This Plea Is Not a Ploy to Get More Money to an Underfinanced Sector
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Dana Cervantes
ATLETAS RETIRADOS Dana Cervantes Málaga, 18.08.1978 - 1,66m/59kg Entrenador: Juan José Sánchez Internacional: 26 (1995-2006) Historial Español Campeona de España absoluta de Pértiga en pista cubierta (1997-98-99-2000-2004) Campeona de España absoluta de Pértiga al aire libre (1995-99-2002-2004) Campeona de España promesa de Pértiga en pista cubierta (1998) Campeona de España promesa de Pértiga al aire libre (1998-1999) Campeona de España júnior de Pértiga al aire libre (1996) y en pista cubierta (1997) Récords de España PC: 17 récords (1996-2004) AL: 23 récords (1996-2002) -Historial Internacional JJOO 2004 - Atenas Pértiga (nulos en la final) CM 1999 - Sevilla Pértiga (14=ª/4,15) CE 1998 - Budapest Pértiga (11ª/4,05) 2002 - Munich Pértiga (9QB/4,15) 2006 - Gotemburgo Pértiga (13QB/4,00) CpE 1997 - Praga 1ª D - Pértiga (3ª/3,90) 1998 - Budapest 1ª D - Pértiga (2ª/4,05) 2001 - Vaasa 1ª D - Pértiga (4ª/4,10) 2003 - Florencia Spl - Pértiga (5ª/4,20) 2005 - Florencia 1ª D - Pértiga (7ª/3,80) CE23 1999 - Gotemburgo Pértiga (3ª/4,15) CE-j 1997 - Ljubljana Pértiga (11ª/3,60) CpM 2002 - Madrid Pértiga (3ª/4,30) IberA 2004 - Huelva Pértiga (4ª/4,10) JMed 2001 - Túnez Pértiga (1ª/4,10) 2005 - Almería Pértiga (7ª/3,80) Univ 1997 - Catania Pértiga (9ªCalif.GB/3,80) 1999 - Palma Mallorca Pértiga (3ª/4,10) 2001 - Peking Pértiga (4ª/4,10) CMpc 1997 - París Pértiga (11ªCalif.G2/3,70) 2004 - Budapest Pértiga (11Q/4,30) CEpc 1998 - Valencia Pértiga (11ªCalif./3,80) 2002 - Viena Pértiga (12ªCalif./4,20) 2005 - Madrid Pértiga (9=QB/4,15) … Otros 1995 - San Sebastián ESP-RUS-POR: Pértiga (3ª/3,20) Dossier 1996 - Turín ITA-ESP-RUS (pc): Pértiga (4ª/3,45) 1997 - Génova 5N (pc): Pértiga (4ª/3,70) 1998 - Génova 5N (pc): Pértiga (2ª/3,95) 1999 - Génova 6N (pc): Pértiga (11ª/4,05) 979 ATLETAS RETIRADOS Progresión Puesto Año/Edad Club Pértiga Rank. -
Toronto! Welcome to the 118Th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies
TORONTO, ONTARIO JANUARY 5–8, 2017 Welcome to Toronto! Welcome to the 118th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies. This year we return to Toronto, one of North America’s most vibrant and cosmopolitan cities. Our sessions will take place at the Sheraton Centre Toronto Hotel in the heart of the city, near its famed museums and other cultural organizations. Close by, you will find numerous restaurants representing the diverse cuisines of the citizens of this great metropolis. We are delighted to take this opportunity of celebrating the cultural heritage of Canada. The academic program is rich in sessions that explore advances in archaeology in Europe, the Table of Contents Mediterranean, Western Asia, and beyond. Among the highlights are thematic sessions and workshops on archaeological method and theory, museology, and also professional career General Information .........3 challenges. I thank Ellen Perry, Chair, and all the members of the Program for the Annual Meeting Program-at-a-Glance .....4-7 Committee for putting together such an excellent program. I also want to commend and thank our friends in Toronto who have worked so hard to make this meeting a success, including Vice Present Exhibitors .......................8-9 Margaret Morden, Professor Michael Chazan, Professor Catherine Sutton, and Ms. Adele Keyes. Thursday, January 5 The Opening Night Public Lecture will be delivered by Dr. James P. Delgado, one of the world’s Day-at-a-Glance ..........10 most distinguished maritime archaeologists. Among other important responsibilities, Dr. Delgado was Executive Director of the Vancouver Maritime Museum, Canada, for 15 years. -
With Dada and Pop Art Influence
With Dada and Pop Art Influence The non-art movement • 1916-1923 • Reaction to the horror of World War I • Artists were mostly French and German. They took refuge in neutral Switzerland. • They were angry at the European society that had allowed the war to happen. • Dada was a form of protest. • It’s intention was to provoke and shock The name “Dada” was chosen because it was nonsensical. They wanted a name that made the least amount of sense. • They used any public forum to spit on: nationalism rationalism materialism and society in general Mona Lisa with a Mustache “The Fountain” “The Bride Stripped Bare by her Bachelors, Even” George Groz “Remember Uncle Augustus the Unhappy Inventor”(collage) Raoul Hausmann “ABCD” (collage) Merit Oppenheim “Luncheon in Fur” Using pre-existing objects or images with little or no transformation applied to them Artist use borrowed elements in their creation of a new work • Dada self-destructed when it was in danger of becoming “acceptable.” • The Dada movement and the Surrealists have influenced many important artists. Joseph Cornell (1903-1972) became one of the most famous artists to use assemblage. His work is both surreal and poetic. A 3-D form of using "found" objects arranged in such a way that they create a piece of art. The Pop American artist, Robert Rauschenberg, uses assemblage, painting, printmaking and collage in his work. He is directly influenced by the Dada-ists. “Canyon” “Monogram” “Bed” “Coca-cola Plan” “Retroactive” • These artist use borrowed elements in their creation to make a new work of art! • As long as those portions of copyrighted works are used to create a completely new and different work of art it was OK. -
Industry Report Architectural and Engineering Activities; Technical Testing and Analysis 2018 BULGARIA
Industry Report Architectural and engineering activities; technical testing and analysis 2018 BULGARIA seenews.com/reports This industry report is part of your subcription access to SeeNews | seenews.com/subscription CONTENTS I. KEY INDICATORS II. INTRODUCTION III. REVENUES IV. EXPENSES V. PROFITABILITY VI. EMPLOYMENT 1 SeeNews Industry Report In 2017 there were a total of 8,898 companies operating in I. KEY INDICATORS the industry. In 2016 their number totalled 9,246. The Architectural and engineering activities; technical NUMBER OF COMPANIES IN ARCHITECTURAL AND ENGINEERING testing and analysis industry in Bulgaria was represented by ACTIVITIES; TECHNICAL TESTING AND ANALYSIS INDUSTRY BY 8,926 companies at the end of 2018, compared to 8,898 in SECTORS the previous year and 9,246 in 2016. SECTOR 2018 2017 2016 ENGINEERING ACTIVITIES AND RELATED 5,769 5,770 6,070 The industry's net profit amounted to BGN 180,501,000 in TECHNICAL CONSULTANCY 2018. ARCHITECTURAL ACTIVITIES 2,346 2,323 2,355 TECHNICAL TESTING AND ANALYSIS 811 805 821 The industry's total revenue was BGN 1,532,198,000 in 2018, up by 12.14% compared to the previous year. The combined costs of the companies in the Architectural and engineering activities; technical testing and analysis III. REVENUES industry reached BGN 1,323,060,000 in 2018, up by 7.21% year-on-year. The total revenue in the industry was BGN 1,532,198,000 in 2018, BGN 1,366,322,000 in 2017 and 1,433,434,000 in 2016. The industry's total revenue makes up 1.55% to the country's Gross domestic product (GDP) in 2018, compared Total revenue to 1.42% for 2017 and 1.55% in 2016. -
Plant Responses to Abiotic Stresses and Rhizobacterial Biostimulants: Metabolomics and Epigenetics Perspectives
H OH metabolites OH Review Plant Responses to Abiotic Stresses and Rhizobacterial Biostimulants: Metabolomics and Epigenetics Perspectives Motseoa M. Lephatsi 1 , Vanessa Meyer 2 , Lizelle A. Piater 1 , Ian A. Dubery 1 and Fidele Tugizimana 1,3,* 1 Department of Biochemistry, University of Johannesburg, Auckland Park, Johannesburg 2006, South Africa; [email protected] (M.M.L.); [email protected] (L.A.P.); [email protected] (I.A.D.) 2 School of Molecular and Cell Biology, University of the Witwatersrand, Private Bag 3, WITS, Johannesburg 2050, South Africa; [email protected] 3 International Research and Development Division, Omnia Group, Ltd., Johannesburg 2021, South Africa * Correspondence: [email protected]; Tel.: +27-011-559-7784 Abstract: In response to abiotic stresses, plants mount comprehensive stress-specific responses which mediate signal transduction cascades, transcription of relevant responsive genes and the accumulation of numerous different stress-specific transcripts and metabolites, as well as coordinated stress-specific biochemical and physiological readjustments. These natural mechanisms employed by plants are however not always sufficient to ensure plant survival under abiotic stress conditions. Biostimulants such as plant growth-promoting rhizobacteria (PGPR) formulation are emerging as novel strategies for improving crop quality, yield and resilience against adverse environmental conditions. However, to successfully formulate these microbial-based biostimulants and design efficient application programs, the understanding of molecular and physiological mechanisms that govern biostimulant-plant interactions is imperatively required. Systems biology approaches, such as Citation: Lephatsi, M.M.; Meyer, V.; metabolomics, can unravel insights on the complex network of plant-PGPR interactions allowing for Piater, L.A.; Dubery, I.A.; Tugizimana, the identification of molecular targets responsible for improved growth and crop quality. -
AIBA Youth World Boxing Championships Yerevan 2012 Athletes Biographies
AIBA Youth World Boxing Championships Yerevan 2012 Athletes Biographies 49KG – HAYRIK NAZARYAN – ARMENIA (ARM) Date Of Birth : 30/08/1995 Club : Working Shift Sport Company Coach : Marat Karoyan Residence : Yerevan Number of bouts : 60 Began boxing : 2002 2012 – Klichko Brothers Youth Tournament (Berdichev, UKR) 6th place – 49KG Lost to Sultan Abduraimov (KAZ) 12:3 in the quarter-final; Won against Danilo Pleshkov (UKR) AB 2nd round in the first preliminary round 2012 – Armenian Youth National Championships 1st place – 49KG Won against Andranik Peleshyan (ARM) by points in the final; Won against Taron Petrosyan (ARM) by points in the semi-final 2012 – Pavlyukov Youth Memorial Tournament (Anapa, RUS) 7th place – 49KG Lost to Keith Flavin (IRL) 30:6 in the quarter-final 2011 – AIBA Junior World Championships (Astana, KAZ) 7th place – 46KG Lost to Georgian Tudor (ROM) 15:14 in the quarter-final; Won against Dmitriy Asanov (BLR) 22:14 in the first preliminary round 2011 – European Junior Championships (Keszthely, HUN) 5th place – 46KG Lost to Timur Pirdamov (RUS) 17:4 in the quarter-final; Won against Zsolt Csonka (HUN) RSC 2nd round in the first preliminary round 2011 – Armenian Junior National Championships 1st place – 46KG 49KG – ROBERT TRIGG – AUSTRALIA (AUS) Date Of Birth : 03/01/1994 Place Of Birth : Mount Gambier Height : 154cm Club : Mt. Gambier Boxing Club Coach : Colin Cassidy Region : South Australia Began boxing : 2010 2012 – Oceanian Youth Championships (Papeete, TAH) 1st place – 49KG Won against Martin Dexon (NRU) by points -
The Shaping of Bulgarian and Serbian National Identities, 1800S-1900S
The Shaping of Bulgarian and Serbian National Identities, 1800s-1900s February 2003 Katrin Bozeva-Abazi Department of History McGill University, Montreal A Thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Doctor of Philosophy 1 Contents 1. Abstract/Resume 3 2. Note on Transliteration and Spelling of Names 6 3. Acknowledgments 7 4. Introduction 8 How "popular" nationalism was created 5. Chapter One 33 Peasants and intellectuals, 1830-1914 6. Chapter Two 78 The invention of the modern Balkan state: Serbia and Bulgaria, 1830-1914 7. Chapter Three 126 The Church and national indoctrination 8. Chapter Four 171 The national army 8. Chapter Five 219 Education and national indoctrination 9. Conclusions 264 10. Bibliography 273 Abstract The nation-state is now the dominant form of sovereign statehood, however, a century and a half ago the political map of Europe comprised only a handful of sovereign states, very few of them nations in the modern sense. Balkan historiography often tends to minimize the complexity of nation-building, either by referring to the national community as to a monolithic and homogenous unit, or simply by neglecting different social groups whose consciousness varied depending on region, gender and generation. Further, Bulgarian and Serbian historiography pay far more attention to the problem of "how" and "why" certain events have happened than to the emergence of national consciousness of the Balkan peoples as a complex and durable process of mental evolution. This dissertation on the concept of nationality in which most Bulgarians and Serbs were educated and socialized examines how the modern idea of nationhood was disseminated among the ordinary people and it presents the complicated process of national indoctrination carried out by various state institutions. -
What Is Dadaism? Some Explanations and Definitions Dada Was, Officially, Not a Movement, Its Artists Not Artists and Its Art Not Art
What is Dadaism? Some explanations and definitions Dada was, officially, not a movement, its artists not artists and its art not art. That sounds easy enough, doesn't it? Of course, there is a bit more to the story of Dadaism than this simplistic explanation. Dada was a literary and artistic movement born in Europe at a time when the horror of World War It was being played out in what amounted to citizens' front yards. Due to the war, a number of artists, writers and intellectuals - notably of French and German nationality - found themselves congregating in the refuge that Zurich (in neutral Switzerland) offered. Far from merely feeling relief at their respective escapes, this bunch was pretty ticked off that modern European society would allow the war to have happened. They were so angry, in fact, that they undertook the time-honored artistic tradition of protesting. Banding together in a loosely-knit group, these writers and artists used any public forum they could find to (metaphorically) spit on nationalism, rationalism, materialism and any other -ism which they felt had contributed to a senseless war. In other words, the Dadaists were fed up. If society is going in this direction, they said, we'll have no part of it or its traditions. Including...no, wait!...especially artistic traditions. We, who are non-artists, will create non-art - since art (and everything else in the world) has no meaning, anyway. About the only thing these non-artists all had in common were their ideals. They even had a hard time agreeing on a name for their project. -
Ryerson University Spring Graduates
Ryerson University Spring Graduates June 2020 Faculty of Arts 2 Faculty of Communication & Design 11 Faculty of Community Services 21 Faculty of Engineering and Architectural Science 35 Faculty of Science 46 Ted Rogers School of Management 54 Yeates School of Graduate Studies 71 The G. Raymond Chang School of Continuing Education 73 Faculty of Arts Pamela Sugiman Dean Faculty of Arts Janice Fukakusa Chancellor Mohamed Lachemi President and Vice-Chancellor Charmaine Hack Registrar Ryerson Gold Medal Presented to Mayah Obadia Geographic Analysis 2 Faculty of Arts Undergraduate Degree Programs Arts and Contemporary Studies Bachelor of Arts (Honours) *Diana Abo Harmouch Carmen Jajjo *Megumi Noteboom *Sima Rebecca Abrams Leya Jasat Valentina Padure Qeyam Amiri Sophie Johnson *Naiomi Marcia Perera Brodie Barrick Babina Kamalanathan Charlotte Jane Prokopec Rebecca Claire Chen Caroline Susan Kewley Regan Reynolds Erin Tanya Clarke Jessica Laurenza Joshua Ricci *Megan Lisa Devoe Claire Lowenstein Kaitlin Anganie Seepersaud *Manpreet Kaur Dhaliwal *Avigayil Margolis Gabriela Skwarko Tatum Lynn Donovan Sara McArthur Julia Macey Sullivan Faith Raha Giahi *Nadia Celeste McNairn *Helen Gillian Webb Meagan Gove *Mahbod Mehrvarz *Michael Worbanski Salem Habtom Andrew Moon Smyrna Wright *William Hanchar *Liana Gabriella Mortin Calum Jacques Potoula Mozas Criminology Bachelor of Arts (Honours) *Annabelle Adjei *Jenna Anne Giannini Veronica Hiu Lam Lee Stanislav Babinets Albina Glatman Karishma Catherine Lutchman Hela Bakhtari Farah Khaled Gregni Simbiat -
Annual Report to the Community 2018–2019 … to Protect the Land Forever 1 Dear Friends: Dear Members and Supporters
annual report to the community 2018–2019 … to protect the land forever 1 Dear Friends: Dear Members and Supporters: The past year has been one of When I first visited Sonoma significant accomplishment for County, I immediately fell in love Sonoma Land Trust. As you’ll read with its breathtaking landscapes here, we delivered on advancing and rugged coastlines. Now, 25 our vision and objectives. It’s also years later, joining Sonoma Land been a year of inspiration and Trust feels like a homecoming! strategic change as we prepared for the beginning of a new chapter. I’ve been overwhelmed by the warm welcome extended to me by the community and inspired by It was just about a year ago that we announced that its sense of place. I’m also deeply grateful for Dave Dave Koehler, our former executive director, would Koehler’s wise and thoughtful stewardship of the be retiring. I’m delighted to report that the executive Land Trust. search led us to inviting Eamon O’Byrne to assume that leadership role and he joined us on September 9. As I take the helm, I’m profoundly aware of the daunting challenges Sonoma County faces in a rapidly The executive search was an energizing time of changing climate. But thanks to an extraordinary discovery and planning that led to deepening our body of work accomplished by Sonoma Land Trust understanding of how Sonoma Land Trust’s opera- over the last four decades, we are strongly positioned tions have evolved in recent years. We have grown to harness the power of nature to make our county a and matured into a high-achieving organization with stronghold of climate adaptation and resilience. -
Prijedlozi Za Nominacije
glazbena nagrada 2021. SADRŽAJ OPĆE NAGRADE STR. 4-19 SVA GLAZBENA PODRUČJA 1 (KATEGORIJE 1-3) ALBUM GODINE PJESMA GODINE NOVI IZVOĐAČ GODINE POSEBNA GLAZBENA PODRUČJA STR. 20-35 ZABAVNA, POP, ROCK, ALTERNATIVNA, HIP HOP I ELEKTRONIČKA GLAZBA 2 (KATEGORIJE 4-13) NAJBOLJI ALBUM ZABAVNE GLAZBE NAJBOLJI ALBUM POP GLAZBE NAJBOLJI ALBUM ROCK GLAZBE NAJBOLJI ALBUM ALTERNATIVNE GLAZBE NAJBOLJI ALBUM HIP HOP GLAZBE NAJBOLJI ALBUM ELEKTRONIČKE GLAZBE NAJBOLJA ŽENSKA VOKALNA IZVEDBA NAJBOLJA MUŠKA VOKALNA IZVEDBA NAJBOLJA IZVEDBA GRUPE S VOKALOM NAJBOLJA VOKALNA SURADNJA JAZZ GLAZBA STR. 36-39 (KATEGORIJE 14-16) 3 NAJBOLJI ALBUM JAZZ GLAZBE NAJBOLJA SKLADBA JAZZ GLAZBE NAJBOLJA IZVEDBA JAZZ GLAZBE TAMBURAŠKA, POP- FOLKLORNA GLAZBA I WORLD MUSIC ALBUM STR. 40-43 4 (KATEGORIJE 17-19) NAJBOLJI ALBUM TAMBURAŠKE GLAZBE NAJBOLJI ALBUM POP-FOLKLORNE GLAZBE NAJBOLJI WORLD MUSIC ALBUM 2 ARANŽMAN, PRODUCENT GODINE, SNIMKA ALBUMA STR. 44-53 (IZVAN KLASIČNE GLAZBE) 5 (KATEGORIJE 20-22) NAJBOLJI ARANŽMAN PRODUCENT GODINE NAJBOLJA SNIMKA ALBUMA KLASIČNA GLAZBA STR. 56-61 (KATEGORIJE 23-27) 6 NAJBOLJI ALBUM KLASIČNE GLAZBE NAJBOLJA SKLADBA KLASIČNE GLAZBE NAJBOLJA IZVEDBA KLASIČNE GLAZBE NAJBOLJA SNIMKA ALBUMA KLASIČNE GLAZBE NAJBOLJA PRODUKCIJA ALBUMA KLASIČNE GLAZBE SVA GLAZBENA PODRUČJA STR. 62-77 (KATEGORIJE 28-36) 7 NAJBOLJI TEMATSKO-POVIJESNI ALBUM NAJBOLJI ALBUM POPULARNE DUHOVNE GLAZBE NAJBOLJI ALBUM BOŽIĆNE GLAZBE NAJBOLJI ALBUM S RAZNIM IZVOĐAČIMA NAJBOLJI KONCERTNI ALBUM NAJBOLJI INSTRUMENTALNI ALBUM (IZVAN KLASIČNE I JAZZ GLAZBE) 3 NAJBOLJA INSTRUMENTALNA IZVEDBA (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJI VIDEO BROJ NAJBOLJE LIKOVNO OBLIKOVANJE 4 3 OPĆE NAGRADE SVA GLAZBENA PODRUČJA (KATEGORIJE 1-3) ALBUM GODINE 1 PJESMA GODINE NOVI IZVOĐAČ GODINE 4 Kategorija 1 / ALBUM GODINE Ovo je kategorija za albume iz svih glazbenih područja s pretežno (51% ili više) novim snimkama. -
Pista Cubierta Total
LA ERA ISINBAYEVA Historia de 28 récords mundiales Por: Ángel Cruz Edición y Diseño by @deporcuba Email: [email protected] PRÓLOGO Por: Lilian Cid Escalona (@lizz19861) A los 15 años, la vida suele a dar muchas vueltas; por ello, ni siquiera Natalia Petrovna logró intuir que su primogénita, nacida el tres de junio de 1982 en la heroica ciudad rusa de Volgogrado, estaba destinada a ser alguien especial para el mundo. Lo recalco porque para las madres, los hijos son siempre especiales… Pero Yelena, al parecer, sabía que con esfuerzo podría llegar a cumplir aquella promesa: “Voy a ser la mejor del mundo y campeona olímpica”, le había dicho a su madre en una tarde de juegos en casa, años atrás. Su palabra, desde luego, peligró cuando con 15 años se quedó sin el sueño gimnástico por ser demasiado alta (1.74 metros). Entonces, Alexandr Lisovói (su instructor de gimnasia) tuvo la claridad de presentarle la chica a su amigo y entrenador de salto con pértiga, Evgeny Trofimov. Allí le hablaron por primera vez sobre Bubka, y contestó: “¿Y esa quién es?”… Pero de la mano de Trofimov, la talentosa discípula encontró en la “vara” una amiga y utilizó cada una de las bondades heredadas de sus 10 años inmersa en acrobacias gimnásticas para dominar su cuerpo en el aire, y volar. Seis meses después de aquel encuentro, la primogénita de Natalia y Gadzhi Gadzhiyevich Isinbayev, ganó su primer título en Moscú en los Juegos Internacionales Juveniles de 1998. Desde ese día, el éxito se convirtió en su palabra de orden y “Lena” resonó en el mundo mientras el salto con pértiga florecía gracias a su empeño.