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Creative Spaces Within Which People, Ideas and Systems Interact with Uncertain Outcomes
GIMPEL, NIELSE GIMPEL, Explores new ways to understand the dynamics of change and mobility in ideas, people, organisations and cultural paradigms China is in flux but – as argued by the contributors to this volume – change is neither new to China nor is it unique to that country; similar patterns are found in other times and in other places. Indeed, Creative on the basis of concrete case studies (ranging from Confucius to the Vagina Monologues, from Protestant missionaries to the Chinese N & BAILEY avant-garde) and drawing on theoretical insights from different dis- ciplines, the contributors assert that change may be planned but the outcome can never be predicted with any confidence. Rather, there Spaces exist creative spaces within which people, ideas and systems interact with uncertain outcomes. As such, by identifying a more sophisticated Seeking the Dynamics of Change in China approach to the complex issues of change, cultural encounters and Spaces Creative so-called globalization, this volume not only offers new insights to scholars of other geo-cultural regions; it also throws light on the workings of our ‘global’ and ‘transnational’ lives today, in the past and in the future. Edited Denise Gimpel, Bent Nielsen by and Paul Bailey www.niaspress.dk Gimpel_pbk-cover.indd 1 20/11/2012 15:38 Creative Spaces Gimpel book.indb 1 07/11/2012 16:03 Gimpel book.indb 2 07/11/2012 16:03 CREATIVE SPACES Seeking the Dynamics of Change in China Edited by Denise Gimpel, Bent Nielsen and Paul J. Bailey Gimpel book.indb 3 07/11/2012 16:03 Creative Spaces: Seeking the Dynamics of Change in China Edited by Denise Gimpel, Bent Nielsen and Paul J. -
HIST 3822. Modern China Prof. Peter Zarrow Spring 2016 Wood Hall 327 Tu/Th 9:30-10:45, LH106 Office Hours: Th 11-12:30 & by Appt
HIST 3822. Modern China Prof. Peter Zarrow Spring 2016 Wood Hall 327 Tu/Th 9:30-10:45, LH106 office hours: Th 11-12:30 & by appt. China today is in the midst of the fastest economic and social-cultural transformation of any nation in history. The Chinese economy is today, by many measurements, the world’s largest. Whether we can sum up conditions in China as “socialism with Chinese characteristics,” “mercantilist capitalism,” “East Asian authoritarian developmentalism” or some other label, China cannot be understood without knowledge of its revolutionary heritage and long-standing technologies of mass mobilization. And the revolutionary heritage of the twentieth century cannot be understood without knowledge of the political, socio-economic, and cultural systems that came under great strain in the nineteenth century. “China” today is itself a direct product of the Qing Empire (1644-1912), which expanded its borders to nearly double the territories claimed by the Ming Empire (1368-1644). This state was falling apart in the nineteenth century, but China was strengthened and reestablished through revolutionary movements (Nationalist as well as Communist) over the course of the twentieth century. Grading for this class is based on the following work: -class participation and reports; short reading-reaction papers; quizzes: 25% -paper 1: 25% -paper 2: 25% -paper 3: 25% There are no exams in this course. Notes: 1. Plagiarism is not tolerated. See http://irc.uconn.edu/PlagiarismModule/intro_m.htm. 2. Provisions will be made for students with disabilities. See http://www.csd.uconn.edu/accommodation_services.html. 3. Attendance is encouraged; class participation and student reports count toward your final grade. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from tfie original or copy submitted. Thus, some thesis arxj dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or irxJistinct print, colored or poor quality illustrations and photographs, print t>leedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black arxl white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order Bell & Howell Information and Learning 300 North Zeeb Road, Ann Artx>r, Ml 48106-1346 USA 800-521-0600 UMI STRATEGIES OF MODERN CHINESE WOMEN WRITERS’ AUTOBIOGRAPHY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jing Wang, M.A. ***** The Ohio State University 2000 Dissertation Committee: Approved by Professor Xiaomei Chen, Adviser Professor Kirk Denton ______ Adviser Professor Patricia Sieber East Asian Languages and Literatures Professor Julia Watson UMI Number 9983003 UMI UMI Microfotm9983003 Copyright 2000 by Bell & Howell Information and Learning Company. -
Introduction
NOTES Introduction 1. Dante Alighieri, Literature in the Vernacular (De Vulgari Eloquentia), trans. Sally Purcell (Manchester: Carcanet New Press Limited, 1981), 21–22. 2. Ibid., 27. 3. Umberto Eco, The Search for the Perfect Language, trans. James Fentress (Blackwell, 1995), 34. 4. Ibid., 45–46. 5. Dante Alighieri, Dante, De Vulgari Eloquentia, ed. and trans. Steven Botterill (Cambridge University Press, 1996), 3. 6. Ibid., 3. 7. Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (New York: Verso, 1991), 67. In his discussion, Anderson places great emphasis on “piracy,” which I have found rather problematic. The word “piracy” vividly evokes the speed and pervasiveness of the emergence of the vernacular and the spread of nationalism. But it also has negative connotations of forgery, of knowledge as property. Is Anderson implying that that all the language revolu- tions in other countries are illegitimate copies, while the European one is the only original? One can’t help but think of Walter Benjamin’s discussion of the “original” and the “copies” in his well- known essay “The Work of Art in the Age of Mechanical Reproduction.” Does the construction of the “original” and the “piracy” in Anderson’s paradigm also work to uphold the concept of authenticity, granting some kind of aura to the superior West, which in turn demands some ritualistic respect from the inferior “copies”? 8. In his article “Conjectures on World Literature” (in Debating World Literature, ed. Christopher Prendergast [New York: Verso, 2004], 148–162), Franco Moretti shows the findings of his ambitious research on the rise of the modern novel (roughly from 1750 to 1950) in four continents (Europe, Latin America, Asia, and Africa), more than twenty independent critical studies, as such: world literature was indeed a system—but a system of variations. -
Proquest Dissertations
RICE UNIVERSITY Chen Duxiu's Early Years: The Importance of Personal Connections in the Social and Intellectual Transformation of China 1895-1920 by Anne Shen Chap A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy APPROVED, THESIS COMMITTEE: Richar^TTSmith, Chair, Professor History, George and Nancy Rupp Professor of Humanities Nanxiu Qian,Associate Professor" Chinese Literature '^L*~* r^g^- ^J-£L&~^T Sarah Thai, Associate Professor History, University of Wisconsin- Madison HOUSTON, TEXAS APRIL 2009 UMI Number: 3362139 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3362139 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI48106-1346 ABSTRACT Chen Duxiu's Early Years: The Importance of Personal Connections in the Social and Intellectual Transformation of China 1895-1920 by Anne Shen Chao Chen Duxiu (1879-1942), is without question one of the most significant figures in modern Chinese history. Yet his early life has been curiously neglected in Western scholarship. In this dissertation I examine the political, social and intellectual networks that played such an important role in his early career—a career that witnessed his transformation from a classical scholar in the Qing dynasty (1644-1912), to a reformer, to a revolutionary, to a renowned writer and editor, to a university dean, to a founder of the Chinese Communist Party, all in the space of about two decades. -
189 “About Fiction” (Yu Dafu), 163N. 24 “After Victory” (Lu Yin), 35 Ancient Melodies (Ling Shuhua), 46–47, 158N
Index “About Fiction” (Yu Dafu), 163n. 24 “Bo-er” (Chen Hengzhe), 36 “After Victory” (Lu Yin), 35 Book of Songs, “Great Preface,” 157n. Ancient Melodies (Ling Shuhua), 22 46–47, 158n. 35, 159n. 19 Book of Twenty-four Filial Pieties, 105, Anderson, Marston, 27–28, 155n. 5, 107 157nn. 19, 22, 168nn. 43, 44, 47, “A Brief Discussion of Fiction” (Liang 173n. 48 Qichao), 27 The Art of Eileen Chang’s Fiction (Shui Brooks, Peter, 16, 75, 76–77, 162nn. Jing), 66, 161n. 55 14–17 “The Autobiographical Contract” Butler, Judith, 11–12, 153nn. 35, 36 (Philippe Lejeune), 10, 11, 72, 91–92, 99, 153nn. 30, 32, 161n. 8, Cai Yuanpei, 95, 99 163nn. 1, 2, 4, 165–66n. 20 Call to Arms (Lu Xun), 109 Autobiography at Thirty (Liang “The Canal and the Yangzi River” Qichao), 164n. 11 (Chen Hengzhe), 36–37 Autobiography of a Woman Soldier (Xie Cao Ming, 62 Bingying), 54–57, 61, 94, 102, 149, Ceng Qingrui, 25 160nn. 34–36 Chandler, James, 151n. 5 Autobiography of Shen Congwen (Shen Chang, Eileen, 9, 41–67, 92–93, 107, Congwen), 18, 36, 119–50, 158n. 32, 150, 158n. 35; “A Child’s Words are 169n. 1, 170nn. 18–20, 171nn. 22, without Inhibition,” 60–61, 65, 26–28, 172nn. 35, 39, 40, 173nn. 44, 160nn. 43, 46, 48; Flow of Words, 45, 49 65, 92, 169nn. 39, 43, 44, 49; “Inti- Azim, Firdous, 26, 154n. 41, 156nn. 12, mate Words,” 59–60, 65, 160nn. 30, 14 38; “Jasmine Tea,” 45; “Love in a Fallen City,” 57–58; “One should Bai Wei, 35, 148, 158n. -
The Literary Field of Twentieth-Century China Chinese Worlds
The Literary Field of Twentieth-Century China Chinese Worlds Chinese Worlds publishes high-quality scholarship, research monographs, and source collections on Chinese history and society from 1900 into the next century. "Worlds" signals the ethnic, cultural, and political multiformity and regional diversity of China, the cycles of unity and division through which China's modern history has passed, and recent research trends toward regional studies and local issues. It also signals that Chineseness is not contained within territorial borders - overseas Chinese communities in all countries and regions are also "Chinese worlds". The editors see them as part of a political, economic, social, and cultural continuum that spans the Chinese mainland, Taiwan, Hong Kong, Macau, South-East Asia, and the world. The focus of Chinese Worlds is on modern politics and society and history. It includes both history in its broader sweep and specialist monographs on Chinese politics, anthropology, political economy, sociology, education, and the social-science aspects of culture and religions. The Literary Field of New Fourth Army Twentieth-Century China Communist Resistance along the Edited by Michel Hockx Yangtze and the Huai, 1938-1941 Gregor Benton Chinese Business in Malaysia Accumulation, Ascendance, A Road is Made Accommodation Communism in Shanghai 1920-1927 Edmund Terence Gomez Steve Smith Internal and International Migration The Bolsheviks and the Chinese Chinese Perspectives Revolution 1919-1927 Edited by Frank N. Pieke and Hein Mallee Alexander -
Curriculum Vitae Jin Feng Professor of Chinese and Japanese Previous Positions Associate Professor of Chinese and Japanese, Grin
Curriculum Vitae Jin Feng Professor of Chinese and Japanese Grinnell College, Department of Chinese and Japanese, 1115 8th Ave., Grinnell, IA 50112 http://web.grinnell.edu/individuals/fengjin/ (641) 269-4464 [email protected] Previous Positions Associate Professor of Chinese and Japanese, Grinnell College, 2006-2012 Assistant Professor of Chinese and Japanese, Grinnell College, 2001-2006 (tenured in 2006) Visiting Assistant Professor of Chinese, Swarthmore College, 2000-2001 Education Doctor of Philosophy in Chinese Language and Literature August 2000 University of Michigan Ann Arbor, MI Graduate Certificate in Women’s Studies May 2000 University of Michigan Ann Arbor, MI Master of Arts in Comparative Literature January 1996 University of Illinois Urbana-Champaign, IL Bachelor of Arts in Chinese July 1993 Fudan University Shanghai, China Selected Publications Books, Book Chapters, and Articles Romancing the Internet: Consuming and Producing Chinese Web Romance. Leiden and Boston: Brill, 2013. The Making of a Family Saga: Ginling College (1915-1952). SUNY Press, 2009. 《陳衡哲早年自傳》 (Autobiography of Chen Hengzhe’s early years, translation). Anhui Education Publications, 2006. The New Woman in Early Twentieth-Century Chinese Fiction. Purdue University Press, 2004. 舊瓶装新酒？談談網絡上的瓊瑤同人 (New wine in old wineskin? on Qiong Yao fan fiction). Zhongguo xing yanjiu 中國性研究 (Sexuality Research in China), forthcoming 2013. 中國現當代文學中的美食懷舊書寫：以陸文夫為個案 (Food nostalgia in modern Chinese literature: Lu Wenfu as a case study). Fudan daxue xuebao (Shehui kexue ban) no.4 (July 2013): 167-174. “Have Mouse, Will Travel: Consuming and Creating Chinese Popular Literature on the Web.” Anouk Lang, ed., From Codex to Hypertext: Reading at the Turn of the Twenty-First Century. -
The Construction of “New Woman” in Chen Hengzhe's Autobiography
Journal of Literature and Art Studies, ISSN 2159-5836 December 2013, Vol. 3, No. 12, 739-756 D DAVID PUBLISHING The Construction of “New Woman” in Chen Hengzhe’s Autobiography∗ Tieniu Cheng Savannah State University, Savannah, USA This essay examines the autobiography of Chen Hengzhe (1890-1976) (see Appendix), a relatively less studied woman writer, historian, and critic in modern China. Through the study in four aspects, namely, the pursuit of modern education, simple appearance, great leaders, and the ambassadors of culture, the author’s research indicates that Chen’s construction of “new woman” has been influenced by complex historical and cultural forces such as the Chinese traditional culture, Western culture, and the iconoclastic spirit of “the New Culture Movement”. Meanwhile, Chen’s gender consciousness is also an important element. Moreover, Chen’s pioneering standing and her own experiences of studying abroad makes her take the lead in conceiving women’s leadership and their roles in global culture communications. In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. Chen’s construction of “new woman” is her conscious effort to define a new womanhood and is an integral part of the ongoing exploration of Chinese women for modern womanhood. Through the examination of Chen’s “new woman”, this paper seeks to enrich our understanding of the complexity of modern Chinese women’s exploration of modern womanhood. Keywords: new woman, culture and politics, modern China, womanhood, autobiography, Chen Hengzhe Introduction In the late Qing and the early Republic, traditional values and norms of womanhood were severely challenged. -
Chen Hengzhe and an Early Globalizing Project
Max Planck Research Library for the History and Development of Knowledge Studies 1 Denise Gimpel: Taking China to the World, Taking the World to China: Chen Hengzhe and an Early Globalizing Project In: Jürgen Renn (ed.): The Globalization of Knowledge in History Online version at http://edition-open-access.de/studies/1/ ISBN 9783844222388 First published 2012 by Edition Open Access, Max Planck Institute for the History of Science under Creative Commons by-nc-sa 3.0 Germany Licence. http://creativecommons.org/licenses/by-nc-sa/3.0/de/ Printed and distributed by: Neopubli GmbH, Berlin http://www.epubli.de/shop/buch/17018 The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Chapter 17 Taking China to the World, Taking the World to China: Chen Hengzhe and an Early Globalizing Project Denise Gimpel 17.1 Introduction In a lecture to a scholarly society in China in 1917, Cai Yuanpei (1868–1940),1 Chancellor of the prestigious Peking University, announced that religion in west- ern societies had long been replaced by scientific enquiry.2 Religion’s knowledge function—the provision of answers to fundamental questions that the human in- tellect was not yet developed enough to answer—had been a necessity of the past that scientific methods had rendered redundant (Denton 1996, 183). China thus needed to know that the West’s past solution to a lack of knowledge (religion) was not a trajectory that the nation should copy. It belonged to the past. China at this time, of course, needed a future and, in the eyes of many, it needed a future that would integrate it in global processes or what certain intel- lectuals or groups of intellectuals regarded as global or universal trends. -
Chen Hengzhe's Fiction of Aurality : the New Feminine Strategy
Journal of Modern Literature in Chinese 現代中文文學學報 Volume 4 Issue 2 Vol. 4.2 四卷二期 (2001) Article 3 1-1-2001 Chen Hengzhe's Fiction of aurality : the new feminine strategy Janet NG City University of New York Follow this and additional works at: https://commons.ln.edu.hk/jmlc Recommended Citation Ng, J. (2001). Chen Hengzhe's Fiction of aurality: The new feminine strategy. Journal of Modern Literature in Chinese, 4(2), 63-86. This Article is brought to you for free and open access by the Centre for Humanities Research 人文學科研究中心 at Digital Commons @ Lingnan University. It has been accepted for inclusion in Journal of Modern Literature in Chinese 現代中文文學學報 by an authorized editor of Digital Commons @ Lingnan University. Chen Hengzhe's Fiction of Aurality: The New Feminine Strategy Janet Ng Published in 1918 in New Youth (Xing qingnian), Lu Xun^ 新青年魯迅 ''Diary of a Madman" (Kuangren riji) has been often regarded as 狂人日記 the first modern Chinese vernacular short story, heralding the May Fourth literary revolution. However, a year prior to its publication, another short story by the woman writer Chen 陳衡哲 Hengzhe (1890-1976)—"One Day" (Yiri)_ appeared in Students 一日 Abroad in America Quarterly (Liumei xuesheng jikan), a journal 留美學生季刊 edited by Hu Shi and published in the United States. Although 胡適 this is a generally known fact, Chen's connection to the beginning of modern Chinese literature seems to have impressed few literary historians. At most, her story is considered a minor experiment that preceded, but had little to do with, the great reforms that swept through the Chinese literary scene in the 1910s. -
Female Consciousness in Contemporary Chinese Women's Writing
Female Consciousness In Contemporary Chinese W~men's Writing A Thesis submitted in partial fulfilment of the requirement for the degree of Doctor of Philosophy in the University of Canterbury by Haixin Jiang University of Canterbury 2000 Acknowledgement My heart-felt thanks to Dr Xiaoming Wu and Dr Denis Walker, without whose scholastic insight and patient help the present thesis would be a sure impossibility. 2 2 NOV 2000 Contents Abstract 1 Introduction 2 Female Consciousness 6 Appropriate Concealment of the Feminine 16 Women and Details: Desublimating the Grand Narrative 33 Part One Female Consciousness: the Discourse of Love 41 Chapter One Love in the Chinese Context 43 Feminine Grief: Entering the Conjugal Area of Love 44 Love in the Changing History 49 Chapter Two Love and the Patriarchal Socialism 54 Love Undermining the Patriarchal-socialist Scheme 55 The Ironic Intervention of Love 62 Chapter Three Love in the Personal Domain 73 Self as the Object of Love 75 Rewriting the Hymen 82 Expressing Female Desire 88 Conclusion: Play out of the Quest 98 Part Two Female Consciousness: the Dilemmas 101 Chapter J~our The Socialist New Woman 104 The Socialist New Woman: Fruit of Utopia 104 The Dilemma of Virilization 114 Chapter Five Between Career and Family 123 ii Re-presenting the Old Dilemma 127 The "Selfish" Wife: To be or Not to Be 132 Chapter Six Rewriting Motherhood 142 Rewriting the Mother IBaby Oneness 147 The Anti-Mother Narrative 156 Conclusion: A Negative Textual Stance 163 Part Three Female Consciousness: the Detail 165 Chapter