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Muhammad Umar Memon Bibliographic News
muhammad umar memon Bibliographic News Note: (R) indicates that the book is reviewed elsewhere in this issue. Abbas, Azra. ìYouíre Where Youíve Always Been.î Translated by Muhammad Umar Memon. Words Without Borders [WWB] (November 2010). [http://wordswithoutborders.org/article/youre-where-youve-alwaysbeen/] Abbas, Sayyid Nasim. ìKarbala as Court Case.î Translated by Richard McGill Murphy. WWB (July 2004). [http://wordswithoutborders.org/article/karbala-as-court-case/] Alam, Siddiq. ìTwo Old Kippers.î Translated by Muhammad Umar Memon. WWB (September 2010). [http://wordswithoutborders.org/article/two-old-kippers/] Alvi, Mohammad. The Wind Knocks and Other Poems. Introduction by Gopi Chand Narang. Selected by Baidar Bakht. Translated from Urdu by Baidar Bakht and Marie-Anne Erki. New Delhi: Sahitya Akademi, 2007. 197 pp. Rs. 150. isbn 978-81-260-2523-7. Amir Khusrau. In the Bazaar of Love: The Selected Poetry of Amir Khusrau. Translated by Paul Losensky and Sunil Sharma. New Delhi: Penguin India, 2011. 224 pp. Rs. 450. isbn 9780670082360. Amjad, Amjad Islam. Shifting Sands: Poems of Love and Other Verses. Translated by Baidar Bakht and Marie Anne Erki. Lahore: Packages Limited, 2011. 603 pp. Rs. 750. isbn 9789695732274. Bedi, Rajinder Singh. ìMethun.î Translated by Muhammad Umar Memon. WWB (September 2010). [http://wordswithoutborders.org/article/methun/] Chughtai, Ismat. Masooma, A Novel. Translated by Tahira Naqvi. New Delhi: Women Unlimited, 2011. 152 pp. Rs. 250. isbn 978-81-88965-66-3. óó. ìOf Fists and Rubs.î Translated by Muhammad Umar Memon. WWB (Sep- tember 2010). [http://wordswithoutborders.org/article/of-fists-and-rubs/] Granta. 112 (September 2010). -
Fahmida Riaz - Poems
Classic Poetry Series Fahmida Riaz - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Fahmida Riaz(28 July 1946) Fahmida Riaz (Urdu: ?????? ????) is a well known Urdu writer, poet, and feminist of Pakistan. Along with Zehra Nigah, Parveen Shakir, Kishwar Naheed , Riaz is amongst the most prominent female Urdu poets in Pakistan. She is author of Godaavari, Khatt-e Marmuz, and Khana e Aab O Gil, the first translation of the Masnavi of Maulana Jalaluddin Rumi from Farsi into Urdu she has also translated the works of Shah Abdul Latif Bhitai and Shaikh Ayaz from Sindhi to Urdu. <b> Early Life </b> Fahmida Riaz was born on July 28, 1946 in a literary family of Meerut, UP, India. Her father, Riaz-ud-Din Ahmed, was an educationist, who had a great influence in mapping and establishing modern education system for Sindh. Her family settled in Hyderabad following her father's transfer to Sindh. Fahmida learnt Urdu, and Sindhi language literature in childhood and later Persian. Her early life was marked by the loss of her father when she was just 4 years old. She was already making poetry at this young age. Her mother (Husna Begum) supported the family unit through entrepreneurial efforts until Fahmida entered college, when she started work as a newscaster for Radio Pakistan. Fahmida's first poetry collection was written at this time. <b> Family and Work </b> She was persuaded by family to enter into an arranged marriage after graduation from college, and spent a few years in the UK with her first husband before returning to Pakistan after a divorce. -
Motion Cases
PESHAWAR HIGH COURT, ABBOTTABAD BENCH D.B. CAUSE LIST WEDNESDAY, 30.06.2021 BEFORE HONOURABLE JUSTICE MOHAMMAD IBRAHIM KHAN & HONOURABLE JUSTICE SHAKEEL AHMAD JUDGES MOTION CASES 1 CM No. 565-A/21 in Syed Iqbal Hussain Vs Govt of KPK For Withdrawl WP No. 547-A/20 (S.M Munir Adv) 2 CM No. 519-A/21 in M/S Gall Construction Company Vs Govt of KPK For Withdrawl WP No. 248-A/21 (Muhammad Riaz Adv) 3 CM No. 540-A/21 (E.H) in Faizan Vs Board of Governance WP No. 523-A/21 (Yaseen Ayaz Adv) 4 CM No. 537-A/21 (E.H) in Khalil ur Rehman Vs Justice of Peace WP No. 582-A/21 (Yasir Zahoor Abbasi Adv) 5 CM No. 541-A/21 (E.H) in Muhammad Adil Vs Govt of KPK WP No. 68-A/19 (Syed Shah Faisal Adv) 6 CM No. 544-A/21 (E.H) in Usman Khan Vs Govt of KPK WP No. 310-A/21 (Raheela Mughal Adv) 7 WP No. 187-A/21 with Tahir Faraz Vs Attorney General of Pakistan CM No. 514, 546, 567-A/21 (in person) (Tanveer Ahmad Mughal Adv) 8 CM No. 549-A/21 (E.H) in Mst. Gul Naz Bibi Vs Govt of KPK WP No. 457-A/21 (Abdul Rehman Qadar Adv) 9 CM No. 550-A/21 (Grevience.P Chan Bibi Vs State (in person) 10 CM No. 551-A/21 (Implementation Sardar Muhammad Arshad Vs Govt of KPK in WP No. 1391-A/18 (Asad Tanveer Qureshi Adv) 11 CM No. -
Ishrat Afreen - Poems
Classic Poetry Series Ishrat Afreen - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ishrat Afreen(25 December 1956) Ishrat Afreen (Urdu: ???? ?????; Hindi: ???? ?????; alternative spelling: Ishrat Aafreen; born December 25, 1956) is an Urdu poet and women's rights activist named one of the five most influential and trend-setting female voices in Urdu Literature. Her works have been translated in many languages including English, Japanese, Sanskrit and Hindi. The renowned ghazal singers Jagjit Singh & Chitra Singh also performed her poetry in their anthology, Beyond Time (1987). Famed actor Zia Mohyeddin also recites her nazms in his 17th and 20th volumes as well as his ongoing concerts. <b> Early Life and Career </b> Ishrat Jehan was born into an educated family in Karachi, Pakistan as the oldest of five children. She later took the pen name Ishrat Afreen. She was first published at the age of 14 in the Daily Jang on April 31, 1971. She continued writing and was published in a multitude of literary magazines across the subcontinent of India and Pakistan. She eventually became assistant editor for the monthly magazine Awaaz, edited by the poet Fahmida Riaz. Parallel to her writing career she participated in several radio shows on Radio Pakistan from 1970-1984 that aired nationally and globally. She later worked under Mirza Jamil on the now universal Noori Nastaliq Urdu script for InPage. She married Syed Perwaiz Jafri, an Indian lawyer, in 1985 and migrated to India. Five years thereafter, the couple and their two children migrated to America. They now reside in Houston, Texas with their three children. -
Book 1 Peshi Register from 01-07-2016 to 31-07-2016
PESHI REGISTER Peshi Register From 01-07-2016 To 31-07-2016 Book No. 1 No. S.No Reg.No. IstParty IIndParty Type of Deed Address Value Stamp Book No. Paid Gali Matia Mahal 1 7245 -- JAMALUDDIN MOHD IRFAN RELEASE , RELEASE Gali Matia Mahal , House No. 507 600,000.00 18,000.00 1 AND OTHER WITH CONSIDERATION ,Road No. , Mustail No. , Khasra , Area1 11, Area2 0, Area3 0 Gali Matia Mahal Gali Matia Mahal 2 7246 -- JAMALUDDIN TAHURA SALE , SALE WITHIN MC Gali Matia Mahal , House No. 507 600,000.00 24,000.00 1 AND OTHERS AREA ,Road No. , Mustail No. , Khasra , Area1 11, Area2 0, Area3 0 Gali Matia Mahal Old Rajinder Nagar 3 -- 6057 SUSHANT LUCKY CHAUHAN SALE , SALE WITHIN MC Old Rajinder Nagar , House No. 3,000,000.00 180,000.00 1 MUTTREJA , , B2/51 Paschim AREA 4A/51 ,Road No. , Mustail No. , 4-A/51 Old Vihar Khasra , Area1 86, Area2 0, Rajinder Nagar Area3 0 Old Rajinder Nagar W.E.A. Karol Bagh 4 -- 6058 PONCHI DEVI , BALJIT KUMAR SALE , SALE WITHIN MC W.E.A. Karol Bagh , House No. 7035 350,000.00 21,000.00 1 7035/2 AND OTHERS , AREA ,Road No. , Mustail No. , Khasra , Rameshwari C-291 Saheed Bhagt Area1 7, Area2 0, Area3 Nehru Nagar K Singh Road Punjab 0 W.E.A. Karol Bagh bagh Mata Rameshwari Nagar 5 -- 6059 PONCHI DEVI , RAJENDER SALE , SALE WITHIN MC Mata Rameshwari Nagar , House No. 350,000.00 21,000.00 1 7035/2 CHAUHAN , AREA 7035 ,Road No. -
Syllabi for Standards Ix and X
SYLLABI FOR STANDARDS IX AND X (As sanctioned under Government of Maharashtra Letter No. SSC-210/(195/10)/ C._m.{e.2 {X.12/03/2012 Maharashtra State Board of Secondary And Higher Secondary Education, Pune – 411 004. © All rights reserved No part of this book shall be reproduced or transmitted in any form or by any means, such as Printed, C. D. Rom / Audio / Video Cassettes or Electronic / Mechanical, including photo, copying, recording or by any information storage and retrieval system, at any portal, website etc. All rights reserved with Secretary of Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Publisher : Shahaji Dhekane Secretary, Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Liaison Officers : K. B. Gawade Research Officers Dr. Shivaji Shelke Research Officers G. D. Sonawane Research Officers Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Co- ordinator : Dr. Umesh D. Pradhan Type Setting : Maharashtra State Board of Secondary and Higher Secondary Education, Pune - 411 004. Printer : Mudrankan Offsets Pvt. Ltd. 69 Mahesh Society, Opp. Datta Mandir, Bibwewadi, Pune -411 037. Ph. : (020) 24410036 Fax : (020) 24410037 e-mail : [email protected] 2 3 amï>´JrV OZ JU _Z A{YZm`H$ O` ho ^maV ^m½` {dYmVm & n§Om~, qgYw, JwOamV, _amR>m, Ðm{dS>, CËH$b, ~§Jm, qdÜ`, {h_mMb, `_wZm, J§Jm, CÀN>b Ob{Y Va§Jm Vd ew^ Zm_o OmJo Vd ew^ Am{ef _mJo, Jmho Vd O` JmWm, OZJU _§JbXm`H$ O` ho, ^maV ^m½` {dYmVm & O` ho & O` ho & O` ho & O` O` O` O` ho & à{Vkm ^maV _mPm Xoe Amho. -
Identification of Urdu Ghazal Poets Using SVM
Mehran University Research Journal of Engineering & Technology Vol. 38, No. 4, 935-944 October 2019 p-ISSN: 0254-7821, e-ISSN: 2413-7219 DOI: 10.22581/muet1982.1904.07 Identification of Urdu Ghazal Poets using SVM NIDA TARIQ*, IQRA EJAZ*, MUHAMMAD KAMRAN MALIK*, ZUBAIR NAWAZ*, AND FAISAL BUKHARI* RECEIVED ON 08.06.2018 ACCEPTED ON 30.10.2018 ABSTRACT Urdu literature has a rich tradition of poetry, with many forms, one of which is Ghazal. Urdu poetry structures are mainly of Arabic origin. It has complex and different sentence structure compared to our daily language which makes it hard to classify. Our research is focused on the identification of poets if given with ghazals as input. Previously, no one has done this type of work. Two main factors which help categorize and classify a given text are the contents and writing style. Urdu poets like Mirza Ghalib, Mir Taqi Mir, Iqbal and many others have a different writing style and the topic of interest. Our model caters these two factors, classify ghazals using different classification models such as SVM (Support Vector Machines), Decision Tree, Random forest, Naïve Bayes and KNN (K-Nearest Neighbors). Furthermore, we have also applied feature selection techniques like chi square model and L1 based feature selection. For experimentation, we have prepared a dataset of about 4000 Ghazals. We have also compared the accuracy of different classifiers and concluded the best results for the collected dataset of Ghazals. Key Words: Text classification, Support Vector Machines, Urdu poetry, Naïve Bayes, Decision Tree, Feature Selection, Chi Square, k-Nearest Neighbors, Ghazal, L1, Random Forest. -
The Report Committee for Gwendolyn Sarah Kirk Certifies That This Is the Approved Version of the Following Report
The Report committee for Gwendolyn Sarah Kirk Certifies that this is the approved version of the following report: Half-Drawn Arrows of Meaning: A Phenomenological Approach to Ambiguity and Semantics in the Urdu Ghazal APPROVED BY SUPERVISING COMMITTEE: Supervisor: ____________________________________ Elizabeth Keating ____________________________________ Kathleen Stewart Half-Drawn Arrows of Meaning: A Phenomenological Approach to Ambiguity and Semantics in the Urdu Ghazal by Gwendolyn Sarah Kirk, B.A. Report Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2011 Half-Drawn Arrows of Meaning: A Phenomenological Approach to Ambiguity and Semantics in the Urdu Ghazal by Gwendolyn Sarah Kirk, MA The University of Texas at Austin, 2010 SUPERVISOR: Elizabeth Keating In this paper I explore the role of ambiguity in the creation of meaning in the Urdu ghazal. Ghazal, the predominant genre of Urdu poetry, consists of a series of thematically unrelated yet metrically and prosodically related couplets, each densely packed with multiple and complex meanings. Ambiguity, both lexical and grammatical, is a key technique in the poetics of this genre. Here I not only analyze the different ways ambiguity manifests itself but also the way it has historically been and continues to be mobilized by poets and practitioners of the genre to further imbue each couplet with culture-specific, socially relevant meanings. Breaking with previous approaches to Urdu poetry and poetics, I examine ambiguity in the ghazal with reference to theoretical traditions in linguistic anthropology of ethnopoetics, performance and verbal art, and ethnographic examination of poetic praxis. -
Introduction 1
Notes Introduction 1 . See Ella Shohat, “Notes on the ‘Post-Colonial,’” Social Text 31/32 (1992), 103; and Arif Dirlik, “The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism,” Critical Inquiry 20/2 (1994), 328–56. 2 . S e e D i p e s h C h a k r a b a r t y , Provincializing Europe: Postcolonial Thought and Historical Difference (Delhi: Oxford University Press, 2001). 3 . Beginning with Carlo Coppola’s PhD dissertation, Urdu Poetry—The Progressive Episode 1935–1970 , University of Chicago, 1975, we are fortu- nate to have some excellent studies of the Progressive Writers’ Movement. See, for example, Khizar Humayun Ansari’s, The Emergence of Socialist Thought Among North Indian Muslims (1917–1947) (Lahore: Shirkat Printing Press, 1990). 4 . See Yunus Javed’s comprehensive study of the history and activities of this important parallel organization: Halqa-e Arbab-e Zauq: Tanzim, Tahrik, Nazaria (Islamabad: Dost Publications, 2003). 5 . I am grateful to Dr. Naimur Rahman Farooqi, for making available the merit list of graduating students in 1940 and 1942. 6 . The critical-essays volumes are separate from the “Jhalkiyan” corpus. 7 . I discuss this in chapter 3 . 8 . See Stephen O. Murray’s empathetic and convincing essay, “The Will Not to Know: Islamic Accommodations of Male Homosexuality,” in Islamic Homosexualities, Culture, History and Literature , ed. Stephen Murray and Will Roscoe (New York: New York University Press, 1997), 14–54. Apparently tales of Askari and Firaq’s “relationship” were common in Allahabad in those days, though almost impossible to find recorded. -
Friday, 15 April 2016 Saturday, 16 April 2016 Sunday, 17 April 2016
15, 16, and 17 April 2016 The Festival is free and open to all. 15 April: 4.00 to 8.30 p.m. 16 April: 11.00 a.m. to 8.00 p.m. 4TH For special privileges, register as a 17 April: 11.00 a.m. to 8.15 p.m. 4TH Delegate. For information, visit Lok Virsa, Islamabad www.karachiliteraturefestival.org #IsbLF Bringing together international and Pakistani writers to Venue Sponsor: Official Transport Venue Sponsor: Official Transport promote reading and showcase Partner: Partner: writing at its best Friday, 15 April 2016 4.00 – 6.00 p.m. 6.15 – 7.15 p.m. 7.30 – 8.30 p.m. FAIZ AHMED FAIZ OPEN-AIR THEATRE FAIZ AHMED FAIZ OPEN-AIR THEATRE FAIZ AHMED FAIZ OPEN-AIR THEATRE Inauguration Ruk ja Hujoom-e-Gul A Tribute to Ismat Chughtai and Quratulain Hyder: Lady Changez Performance by Children Saif Mahmood in conversation with Zehra Nigah Khan and Pom Pom Darling by Zambeel Dramatic Readings Welcome Speeches by Ameena Saiyid and Asif Farrukhi INTIZAR HUSAIN CONFERENCE HALL Asma Mundrawala, Mahvash Faruqi, Danish Faruqi, and Fawad Khan Speeches by Festival Sponsors Potohari Mushaira INTIZAR HUSAIN CONFERENCE HALL Keynote Speeches by Hina Rabbani Khar and Masood Ashar Nizamat: Alle Imran Springtime Voices: Poetry in English Javed Ahmad, Azaram Khiyam, Saqib Imam Rizvi, Jahangir Imran, Harris Khalique, Azka Khan, Waqas Naeem, Risham Amjad, Shiraz Tahir, Shakoor Ahsan, Turab Naqvi, and Farid Zahid Mina Malik-Hussain, and Mehvash Amin ABDULLAH HUSSEIN CONFERENCE HALL Moderator: Ilona Yusuf Shaam Laatt: A Tribute to Nasreen Anjum Bhatti ABDULLAH HUSSEIN CONFERENCE HALL Fahmida Riaz and Ahmad Salim Jihad and Descent into Chaos Moderator: Sarwat Mohiuddin Riaz Khokhar in conversation with Ahmed Rashid Saturday, 16 April 2016 Sunday, 17 April 2016 11.00 a.m. -
Diary No. Personal Number Name of Beneficiary CNIC No Last Position
Diary Personal Retirement Branch Amount to Payment Name of Beneficiary CNIC No Last Position BPS Name of Department Beneficiary CNIC Title of Account Account Number Bank Name Remarks No. -
Music Honours Syllabus
CBCS SYLLABUS FOR THREE YEARS UNDER-GRADUATE COURSE IN MUSIC (HONOURS) (w.e.f. 2017) BANKURA UNIVERSITY BANKURA WEST BENGAL PIN 722155 Bankura University B.A Honours in Music CBCS w.e.f. 2017-18 STRUCTURE IN MUSIC (HONOURS) SEMESTER –I Course Course Title Credit Marks No. of Hours Code I.A. ESE Total Lec. Tu. Pr. AHMUS HISTORY OF INDIAN MUSIC 6 10 40 50 5 1 - 101/C-1 AHMUS / PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 102/C-2 OF INDIAN MUSIC AHMUS ASPECTS OF THATA, 6 10 40 50 5 1 - /103/GE- MELA,RAGA & TALA 1 ACSHP/ Environmental Studies 4 10 40 50 4 - - AECC-1 Total in Semester - I 22 40 160 200 14 2 12 SEMESTER –II Course Course Title Credit Marks No. of Hours Code I.A. ESE Total Lec. Tu. Pr. AHMUS/ HISTORY OF INDIAN 6 10 40 50 5 1 - 201/C-1 MUSIC AHMUS / PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 202/C-4 OF RAGA AHMUS / HISTORY OF INDIAN 6 10 40 50 5 1 - 203/GE-2 MUSIC ACSHP/ English/Hind/MIL 2 10 40 50 2 - - AECC-2 Total in Semester - II 20 40 160 200 12 2 12 2 | P a g e Bankura University B.A Honours in Music CBCS w.e.f. 2017-18 SEMESTER –III Course Course Title Credit Marks No. of Hours Code I.A. ESE Total Lec. Tu. Pr. AHMUS HISTORY OF INDIAN MUSIC 6 10 40 50 5 1 - / 301/C-5 AHMUS PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 / 302/ C-6 OF RAGA AHMUS PRACTICAL KNOWLEDGE 6 10 40 50 - - 12 /303/C-7 OF RAGA AHMUS PRACTICAL- RABINDRA 6 10 40 50 - - 12 / 304/GE- SANGEET & NAZRUL GITI 3 AHMUS PRACTICAL 2 10 40 50 - - 12 / DEMONSTRATION OF 305/SEC- KHAYAL 1 Total in Semester - III 26 50 200 250 5 1 48 SEMESTER –IV Course Course Title Credit Marks No.