Hindustani Music

HINDUSTANI MUSIC

2016 (A) ( NEW SYLLABUS )

SCHEME OF VALUATION Subject Code : 26 (N/S)

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1. Raga — Bhimpalas That — Kafi Varjswara — Rishab, Dhaivat in Aroha Jati — Avadhava Sampoorna Vadi — Ma ( Madham) Samvadi — Sa ( Sadja) Ganasamaya — IInd Prahar of afternoon Aroha — Ni Sa ga ma Pa ni Sa Avaroha — Sa ni dha Pa ma ga re Sa Pakkad — ni Sa ma, ga Pa ma ga ma ga re Sa. Chota Khayal Swaralipi Drut Teental Sthayi ni ni Sa Sa ni dha pa s S ga s ma pa - Sa - ga ra Va s ha ra va Ss S da s run gi s ma s 0 3  2 Sa s s Sa dha S pa S ga S pa ga ga re Sa Sa S Aa S ra s Aa s ga na va s Jo S Sha S Antara

Pa Pa Pa ma ni Pa ga ma Pa Pa ni s Sa S Sa S  cha tu ra Su ga ra ba S la mu ra s mu S ra S 0 3  2 ...... ni ni Sa Sa ni dha Pa S ni ni Sa ga Sa ra Sa s ko S na de S Sa ja S Bi la ma ra hi la va S 0 3  2 . Pa S Pa S ga S ma pa ga S re Sa Pa Sa S dha . S ga ko S Ja S ya Su na S Vo S Sa Sa S ran 0 3  2 ...... ni ni ni Sa S dha S Pa Sa Sa ga S ra S Sa Sa Vo na ke S Ka S na bho na ka Vo S ra S ma S 0 3  2

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— —

—

— 2 . . — . —

—

. . s s s s s

s s s s s s 0 3  2 . . s s s s s s

s s s s s s s

s . . S S

S s S S 0 3  2 ...... S S S

S S S S 0 3  2 . S S S S S

. S S S S S S 0 3  2

...... S S S S

S S S S S 0 3  2 10

3 Code No. 26 (N/S)

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1 S . S |

2 . |

3 . | S | S

4 . S | S | |

2. Pt. Kumar Gandarva :

Kumar Gandarva occupies one of the top position in Hindustani

music. He was born in Karnataka having travelled all over in

India. Such a great musician was born on April 8, 1924 in

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village called 'Sulibhaki' of Belgaum Dist. belongs to Jangama

sect of Kankalimath. His father Siddaramaiah and mother

Gurusiddavva had a lot of interest in classical music. His mystic

concert at on early age tantalized the audience as well as Sri

Shantha Veera Mahaswami of Gurumath of Glb Dist. He had a

good opportunity at the age of 10 years in 1934. He was

introduced the famous singer and Professor of music B. R. Devadar etc. Thus he was very popular.

1924

1934

3. Development of that system that is a scale which generate the

group of similar Ragas. During the development of Indian music

Swaras from sound, Saptaka from Swaras. The term Mela is

premitive to the term Thata. There are 72 Thatas accepted in Carnatic music but only used about 19 Melas.

Creation of Thata : Combination of Shudha Vikruta Swaras of a

Saptak led to initate any That may have all Shudha Swaras. The

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creation of 32 Thats can be describe as under. According to

Vishnu Narayan Bhatkhande there are 10 Thatas.

Bilawal, Kalyan, Khamag, Khafi, Asawari, Bhairavi, Bhairav,

Purvi, Thodi, and Marava.

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4. a) Write short notes ( any two ) : A Shruthi : The minute variation of the musical sound that we can hear is called as Shruthi. The Shruthi was divided into 22 sections within an octave. Shruthi was divided into 7

notes. The measurement are made accordingly to Sanskrit sloka. They are described as follows : Shruti No. Name Ancient note Modern note 1 Tirva Shadja 2 Kumudwati 3 Manda 4 Chandovati Shadja Rishabh 5 Dayavati 6 Ranjani 7 Ratika Rishabh

8 Roudri Gandhra

b) Music therapy : Earth, water, fire, wind and sky are the

basic elements nature called as Panchatantra. Water is the basic of wetness, fire of burning. Digesting and brightening. Nada is based on the Sky. But Nada contains the quantity of wetness by water brightness by fire etc. In music therapy the diseases will be curved by removing the

deficiency through presenting or listening the particular music composition. So many doctors and researchers from various countries of the world have proved that mental and physical diseases can be curves by music therapy. a)

7 Code No. 26 (N/S)

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5 6 7 8 22

2 × 5 = 10

5. A. Fill in the blanks :

1. In Ektall 12 Matras are there

2. Vadi swara is called as Raja swara.

3. In chowtal 2 Husi are there

4. Jayadeva is called musicologist

5. Pankashari Gawai is called as musician.

1. 12 2.

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3. 2

5. 5

B. Write the Definition of following Technical terms : 1. Voice : What we hear is voice. When two things hits each other it is called as voice. There are two types of voice - Pleasant and unpleasant. 2. Raga : To entertain the listener of make them happy. A special swara is beloved and that is called Raga. 3. Anuvadi : Except Vadi and Samvadi Swara in Raga the rest all Swaras are called Anuvadi. 4. Theka : Thaal has its own important Bol to exhibit the composition of certain Tabla bol composed according to units of Matras. 5. Tihayi : The composition of Tabla bols which is played thrice from the part of the Thaal and which has to end upon the som matra with the bol dha at the end of the Tihayi. 1.