A Work of MANY HANDS
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Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 94720
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA 94720 No. J4 February 1^80 In the beginning - wet who have beginnings, Bust think in ten end, Juet for thought's sake* - in the beginning was^plaeny failve, as it always does, and we have at once dead Matter, and Energy, or on aide by aids,—in aotive eunJunuLlmi fuieyei-r /"what we* -tic universe of Force and Matter is the dead itflalduyof previous 4 •Bftofa are In the. beginning 1 Matter and Fo4 CAUWPITCA m+Hti \ aautt, thayflntoraot forever^ and are inter-dependent, -fiti xm - ^A^dju^^LJ^ waturlallstie unlv»reO| always, ^. m Lawrence's Manuscript of Fantasia of the Unconscious During the summer of 1921 D. H. Law organized the seizure of 1,000 copies of The rence sat among the roots of trees at Eber- Rainbow on grounds of obscenity. Already steinberg at the edge of the Black Forest — notorious for his elopement with Frieda "between the toes of a tree, forgetting my Weekley-Richtofen, who at the age of self against the ankle of the trunk"—writing thirty-two was the wife of his Romance Fantasia of the Unconscious. He had come Languages professor and the mother of from Taormina to be with his wife who had three children, Lawrence was accused by the been there since early April, attending her critics of producing in this novel "an orgy sick mother. There is little mention of the of sexiness." He keenly felt the unfairness of book in Lawrence's correspondence, either this criticism and raged against the suppres then or later. -
The Media World: a New Collaboration Was Born
The Media World: A New Collaboration Was Born MeCCSA and AMPE Joint Annual Conference. 5- 7 January 2005, University of Lincoln A report by Serena Formica, University of Nottingham, UK There was much anticipation and expectation leading up to the 2005 MeCCSA conference at the University of Lincoln. This was due to the event being the first joint MeCCSA (Media, Communications and Cultural Studies Association) and AMPE (Association of Media Practice Educators) conference. The purpose of this union was to highlight the common features of both organisations, such as interest in media, Cultural Studies, pedagogy -- all of them reflected in the numerous panels throughout the three-day meeting. Plenary sessions interspersed the many panels, the first of which was presented by Ursula Maier-Rabler (Director of the Centre for Advanced Studies and Research in Information and Communication Technologies and Society, University of Salzburg), who presented a paper entitled "Why do ICTs Matter? The Cultural-Social Milieu as Invisible Underpinning of New Information and Communication Technologies". Dr. Maier-Rabler highlighted the increasing importance of ICTs, considered as a Digital Network, characterised by its universality and non-linearity of contents. As Paul Virilio pointed out, ICTs are permeated by a constant acceleration, which emphasises its element of 'unfinishedness'. The cultural milieu surrounding ICTs was presented as divided into four major social-geographical areas: Social- conservative, Social-democratic, Protestant-liberal and Liberal-conservative. Maier-Rabler observed that the former belong to a collective form of State, whereas the latter belong to a form that is more individualistic. Furthermore, Dr. Maier-Rabler analysed ICTs' perspectives in terms of communication and infrastructure -- media (defined by a shift from programmes to services, media systems to infrastructure and recipient to users) and network (at a technical and social level). -
A Symphony of Noises: Revisiting Oskar Sala's 'Geräuschmontage'
Journal of Sound, Silence, Image and Technology 7 Número 2 | Desembre 2019 | 7-23 ISSN 2604-451X A Symphony of Noises: Revisiting Oskar Sala’s ‘Geräuschmontage’ for Alfred Hitchcock’s ‘The Birds’ (1963) Julin Lee Ludwig-Maximilians-Universität München, Germany [email protected] Date received:10-10-2019 Date of acceptance: 30-11-2019 KEY WORDS: FILM MUSIC | SOUND DESIGN | SOUND STUDIES | MATERIAL CULTURE STUDIES | ORGANOLOGY Journal of Sound, Silence, Image and Technology | Número 2 | Desembre 2019 8 A Symphony of Noises: Revisiting Oskar Sala’s ‘Geräuschmontage’ for Alfred Hitchcock’s ‘The Birds’ (1963) ABSTRACT accompanying the title sequence has a The soundtrack of Alfred Hitchcock’s The formal structure which resembles a classical Birds (1963) is particularly remarkable, not Hollywood film overture, and takes on only because of the absence of a conven- several expositional roles conventionally tional orchestral underscore, but also assigned to a film’s opening musical pas- because the terrifying sounds of the sage. Furthermore, the gull cries adopt the aberrant birds were actually synthesized by function of a leitmotif, while the stylized bird Oskar Sala using the mixturtrautonium, an sounds perform emotive functions usually electronic musical instrument of his own ascribed to film music. In addition, the design. This paper explores the extent to hostile birds are characterized by electroni- which these electronically synthesized bird cally synthesized bird sounds – a representa- sounds go beyond their diegetic placement tion which can be understood within the as sound effects and take on the dramaturgi- broader context of mankind’s ambivalence cal roles usually ascribed to non-diegetic towards machines and technological film music. -
“I Don't Care for My Other Books, Now”
THE LIBRARY University of California, Berkeley | No. 29 Fall 2013 | lib.berkeley.edu/give Fiat Lux “I don’t care for my other books, now” MARK TWAIN’S AUTOBIOGRAPHY CONTINUED by Benjamin Griffin, Mark Twain Project, Bancroft Library Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. The eagerly-awaited Volume 2 delves deeper into Twain’s life, uncovering the many roles he played in his private and public worlds. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Like its predecessor, Volume 2 mingles a dia- ry-like record of Mark Twain’s daily thoughts and doings with fragmented and pungent portraits of his earlier life. And, as before, anything which Mark Twain had written but hadn’t, as of 1906–7, found a place to publish yet, might go in: Other autobiographies patiently and dutifully“ follow a planned and undivergent course through gardens and deserts and interesting cities and dreary solitudes, and when at last they reach their appointed goal they are pretty tired—and they The one-hundred-year edition comprises what have been frequently tired during the journey, too. could be called a director’s cut, says editor Ben But this is not that kind of autobiography. This one Griffin. “It hasn’t been cut to size or made to fit is only a pleasure excursion. the requirements of the market or brought into ” continued on page 6-7 line with notions of public decency. -
U C Berkeley 2009-2019 Capital Financial Plan
U C BERKELEY 2009-2019 CAPITAL FINANCIAL PLAN NOVEMBER 2009 UC BERKELEY 2009-2019 CAPITAL FINANCIAL PLAN UC BERKELEY 2009-2019 CAPITAL FINANCIAL PLAN CONTENTS Preface Executive Overview 1 Goals & Priorities 3 Life Safety 4 Campus Growth & New Initiatives 6 Intellectual Community 8 Campus Environment 9 Capital Renewal 10 Operation & Maintenance 11 Sustainable Campus 12 Capital Approval Process 15 Capital Resources 17 State Funds 19 Gift Funds 21 Campus Funds 22 Capital Program 2009-2019 25 Project Details 35 UC BERKELEY 2009-2019 CAPITAL FINANCIAL PLAN PREFACE In March 2008, The Regents authorized the ‘pilot phase’ of a major reconfiguration of the capital projects approval process: the pilot phase would entail an initial test of the redesign in order to examine its logistics and impacts, prior to full implementation. In general, the new process would delegate much more authority to the campus for project approval, and would limit project-specific review by The Regents to very large and complex projects. Each campus would prepare a set of ‘framework’ plans that outline its capital investment strategy and physical design approach. Once those plans are approved by The Regents, then as long as a project meets certain thresholds, and conforms to the framework plans, it could be approved by the Chancellor, subject to a 15 day review by OP. One of these thresholds is dollar value: the currently proposed figure is $60 million or less. The framework plans for Berkeley include 3 documents: • The 2020 Long Range Development Plan provides a land use policy framework, within which projects can be prioritized and planned. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Decolonizing Being, Knowledge, and Power: Youth Activism in California at the Turn of the 21st Century Permalink https://escholarship.org/uc/item/1g51b118 Author Banales, Samuel Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Decolonizing Being, Knowledge, and Power: Youth Activism in California at the Turn of the 21st Century By Samuel Bañales A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology in the Graduate Division of the University of California at Berkeley Committee in charge: Professor Charles L. Briggs, chair Professor Nancy Scheper-Hughes Professor Nelson Maldonado-Torres Fall 2012 Copyright © by Samuel Bañales 2012 ABSTRACT Decolonizing Being, Knowledge, and Power: Youth Activism in California at the Turn of the 21st Century by Samuel Bañales Doctor of Philosophy in Anthropology University of California at Berkeley Professor Charles L. Briggs, chair By focusing on the politics of age and (de)colonization, this dissertation underscores how the oppression of young people of color is systemic and central to society. Drawing upon decolonial thought, including U.S. Third World women of color, modernity/coloniality, decolonial feminisms, and decolonizing anthropology scholarship, this dissertation is grounded in the activism of youth of color in California at the turn of the 21st century across race, class, gender, sexuality, and age politics. I base my research on two interrelated, sequential youth movements that I argue were decolonizing: the various walkouts organized by Chican@ youth during the 1990s and the subsequent multi-ethnic "No on 21" movement (also known as the "youth movement") in 2000. -
Commartslectures00connrich.Pdf
of University California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California University History Series Betty Connors THE COMMITTEE FOR ARTS AND LECTURES, 1945-1980: THE CONNORS YEARS With an Introduction by Ruth Felt Interviews Conducted by Marilynn Rowland in 1998 Copyright 2000 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of northern California, the West, and the nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Betty Connors dated January 28, 2001. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Sound: Eine Arbeitsbibliographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Sound: Eine Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12795 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Sound: Eine Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 17). DOI: https://doi.org/10.25969/mediarep/12795. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0017_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Kiel: Berichte und Papiere 17, 1999: Sound. ISSN 1615-7060. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21.9.2008. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0017_03.pdf Sound: Eine Arbeitsbibliographie Hans J. Wulff Stille und Schweigen. Themenheft der: Navigatio- Akemann, Walter (1931) Tontechnik und Anwen- nen: Siegener Beiträge zur Medien- und Kulturwis- dung des Tonkoffergerätes. In: Kinotechnik v. 5.12. senschaft 3,2, 2003. 1931, pp. 444ff. Film- & TV-Kameramann 57,9, Sept. 2008, pp. 60- Aldred, John (1978) Manual of sound recording. 85: „Originalton“. 3rd ed. :Fountain Press/Argus Books 1978, 372 pp. Aldred, John (1981) Fifty years of sound. American Cinematographer, Sept. 1981, pp. 888-889, 892- Abbott, George (1929) The big noise: An unfanati- 897. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
The Transom Review April, 2005 Vol
the transom review April, 2005 Vol. 5/Issue 1 Walter Murch About Walter Murch Walter Murch has been honored by both British and American Motion Picture Academies for his picture editing and sound mixing. In 1997, Murch received an unprecedented double Oscar for both film editing and sound mixing on The English Patient (Anthony Minghella), as well as that year's British Academy Award for best editing. Seventeen years earlier, he had received an Oscar for best sound for Apocalypse Now ( F. Coppola), as well as British and American Academy nominations for his picture editing. He also won a double British Academy Award in 1975 for his film editing and sound mixing on The Conversation (F. Coppola), was nominated by both academies in 1978 for best film editing for Julia ( F. Zinnemann), and in 1991 received two nominations for best film editing from the American Academy for the films Ghost (J. Zucker) and The Godfather Part III (F. Coppola). Among Murch’s other credits are: picture editing for The Unbearable Lightness of Being (P. Kaufman), Romeo is Bleeding (P. Medak), First Knight (J. Zucker), The Talented Mr. Ripley (A. Minghella), and K-19: The Widowmaker (K. Bigelow). His most recent credit is for Cold Mountain (Anthony Minghella) for which he received an Academy Nomination for Editing, and British Academy Nominations for Editing and Sound Mixing. He is currently working on Jarhead for director Sam Mendes. The film, from the novel by Anthony Swofford, will be released in November 2005. He has also been involved in film restoration, notably Orson Welles’s Touch of Evil (1998), Francis Coppola’s Apocalypse Now Redux (2001), and Thomas Edison's Dickson Experimental Sound Film (1894). -
Documenting the Biotechnology Industry in the San Francisco Bay Area
Documenting the Biotechnology Industry In the San Francisco Bay Area Robin L. Chandler Head, Archives and Special Collections UCSF Library and Center for Knowledge Management 1997 1 Table of Contents Project Goals……………………………………………………………………….p. 3 Participants Interviewed………………………………………………………….p. 4 I. Documenting Biotechnology in the San Francisco Bay Area……………..p. 5 The Emergence of An Industry Developments at the University of California since the mid-1970s Developments in Biotech Companies since mid-1970s Collaborations between Universities and Biotech Companies University Training Programs Preparing Students for Careers in the Biotechnology Industry II. Appraisal Guidelines for Records Generated by Scientists in the University and the Biotechnology Industry………………………. p. 33 Why Preserve the Records of Biotechnology? Research Records to Preserve Records Management at the University of California Records Keeping at Biotech Companies III. Collecting and Preserving Records in Biotechnology…………………….p. 48 Potential Users of Biotechnology Archives Approaches to Documenting the Field of Biotechnology Project Recommendations 2 Project Goals The University of California, San Francisco (UCSF) Library & Center for Knowledge Management and the Bancroft Library at the University of California, Berkeley (UCB) are collaborating in a year-long project beginning in December 1996 to document the impact of biotechnology in the Bay Area. The collaborative effort is focused upon the development of an archival collecting model for the field of biotechnology to acquire original papers, manuscripts and records from selected individuals, organizations and corporations as well as coordinating with the effort to capture oral history interviews with many biotechnology pioneers. This project combines the strengths of the existing UCSF Biotechnology Archives and the UCB Program in the History of the Biological Sciences and Biotechnology and will contribute to an overall picture of the growth and impact of biotechnology in the Bay Area. -
Adjustments to 2020-21 Capital Outlay Proposal
UNIVERSITY OF CALIFORNIA BERKELEY • DAVIS • IRVINE • LOS ANGELES • MERCED • RIVERSIDE • SAN DIEGO • SAN FRANCISCO SANTA BARBARA • SANTA CRUZ EXECUTIVE VICE PRESIDENT— OFFICE OF THE PRESIDENT CHIEF FINANCIAL OFFICER 1111 Franklin Street, 6th Floor Oakland, California 94607-5200 510/987-9029 April 7, 2020 The Honorable Holly J. Mitchell Chair, Senate Budget and Fiscal Review Committee State Capitol Sacramento, CA 95814 The Honorable Phil Ting Chair, Assembly Committee on Budget State Capitol Sacramento, CA 95814 Ms. Keely Bosler Director of Finance State Capitol, Room 1145 Sacramento, CA 95814 Dear Senator Mitchell, Assembly Member Ting, and Director Bosler: On August 30, 2019 in accordance with Sections 92493 through 92496 of the Education Code, the University of California submitted for your review and approval the University’s 2020-21 State Capital Outlay proposal totaling $551.4 million. UC submitted detailed information on the proposal’s $300 million 2020-21 UC State Seismic Program on January 13, 2020. Based on these submissions the Department of Finance issued a preliminary approval for UC’s State Capital Outlay proposal on February 14, 2020. With Public Preschool, K-12, and College Health and Safety Bond Act of 2020 (Proposition 13) not passing, the University is requesting some adjustments to its 2020-21 State Capital Outlay proposal. As originally proposed, the $80 million 2020-21 Planning for Future State Capital Outlay program would fund preliminary plans for critical high priority State-eligible major capital projects. With the exception of the San Diego campus’ Revelle College Seismic project, these projects relied on funding from Proposition 13. Accordingly, the University is proposing the revisions to the 2020-21 State Capital Outlay proposal as discussed as follows.