Cluj-Napoca Tourist Guide for Visually Impaired Visitors
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Myth and Reality. Changing Awareness of Transylvanian Identity
Sándor Vogel Transylvania: Myth and Reality. Changing Awareness of Transylvanian Identity Introduction In the course of history Transylvania has represented a specific configuration in Eur ope. A unique role was reserved for it by its three ethnic communities (Hungarian, Romanian and Saxon), its three estates in politicallaw, or natio (nations), Hungarian, Szekler and Saxon existing until modern times, and its four established religions (recepta re/igio), namely Catholic, Lutheran, Calvinist and Unitarian, along with the Greek Orthodox religion of Romanians which was tolerated by Transylvania's political law. At the same time the Transylvanian region was situated at the point of contact or intersection oftwo cultures, the Western and the East European. A glance at the ethnic map - displaying an oveIWhelming majority of Hungarians and Saxon settlers in medieval times - clearly reveals that its evolution is in many respects associated with the rise ofthe medieval State of Hungary and resultant from the Hungarian king's con scious policies of state organization and settlement. lts historical development, social order, system of state organization and culture have always made it a part of Europe in all these dimensions. During the centuries ofthe Middle Ages and early modern times the above-mention ed three ethnic communities provided the estate-based framework for the region's spe cial state organization. The latter served in turn as an integument for the later develop ment of nationhood for the Hungarian and Saxon communities, and as a model for the Romanian community. During the 16th and 17th centuries, the period of the Ottoman State's expansion, the Transylvanian region achieved the status of an independent state in what was referred to in contemporary Hungarian documents as the 'shadow ofthe Turkish Power', thereby becoming the repository ofthe idea of a Hungarian State, the ultimate resource of Hungarian culture and the nerve center of its development. -
A Divided Hungary in Europe
A Divided Hungary in Europe A Divided Hungary in Europe: Exchanges, Networks and Representations, 1541-1699 Edited by Gábor Almási, Szymon Brzeziński, Ildikó Horn, Kees Teszelszky and Áron Zarnóczki Volume 3 The Making and Uses of the Image of Hungary and Transylvania Edited by Kees Teszelszky A Divided Hungary in Europe: Exchanges, Networks and Representations, 1541-1699; Volume 3 – The Making and Uses of the Image of Hungary and Transylvania, Edited by Kees Teszelszky This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Kees Teszelszky and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6688-1, ISBN (13): 978-1-4438-6688-0 As a three volume set: ISBN (10): 1-4438-7128-1 ISBN (13): 978-1-4438-7128-0 CONTENTS Preface ........................................................................................................ ix In Search of Hungary in Europe: An Introduction ...................................... 1 Kees Teszelszky The Genesis and Metamorphosis of Images of Hungary in the Holy Roman Empire ........................................................................................... 15 Nóra G. Etényi The fertilitas Pannoniae Topos in German Literature after the Second Siege of Vienna in 1683 ............................................................................. 45 Orsolya Lénárt Forms and Functions of the Image of Hungary in Poland-Lithuania ....... 61 Szymon Brzeziński Hungary and the Hungarians in Italian Public Opinion during and after the Long Turkish War................................................................ -
The Strzygowski School of Cluj. an Episode in Interwar Romanian Cultural Politics
The Strzygowski school of Cluj. An episode in interwar Romanian cultural politics Matthew Rampley Introduction: the legacy of Josef Strzygowski It has become increasingly evident that perhaps the most influential Viennese art historian of the interwar period was Josef Strzygowski. Although a decisive figure, whose appointment as Ordinarius in 1909 led factional rivalries and an institutional split, Strzygowski’s work achieved a far greater audience than his contemporaries. This was particularly the case in central Europe, where his work was adopted as a model in territories as disparate as Estonia and Yugoslavia. In part his influence was due to his sheer industriousness and the volume of his output, both in terms of research publications and students. Between 1909, when he took up his appointment at the Institute in Vienna, and 1932, when he retired, nearly 90 students graduated under his tutelage; this compares with 13 under Thausing and 51 under Riegl and Wickhoff combined. As one subsequent commentator has noted: ‘Looking back at Strzygowski’s career with the hindsight conferred by time, the most striking impression is that he was never still, perpetually buzzing around like a fly in a jam jar.’1 The range of subjects his students wrote on was bewilderingly diverse, and covered topics as diverse as Arnold Böcklin, murals in Turkestan, Iranian decorative art, domestic architecture in seventeenth-century Sweden, Polish Romanesque architecture and the sculpture of Gandhara.2 Many of Strzygowski’s students would go on to become prominent members of the art historical profession across central Europe, such as the Slovene Vojslav Molè (1886-1973), who would play an important role at the University of Cracow, Stella Kramrisch (1896-1993), Emmy Wellesz (1889-1987), Virgil Vătăşianu (1902-1993), a leading art historian in Romania, Otto Demus (1902-1990) and Fritz Novotny (1903-1983). -
Ghid EN Web.Pdf
Guide financed by Braşov County Council Written and devised: Radu Popica Proof: Simona Tătaru Photos: Nicolae Panaite , Răzvan Precup, Radu Tătaru, Árpád Udvardi DTP: Radu Tătaru English version: Alice Haţegan ISBN 978-606-93303-6-4 Cover: Ştefan Luchian, Anemone The National Gallery 1* comprises a selection of artworks (paintings and sculpture) which are representative for Romanian modern art. The exhibition illustrates the evolution of Transylvanian painting between the 18th and the 19th centuries and Romanian art from the first half of the19th century through to post-war years. Alongside the masterpieces of the Romanian art masters, the exhibition also includes the artworks of the artists active in Braşov, from the Saxon patriciate portraits to the contemporary artist’s creations. The Portrait of Joseph von Drauth (1709-1762), senator of the city of Braşov, painted by Johann Ölhan the Elder (?-1763), opens the exhibition. [ST] The painting is typical for Saxon patriciate portraiture, a provincial variant of portrait d`apparat. The artist insists on the details which indicate that the commissioner boasted a high social status (coat of arms, apparel, as well as on the objects which suggest the official duties he exercised. The City Hall and the buildings surrounding it, depicted in the background of the portrait, are also meant to illustrate his position. But the posture of the model is conventional and artificial. We find the same interest in underlining the social position of the model in the creation of an anonymous artist active in the late 1700s, who painted the Portrait of Oprea Ţârcă, the head of the shepherds’guild of Săcele. -
Ethnicity in Transylvania. from Medieval Peoples to Modern Nations
HAO, Núm. 34 (Primavera, 2014), 105-113 ISSN 1696-2060 ETHNICITY IN TRASYLVANIA. FROM MEDIEVAL PEOPLES TO MODERN NATIONS Radu Lupescu Sapientia Hungarian University of Transylvania, Cluj-Napoca, Romania. E-mail: [email protected] Recibido: 23 Mayo 2013 / Revisado: 19 Noviembre 2013 / Aceptado: 22 Enero 2014 /Publicación Online: 15 Junio 2014 Resumen: Transilvania es una región de particularities, lived together since from the Europa, en dónde en el transcurso de los siglos Middle Ages. This strategic region was convivieron y conviven muchas naciones. Entre incorporated into the Hungarian Kingdom by ellas jugaron el rol determinante los húngaros, King Saint Stephen (1000-1038) right at the los rumanos, los sajones y los székelys beginning of his reign, by defeating his uncle, (seklers), quiénes ya estaban presentes en el Gyula, a territorial leader from another doce siglo en Transilvania. La fecha de su Hungarian kindred. It became a princley inmigración, sus tareas y el territorio dónde territory of the Arpadian Dinasty, and from the habitaron fueron distintas y esta situación se twelveth century it was governed by one of the refleja de sus derechos y fueros propios. Pero a main office holders of the kingdom, the voivode. diferencia de las épocas anteriores los reyes húngaros de orígen de casa de Anjou In order to defend its south-eastern borders, the excluyeron los rumanos ortodoxos de la Hungarian Kings settled here the Székelys, a Gobernación de Transilvania, así no podía community whose origin is still debated. Earlier desarrollarse la nobleza propia de ellos. A partir they performed military duties along the western de 1437 la nobleza y la aristocracia de otras tres border of Hungary, but after this region was naciones fueron aliados y cuando en el siglo consolidated, the Székelys were transferred to XVI se descompusó el Reino Húngaro, ellas east. -
Razing of Romania's Past.Pdf
REPORT Ttf F1 *t 'A. Í M A onp DlNU C GlURESCU THE RAZING OF ROMANIA'S PAST The Razing of Romania's Past was sponsored by the Kress Foundation European Preservation Program of the World Monuments Fund; it was published by USACOMOS. The World Monuments Fund is a U.S. nonprofit organization based in New York City whose purpose is to preserve the cultural heritage of mankind through administration of field restora tion programs, technical studies, advocacy and public education worldwide. World Monuments Fund, 174 East 80th Street, New York, N.Y. 10021. (212) 517-9367. The Samuel H. Kress Foundation is a U.S. private foundation based in New York City which concentrates its resources on the support of education and training in art history, advanced training in conservation and historic preservation in Western Europe. The Samuel H. Kress Foundation, 174 East 80th Street, N.Y. 10021. (212) 861-4993. The United States Committee of the International Council on Monuments and Sites (USACOMOS) is one of 60 national committees of ICOMOS forming a worldwide alliance for the study and conservation of historic buildings, districts and sites. It is an international, nongovernmental institution which serves as the focus of international cultural resources ex change in the United States. US/ICOMOS, 1600 H Street, N.W., Washington, D.C., 20006. (202) 842-1866. The text and materials assembled by Dinu C. Giurescu reflect the views of the author as sup ported by his independent research. Book design by DR Pollard and Associates, Inc. Jacket design by John T. Engeman. Printed by J.D. -
Nicolae Grigorescu (1838-1907)
Nicolae Grigorescu (1838-1907) L’itinéraire d’un peintre roumain, de l’Ecole de Barbizon à l’Impressionnisme Exposition présentée à AGEN du 22 avril au 14 août 2006 au musée des Beaux-Arts, église des Jacobins et à BARBIZON du 9 septembre au 11 décembre 2006 au musée départemental de l’Ecole de Barbizon « Avec Grigorescu la peinture roumaine brûle les étapes pour attraper le souffle frais de l’art européen. » Roxana Theodorescu, directeur du musée National d’Art de Roumanie à Bucarest 1 * SOMMAIRE * Le peintre et la vieille femme aux oies, crayon, 0,130x0,160m Bibliothèque de l’Académie Roumaine – Cabinet des Estampes Introduction..................................................................................................................... 4 par Roxana Theodorescu, directeur du musée national d’art de Roumanie de Bucarest Visuels disponibles pour la presse..................................................................................... 5 Des peintures de Grigorescu au musée d’Agen : la donation Brocq ................................. 6 Par Marie-Dominique Nivière, conservateur du musée des Beaux-Arts d’Agen Barbizon au temps de Nicolae Grigorescu, la vie des peintres à Barbizon (1834-1875)..... 8 Par Marie-Thérèse Caille, conservateur du musée départemantal de l’Ecole de Barbizon Biographie de Nicolae Grigorescu ................................................................................... 10 Extraits du catalogue ...................................................................................................... 13 - -
BETWIXT TWO HEATHENS." (The Struggle Against Turkish Aggression
13. “BETWIXT TWO HEATHENS." (The struggle against Turkish aggression and German oppression: the XVth -XVIIIth centuries) Defeated, divided, doomed John I (Zápolya) (1526-1540) and Ferdinand I (Habsburg) (1526-1564), the rival kings of Hungary began a long internecine warfare against each other. The Sultan, Suleiman took the role of the amused spectator. He knew that Hungary was neither willing nor able to resist and therefore found it unnecessary to establish a permanent Turkish occupation. The Turks left Hungary unoccupied for fourteen years after Mohacs, while the two kings performed their strange antics in their “fools’ paradise”, an’ “independent” Hungary. Ferdinand, King of Hungary and Archduke of Austria, had already raised his eyes toward the crown of the Holy Roman (German) Empire. He regarded Hungary only as an expendable buffer- province. John I too was only interested in his own advancement. Many details of the struggle of the two kings are unclear, unexplained or unimportant. The following events represent only the most grievous of the self-inflicted wounds, which hastened the downfall of the once mighty state of Hungary. After his coronation Ferdinand made a half-hearted attempt at taking Buda, the capital, from John. To Ferdinand’s great surprise, John fled at once to his relatives in Poland. Once out of reach of his opponent, he collected what he thought were his wits and came to a disastrous resolution: he offered his fealty to the Sultan in exchange for help against Ferdinand! He was probably influenced by the Poles,who had been paying a tribute to the Sultan, and by the French, whose Francis I had been an ally of the Turks for years. -
Timisoara: Birthplace of the Revolution BUDAPEST, Hungary October 1997
Timisoara: Birthplace of the Revolution BUDAPEST, Hungary October 1997 By Christopher P. Ball Studying Romania toda one inevitably reads or hears about the bloody revo- lution of 1989. One reads that an outspoken Hungarian minister named Ldszl6 T6ks refused to leave his parish despite orders to do so from Romanian dictator Nicolae Ceausescu. The Securitate, the Romanian secret police similar to the So- viet KGB, was ordered to remove him but both Romanian and Hungarian citi- zens took to the streets in protest. They defended T6kds, defied government or- ders to disband and sparked what turned out to be one of the bloodiest revolu- tions of the 1989 East-Bloc breakup, resulting in at least 1,000 deaths. It all started here in Timisoara. The revolution was not the first major event to take place in Timisoara. Actu- ally, for much of its history the city has been famous for bringing an end to a very different kind of revolution. In Timisoara's town square, Gy6rgy D6zsa, leader of the largest peasant revolt ever to sweep across Hungary and Transyl- vania, was put to death in 1514. It was not a pleasant passing. D6zsa was liter- ally fired to death in a large, red-hot metal throne and torn apart by pincers. Parts of his body were fed to his followers, who themselves were then killed. It might have seemed to the protesters in 1989, however, that things had not changed much in nearly 500 years when Securitate officers returned the severely beaten and tortured prisoner Reverend T6k6s who still refused to obey his Communist masters. -
The Red Army Lei
A BRIEF HISTORY OF THE ROMANIAN LEU A BRIEF HISTORY OF THE ROMANIAN LEU The thaler was a very popular coin which came in many different shapes and enjoyed a wide circulation throughout Europe. The Leeuwendaalder (the lion-thaler or simply the lion) had an overwhelming influence on the money circulation in the Romanian provinces. Minted in the United Provinces of the Netherlands, the coin featured a rampant lion, standing on its back feet, on the reverse. The first issue of this type was minted in 1575 in the province of Holland. In the 17th century, the lion-thaler became the most frequently used high-value silver coin not only in the Romanian principalities, but also throughout the Balkan Peninsula. Greatly appreciated by the people and being circulated in vast amounts, the lion-thaler was even exhibited as merchandise in fairs across the Ottoman Empire. Before the minting of the lion-thaler was discontinued around the mid-18th century, the population in the Romanian principalities had come to identify the lion ( leu in Romanian) with money. This is the most illustrative evidence of the influence that the coin had on the Romanian monetary economy. The leu had become the unit of account both in Moldavia and Wallachia, subdivided into 40 parale . Consequently, calculations were made in lei and parale, whereas the payments were made in real currency, of different origins and denominations, at a pre-established exchange rate. a z 1774 1775 1812 1821 u C The Peace Treaty of Bukovina is annexed to The Treaty of Bucharest The rebellion Küçük Kaynarca is signed, the Habsburg Empire is signed between the led by Tudor n ending the Russian- Ottoman and the Russian Vladimirescu a Turkish War of 1768–1774 Empires. -
Hungarian Studies 27/2 (2013) 0236-6568/$20.00 © 2013 Akadémiai Kiadó, Budapest 314 TERÉZ OBORNI
HStud 27 (2013)2, 313–324 DOI: 10.1556/HStud.27.2013.2.8 STATE AND GOVERNANCE IN THE PRINCIPALITY OF TRANSYLVANIA TERÉZ OBORNI Institute of History, Research Centre for the Humanities, Hungarian Academy of Sciences, Budapest, Hungary E-mail: [email protected] This study offers a brief survey of the Transylvanian state and the administrative structure of the Principality of Transylvania. First, it reveals the changes taking place in the operation of the Transylvanian diet after the fall of Buda (1541) – this authority developed from a partial diet into a general assembly. The formula used until 1690 by the assembly of the Transylvanian estates for naming itself had settled by the mid-16th century: states and orders of the three nations of Transylvania and of the Joined Parts of Hungary (status et ordines trium nationum regni Transylvaniae Partiumque Hungariae eidem annexarum). The author describes the unique legal status of the new state, the Principality of Transylvania as a “dual dependence”. On the one hand, as a vassal state, the Transylvanian state depended upon the Ottoman Empire, and on the other, in theory, it remained part of the Kingdom of Hungary – as was proclaimed in several public or secret agreements between the princes and the kings. The study shows how the estates could practice their right of free election of the prince and the difficulties of the method, it also discusses the peculiarities of the division of power between the estates and the prince, and it considers the union (treaty of alliance) of the Transylvanian estates as the constitution of the new state. -
State and Governance in the Principality of Transylvania
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library HStud 27 (2013)2, 313–324 DOI: 10.1556/HStud.27.2013.2.8 STATE AND GOVERNANCE IN THE PRINCIPALITY OF TRANSYLVANIA TERÉZ OBORNI Institute of History, Research Centre for the Humanities, Hungarian Academy of Sciences, Budapest, Hungary E-mail: [email protected] This study offers a brief survey of the Transylvanian state and the administrative structure of the Principality of Transylvania. First, it reveals the changes taking place in the operation of the Transylvanian diet after the fall of Buda (1541) – this authority developed from a partial diet into a general assembly. The formula used until 1690 by the assembly of the Transylvanian estates for naming itself had settled by the mid-16th century: states and orders of the three nations of Transylvania and of the Joined Parts of Hungary (status et ordines trium nationum regni Transylvaniae Partiumque Hungariae eidem annexarum). The author describes the unique legal status of the new state, the Principality of Transylvania as a “dual dependence”. On the one hand, as a vassal state, the Transylvanian state depended upon the Ottoman Empire, and on the other, in theory, it remained part of the Kingdom of Hungary – as was proclaimed in several public or secret agreements between the princes and the kings. The study shows how the estates could practice their right of free election of the prince and the difficulties of the method, it also discusses the peculiarities of the division of power between the estates and the prince, and it considers the union (treaty of alliance) of the Transylvanian estates as the constitution of the new state.