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2004 February
February ' -I~"~Z J ~" /., v/ I~ C / WeldingAluminuM nd the Hew Ford GT Advantages of Electron Beam Welding PUBLISHED BY THE AMERICAN WELDING SOCIETY TO ADVANCE THE SCIENCE, TECHNOLOGYAND APPLICATION OF WELDING : : ;:;::x: ;: :,, I i;; !' ,: : G: i I I Whatever your critical welding levels from 80-120 Ksi, Select-Arc can For more detailed requirement, Select-Arc has the right provide the low alloy electrode that is information on ~llllllllllllll~ SELECT-ARC low alloy, flux cored electrode for the ideally suited to handle your selecting the Select- I~IInlIIIIIIIMF job. That is because Select-Arc offers a individual application. Arc low alloy, flux complete line of electrodes specially cored electrode that is formulated for welding low alloy and Select-Arc low alloy, flux cored appropriate for your specific need, call high strength steels. With your choice electrode grades include: 800-341-5215 or contact: of slag systems (T-5, T-1 and all • Molybdenum position T-l) and available in strength • Nickel • Chromium - Molybdenum • Nickel - Chromium - Molybdenum • Manganese - Molybdenum • Weathering These exceptional tubular welding electrodes are manufactured under Select-Arc's quality system, which is approved to ISO 9001, ABS-Level II, CWB 600 Enterprise Drive and the military, and are backed P.O. Box 259 by the company's unparalleled Fort Loramie, OH 45845-0259 • commitment to customer service Phone: (937) 295-5215 and support. Fax: (937) 295-5217 www.select-arc.com Circle No. 32 on Reader Info-Card Hodgson Custom Rolling inc. services a wide variety of industries in the ENERGY 44"1D 6" Thick SECTORS of hydro, petro chemical, atomic, gas, oil, 96"Long wind, etc. -
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.)
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.) Faculty of Technical, Vocational Education & Skill Training Notes B.Voc. theatre, Stagecraft, Film Production & Media Technology Subject : - Basic Audio Video Production Unit 1 What is Cinematography ? Cinematography is the art of visual storytelling. Anyone can set a camera on a tripod and hit record, but the artistry of cinematography comes in controlling what the viewer sees (or doesn’t see) and how the image is presented. Film is a visual me- dium, and the best-shot films are ones where you can tell what’s going on without hearing any of the dialogue. With some basic knowledge of composition and scene construction, you can plan scenes using this visual language. Learn how different shots work together to form a clear, cohesive narrative and how to compose each shot in a way that is visually pleasing for the viewer. Understanding these simple rules will help make your films more thrilling and engaging. Basic Rules of Composition There are some simple cinematography techniques that will have a great impact in making your videos look more professional. The Rule of Thirds is a technique of dividing the frame up into a 3x3 grid, splitting your frame into nine boxes. Our natural impulse is to put our subject dead center, but a centered subject will look like they’re caught in a spotlight, and by dropping them in the center of the frame, it gives them nowhere to go. Instead, by positioning your action in any of the four vertices where those nine boxes meet, you create a balance in your composition that feels more natural. -
Syllabus for M.Sc. (Film Production)| 1
Syllabus for M.Sc. (Film Production)| 1 Detailed Syllabus for Master of Science (Film Production) (Effective from July 2019) Department of Advertising & Public Relations Makhanlal Chaturvedi National University of Journalism and Communication B-38, Press Complex, M.P. Nagar, Zone-I, Bhopal (M.P.) 462 011 Syllabus for M.Sc. (Film Production)| 2 MAKHANLAL CHATURVEDI NATIONAL UNIVERSITY OF JOURNALISM AND COMMUNICATION (DEPARTMENT OF ADVERTISING AND PUBLIC RELATIONS) Master of Science (Film Production) (Effective from July 2019) Marks Distribution Subject Theory Practic Intern Total Credit al al CCC-1 Evolution of Cinema 80 00 20 100 6 CCC-2 Origin and Growth of Media 80 00 20 100 6 Introduction to Socio CCC-3 80 00 20 100 6 Economic Polity Sem - I CCE-1 Art of Cinematography 50 30 20 OR OR 100 6 CCE-2 Storyboarding 50 30 20 OE-1 Understanding Cinema 25 15 10 50 3 CCC-4 Drama & Aesthetics 50 30 20 100 6 CCC-5 Lighting for Cinema 50 30 20 100 6 CCC-6 Audiography 50 30 20 100 6 Sem - II CCE-3 Art of Film Direction 50 30 20 OR OR 100 6 CCE-4 Film Journalism 50 30 20 OE-2 Ideation and Visualization 25 15 10 50 3 CCC-7 Multimedia Platform 50 30 20 100 6 Editing Techniques & CCC-8 50 30 20 100 6 Practice CCC-9 Film Research 50 30 20 100 6 Sem - III Screenplay Writing for CCE-5 50 30 20 Cinema OR 100 6 OR CCE-6 50 30 20 Advertisement Film Making OE-3 Film Society & Culture 40 00 10 50 3 CCC-10 Film Business & Regulations 80 00 20 100 6 CCC-11 Cinematics 50 30 20 100 6 CCC-12 Project Work on Film Making 00 80 20 100 6 Sem - Literature & Cinema CCE-7 80 00 20 IV OR OR 100 6 Film Management & CCE-8 80 00 20 Marketing OE-4 Documentary Film Making 25 15 10 50 3 Syllabus for M.Sc. -
Videography Terminology Continuity
Videography Terminology Continuity This is an important concept to keep in mind during recording of video/audio and later in post-production. Continuity means that if something is in one position or state-of-being in one shot, it needs to be the same way in the next shot unless it has purposely been changed for storytelling purposes. Some examples of lack of continuity are changes in a subject’s clothing, hair style, body position, or position of objects on the set between two shots that are supposed to be occurring within the same time frame. Another example is when in one shot a subject is traveling in one direction, but in the next shot the movement is in the opposite direction. Continuity changes can also occur with audio if scenes are shot in different locations or at different times but are supposed to be occurring in the same location. Framing Your Shot Rule of thirds: Divide the image in the viewfinder into horizontal and vertical thirds like placing a tic-tac-toe grid over it. Place a key part of the image on one of the intersecting points. This keeps the picture interesting and creates a pleasingly balanced image. Head room: The space between the top of the head and the upper edge of the picture or television screen. Breathing room: The space in front of a person’s face when recorded in profile. Classroom Video Production: Videography Terminology © KET 2015 1 Lead room: The space in front of a moving object or person. Types of Shots Wide shot (WS): A shot taken from a distance to show a landscape, building, or large crowd, such as the view of New York City from the Ellis Island. -
Graphic Materials: Rules for Describing Original Items and Historical Collections
GRAPHIC MATERIALS Rules for Describing Original Items and Historical Collections compiled by Elisabeth W. Betz Library of Congress, Washington, D.C., 1982 WordPerfect version 6/7/8 (July 2000; with MARC21 tagging added March 2002) With cumulated updates: 1982-1996 and List of areas to update for second edition: 1997-2000 Cover illustration: "Sculptor. Der Formschneider." Woodcut by Jost Amman in Hartmann Schopper's Panoplia, omnium illiberalium mechanicarum aut sedentariarum artium genera continens, printed at Frankfurt am Main by S. Feyerabent, 1568. Rosenwald Collection, Rare Book and Special Collections Division. (Neg. no. LC-USZ62-44613) TABLE OF CONTENTS Graphic Materials (1996-1997 Updates)...................p. i Issues to consider for second edition (1997-2000).......p. iii Preface.................................................p. 1 Introduction............................................p. 3 0. General Rules........................................p. 8 0A. Scope.............................................p. 8 0B. Sources of information............................p. 9 0C. Punctuation.......................................p. 10 0D. Levels of description.............................p. 12 0E. Language and script of the description............p. 13 0F. Inaccuracies......................................p. 14 0G. Accents and other diacritical marks (including capitalization)..................................p. 14 0H. Abbreviations, initials, etc......................p. 14 0J. Interpolations....................................p. 15 1. -
TESSERACT -- Antique Scientific Instruments
TESSERACT Early Scientific Instruments Special Issue: OPTICAL PLEASURES Catalogue One Hundred Seven Summer, 2018 $10 CATALOGUE ONE HUNDRED SEVEN Copyright 2018 David Coffeen CONDITIONS OF SALE All items in this catalogue are available at the time of printing. We do not charge for shipping and insurance to anywhere in the contiguous 48 states. New York residents must pay applicable sales taxes. For buyers outside the 48 states, we will provide packing and delivery to the post office or shipper but you must pay the actual shipping charges. Items may be reserved by telephone, and will be held for a reasonable time pending receipt of payment. All items are offered with a 10-day money-back guarantee for any reason, but you pay return postage and insurance. We will do everything possible to expedite your shipment, and can work within the framework of institutional requirements. The prices in this catalogue are net and are in effect through December, 2018. Payments by check, bank transfer, or credit card (Visa, Mastercard, American Express) are all welcome. — David Coffeen, Ph.D. — Yola Coffeen, Ph.D. Members: Scientific Instrument Society American Association for the History of Medicine Historical Medical Equipment Society Antiquarian Horological Society International Society of Antique Scale Collectors Surveyors Historical Society Early American Industries Association The Oughtred Society American Astronomical Society International Coronelli Society American Association of Museums Co-Published : RITTENHOUSE: The Journal of the American Scientific Instrument Enterprise (http://www.etesseract.com/RHjournal/) We are always interested in buying single items or collections. In addition to buying and selling early instruments, we can perform formal appraisals of your single instruments or whole collections, whether to determine fair market value for donation, for insurance, for loss, etc. -
Pakistan Frees Bengali Leader
PRlbAY, JAUmART T, 1^2 'AGE Twenty iS9ahrI;?Btpr 1Ettwtti0 If^aU) Average Daily Net Press Run For The Week Ended The Weather lift of vemon left the road and N ovem ber 80, 1071 Clear tonight, low In 20s. Sun YWCA Will Open House About Town Drug Center struck a telephone pole. day partly sunny with high near 40. Precipltaticm chance near The Drug Advisory Center, Porants, COMPLAINTS 15,590 zero throughout. For Winter Oass Preview The deacons of Second Con 88 Park St., Is open Monday gregational ' Church will meet through Saturday from noon Wednesday night, the battery Wifiioiii Manchester— A City of Village Charm A preview ol the Manchester ners, 7 to 9:30 p.m., a number tonight at 7:80 at the church. to 10 p.m . was stolen from a car parked In PflriiMfi TWCA winter classes will be o' projecte In several different A telephone backup service an unlocked Holl St. garage. VOL. LXXXXI, NO. 83 (EIGH TEEN PAGES— T V SECTITON) MANCHESTER, CONN., SATURDAY, JANUARY 8, 1972^ (ClaMlfled Advertising on Page 16) PRICE FIFTEEN CENTS , . _ .__ media. Jeff Strong, instructor. Grade 7 Youth. Instruction is axallablei when the center Mhnchehtar Parenta given at an open house Tuesday Wedne^ay Class of Zion Evangelical Lu Is closed. r Last night, while lU own^ Portnen meet Snd from 10 a.m. to 2 p.m. at the on^ In for all YWCA mem- theran Church will meet tomor ' For drug advisory Informa- er was In Lig*ett Drugs at the Tuesday of each month at S Oommunlty Y, 79 N. -
Learning to Think Spatially.Pdf
LEARNING TOTHINK SPATIALLY Committee on Support for Thinking Spatially: The Incorporation of Geographic Information Science Across the K–12 Curriculum Geographical Sciences Committee Board on Earth Sciences and Resources Division on Earth and Life Studies THE NATIONAL ACADEMIES PRESS • 500 Fifth Street, N.W., • Washington, DC 20001 NOTICE: The project that is the subject of this report was approved by the Governing Board of the National Research Council, whose members are drawn from the councils of the National Academy of Sciences, the National Academy of Engineering, and the Institute of Medicine. The members of the committee responsible for the report were chosen for their special competences and with regard for appropriate balance. This study was supported by Environmental Systems Research Institute, Department of Interior/U.S. Geologi- cal Survey Grant No. 00HQAG0011, National Aeronautics and Space Administration Grant No. NAG5-9857, National Geographic Society Education Foundation Grant No. 200-0123, and National Science Foundation Grant No. BCS-0076284. Any opinions, findings, conclusions, or recommendations expressed in this publica- tion are those of the author(s) and do not necessarily reflect the views of the organizations or agencies that provided support for the project. Library of Congress Cataloging-in-Publication Data Learning to think spatially : GIS as a support system in the K-12 curri- culum. p. cm. Includes bibliographical references and index. ISBN 0-309-09208-6 (pbk.) — ISBN 0-309-53191-8 (PDF) 1. Space perception—Study and teaching. 2. Geographic information systems. I. National Academies Press (U.S.) BF723.S63L43 2006 370.15′2—dc22 2005032115 Additional copies of this report are available from the National Academies Press, 500 Fifth Street, N.W., Lockbox 285, Washington, DC 20055; (800) 624-6242 or (202) 334-3313 (in the Washington metropolitan area); Internet, http://www.nap.edu. -
Criminal Investigation, 10Th
CHAPTER 1 Criminal Investigation: An Overview © Mario Tama/Getty Images Copyright 2012 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressedNOT content does not materially affect the overallFOR learning experience. Cengage Learning reserves SALE the right to remove additional content at any time if subsequent rights restrictions require it. 18926_ch01_ptg01_hr_002-037.indd 4 17/01/12 10:37 AM Outline Can You Define? A Brief History of Criminal The Follow-Up civil liability Investigation Investigation community policing Criminal Investigation Computer-Aided crime Definitions Investigation crime mapping Other Terms Defined Problem-Oriented Policing criminal intent criminal investigation Goals of Criminal Investigative Productivity criminalist Investigations The Investigative criminalistics Basic Functions of Function: The criminal statute Investigators Responsibility of All Police culturally adroit Characteristics of an Personnel data mining Effective Investigator Interrelationships with deductive reasoning Others—Community An Overview of the elements of the crime Investigative Process Policing exculpatory evidence Major-Case Task Forces The Preliminary felony Investigation: Basic Law Enforcement forensic science Considerations Resources hot spots Crime Scene Investigators Avoiding Civil Liability inductive reasoning intuition investigate leads Locard’s principle of exchange misdemeanor modus operandi (MO) On April 19, 1995, Trooper Charlie Hanger ordinance res gestae statements Oof the Oklahoma Highway Patrol was traveling north on Interstate 35 when Do You Know? he saw a 1977 Mercury Marquis with no license plate. Hanger pulled the car over, j What criminal investigation is? j What the major goals of criminal investigation are? and the only occupant, a white male, got j What basic functions investigators perform? out. -
Video Production Workshop
Video Production Workshop Ricky Telg Agricultural Education and Communication Al Williamson IFAS Communications Michael Harrington & Ron Thomas Center for Online Learning and Technology, CALS Today’s Agenda 10:00 – 10:10 Introduction 10:10 – 12:30 Video production 12:30 – 1:00 Lunch in 1031 McCarty 1:00 – 2:00 Field exercise – shoot video 2:00 – 2:45 Critique video Today’s Agenda 2:45 – 3:15 Editing, storage, and delivery 3:15 – 3:45 Incorporating video into classes and programs 3:45 – 4:00 Closing and questions Future Training Possible topics • Sakai • Adobe Connect and Big Blue Button • More video • What would you like to see? Examples of Video For the Classroom or Online Class Using Video Effectively for Instruction The reason: Rise in video for instruction Post video content. Develop video contests and/or collaborations. Being used extensively in training and development. Video is fastest-growing segment of online communication. Vimeo.com And many, many more. Proportion of total US Internet traffic SOURCE: Wired magazine How I (Ricky Telg) use video Interviews with experts: Ag Media Summit Sustainability Two Way Communication In-class projects: Explore Research AEC 3070 Class Projects Access videos from other sources The audience and message Define the audience. Develop a message. Determine how best to deliver the message to your audience. Use of proper video techniques will help communicate your message. The equipment Video cameras Tripods/monopods Microphones Lights Camera bags/miscellaneous The techniques Camera movements Basic shots Composition Angles On-screen room Continuity Interviews Camera movements Pan Tilt Zoom Camera movements Panning: left, right Camera movements Tilting: up, down Camera movements Zooming: Change in the focal length of the camera lens. -
Wednesday, February 20, 2008
Wednesday, February 20, 2008 Room 202 9:00-10:00 Building Community Resilience to Disasters Dr. Michael E. Garner, Emergency Management Department, Arkansas Tech Facilitator & Student Many of the learning outcomes that make the EAST program successful in local communities could be applied toward developing a more hazard resilient campus and community. Emergency management principles and methodology coupled with specialized ‘all-hazard risk’ software applications would provide a valuable resource for local schools, communities and county agencies. It is impossible to prevent natural disasters, but many communities affected by disasters could be spared or could reduce their losses if they are better prepared. Regardless of the size or scope of the initiative, building disaster- resistant communities saves lives and prevents damage. In the process, it saves money as well. Current statistics show that for every dollar spent on prevention, at least two dollars are saved on disaster repairs. FEMA ‘Although history … focuses largely on federal efforts, it is both accurate and appropriate to conceive emergency management as a local endeavor to influence events with local consequences. In many respects, the old adage that “disasters are a local problem” seems as true now as it was thirty years ago’ Ronald W. Perry - Professor of Public Affairs Arizona State University 10:10-11:10 Opportunities after High School UALR EAST Scholars, UALR Student This session will include a PowerPoint presentation, video interviews of past EAST Scholars, scholarship information and a question and answer session. Scholars will be available to answer questions, make comments and observations about the opportunities they have been given as EAST Scholars at UALR. -
Tom Lazear, Editor
Tom Lazear Archway Systems, Inc. 2134 Main St. #160 Huntington Beach CA 92648 714 374-0440 phone 714 374-0441 fax [email protected] Versa Central California: Greg Crossley PO Box 382 Prather CA 93651-0382 559-977-9105 Northern California George McMeans 56 Nichols Ave Point Richmond CA 94801 CAD 510 231 0502 Versatile Computer Aided Design www.versacad.com Volume 5 July 04 Number3 Upcoming Events been mentored by Ed Vermurlen, AIA of Architronics in June 20,23 ASEE Salt Lake City Grand Rapids MI. Both students were awarded their own Aug 10-12 SIGGRAPH Los Angeles personal, professional copy of VersaCAD and ArchiDOS to use in their college career. Our congratulations to Matt and Chad and to Bob Lenger and Ed Vermurlen. VersaCAD 2004 for Windows VersaCAD 2004 will ship this quarter. New features include a File Explorer which will find and display all your VersaCAD drawings on your harddrive, the latest in DWG/DXF translation, several new features, a set of SHX fonts that match VersaCAD fonts, a number of additional symbol libraries plus several “how tos” that describe how to use VersaCAD in specific applications, how to do 3D in Rhino from VersaCAD files, how to access millions of predrawn files via Thomas register and more. The new release will begin shipping to Premium Service subscribers before the end of August and will be available in kit form at the same time. VersaCAD 2004 for Macintosh VersaCAD 2004 for Macintosh is still under development. This will be the first VersaCAD release specifically written to run natively under Macintosh OSX.