1973] Changes/Cold Harbour Morning/Hometown Girl/Tomorrow/Chosen Wings//Parachute/Nature Man/Flying Machine/Movin' On/Passing Time MCA 305 - Brenda - Brenda Lee [1973] (4-73 #206 #7CW) Nobody Wins/I Can See Clearly Now/Sweet Memories/Everybody’s Reaching Out for Someone/Here I Am Again/Run to Me//Something’s Wrong with Me/I’m a Memory/My Sweet Baby/We Had a Good Thing Going/Always on My Mind MCA 306 - Silverhead - Silverhead [1973] Reissue of Signpost SP 8407. -
Images of Disaster in Film and Media
EADP 2700 Syllabus – Fall Semester 2006 University of North Texas Spring Semester 2006 Emergency Administration and Planning Program Dept. of Public Administration EADP 2700: Images of Disaster in Film and Media Professor: Dr. Jack L. Rozdilsky Office Location: Wooten Hall 360 E-mail: [email protected] Phone: 940-565-3786 This Course Meets on Monday Afternoons from 3:00 to 5:50pm in 222 Wooten Hall I. EADP 2700 Fall Semester 2006 Syllabus The purpose of this syllabus is to provide a course description, to state the objectives for the course, to describe course expectations, to provide the planned schedule of topics to be covered during the semester, to specify the course’s grading system, to provide grading worksheets for the semester, to specify important dates for the course, to provide a description of the meaning of grades, and to state University and Departmental polices related to disability accommodations and cheating / plagiarism. As the field of emergency management is event driven, the Professor retains the right to alter the syllabus, as needed. While alterations are not planned, if any changes are made to this document they will be clearly announced at the beginning of class periods. II. Course Description The purpose of this course is to provide a context for better understanding the relationship between filmed programs and disaster management. The course begins with the suggestion that filmed programs are an important factor in contributing to society’s perception and understanding of both emergency management and disasters themselves. As film and mass media are ubiquitous in today’s world, it can be argued that much of the basis for understanding contemporary societal issues is provided by some form of filmed programs. -
JAZZ: a Regional Exploration
JAZZ: A Regional Exploration Scott Yanow GREENWOOD PRESS JAZZ A Regional Exploration GREENWOOD GUIDES TO AMERICAN ROOTS MUSIC JAZZ A Regional Exploration Scott Yanow Norm Cohen Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Yanow, Scott. Jazz : a regional exploration / Scott Yanow. p. cm. – (Greenwood guides to American roots music, ISSN 1551-0271) Includes bibliographical references and index. Discography: p. ISBN 0-313-32871-4 (alk. paper) 1 . Jazz—History and criticism. I. Title. II. Series. ML3508.Y39 2005 781.65'0973—dc22 2004018158 British Library Cataloguing in Publication Data is available. Copyright © 2005 by Scott Yanow All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2004018158 ISBN: 0-313-32871-4 ISSN: 1551-0271 First published in 2005 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48-1984). 10 9 8 7 6 5 4 3 2 1 Contents Series Foreword vii Preface xi Chronology xiii Introduction xxiii 1. Sedalia and St. Louis: Ragtime 1 2. New Orleans Jazz 7 3. Chicago: Classic Jazz 15 4. New York: The Classic Jazz and Swing Eras 29 5. Kansas City Swing, the Territory Bands, and the San Francisco Revival 99 6. New York Bebop, Latin, and Cool Jazz 107 7. -
Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by floating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving off error messages) and the thought of the loss of all that data was crushing. -
Bob Gordon Discography
BOB GORDON DISCOGRAPHY BOB GORDON RECORDINGS, CONCERTS AND WHEREABOUTS Bob Gordon was born in St. Louis, Missouri, June 11, 1928. He passed away in a car accident between Hollywood and San Diego, CA., August 28, 1955 by Kenneth Hallqvist, Sweden January 2019 Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 1 INTERNAL INFORMATION Colour markings for physical position: IKEA-boxes with Bob Gordon = GREEN IKEA-boxes with Lars Gullin = YELLOW IKEA-boxes with Gerry Mulligan = BLUE Shelves = ORANGE Cupboard = RED Bob played tenor sax with: Shorty Sherock (1946) Alvino Ray (1948-1951) Billy May (1952) Horace Heidt (1952-1953) George Redman (1954) Search for LPs/CDs: GNP J.S.L.P. 50.042: "Maynard Ferguson - Dimensions" (Trip Jazz LP available) EMArcy LP #MG 36044: "Lyle Murphy: Four saxophones in twelwe tones" (10" LP 1955) Mercury CD EJD-1016: COMPACT JAZZ - Maynard Ferguson with Bob Gordon (released in Japan 1989) EMArcy CD #3071: "Introducing Bob Gordon" Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 2 Abbreviations used in this discography acc accordion mda mandola arr arranger mdln mandolin as alto saxophone mel melodica b bass (contrabass or double bass) mgs Moog synthesizer b-cl bass clarinet oboe oboe b-tb bass trombone oca ocarina b-tp bass trumpet org organ bars baritone saxophone p piano bgs bongos panfl pan flute bjo banjo perc percussion bnd bandoneon saxes saxophones bs bass saxophone sop soprano saxophone bsn bassoon st-d steel drums cgs -
Rubber Souls: Rock and Roll and the Racial Imagination
Rubber Souls: Rock and Roll and the Racial Imagination The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hamilton, John C. 2013. Rubber Souls: Rock and Roll and the Racial Imagination. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11125122 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Rubber Souls: Rock and Roll and the Racial Imagination A dissertation presented by Jack Hamilton to The Committee on Higher Degrees in American Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of American Studies Harvard University Cambridge, Massachusetts April 2013 © 2013 Jack Hamilton All rights reserved. Professor Werner Sollors Jack Hamilton Professor Carol J. Oja Rubber Souls: Rock and Roll and the Racial Imagination Abstract This dissertation explores the interplay of popular music and racial thought in the 1960s, and asks how, when, and why rock and roll music “became white.” By Jimi Hendrix’s death in 1970 the idea of a black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: employing an interdisciplinary combination of archival research, musical analysis, and critical race theory, this project explains how this happened, and in doing so tells two stories simultaneously.