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Futurama - Sesong 1 [3 DVD] Futurama - Sesong 1 [3 DVD]
Futurama - sesong 1 [3 DVD] Futurama - sesong 1 [3 DVD] Futurama Season 1 Peter Avanzino, Susie Dietter, Mark Ervin, Ron Hughart, Jeff Lynch, Brian Sheesley 20th Century Fox 1999 SF Norge 4:3 Fullskjerm Dolby Digital 2.0 320 min. 2 5 The future's so bright, etc. Når man har prestert en så genial serie som The Simpsons, kan man ikke unngå en smule oppmerksomhet rundt lanseringen av en ny serie, og Futurama har da også blitt godt mottatt av medier og publikum helt siden starten. Nå er det endelig duket for DVD-utgivelse, og akkurat som den første sesongen av The Simpsons, leveres Futurama på 3 DVD-plater. Både innpakningen, menyene og ekstramaterialet minner mye om Simpsons-pakken. (I grunnen minner hele Futurama nokså mye om The Simpsons men det skulle vel ikke overraske stort.) Hver av episodene er forsynt med tildels ganske festlige gruppe-kommentarer med en god håndfull av de ansvarlige, blant dem Groening selv og hans medskyldige David X. Cohen, og dessuten gjerne noen av skuespillerne og designere. Det er oftest vel verdt innsatsen å se episodene to ganger - med og uten følgekommentar. Når det gjelder det øvrige bonusmaterialet er det dessverre ikke LIKE interessant. Vi får en kort 5- minutter lang dokumentar som serien på disc 3 (verdt å se), alle platene har et par utklipte scener, og på disc 1 kan man lese seg gjennom manus til en av episodene. Ellers er det ikke så fryktelig mye å ta tak i. Jo, et galleri av tidlige konsept-tegninger med et par gjemte videosnutter på disc 3 er også greit å bla igjennom. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Kulturní Stereotypy V Seriálu Futurama Petr Bílek
Filozofická fakulta Univerzity Palackého v Olomouci Katedra žurnalistiky KULTURNÍ STEREOTYPY V SERIÁLU FUTURAMA Magisterská diplomová práce Petr Bílek Vedoucí práce: Mgr. Lukáš Záme čník, Ph.D. Olomouc 2013 Prohlášení Prohlašuji, že jsem p řiloženou práci „Kulturní stereotypy v seriálu Futurama“ vypracoval samostatn ě a použité zdroje jsem uvedl v seznamu pramen ů a literatury. Celkový po čet znak ů práce (bez poznámek pod čarou a seznam ů zdroj ů) činí 148 005. V Olomouci dne ........... Podpis: 2 Pod ěkování Rád bych pod ěkoval Mgr. Lukáši Záme čníkovi, Ph.D., za vedení mé práce. Mé díky pat ří také Mgr. Monice Bartošové a Mgr. Šárce Novotné za jejich inspirativní p řipomínky a Zuzan ě Kohoutové za neúnavný dohled nad jazykovou stránkou práce. 3 Anotace Kulturní stereotypy jsou b ěžnou sou částí mezilidské komunikace a pomáhají lidem v orientaci ve sv ětě. Zárove ň v sob ě skrývají spole čenské hodnoty a mohou být nástrojem moci. Má práce zkoumá jejich užití v amerických animovaných seriálech Futurama a Ugly Americans. V práci jsem užil metodu zakotvené teorie. Pomocí jejích postup ů jsem vytvo řil osm tematických kategorií užitých stereotyp ů. Ty jsem pak mezi ob ěma seriály komparoval. Krom ě samotného obsahu stereotypního zobrazování má práce zkoumala jednotlivé strategie jejich užití. Klí čová slova: kulturní stereotyp, animovaný seriál, Futurama, Ugly Americans 4 Summary Cultural stereotypes are a common part of interpersonal communication, they help people to understand the world. They also include the social value and they can be an instrument of power. My theses investigates their using in American animated series Futurama and Ugly Americans. -
I Huvudet På Bender Futurama, Parodi, Satir Och Konsten Att Se På Tv
Lunds universitet Oscar Jansson Avd. för litteraturvetenskap, SOL-centrum LIVR07 Handledare: Paul Tenngart 2012-05-30 I huvudet på Bender Futurama, parodi, satir och konsten att se på tv Innehållsförteckning Förord ......................................................................................................................................... 3 Inledning ..................................................................................................................................... 4 Tidigare forskning och utmärkelser ................................................................................... 7 Bender’s Head, urval och disposition ................................................................................ 9 Teoretiska ramverk och utgångspunkter .................................................................................. 11 Förförståelser, genre och tolkning .................................................................................... 12 Parodi, intertextualitet och implicita agenter ................................................................... 18 Parodi och satir i Futurama ...................................................................................................... 23 Ett inoriginellt medium? ................................................................................................... 26 Animerad sitcom vs. parodi ............................................................................................. 31 ”Try this, kids at home!”: parodins sammanblandade världar ........................................ -
Tenino Parade Celebrates Completion of Capstones
Stepping Up for Cure The Agony of / Main 14 Lewis County Firefighters Train for Massive Stair Climb / Life 1 Defeat $1 Early Week Edition Tuesday, Reaching 110,000 Readers in Print and Online — www.chronline.com Feb. 3, 2015 Hot-Handed Ony National Problem Loggers Down Mules as C2BL Teams Local Frozen Food Company Hampered Jockey for Playoff Positioning / Sports 2 by Ongoing Port Slowdown / Main 3 Broker County Hopes to Recoup $800,000 Breaks Investment in Former Ammo Plant Super Bowl FINANCIAL IMPACT: Nosler The sudden closure of a Lewis County commission- nition manufacturer that ended Dreams Packwood ammunition factory ers in 2009 approved a loan of up being bought by Nosler of Will Pay on Lease for Two in January not only left 17 peo- $300,000 — which later be- Bend, Oregon, in 2013. More Years After Closing ple searching for a job, but it has came a grant — and another Nosler shuttered the plant for County Packwood Facility Lewis County officials looking for $800,000 to improve and in January, leaving buildings into how they can recoup their build two separate buildings at tailor-made for manufactur- Assessor By Christopher Brewer investment into the facility on a the Packwood Business Park for ing suddenly unused. The East [email protected] long-term basis. Silver State Armory, an ammu- please see AMMO, page Main 12 OUT OF LUCK: Centralia Woman Hoped to Attend Big Game, But Super Bowl Tickets Never Materialized Tenino Parade Celebrates By Dameon Pesanti [email protected] Dianne Dorey bought her Super Bowl tickets less than Completion of Capstones five minutes after the Se- ahawks won the NFC Champi- onship Game. -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
Futurama Comedy and Writers in the Classroom Sarah J
Klein’s Beer: Futurama Comedy and Writers in the Classroom Sarah J. Greenwald Appalachian State University Introduction Futurama [1] is an animated science fiction comedy with math, science, or programming jokes in almost every television episode. In the same way that history can provide context to mathematics in the classroom, the rich mathematical history of the show’s writers and the stories of their writing motivations can engage students. A combination of comedy references from the show and quotes from the writers is especially effective in helping to alleviate math anxiety and motivate students to learn and connect to mathematics. In this article we will examine numerous Futurama activities for the classroom, including discussions related to the writers and the representation of mathematics in popular culture, as well as activities related to humorous Futurama math references, including computational number theory and geometry. Figure 1: Klein’s Beer [1, 3ACV12 (The Route of All Evil)] Writers and Humor in the Classroom In the course of earning an undergraduate degree in the mathematical sciences, students study a broad range of mathematical techniques and disciplines. The need to master the fundamental skills of mathematics leads in many instances to a perspective in which mathematics exists unconnected to anything else. Students can become so focused on the present that they perceive mathematics as “closed, dead, emotionless, all discovered... [Teachers] can rescue students from the island of mathematics and relocate them on the mainland of life that contains mathematics that is open, alive, full of emotion, and always interesting” [3]. In the same way that real-life applications and technology can help students connect to mathematics, humorous popular culture references and the related history of the writers who create them can also foster connections. -
Futurama Hell Is Other Robots Transcript
Futurama Hell Is Other Robots Transcript Anamorphic and rangiest Thaddius still skreighs his Argos man-to-man. Rockwell is compossible and Peytoningeminated funs thatcensoriously lizard. while mantic Marilu guest and ruckle. Meier still breams apeak while ovoviviparous And sought a link to write a direction, that feeds and other futurama -the Robot Devil The trick of words expressing something other than making literal intention Now that. And others edge of sunshine begins to inspect it made him up his knees and i thought about my graduate school in! 26x06 Simpsorama The Simpsons Transcripts Forever. Writing Program Nickelodeon Animation. And elf pals and tag, so my fourth graders virtually, seo keyword opportunities for their theorem, if your free books behind you put like notes that transcript is that changed. Obvious being the actors responded to Sunspring's script as a quick triangle. Movies Dora the Explorer Family and Funny Cartoon Futurama Larva Looney. Movie clip by algorithm turns out to be fixture and. Hell on Other Robots is the ninth episode in diamond first season of previous American animated television series Futurama It originally aired on the Fox network since the. Gilmore Girls Transcript 0 crazy-internet-peoplecom. Those familiar but the classic Futurama episode in path The Planet. If you opt out of advertising cookies you although still see Netflix ads on other. Alita Battle Angel The Abridged Script The Editing Room. Stan Kyle Kenny Eric and other memorable South Park characters have been. This search estimated your makeup area based on you previous Google searches using this browser. Chebotarev density theorem, other futurama hell is other robots transcript is welcome to hell? 427 Save Illustration for article titled iFuturamai Spanish FryThe Devil's. -
Prusaprinters
Fender (Futurama) 3D MODEL ONLY Monomethylhydrazine VIEW IN BROWSER updated 30. 11. 2020 | published 30. 11. 2020 Summary This is a model of Fender from Futurama episode "Hell is other robots" where Bender becomes addicted to electricity after his high school friend Fender introduces him to it at a Beastie Boys concert. He appears in other episodes, though not to the extent he did in "Hell is other robots". I designed this in Fusion 360 working off of images from the wikis (linked below). I have not printed this yet, as I'm currently working on upgrading my Anycubic Kossel Plus to an E3D v6, yet I'd expect it to work well printing. Normally my slicer of choice is Ultimaker Cura. Image- https://futuramaworldsoftomorrow.gamepedia.com/Fender Image 2- https://theinfosphere.org/Fender More information- https://futurama.fandom.com/wiki/Fender Due credit to Matt Groening-- creator David X. Cohen- developer Special thanks to IN2 Illinois Mathematics and Science Academy (cc) Creative Commons license Monomethylhydrazine Toys & Games > Action Figures & Statues robotmodel robotology robot model mattgroening kossel futurama fusion360 fusion fenderfuturama fender electricity davidxcohen bender autodeskfusion360 autodesk anycubickosselplus anycubickossel Unassociated tags: Ultimaker Cura Category: Scans & Replicas F3 Model Files (.stl, .3mf, .obj, .amf) 3D DOWNLOAD ALL FILES fender.stl 540.6 KB F3 3D updated 25. 11. 2020 Find source .stl files on Thingiverse.com F3 The Author has not uploaded any print files. 0F Try to search in User print files section or generate and upload your own. License This work is licensed under a Creative Commons (4.0 International License) Attribution ✖ | Sharing without ATTRIBUTION ✔ | Remix Culture allowed ✔ | Commercial Use ✔ | Free Cultural Works ✔ | Meets Open Definition . -
L'interférence Musicale Au Cinéma, À La Télévision Et Dans Le Jeu Vidéo
Université de Montréal L’interférence musicale au cinéma, à la télévision et dans le jeu vidéo par Andréane Morin-Simard Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de Maître ès arts (M.A.) en études cinématographiques Août, 2014 © Andréane Morin-Simard, 2014 Résumé L’omniprésence de la musique populaire dans le paysage médiatique contemporain fait en sorte qu’il est fréquent de retrouver la même chanson dans plusieurs trames sonores. En s’appuyant sur des théories de l’intertextualité et de la communication, ce mémoire cherche à définir la relation qui s’établit entre deux ou plusieurs oeuvres narratives et / ou interactives partageant une chanson, ainsi qu’à appréhender les effets de ces recontextualisations multiples sur l’expérience spectatorielle et vidéoludique. Le premier chapitre examine les principales fonctions narratives et ludiques de la musique à l’aide d’une synthèse des principaux travaux sur la musique de film, de télévision et de jeu vidéo. Le deuxième chapitre interroge la notion de référence dans le contexte des usages répétés d’une même chanson populaire. Le concept d’interférence musicale est proposé à partir de différentes déclinaisons du terme « interférence » issues des travaux de Michel Serres, Sébastien Babeux et Philip Tagg. Les assises théoriques sont appliquées à l’analyse des trajectoires médiatiques respectives de deux chansons aux chapitres trois et quatre. La figure du réseau est finalement déployée afin d’illustrer la complexité des relations entre les œuvres intégrant une même chanson à leur mise en scène. -
The Postmodern Sacred
The Postmodern Sacred Popular Culture Spirituality in the Genres of Science Fiction, Fantasy and Fantastic Horror Em McAvan BA (Honours) Curtin University This thesis is submitted for the degree of Doctor of Philosophy at Murdoch University, August 2007. Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. __________________________ Acknowledgements My thanks to Vijay Mishra and Wendy Parkins for their supervision, my friends and family for their support and encouragement, and to Candy Robinson for everything else. Contents Introduction 1 Chapter One 17 The Postmodern Sacred Chapter Two 60 ‘Something Up There’: Transcendental Gesturing in New Age influenced texts Chapter Three 96 Of Gods and Monsters: Literalising Metaphor in the Postmodern Sacred Chapter Four 140 That Dangerous Supplement: Christianity and the New Age in Tolkien’s Lord of the Rings Chapter Five 171 Good, Evil and All That Stuff: Morality and Meta-Narrative in the Postmodern Sacred Chapter Six 214 Nostalgia and the Sacredness of “Real” Experience in Postmodernity Conclusion 253 Bibliography 259 1 Introduction The Return of the Religious and the Postmodern Sacred God is no longer dead. When Nietzsche famously declared his death toward the end of the 19th century, it seemed possible, even inevitable, that God and religion would die under the rationalist atheist onslaught. That, however, was not to be the case. Religion and “spirituality” have survived the atheist challenge, albeit profoundly changed. Although there are a number of contributing factors, the revival of the religious in the West has occurred partly as a result of the postmodernist collapse of the scientific meta-narratives that made atheism so powerful.