Characteristics of Collectionism in Wallachia
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Numerotarea Şi Delimitarea Secţiilor De Votare La Alegerile Pentru Autorităţile Administraţiei Publice Locale Din Iunie 2012
Circumscripţia electorală nr. 42, municipiul Bucureşti Numerotarea şi delimitarea secţiilor de votare la alegerile pentru autorităţile administraţiei publice locale din iunie 2012 Numărul secţiei de Sector Denumirea şi adresa localului secţiei de votare Delimitarea secţiei de votare votare LICEUL TEORETIC "NICOLAE IORGA"; Bld. Mihalache Int. 1 MAI; Bld. MIHALACHE ION, (fost 1 MAI) nr. 64-96, 75-113; 1 1 Ion Nr. 126; CP 011179 LICEUL TEORETIC "NICOLAE IORGA"; Bld. Mihalache Bld. MIHALACHE ION, (fost 1 MAI) nr. 98-146A, 115-299B; 2 1 Ion Nr. 126; CP 011179 LICEUL TEORETIC "NICOLAE IORGA"; Bld. Mihalache Bld. MIHALACHE ION, (fost 1 MAI) nr. 148, 301-319; 3 1 Ion Nr. 126; CP 011179 LICEUL TEORETIC "NICOLAE IORGA"; Bld. Mihalache Bld. MIHALACHE ION, (fost 1 MAI) nr. 150-160B; 4 1 Ion Nr. 126; CP 011179 LICEUL GRECO-CATOLIC "TIMOTEI CIPARIU"; Str. Bucegi Nr. 97; CP 012317 Int. ALPINIŞTILOR; Str. BIRUINŢEI; Str. DUMITRU FLORESCU; Str. ELIE CARAFOLI, (fostă PENTELEU); Str. FUICĂ VASILE Lt. Av.; Str. GALILEEA; 5 1 Str. IONEL FERNIC, (fostă FERMEI); Str. IOSIF ISER Pictor; Str. MIRCEA PETRE Cpt. ; Str. NICULAIE CAPŞA Maior. Av.; Str. PARÂNGULUI; Str. POPIŞTEANU Av.; Str. PUŢUL LUI CRĂCIUN; Str. SĂCELE; Str. STAMATESCU GRIGORE Lt. ; Str. TÂRNAVA; Str. VASILE TRAIAN; LICEUL GRECO-CATOLIC "TIMOTEI CIPARIU"; Str. Str. ARAD; Str. BUCEGI; Str. CARANSEBEŞ; Str. CEREMUŞULUI; Str. 6 1 Bucegi Nr. 97; CP 012317 CLĂBUCET; Str. MILCOV; LICEUL GRECO-CATOLIC "TIMOTEI CIPARIU"; Str. Str. DEJ; Str. DORNEI; Str. MIRCEŞTI; Str. MUREŞ; Str. SCĂRIŞOARA; Str. 7 1 Bucegi Nr. 97; CP 012317 SOVEJA; ŞCOALA CU CLASELE I-VIII Nr. -
Romanian Presidency Programme V2
Teatrul Naţional din Iaşi Biblioteca Judeţeană „V.A. Urechia” Galaţi Public Domain Marked ROMANIAN PRESIDENCY OF THE COUNCIL OF THE EUROPEAN UNION “Exposing Online the European Cultural Heritage: the impact of Cultural Heritage on the Digital Transformation of the Society” 17-18 April 2019 | Iasi, Romania europeana.eu @EuropeanaEU ROMANIAN PRESIDENCY OF THE COUNCIL OF THE EUROPEAN UNION Context This conference, organized in the framework of the Romanian Presidency of the Council of the European Union and under the auspicies of Europeana Initiative, aims to highlight the impact of exposing cultural heritage online and to provide a platform to discuss the importance of national aggregation infrastructures to the digital transformation of cultural heritage sector using Romania as a case study. The meeting is aimed at cultural policy makers from EU member states (representatives from the Expert Group on Digital Cultural Heritage and Europeana), Romanian cultural heritage institutions involved in the implementation of E-cultura: Romanian Digital Library project and policy makers. The meeting will be joined by representatives of the European Commission and Romanian authorities. Central hypothesis Europe currently has a leading position in the world in digital cultural heritage. This leading position has been built through large investments of the EU (in Europeana and related projects) and of the Member States (in digitization and national infrastructures). Securing this leading position in the future, in particular with the advent of new technologies -
Olimpiada Digitala 2021 (Romania)
Olimpiada Digitala 2021 (Romania) Competition statistics: 581 competitors, 410 schools Exciting prizes for this CONTEST! KIT Robot inteligent programabil KIT proiecte Arduino Carte programare Scratch Locul 1 Locul 2 Locul 3 Open, 7 and 8 y.o. 1. Chirilov Albert Andrei, Scoala Nr 85, Bucuresti, Romania, 3.35, Congratulations!, Locul 1 , Project 2. Alecu Roberto Alessandro, Tecfun Jr, Botosani, Romania, 2.96, Congratulations!, Locul 2 , Project 3. Ganea Andrei Sebastian, Liceul Teoretic Avram Iancu Cluj Napoca, Cluj Napoca, Romania, 2.93, Congratulations!, Locul 3 , Project 4. Alice Caruntu, Scoala Gimnaziala Ioan Murariu Cristinesti, Botosani, Romania, 2.92, Thank you for participating 5. Mara Malusel, Scoala nr. 23 Constantin Brancoveanu, Constanta, Romania, 2.88, Congratulations!, Scenariu exceptional ! 6. Crisan Tudor Andrei, Scoala Gimnaziala Viisoara, Campia Turzii, Romania, 2.80, Thank you for participating 7. Matei Bica, Codeland School, Curtea De Arges, Romania, 2.73, Thank you for participating 8. Decu Dumitru Damian, Scoala Gimnaziala Nr 1 Berceni, Vidra, Romania, 2.68, Thank you for participating 9. Eliza Iftime, Techfun Jr, Botosani, Romania, 2.55, Thank you for participating 10. Voica Dimitrie, Techfun Jr, Botosani, Romania, 2.32, Thank you for participating 11. Poenaru Mihai Cristian, Codeland School, Pitesti, Romania, 1.00, Thank you for participating 12. Neaga Luca, Codeland School, Pitesti, Romania, 1.00, Thank you for participating 13. Isabela Maria Paceagiu, Isabela Maria Paceagiu, Constanta, Romania, 1.00, Thank you for participating 14. Crisan Tudor Andrei, Scoala Gimnaziala Viisoara, Campia Turzii, Romania, 1.00, Thank you for participating 15. Marin Vlad Mihai, Scoala Gimnaziala Mihai Viteazul, Craiova, Romania, 1.00, Thank you for participating 16. -
Lucian Blaga Central University Library, Cluj
Philobiblon Vol. XIII-2008 © Philobiblon. Transylvanian Journal of Multidisciplinary Research in Humanities Theodor Aman in the Sion Donation Roxana BĂLĂUCĂ Lucian Blaga Central University Library, Cluj Keywords: engravings, Theodor Aman, Gheorghe Sion donation of the Lucian Blaga Central University Library Abstract The paper presents the engravings made by Theodor Aman, a 19th century Romanian artist, preserved in the Special Collections Department of the Lucian Blaga Central University Library, donated by Gheorghe Sion to the institution in 1923. Theodor Aman, who learned the various techniques of engraving in Paris, was mainly interested in Romanian history and traditions, representing in his works prominent historical figures, scenes from national history, characteristic Romanian customs and figures. A pioneer of Romanian graphic art he elevated the art of engraving to the rank of art in Romania. E-mail: [email protected] * The Lucian Blaga Central University Library holds in the Special Collections Department a great number of engravings1 either received as donations or purchased by the Library. There are 8897 such documents in our institution. This valuable collection was based on the donation made by Gheorghe Sion in 1923. Besides the considerable number of books, manuscripts, maps, and coins he donated to the Library approximately 2500 engravings. The brothers Iuliu and Liviu Martian also contributed to the enrichment of this collection. Gheorghe Sion was preoccupied especially with collecting all types of documents connected to the Romanian countries, as well as to the Romanian territories under a foreign rule. Thus, during his travels abroad, he gathered a large number of documents referring to the Romanian provinces.2 In this way an impressive collection of engravings 1 General denomination of works imprinted by different processes. -
A Sample of Cultural Interaction in the Age of Modernism:The Representation of the Dobruja Turk in Romanian Painting
ANKARAD / AJARS ANKARA ANADOLU VE RUMELİ ARAŞTIRMALARI DERGİSİ ANKARA’ S JOURNAL OF ANATOLIA AND RUMELIA STUDIES ANKARAD, 2020; 1(2): 481-501 [email protected] e-ISSN: 2717-9052 DOI: A SAMPLE OF CULTURAL INTERACTION IN THE AGE OF MODERNISM:THE REPRESENTATION OF THE DOBRUJA TURK IN ROMANIAN PAINTING Atanas KARACOBAN* - Dalila OZBAY** Abstract: The present study attempts to bring to light an artistic experience almost unknown to the larger public, which is the repre sentation of the Turkish people of Dobruja in the Romanian painting of the first half of the twentieth century, which is the period of modernism in art promoting freedom of artistic expression, innova tion and experimentation. Among the origins of modernism, of pri mary importance stand the principles of romanticism, aestheticism, symbolism, and particularly in the case of painting, Impressionism, and the entire late nineteenth-century artistic reaction against real ism and tradition. Along with these predecessors, in the case of Ro manian artists, the rediscovery of Dobruca was another factor providing new concerns and perspectives in painting. The authors of this study are therefore also conscious of the influence of the Turkish community from Dobruja on the development of Romanian painting in the new context of territorial changes after the second Balkan War, the emphasis on which being another aim of the pre sent study. 481 Key words: Art, Painting, Modernism, Impressionism, Dobruja. MODERNİZM ÇAĞINDA KÜLTÜREL ETKİLEŞİMİN BİR ÖRNEĞİ: ROMANYA RESMİNDE DOBRUCA TÜRK’ÜNÜN BİR TASVİRİ Öz: Bu çalışma, halkın çoğunluğu tarafından bilinmeyen bir sanatsal deneyime; sanatsal dışavurum, yenilik ve deneyselliği destekleyen, sanatta bir modernleşme çağı olan yirminci yüzyılın ilk yarısındaki Romen resmindeki Dobrucalı Türklerin resmedilmesine * Öğr. -
Catalogul Expoziției La Cat
28 51. Demeter H. Chipăruș, Ultima luptă Licitația de Toamnă - Top 100 Mari Maeștri ai Artei Românești miercuri, 31 octombrie 2018, 19.30 Athénée Palace Hilton București 29 Nicolae Vermont La Școala de Belle Arte din București i-a avut colegi pe (1866, Bacău - 1932, București) Ștefan Luchian, Constantin Aricescu și Fritz Storck, ală- turi de care a participat la manifestările secesioniste ale Independenților sau ale Tinerimii Artistic. Sub îndru- marea lui Theodor Aman și-a desăvârșit desenul și a 49 învățat tehnica gravurii, devenind unul dintre cei mai reputați graficieni ai generației sale. Nicolae Vermont a fost unul dintre cei mai importanți membri ai societății Tinerimea Artistică, arta sa aflându-se la granița dintre un academism de factură Müncheneză și un impresio- nism suscitat sub influența lui Nicolae Grigorescu. Închinarea păstorilor, cu motivele satului românesc Licitația de Iarnă, Artmark, decembrie 2011, București 42.000 € 1 | Pe verandă | 1905 ulei pe lemn, 24 × 14,5 cm, semnat și datat dreapta jos, cu brun, „N. Vermont, 1905” € 1.200 - 1.800 2 | Grădinile Tuileries | 1927 ulei pe carton, 25 × 20,5 cm, semnat si datat dreapta jos, cu brun, „Nicolae Vermont, 1927” € 1.000 - 1.800 30 3 | Pe gânduri | 1924 ulei pe carton, 35 × 23 cm, semnat și datat dreapta jos, cu negru, „Nicolae Vermont, 1924” € 1.200 - 1.800 31 4 | Chivuţă cu lampă ulei pe carton, 67 × 45 cm, semnat dreapta jos, cu brun, „Nicolae Vermont” € 7.000 - 12.000 32 Arthur Verona În 1902, când debuta cu o primă expoziție persona- (1868, Brăila - 1946, București) lă, Arthur Verona era deja un artist realizat, matur, fiind ofițer de dragoni în armata austriacă, cursant al Academiei de Artă din München, prezent în primul val de artiști ce pictează la Baia Mare, alături de Simon 72 Hollósy, student la Academia Julian din Paris, dar și membru fondator al Tinerimii Artistice. -
Unification of Art Theories (Uat) - a Long Manifesto
UNIFICATION OF ART THEORIES (UAT) - A LONG MANIFESTO - by FLORENTIN SMARANDACHE ABSTRACT. “Outer-Art” is a movement set up as a protest against, or to ridicule, the random modern art which states that everything is… art! It was initiated by Florentin Smarandache, in 1990s, who ironically called for an upside-down artwork: to do art in a way it is not supposed to be done, i.e. to make art as ugly, as silly, as wrong as possible, and generally as impossible as possible! He published three such (outer-)albums, the second one called “oUTER-aRT, the Worst Possible Art in the World!” (2002). FLORENTIN SMARANDACHE Excerpts from his (outer-)art theory: <The way of how not to write, which is an emblem of paradoxism, was later on extended to the way of how not to paint, how not to design, how to not sculpture, until the way of how not to act, or how not to sing, or how not to perform on the stage – thus: all reversed. Only negative adjectives are cumulated in the outer- art: utterly awful and uninteresting art; disgusting, execrable, failure art; garbage paintings: from crumpled, dirty, smeared, torn, ragged paper; using anti-colors and a-colors; naturalist paintings: from wick, spit, urine, feces, any waste matter; misjudged art; self-discredited, ignored, lousy, stinky, hooted, chaotic, vain, lazy, inadequate art (I had once misspelled 'rat' instead of 'art'); obscure, unremarkable, syncopal art; para-art; deriding art expressing inanity and emptiness; strange, stupid, nerd art, in-deterministic, incoherent, dull, uneven art... as made by any monkey!… the worse the better!> 2 A MANIFESTO AND ANTI-MANIFESTO FOR OUTER-ART I was curious to learn new ideas/ schools /styles/ techniques/ movements in arts and letters. -
Timeline / 1860 to 1900 / ROMANIA
Timeline / 1860 to 1900 / ROMANIA Date Country Theme 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1863 Romania Reforms And Social Changes December: the National Gathering of the United Principalities adopts the law through which the land owned by monasteries (more than a quarter of Romania’s surface) becomes property of the state. 1863 Romania Music, Literature, Dance And Fashion The literary society Junimea, which had an important role in promoting Romanian literature, is founded in Ia#i. In 1867 it begins publishing a periodical in which the works of Romanian writers appear and also translations from worldwide literature. 1864 Romania Cities And Urban Spaces 19 August: establishment of Bucharest’s city hall. Bucharest had been the United Principalities’ capital since 1861. 1864 Romania Economy And Trade 27 October: foundation of the Romanian Chamber of Commerce and Industry. 1864 Romania Political Context 14 May: coup d’état of Alexandru Ioan Cuza, who dissolves parliament and proposes a new constitutional project, which is voted the same month and ratified by the Ottoman Empire and the guaranteeing Powers in June 1864. The Statute Expanding the Paris Convention assigned greater power to the prince and the government. 1864 Romania Fine And Applied Arts Dimitrie Bolintineanu, the Minister of Religion and Public Instruction, organises in Bucharest an exhibition displaying works of contemporary Romanian artists, the most important of the time being painters Theodor Aman, Gheorghe Tattarescu and Carol Popp de Szathmari. 1864 Romania Reforms And Social Changes December: the law of public instruction establishes free, compulsory primary education. -
Emanoil Chinezu Om Politic, Avocat Şi Istoric 2
COSMIN LUCIAN GHERGHE EMANOIL CHINEZU OM POLITIC, AVOCAT ŞI ISTORIC 2 COSMIN LUCIAN GHERGHE EMANOIL CHINEZU OM POLITIC, AVOCAT ŞI ISTORIC EDITURA SITECH CRAIOVA, 2009 3 Coperta: Constantin Crăiţoiu Coperta 4: 1857, Theodor Aman, Hora Unirii la Craiova, pictură pe pânză © 2009 Editura Sitech Craiova Toate drepturile asupra acestei ediţii sunt rezervate editurii. Orice reproducere integrală sau parţială, prin orice procedeu, a unor pagini din această lucrare, efectuate fără autorizaţia editorului este ilicită şi constituie o contrafacere. Sunt acceptate reproduceri strict rezervate utilizării sau citării justificate de interes ştiinţific, cu specificarea respectivei citări. © 2009 Editura Sitech Craiova All rights reserved. This book is protected by copyright. No part of this book may be reproduced in any form or by any means, including photocopying or utilised any information storage and retrieval system without written permision from the copyright owner. Editura SITECH din Craiova este acreditată de C.N.C.S.I.S. din cadrul Ministerului Educaţiei şi Cercetării pentru editare de carte ştiinţifică. Descrierea CIP a Bibliotecii Naţionale a României GHERGHE, COSMIN LUCIAN Emanoil Chinezu - om politic, avocat şi istoric/ Cosmin Lucian Gherghe. - Craiova : Sitech, 2009 Bibliogr. ISBN 978-606-530-315-7 94(498) Editura SITECH Craiova Str. Romul, Bloc T1, Parter Tel/fax: 0251/414003 www.sitech.ro, [email protected] ISBN 978-606-530-315-7 4 Emanoil Chinezu (1817 – 1878) 5 6 CUPRINS ABREVIERI ............................................................................. 9 INTRODUCERE .................................................................... 11 O VIAŢĂ DE OM ÎN PAS CU RITMURILE EVOLUŢIEI ISTORICE ROMÂNEŞTI DIN SECOLUL AL XIX-LEA... 20 EMANOIL CHINEZU ŞI SPIRITUL REVOLUŢIONAR AL NAŢIUNII ROMÂNE, DE LA 1821 LA 1848............... -
Timeline / 1860 to 1880 / ROMANIA / ALL THEMES
Timeline / 1860 to 1880 / ROMANIA / ALL THEMES Date Country Theme 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1863 Romania Music, Literature, Dance And Fashion The literary society Junimea, which had an important role in promoting Romanian literature, is founded in Ia#i. In 1867 it begins publishing a periodical in which the works of Romanian writers appear and also translations from worldwide literature. 1863 Romania Reforms And Social Changes December: the National Gathering of the United Principalities adopts the law through which the land owned by monasteries (more than a quarter of Romania’s surface) becomes property of the state. 1864 Romania Economy And Trade 27 October: foundation of the Romanian Chamber of Commerce and Industry. 1864 Romania Political Context 14 May: coup d’état of Alexandru Ioan Cuza, who dissolves parliament and proposes a new constitutional project, which is voted the same month and ratified by the Ottoman Empire and the guaranteeing Powers in June 1864. The Statute Expanding the Paris Convention assigned greater power to the prince and the government. 1864 Romania Cities And Urban Spaces 19 August: establishment of Bucharest’s city hall. Bucharest had been the United Principalities’ capital since 1861. 1864 Romania Cities And Urban Spaces 14 April: the Commune Law is adopted by which cities and towns become urban communes, led by a mayor and a council. All urban communes must have a fire department and a hospital. 1864 Romania Great Inventions Of The 19th Century 4 August: establishment of the General Directorate of the Post and the Telegraph in the United Principalities. -
Timeline / Before 1800 to 1880 / ROMANIA / FINE and APPLIED ARTS
Timeline / Before 1800 to 1880 / ROMANIA / FINE AND APPLIED ARTS Date Country Theme 1813 Romania Fine And Applied Arts Gheorghe Asachi teaches a class of drawing and history of art at the School for Surveying Engineers (Moldavia). 1832 Romania Fine And Applied Arts Gheorghe Asachi founds in Ia#i a lithographic printing press called Institutul Albinei (The Bee Institute). 1843 Romania Fine And Applied Arts Carol Popp de Szathmari, the most important Romanian photographer of the 19th century (born in Cluj, Transylvania), moves to Bucharest, where he opens a photo studio. 1860 Romania Fine And Applied Arts 7 November: on the initiative of painter Gheorghe Panaitescu-Bardasare, a School of Fine Arts and an art gallery are founded in Ia#i. 1864 Romania Fine And Applied Arts Dimitrie Bolintineanu, the Minister of Religion and Public Instruction, organises in Bucharest an exhibition displaying works of contemporary Romanian artists, the most important of the time being painters Theodor Aman, Gheorghe Tattarescu and Carol Popp de Szathmari. 1864 Romania Fine And Applied Arts 14 November: a School of Fine Arts (which today is the National University of Art) is founded in Bucharest by painters Gheorghe Tattarescu and Theodor Aman. 1865 Romania Fine And Applied Arts The first showing of the “Living Artists Exhibition” (for painters and sculptors), organised by painter Theodor Aman, takes place in Ia#i. The annual organisation of such an exhibition is established by a decree issued in December 1864. 1876 Romania Fine And Applied Arts 19 February: birth of the great Romanian sculptor Constantin Brâncu#i, author of sculptures such as Mademoiselle Pogany, The Kiss, Bird in Space, and The Endless Column. -
5. IASSY – SOURSE of LOCAL, NATIONAL and INTERNATIONAL TALENTS Mirela Ștefănescu 250
DOI: 10.2478/RAE-2019-0027 Review of Artistic Education no. 18 2019 246-254 5. IASSY – SOURSE OF LOCAL, NATIONAL AND INTERNATIONAL TALENTS Mirela Ștefănescu 250 Abstract: The city of Iaşi, one of the most important visual art centers in the country, is one with an extraordinary creative potential, this being the reason why in this paper we mentioned local artistic personalities of national and international value. In this context, we will present among the most relevant exhibiting events that are constantly organized in Iaşi and which bring together local, national and international creative values. We would like to mention the ArtIS Salons, the Drawing Salon, the Iasi Identity Exhibitions, the Visual Arts Exhibitions of the International Festival of Education, the Visual Arts Exhibitions of Euroinvent, Inventica, the International Triennial Texpoart, the International Biennale of Contemporary Engraving, as well as visual artists who have already integrated into the international circuit, being rewarded with numerous awards and distinctions among the most honored. Thus, local artistic life is in a continuous creative effervescence, supported by the numerous exhibitions of consecrated and young artists who come to the audience with a great variety of styles. Key words: visual center, creative potential, exhibition events, international value 1. Introduction The Iassy city, defined by history, culture and spirituality, enjoys to an authentic and valuable cultural heritage, being one of the oldest and most important urban251 centers in the country, with a considerable offer of valuable artists, writers, critics, historians, scientists, doctors, engineers, etc. which have successfully integrated to European culture and values. Being a remarkable educational center, it was natural for many important people to educate themselves, to live and to create in Iassy, some of them remained, and others chose to go to other cities in the country or abroad.