La Grande Nation and Its Coinage
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Nationalism in the French Revolution of 1789
The University of Maine DigitalCommons@UMaine Honors College 5-2014 Nationalism in the French Revolution of 1789 Kiley Bickford University of Maine - Main Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Cultural History Commons Recommended Citation Bickford, Kiley, "Nationalism in the French Revolution of 1789" (2014). Honors College. 147. https://digitalcommons.library.umaine.edu/honors/147 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. NATIONALISM IN THE FRENCH REVOLUTION OF 1789 by Kiley Bickford A Thesis Submitted in Partial Fulfillment of the Requirement for a Degree with Honors (History) The Honors College University of Maine May 2014 Advisory Committee: Richard Blanke, Professor of History Alexander Grab, Adelaide & Alan Bird Professor of History Angela Haas, Visiting Assistant Professor of History Raymond Pelletier, Associate Professor of French, Emeritus Chris Mares, Director of the Intensive English Institute, Honors College Copyright 2014 by Kiley Bickford All rights reserved. Abstract The French Revolution of 1789 was instrumental in the emergence and growth of modern nationalism, the idea that a state should represent, and serve the interests of, a people, or "nation," that shares a common culture and history and feels as one. But national ideas, often with their source in the otherwise cosmopolitan world of the Enlightenment, were also an important cause of the Revolution itself. The rhetoric and documents of the Revolution demonstrate the importance of national ideas. -
The Euro: Internationalised at Birth
The euro: internationalised at birth Frank Moss1 I. Introduction The birth of an international currency can be defined as the point in time at which a currency starts meaningfully assuming one of the traditional functions of money outside its country of issue.2 In the case of most currencies, this is not straightforwardly attributable to a specific date. In the case of the euro, matters are different for at least two reasons. First, internationalisation takes on a special meaning to the extent that the euro, being the currency of a group of countries participating in a monetary union is, by definition, being used outside the borders of a single country. Hence, internationalisation of the euro should be understood as non-residents of this entire group of countries becoming more or less regular users of the euro. Second, contrary to other currencies, the launch point of the domestic currency use of the euro (1 January 1999) was also the start date of its international use, taking into account the fact that it had inherited such a role from a number of legacy currencies that were issued by countries participating in Europe’s economic and monetary union (EMU). Taking a somewhat broader perspective concerning the birth period of the euro, this paper looks at evidence of the euro’s international use at around the time of its launch date as well as covering subsequent developments during the first decade of the euro’s existence. It first describes the birth of the euro as an international currency, building on the international role of its predecessor currencies (Section II). -
LECTURE 5 the Origins of Feudalism
OUTLINE — LECTURE 5 The Origins of Feudalism A Brief Sketch of Political History from Clovis (d. 511) to Henry IV (d. 1106) 632 death of Mohammed The map above shows to the growth of the califate to roughly 750. The map above shows Europe and the East Roman Empire from 533 to roughly 600. – 2 – The map above shows the growth of Frankish power from 481 to 814. 486 – 511 Clovis, son of Merovich, king of the Franks 629 – 639 Dagobert, last effective Merovingian king of the Franks 680 – 714 Pepin of Heristal, mayor of the palace 714 – 741 Charles Martel, mayor (732(3), battle of Tours/Poitiers) 714 – 751 - 768 Pepin the Short, mayor then king 768 – 814 Charlemagne, king (emperor, 800 – 814) 814 – 840 Louis the Pious (emperor) – 3 – The map shows the Carolingian empire, the Byzantine empire, and the Califate in 814. – 4 – The map shows the breakup of the Carolingian empire from 843–888. West Middle East 840–77 Charles the Bald 840–55 Lothair, emp. 840–76 Louis the German 855–69 Lothair II – 5 – The map shows the routes of various Germanic invaders from 150 to 1066. Our focus here is on those in dark orange, whom Shepherd calls ‘Northmen: Danes and Normans’, popularly ‘Vikings’. – 6 – The map shows Europe and the Byzantine empire about the year 1000. France Germany 898–922 Charles the Simple 919–36 Henry the Fowler 936–62–73 Otto the Great, kg. emp. 973–83 Otto II 987–96 Hugh Capet 983–1002 Otto III 1002–1024 Henry II 996–1031 Robert II the Pious 1024–39 Conrad II 1031–1060 Henry I 1039–56 Henry III 1060–1108 Philip I 1056–1106 Henry IV – 7 – The map shows Europe and the Mediterranean lands in roughly the year 1097. -
Upload the Game Booklet of the Exhibition
© Graphica GAME BOOKLET Welcome to the “Napoleon is no more” exhibition. NAPOLEON With the help of this game booklet, discover how Napoleon IS NO MORE left his mark on history, even after his death. Napoleon stands the test of time Look at the painting called Napoléon Ier couronné par le Temps, écrit le Code Civil (Napoleon I, crowned by the Allegory of Time, writes the Code Civil) painted by Jean-Baptiste Mauzaisse in 1833: Napoleon had been then dead for 12 years. Since 1830, France was The allegory (= symbolic representation) governed by the “King of the French” of Time is an old, winged man. Louis Philippe I. His reign began after One of his attributes is the scythe, Gérard Blot Gérard / a revolution, and he faced a lot of a reference to death. opposition. Among his critics were the Bonapartists, which from 1832 were led Napoleon writes the French by Prince Louis-Napoleon, one of the Civil Code, also known as nephews of Napoleon I. the Napoleonic Code. He is looking at you, he is calling ✏ Here are a few clues: you to witness, to remind 9 eagles, emblem (= symbol) RMN-Grand Palais (Château de Versailles) (Château RMN-Grand Palais you that he gave the French people a set © of Napoleon, are painted in this picture. s that have endured. To this day, ; 3/ of law Have you spotted them all? over 70 codes of laws worldwide are image musée de l’Armée image musée / based on the French Civil Code. image RMN-GP / The death of Napoleon in 3 dates Each of the images below✏ corresponds to a work of art in this room. -
Paris History Early History Julius Caesar Conquered Paris in 52 BC It
Paris History Early History Julius Caesar conquered Paris in 52 B.C. It was then a fishing village, called Lutetia Parisiorum (the Parisii were a Gallic tribe), on the Île de la Cité. Under the Romans the town spread to the left bank and acquired considerable importance under the later emperors. The vast catacombs under Montparnasse and the baths (now in the Cluny Mus.) remain from the Roman period. Legend says that St. Denis, first bishop of Paris, was martyred on Montmartre (hence the name) and that in the 5th cent. St. Geneviève, the patron saint of Paris, preserved the city from destruction by the Huns. On several occasions in its early history Paris was threatened by barbarian and Norman invasions, which at times drove the inhabitants back to the Île de la Cité. Clovis I and several other Merovingian kings made Paris their capital; under Charlemagne it became a center of learning. In 987, Hugh Capet, count of Paris, became king of France. The Capetians firmly established Paris as the French capital. The city grew as the power of the French kings increased. In the 11th cent. the city spread to the right bank. During the next two centuries—the reign of Philip Augustus (1180–1223) is especially notable for the growth of Paris—streets were paved and the city walls enlarged; the first Louvre (a fortress) and several churches, including Notre-Dame, were constructed or begun; and the schools on the left bank were organized into the Univ. of Paris. One of them, the Sorbonne, became a fountainhead of theological learning with Albertus Magnus and St. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
WHO WAS ST. LOUIS ANYWAY? St
Apotheosis of St. Louis The plaster statue of King Louis IX of France (1214- 1270) was sculpted by Charles Henry Niehaus for the 1904 World’s Fair. After the Fair, the Louisiana Purchase Exposition Company decided to present a bronze version of the sculpture to the City of St. Louis. The plaster was cast in bronze by W. R. Hodges. The statue has stood tall upon Art Hill since 1906. WHO WAS ST. LOUIS ANYWAY? St. Louis IX was King of France from 1226 to 1270. He was crowned king at the age of 12 and his mother ruled the kingdom as regent until he reached maturity. A devout Catholic, St. Louis was known for his sense of justice and piety. He led two crusades to recover the Holy Land, the second of which led to his death. He is the only French king to be canonized a saint. He was a family man. He was a loving husband to Margaret of Provence and father to eleven children. He was very close to his mother, Queen Blanche, who instilled in him a deep love for his faith. He was a humanitarian. He fed the poor daily at his table in the palace and washed their feet every Saturday. He often visited hospitals and tend- ed to the sick. He built hospitals, libraries, orphanages, and hostels for the blind and for women. He promoted justice, peace, and reform. He reformed the courts and the tax system, introduced the concept of the presumption of innocence in criminal procedure, and eliminated trial by combat and trial by ordeal, replacing them with trial by jury. -
The Faces of History. the Imagined Portraits of the Merovingian Kings at Versailles (1837-1842)
The faces of history. The imagined portraits of the Merovingian kings at Versailles (1837-1842) Margot Renard, University of Grenoble ‘One would expect people to remember the past and imagine the future. But in fact, when discoursing or writing about history, they imagine it in terms of their own experience, and when trying to gauge the future they cite supposed analogies from the past; till, by a double process of repeti- tion, they imagine the past and remember the future’. (Namier 1942, 70) The historian Christian Amalvi observes that during the first half of the nine- teenth century, most of the time history books presented a ‘succession of dyn- asties (Merovingians, Carolingians, Capetians), an endless row of reigns put end to end (those of the ‘rois fainéants’1 and of the last Carolingians especially), without any hierarchy, as a succession of fanciful portraits of monarchs, almost interchangeable’ (Amalvi 2006, 57). The Merovingian kings’ portraits, exhib- ited in the Museum of French History at the palace of Versailles, could be de- scribed similarly: they represent a succession of kings ‘put end to end’, with imagined ‘fanciful’ appearances, according to Amalvi. However, this vision dis- regards their significance for early nineteenth-century French society. Replac- ing these portraits in the broader context of contemporary history painting, they appear characteristic of a shift in historical apprehension. The French history painting had slowly drifted away from the great tradition established by Jacques-Louis David’s moralistic and heroic vision of ancient history. The 1820s saw a new formation of the historical genre led by Paul De- laroche's sentimental vision and attention to a realistic vision of history, restored to picturesqueness. -
Masaryk University Faculty of Education
Masaryk University Faculty of Education Department of English Language and Literature We, Band of Brothers in Arms Friendship and Violence in Henry V by William Shakespeare Bachelor thesis Brno 2016 Supervisor: Author: Mgr. Jaroslav Izavčuk Vladimír Ovčáček Prohlašuji, že jsem bakalářskou práci na téma ‘We, Band of Brothers in Arms - Friendship and Violence in Henry V by William Shakespeare’ vypracoval samostatně, s využitím pouze citovaných pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. Souhlasím, aby práce byla uložena na Masarykově univerzitě v Brně v knihovně Pedagogické fakulty a zpřístupněna ke studijním účelům. V Brně dne………………………….. Podpis………………………………. - 1 - I would like to express my gratitude to my parents and friends, without whose support I would never have a chance to reach this important point of my life. I would also like to thank Mgr. Jaroslav Izavčuk for his kind support, helpful advice, and patience. - 2 - Anotace Tato bakalářská práce analyzuje hru Jindřich V. od Wiliama Shakespeara, a to z hlediska násilí a přátelství, jakožto témat často se objevujících v této hře. Bakalářská práce je tvořena teoretickou a praktickou částí. V teoretické části je popsán děj hry a jsou zde také určeny cíle této práce. Dále jsou zde charakterizovány termíny násilí a přátelství a popsán způsob jakým bylo v renesančním dramatu vnímáno násilí. Dále jsem zde vytvořil hypotézu a definoval metody výzkumu. Na konci teoretické části je stručný popis historického kontextu, do kterého je tato hra včleněna. -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
French Names Noeline Bridge
names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 13:00 Page 8 The hundred surnames Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Zang Tsang Zang Lin Zhu Chu Gee Zhu Yuanzhang, Zhu Xi Zeng Tseng Tsang, Zeng Cai, Zeng Gong Zhu Chu Zhu Danian Dong, Zhu Chu Zhu Zhishan, Zhu Weihao Jeng Zhu Chu Zhu jin, Zhu Sheng Zha Cha Zha Yihuang, Zhuang Chuang Zhuang Zhou, Zhuang Zi Zha Shenxing Zhuansun Chuansun Zhuansun Shi Zhai Chai Zhai Jin, Zhai Shan Zhuge Chuko Zhuge Liang, Zhan Chan Zhan Ruoshui Zhuge Kongming Zhan Chan Chaim Zhan Xiyuan Zhuo Cho Zhuo Mao Zhang Chang Zhang Yuxi Zi Tzu Zi Rudao Zhang Chang Cheung, Zhang Heng, Ziche Tzuch’e Ziche Zhongxing Chiang Zhang Chunqiao Zong Tsung Tsung, Zong Xihua, Zhang Chang Zhang Shengyi, Dung Zong Yuanding Zhang Xuecheng Zongzheng Tsungcheng Zongzheng Zhensun Zhangsun Changsun Zhangsun Wuji Zou Tsou Zou Yang, Zou Liang, Zhao Chao Chew, Zhao Kuangyin, Zou Yan Chieu, Zhao Mingcheng Zu Tsu Zu Chongzhi Chiu Zuo Tso Zuo Si Zhen Chen Zhen Hui, Zhen Yong Zuoqiu Tsoch’iu Zuoqiu Ming Zheng Cheng Cheng, Zheng Qiao, Zheng He, Chung Zheng Banqiao The hundred surnames is one of the most popular reference Zhi Chih Zhi Dake, Zhi Shucai sources for the Han surnames. It was originally compiled by an Zhong Chung Zhong Heqing unknown author in the 10th century and later recompiled many Zhong Chung Zhong Shensi times. The current widely used version includes 503 surnames. Zhong Chung Zhong Sicheng, Zhong Xing The Pinyin index of the 503 Chinese surnames provides an access Zhongli Chungli Zhongli Zi to this great work for Western people. -
Capetian France (987–1328)
FORUM Capetian France (987–1328) Introduction Damien Kempf If “France is a creation of its medieval history,”1 the rule of the Cape- tian dynasty (987–1328) in particular is traditionally regarded as the beginning of France as a nation.2 Following the narrative established by Joseph Strayer’s influential bookOn the Medieval Origins of the Mod- ern State, historians situate the construction of the French nation- state in the thirteenth century, under the reigns of Philip Augustus (1180– 1223) and Louis IX (1226–70). Territorial expansion, the development of bureaucracy, and the centralization of the royal government all con- tributed to the formation of the state in France.3 Thus it is only at the end of a long process of territorial expansion and royal affirmation that the Capetian kings managed to turn what was initially a disparate and fragmented territory into a unified kingdom, which prefigured the modern state. In this teleological framework, there is little room or interest for the first Capetian kings. The eleventh and twelfth centuries are still described as the “âge des souverains,” a period of relative anarchy and disorder during which the aristocracy dominated the political land- scape and lordship was the “normative expression of human power.”4 Compared to these powerful lords, the early Capetians pale into insignifi- cance. They controlled a royal domain centered on Paris and Orléans and struggled to keep at bay the lords dominating the powerful sur- rounding counties and duchies. The famous anecdote reported by the Damien Kempf is senior lecturer in medieval history at the University of Liverpool.