JESSE DARLING PRESS ARCADIAMISSA.COM 14-16 BREWER STREET, FIRST FLOOR
[email protected] LONDON , W1F 0SG After months of working under lockdown in Berlin, Jesse Darling recently traveled by train to Kunstverein Freiburg, in southwest Germany, to install Gravity Road, a “dysfunctional roller coaster” that consists of a suspended horizontal track, a ladder twisting to nowhere. Like the artist’s previous experiments in steel—such as The Veterans and Wounded Door 1, both 2014—the work’s anthropometric scale and distorted form suggest both vulnerability and potential. The exhibition opened on September 19 and runs through November 1, 2020. Here, Darling talks about the work’s genesis and installation, with special thanks to Joe Highton, Zach Furniss, and Victor Ruiz Colomer, without whom this work would not have been realized, and Heinrich Dietz at Kunstverein Freiburg, who commissioned and curated the work. NEVER SAY NEVER, but I can’t see why I would make anything on this scale again. The space that Gravity Road was made for was built as a swimming pool under the Third Reich. It really feels like that; I very much felt it when I went in. It’s huge, huge. A big, big swimming pool with a balcony around the top that made me think about Leni Riefenstahl and the fascist obsession with the perfect body, but also of this idea of leisure, and there being a certain way to be at leisure. With this balcony, it’s not like looking down into the marketplace, or, I don’t know, the kids’ playground where things just fall and tumble around on each other.