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Katalog2019 Layout 1 64. Стеријино позорје 64. Стеријино позорје Нови Сад, 26. мај–3. јун 2019. Беседа на отварању 64. Стеријиног позорја СВЕТЛАНА БОЈКОВИЋ, глумица Срби су у Аустрији и Угарској, почетком 19. века, када публиком и заједно живе магију позоришног чина. Иако се родио Јован Стерија Поповић, били народ у којем је су ти тренуци пролазни, траг оплемењености остаје. Зато почео да се шири европски дух просветитељства. Тај дух данас, колико чедно, толико и актуелно звучи Стеријина је незаустављиво освајао Србе. мисао „Театар је лек за болести моралне“. Просветитељство, чији су носиоци били Захарије Ор- Позоришна представа, њено стварање и извођење фелин, Доситеј Обрадовић и Лукијан Мушицки, отворило личи на једну малу државу у којој све мора да функцио- је љубав према књижевности и ширило патриотизам. нише да би била успешна. Тако и бива, иако представу У српском народу стварају се књижевна и позоришна стварају људи различитих професија: писац, редитељ, дела, рађа се и позориште. У историју улазе Јоаким Вујић глумци, сценограф, костимограф, композитор, мајстор и Јован Стерија Поповић са својим „Жалостним и веселим светла, шминкер, инспицијент, суфлер, реквизитер, деко- позорјем“. ратери, гардеробери. Српски народ почиње да открива своју наклоност Та мала држава-представа, ствара се од заједничке према позоришту и своје позоришне таленте. вере, љубави, страсти и креативности у постизању зајед- Где смо данас, више од два века касније? ничког циља. Бијемо битке да позориште живи своју креативност и Када се у резултату успе, сви учесници имају неописив носи своју културну мисију. У тој мисији комедије карак- осећај радости и слободе. Достигнуће слободе које позо- тера Јована Стерије Поповића остају једна од неисцрпних ришни ствараоци постижу кроз своје стваралаштво је, инспирација нашег позоришног живота. можда, највећи дар који им је дат. Тај осећај слободе је, Данас у свету информатике и дигитализације, у свету у верујем, поред катарзе и смеха, још један мотив за оп- којем се, нажалост, урушавају моралне вредности и емпа- стајање и дуговечност позоришта. тија, позориште, ипак, опстаје као неуништива биљка за- Уз велику захвалност једној од најзначајнијих институ- сејана пре више од две хиљаде година. Шта одржава ција, Стеријином позорју, које чува позоришну традицију, магију позоришта? Одржава је људска потреба за катар- с најлепшим жељама учесницима и организаторима, уз зом, као и потреба за смехом. Ту потребу имају и позо- срдачан поздрав публици, с великим поштовањем у част ришни ствараоци, с једне, као и публика с друге стране. славе позоришта проглашавам 64. Стеријино позорје Када се успостави прави доживљај, глумци се спајају са отвореним. 2 64. СТЕРИЈИНО ПОЗОРЈЕ Opening speech of the 64th Sterijino Pozorje SVETLANA BOJKOVIĆ, actress Serbs in Austria and Hungary, at the beginning of the 19th the actors are merged with the audience and together they century, when Jovan Sterija Popović was born, were the peo- live the magic of the theatre act. Even though these moments ple among whom the European spirit of enlightenment are transient, the trace of refinement remains. That is why began to spread. That spirit had been winning over Serbs Sterija’s thought “Theatre is the cure for moral diseases” without stopping. sounds naive today as well as current. The Age of Enlightenment, whose representatives were Za- Theatrical play, its creation and performance resemble one harije Orfelin, Dositej Obradović and Lukijan Mušicki, has small country in which everything needs to function in order opened up the love for literature and spread patriotism. for it to be successful. That's the way it is, even though the Among the Serbian people, literary and theatre works show is made by people of different professions: writer, di- were created, and the theatre was born. Joakim Vujić and rector, actors, set designer, costume designer, composer, mas- Jovan Sterija Popović entered history with their "Sad and ter of lights, makeup artist, stage manager, prompter, Happy Theatre". property master, decorators, wardrobe supervisors. Serbian people began to discover their affection for the That small country-play is created with shared faith, love, theatre and their theatre talents. passion and creativity in achieving a common goal. Where are we today, more than two centuries later? When the result is successful, all participants have an in- We fight battles for the theatre to live its creativity and describable sense of joy and freedom. The accomplishment carry its own cultural mission. In that mission comedies of of freedom that the theatre creators achieve through their character by Jovan Sterija Popović remain one of the inex- creativity is, perhaps, the greatest gift that is given to them. haustible inspirations of our theatrical life. That feeling of freedom is, I believe, apart from catharsis and Today, in the world of computer science and digitalization, laughter, another motive for survival and longevity of the the- in a world in which, unfortunately, moral values and empathy atre. are collapsing, the theatre, however, survives as an indestruc- It is with great gratitude to one of the most important in- tible plant sown more than two thousand years ago. What stitutions, Sterijino Pozorje, which preserves the tradition of keeps the magic of theatre? It is kept by the human need for theatre, with the best wishes for the participants and organ- catharsis, as well as the need for laughter. Such need is pos- izers, with warm-hearted greeting to the audience, with the sessed by theatre creators, on the one hand, as well as the utmost respect in honor of the glory of theatre that I hereby audience on the other. When a true experience is established, pronounce the 64th Sterijino Pozorje open. 64. СТЕРИЈИНО ПОЗОРЈЕ 3 Светлана Бојковић, дипломирала глуму у класи Svetlana Bojković, acquired a BFA in acting in the проф. Предрага Бајчетића 1970. године. Стални члан class of professor Predrag Bajčetić, in 1970. She has ансамбла Југословенског драмског позоришта од been a permanent member of the ensemble of the Yu- 1968. до 1984, када одлази у Народно позориште Бео- goslav Drama Theatre from 1968 to 1984, when she left град, где остаје до 1993, затим прелази у статус ис- to go to the Belgrade National Theatre, where she re- такнутог слободног уметника. Од тада највише игра у mained until 1993, after which she has earned the sta- Атељеу 212. tus of a prominent free artist. Since then, she has mostly Позоришне представе (избор) – ЈДП: Пучина acted at Atelje 212 Theatre. (Јованка), Хеда Габлер (Хеда Габлер), Три сестре Theatre plays (selection) – Yugoslav Drama Theatre: (Маша), Шума (Раиса Павловна Гурмишска); Народно Open Sea (Jovanka), Hedda Gabler (Hedda Gabler), позориште: Мадам Сан-Жен (насловна улога), Учене Three Sisters (Masha), The Forest (Gurmyzhskaya); Na- жене (Белиза), Агамемнон (Касандра); Атеље 212: Ноћ tional Theatre: Madame (leading role), The Learned трибада (Сири фон Есен), Аудијенција и Вернисаж Women (Belize), Agamemnon (Cassandra); Atelje 212: (Вера), Кола мудрости двоја лудости (Клеопатра Ма- The Night of the Tribades (Siri von Essen), Audience and мајева), Филумена Мартурано (Филумена), Марија Vernissage (Vera), Enough Stupidity for Every Wise Man Стјуарт (Елизабета од Енглеске), Лагум (Милица Пав- Позоријански деби Светлане (Cleopatra Mamaeva), Filumena Marturano (Filumena), ловић), Дивљи мед (Ана Павловна), Мала љубав за Бојковић: Афера недужне Mary Stuart (Elizabeth I of England), Dungeon (Milica мене или шта плаши Винсента Прајса (Џесика), Анабеле (ЈДП, 1969) Pavlović), Wild Honey (Anna Petrovna), Little love for me Брачна игра (Џилијан), Сабране приче (Рут Штајнер), Бли (Вера), Матица or what scares Vincent Price (Jessica), Marriage Play (Jillian), Collected Stories (Милена Гавровић), Моја ти (Драгица); Град театар Будва: Јегоров пут (Ruth Steiner), Bli (Vera), Queen Bee (Milena Gavrović), My Dear You (Drag- (Алма); Модерна Гаража: Легија части (Милунка Савић); Позориштанце ica); Budva City Theatre: Yegor's road (Alma); Moderna garaža: Legion of Ho- Пуж: Ивица и Марица (Врача Врачевић); БДП: X+Y=0 (Госпођа X)… nour (Milunka Savić); Puž Theatre: Hansel and Gretel (Witch); Belgrade Филм: Шејтанов ратник, Зона Замфирова, Птице које никад не Drama Theatre: X+Y=0 (Mrs X)… полете, Хало такси, Нека друга жена, Пас који је волео возове, Бољи Film: Sheitan Warrior, Zona Zamfirova, Some Birds Can't Fly, Hello taxi, живот… Одиграла преко 200 улога у ТВ серијама и ТВ драмама (избор): Some other woman, The Dog Who Loved Trains, Better life, etc. She has М(ј)ешовити брак, Породично благо, Срећни људи, Полицајац са Пет- played over 200 roles in TV shows and TV dramas (selection): Mixed mar- ловог брда, Смрт Госпође министарке, Бољи живот, Приче из фабрике, riage, Family treasure, Happy people, A cop from Petlovo brdo, Death of Mrs X+Y=0, Светозар Марковић, Никола Тесла, Повратак отписаних, От- Minister, Better life, Stories from the factory, X+Y=0, Svetozar Marković, писани, Димитрије Туцовић, Куда иду дивље свиње, Чедомир Илић… Nikola Tesla, The Written Off Return, The Written Off, Dimitrije Tucović, Награде: Златна Арена на Фестивалу у Пули за улогу у филму Пас Where do the wild boars go, Čedomir Ilić, etc. који је волео возове, две награде „Ћуран“ на Данима комедије у Јагодини Awards: Golden Arena at the Pula Film Festival for the role in the film за улогу Јованке у представи Пучина и улогу Белизе у представи Учене The Dog who loved Trains, two “Ćuran” Awards at the Comedy days in Jago- жене, добитница је Октобарске награде града Београда, Награде „Јоаким dina for the role of Jovanka in the play Open sea and for the role of Belize Вујић“ за допринос позоришној култури, Награде „Жанка Стокић“ и На- in the play The Learned Women, she won the Belgrade October Award, граде „Бранислав Нушић“ за животно дело у комедији, Награде за жи- “Joakim Vujić” Award for her contribution to the culture of theatre, “Žanka вотно дело „Добричин прстен“ 2005. Председница СДУС-а од 1992. до Stokić“ and “Branislav Nušić” Awards for life achievement in comedy, 1996. године. “Dobričin prsten” Life achievement Award in 2005.
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