175 the Representation of Homosexuality in Old Norse
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Nú Mun Hon Sökkvask
Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Útskriftarmánuður: Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Lauren Hamm Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Gunnell Félags - og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Nú mun hon sökkvask: The Connection between Prophetic Magic and the Feminine in Old Nordic Religion Ritgerð þessi er lokaverkefni til MA – gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Lauren Hamm, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Lauren Hamm Kt. 290191-5219 MA in Old Nordic Religions: Thesis Autumn 2019 Acknowledgements This thesis would not have been possible if it were not for the endless kindness and patience of my thesis advisor, Dr. Terry Gunnell. I truly do not have words eloquent enough to iterate how very much he deeply cares about his work and the work of his students nor how much this meant to me personally. The year of waking up to 6:00 AM skype meetings every Tuesday with Terry provided a gentle reminder of my duties and passion for this topic as well as a sense of stability and purpose I badly needed during a tumultuous time in my life. -
University of London Deviant Burials in Viking-Age
UNIVERSITY OF LONDON DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA Ruth Lydia Taylor M. Phil, Institute of Archaeology, University College London UMI Number: U602472 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602472 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA The thesis brings together information yielded from archaeology and other sources to provide an overall picture of the types of burial practices encountered during the Viking-Age in Scandinavia. From this, an attempt is made to establish deviancy. Comparative evidence, such as literary, runic, legal and folkloric evidence will be used critically to shed perspective on burial practices and the artefacts found within the graves. The thesis will mostly cover burials from the Viking Age (late 8th century to the mid- 11th century), but where the comparative evidence dates from other periods, its validity is discussed accordingly. Two types of deviant burial emerged: the criminal and the victim. A third type, which shows distinctive irregularity yet lacks deviancy, is the healer/witch burial. -
Festivalpuljen 2022 Resumeer Af Ansøgninger Indkommet Den 15
Festivalpuljen 2022 Resumeer af ansøgninger indkommet den 15. maj 2021 Kategori Ansøger 1 . Musik Andrea Lonardo 1. Musik Colossal v. Jens Back 1. Musik Barefoot Records 1. Musik Foreningen af Blågårds Plads 1. Musik JAZZiVÆRK v. forperson Mai Seidelin 1. Musik Koncertforeningen Copenhagen Concert Community 1. Musik 5 Copenhagen Summer Festival 1. Musik Live Nation 1. Musik Nus/Nus ApS 1. Musik Musikforeningen Loppen 1. Musik Adreas Korsgaard Rasusse – Det regioale spillested ALICE står, på vegne af en nystartet, selvstændig forening, som ansøger. 1. Musik Journey 1. Musik Foreningen KLANG - Copenhagen Avantgarde Music Festival 1. Musik The Big Oil Media Group S.M.B.A. 1. Musik NJORD Festival 1. Musik Foreningen Roots & Jazz 1. Musik Foreningen Cap30 1. Musik Sound21 1. Musk Foreningen Copenhagen World Music Festival 2. Billedkunst Samarbejdet mellem Den Frie Udstillingsbygning, Kunsthal Charlottenborg, Nikolaj Kunsthal, Kunstforeningen GL. STRAND, Overgaden og Copenhagen Contemporary v. Kunsthal Charlottenborg 2. Billedkunst Jan Falk Borup 2. Billedkunst Chart Festival 2. Billedkunst Copenhagen Photo Festival 2. Billedkunst TAP1 3. Scenekunst Copenhagen Dream House/100 Dansere 3. Scenekunst Frivillig forening CLASHcph 3. Scenekunst Børekulturhus Aa’r e del af Køehas Koue 3. Scenekunst Copenhagen Circus Arts Festival 3. Scenekunst Mai Seidelin og Johan Bylling Lang (fra 2022 Foreningen Copenhagen Harbour Parade) 3. Scenekunst Copenhagen Dance Arts (CDA) Kunstnerisk ledelse; Lotte Sigh & Morten Innstrand 3. Scenekunst Copenhagen Opera Festival, Chefproducent, Rikke Frisk 3. Scenekunst CPH Stage 3. Scenekunst Foreningen Teater Solaris 3. Scenekunst AFUK 3. Scenekunst Foreningen Cap30 3. Scenekunst Nordic Break 3. Scenekunst Puppet Junior Festival ved Børnekulturstedet Sokkelundlille 3. Scenekunst Danseatelier 4. -
Download a Pdf File of This Issue for Free
Issue 63: How the Vikings Took up the Faith Conversion of the Vikings: Did You Know? Fascinating and little-known facts about the Vikings and their times. What's a Viking? To the Franks, they were Northmen or Danes (no matter if they were from Denmark or not). The English called them Danes and heathens. To the Irish, they were pagans. Eastern Europe called them the Rus. But the Norse term is the one that stuck: Vikings. The name probably came from the Norse word vik, meaning "bay" or "creek," or from the Vik area, the body of water now called Skagerrak, which sits between Denmark, Norway, and Sweden. In any case, it probably first referred only to the raiders (víkingr means pirate) and was later applied to Scandinavians as a whole between the time of the Lindesfarne raid (793) and the Battle of Hastings (1066). Thank the gods it's Frigg's day. Though Vikings have a reputation for hit-and-run raiding, Vikings actually settled down and influenced European culture long after the fires of invasion burned out. For example, many English words have roots in Scandinavian speech: take, window, husband, sky, anger, low, scant, loose, ugly, wrong, happy, thrive, ill, die, beer, anchor. … The most acute example is our days of the week. Originally the Romans named days for the seven most important celestial bodies (sun, moon, Mars, Mercury, Jupiter, Venus, and Saturn). The Anglo-Saxons inserted the names of some Norse deities, by which we now name Tuesday through Friday: the war god Tiw (Old English for Tyr), Wodin (Odin), Thor, and fertility goddess Frigg. -
Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree -
Masking Moments the Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson
Masking Moments The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson Masking Moments The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson Stockholm University Doctoral dissertation 2007 Department of Archaeology and Classical Studies Stockholm University 106 91 STOCKHOLM MASKING MOMENTS The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson BA in Archaeology and BSc in Economics and Business Administration Maskerade ögonblick. Förvandlingar av kroppar och väsen i skandinavisk yngre järnålder. (Med en svensk sammanfattning). Abstract This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bodies, such as gold foil figures, and human bodies are analysed. The work starts with an examination and deconstruction of the sex/gender catego- ries to the effect that they are considered to be of minor value for the purposes of the thesis. Three analytical concepts – masks, miniature, and metaphor – are de- ployed in order to interpret how and why the chosen bodies worked within their prehistoric contexts. The manipulations the figures sometimes have undergone are referred to as mask- ing practices, discussed in Part One. It is shown that masks work and are powerful by being paradoxical; that they are vehicles for communication; and that they are, in effect, transitional objects bridging gaps that arise in continuity as a result of events such as symbolic or actual deaths. In Part Two miniaturization is discussed. Miniaturization contributes to making worlds intelligible, negotiable and communicative. Bodies in miniatures in compari- son to other miniature objects are particularly potent. -
Rituals for the Northern Tradition
Horn and Banner Horn and Banner Rituals for the Northern Tradition Compiled by Raven Kaldera Hubbardston, Massachusetts Asphodel Press 12 Simond Hill Road Hubbardston, MA 01452 Horn and Banner: Rituals for the Northern Tradition © 2012 Raven Kaldera ISBN: 978-0-9825798-9-3 Cover Photo © 2011 Thorskegga Thorn All rights reserved. Unless otherwise specified, no part of this book may be reproduced in any form or by any means without the permission of the author. Printed in cooperation with Lulu Enterprises, Inc. 860 Aviation Parkway, Suite 300 Morrisville, NC 27560 To all the good folk of Iron Wood Kindred, past and present, and especially for Jon Norman whose innocence and enthusiasm we will miss forever. Rest in Hela’s arms, Jon, And may you find peace. Contents Beginnings Creating Sacred Space: Opening Rites ................................... 1 World Creation Opening ....................................................... 3 Jormundgand Opening Ritual ................................................ 4 Four Directions and Nine Worlds: ........................................ 5 Cosmological Opening Rite .................................................... 5 Warding Rite of the Four Directions ..................................... 7 Divide And Conquer: Advanced Group Liturgical Design. 11 Rites of Passage Ritual to Bless a Newborn .................................................... 25 Seven-Year Rite ..................................................................... 28 A Note On Coming-Of-Age Rites ....................................... -
Persian Basic Course: Units 1-12. INSTITUTION Center for Applied Linguistics, Washington, D.C.; Foreign Service (Dept
DOCUMENT RESUME ED 053 628 FL 002 506 AUTHOR Obolensky, Serge; And Others TITLE Persian Basic Course: Units 1-12. INSTITUTION Center for Applied Linguistics, Washington, D.C.; Foreign Service (Dept. of State), Washington, D.C. Foreign Service Inst. PUB DATE May 63 NOTE 397p. EDRS PRICE EDRS Price MF-$0.65 HC-$13.16 DESCRIPTORS Grammar, *Instructional Materials, *Language Instruction, Language Skills, *Oral Communication, Orthographic Symbols, Pattern Drills (Language), *Persian, Pronunciation, Reading Skills, Sentences, Speaking, Substitution Drills, *Textbooks, Uncommonly Taught Languages, Written Language ABSTRACT This basic course in Persian concentrates on the spoken language, illustrated by conversation based on everyday situations. After a thorough grounding in pronunciation and in basic grammatical features, the student is introduced to the writing system of Persian. Some of the basic differences between spoken and written styles are explained. Imitation of a native speaker is provided, and the course is designed for intelligent and efficient imitation. Each of the 12 units has three parts: new material to be learned (basic sentences), explanation (hints on pronunciation and notes), and drill (grammatical, variation, substitution, narrative, and questions and answers) .(Authors/VM) co reN LC1 C) C=1 U-I Serge Obolensky Kambiz Yazdan Panah Fereidoun Khaje Nouri U.S. DEPARTMENT OF HEALTH,EDUCATION & WELFARE OFFICE OF EDUCATION EXACTLY AS RECEIVED FROM THE THIS DOCUMENT HAS BEEN REPRODUCED POINTS OF VIEW OR OPINIONS PERSON OR ORGANIZATION ORIGINATINGIT. OFFICIAL OFFICE OF EDUCATION STATED DO NOT NECESSARILY REPRESENT POSITION OR POLICY. persian basiccourse units 1-12 it! Reprinted by the Center for Applied Linguistics 0 of the Modern Language Association of America Washington D C 1963 It is the policy of the Center for Applied Linguistics to make more widely available certain instructional and related materials in the language teaching field which have only limited accessibility. -
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD the Waning Sword Conversion Imagery and EDWARD PETTIT P
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. -
Copyright © 2013 Jefferson Forrest Calico All Rights Reserved. The
Copyright © 2013 Jefferson Forrest Calico All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. ÁSATRÚ IN AMERICA: A NEW AMERICAN RELIGION A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jefferson Forrest Calico May 2013 APPROVAL SHEET ÁSATRÚ IN AMERICA: A NEW AMERICAN RELIGION Jefferson Forrest Calico Read and Approved by: __________________________________________ James D. Chancellor (Chair) __________________________________________ Theodore J. Cabal Date______________________________ This work is dedicated to my beautiful wife, Cari, who worked while I read. TABLE OF CONTENTS Page PREFACE . ix Chapter 1. INTRODUCTION . 10 Chapters . 18 2. A BRIEF HISTORY . 21 1970s: The New Awakening . 22 1980s-90s: Race and Schism . 25 2000s: Current Trends . 28 Flourishing of Independent Heathen Life . 29 Current Trends . 30 Story-Telling on the West Coast . 31 Culturally Specific Heathenry on the East Coast . 33 Tribalism in the Mid-West . 35 Conclusion . 38 3. THEORETICAL AND METHODOLOGICAL CONSIDERATIONS . 39 Asatru as a Response to Changing Notions of Race . 44 Globalization and Multiculturalism . 51 Asatru as a Response to Modernity . 55 Researching a New Religious Movement . 60 Conclusion . 65 4. THE WORLDVIEW OF CONTEMPORARY ASATRU . 67 iv Chapter Page What is Reconstruction? . 68 Why Reconstruct? . 78 Heathenry Reconstructed? . 84 Cosmology: The World Tree and the Precariousness of Life . 89 Time: The Presence of the Past . 95 Sacred space . 99 Theology: The Heathen Gods . 104 Anthropology: What is a person? Orlog and Ancestors . -
Skaldic Poetry: a Short Introduction
Skaldic Poetry: A Short Introduction We’re going to begin with a little story. It’s about the origin of poetry and it starts with spit. Back in the days of myth, two bands of gods, the Æsir and the Vanir, waged a heavy war. They eventually forged a peace agreement and, in order to seal the pact, they each spat into a huge vat, comparable in size to the great well of Memory which lay at the roots of the World Tree. What happened next was a wonder to all. As the spittle intermingled, the liquid began to move and shape itself into a living being. Óðinn, chief of the Æsir, named the being Quash. It turned out that Quash was the wisest of the wise, but he was restless and went roaming far and wide to quench his thirst for knowledge. One day, when Quash was Journeying in the east, he came across the dwarves FJalar and Galar. FJalar invited him to their home and they seemed nice enough, so Quash accepted the invitation. Maybe it was by accident, or intention, or in the heat of an argument that it happened, but the outcome was certain alright: Quash was killed at the hands of FJalar and Galar. Perhaps Quash was not so wise after all. FJalar and Galar acted fast. They drained the blood from Quash’s pale corpse, blended it with the sweetest of honey, and then left the mixture to brew in a barrel. The mead they created was so intoxicating that anyone who had even the tinniest sip would utter honey-sweet words and poetry would rush from their mouth like a fierce river. -
This Plea Is Not a Ploy to Get More Money to an Underfinanced Sector
--------------------- Gentiana Rosetti Maura Menegatti Franca Camurato Straumann Mai-Britt Schultz Annemie Geerts Doru Jijian Drevariuc Pepa Peneva Barbara Minden Sandro Novosel Mircea Martin Doris Funi Pedro Biscaia Jean-Franois Noville Adina Popescu Natalia Boiadjieva Pyne Frederick Laura Cockett Francisca Van Der Glas Jesper Harvest Marina Torres Naveira Giorgio Baracco Basma El Husseiny Lynn Caroline Brker Louise Blackwell Leslika Iacovidou Ludmila Szewczuk Xenophon Kelsey Renata Zeciene Menndez Agata Cis Silke Kirchhof Antonia Milcheva Elsa Proudhon Barruetabea Dagmar Gester Sophie Bugnon Mathias Lindner Andrew Mac Namara SIGNED BY Zoran Petrovski Cludio Silva Carfagno Jordi Roch Livia Amabilino Claudia Meschiari Elena Silvestri Gioele Pagliaccia Colimard Louise Mihai Iancu Tamara Orozco Ritchie Robertson Caroline Strubbe Stphane Olivier Eliane Bots Florent Perrin Frederick Lamothe Alexandre Andrea Wiarda Robert Julian Kindred Jaume Nadal Nina Jukic Gisela Weimann Mihon Niculescu Laura Alexandra Timofte Nicos Iacovides Maialen Gredilla Boujraf Farida Denise Hennessy-Mills Adolfo Domingo Ouedraogo Antoine D Ivan Gluevi Dilyana Daneva Milena Stagni Fran Mazon Ermis Theodorakis Daniela Demalde’ Adrien Godard Stuart Gill --------------------- Kliment Poposki Maja Kraigher Roger Christmann Andrea-Nartano Anton Merks Katleen Schueremans Daniela Esposito Antoni Donchev Lucy Healy-Kelly Gligor Horia Fernando De Torres Olinka Vitica Vistica Pedro Arroyo Nicolas Ancion Sarunas Surblys Diana Battisti Flesch Eloi Miklos Ambrozy Ian Beavis Mbe