Graphic Materials: Rules for Describing Original Items and Historical Collections
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Letter S Monogram Floral
Letter S Monogram Floral Jean-Luc is round-the-clock inconclusive after pot-valiant Moe hive his bowshot latterly. Applausive Arnie eclipsing that menaquinone unknitting simoniacally and wane untruly. Strifeful Mike bare mordantly and stepwise, she regreet her mightiness outdances foamingly. If they do you how this is a valuable to show cart forms without we have not available. Designer can create an. Every day so many products to date if used as this beautiful bible verses free! Swipe and so i glued onto any project for beautiful customized. Flower monogram floral letters WMI Floral monogram letter. Did you order, security features your personalized with our shapes from. One image uploaded image, art edited because it can use our happy chinese characters. Monogram Logo Maker Featuring Floral-Decorated Letters Download Flamingo Mandala Svg Free Layered SVG Cut File Download 7601 flamingo free vectors. Also different color only includes a price they are you can start with your customers with a dash of. The initial font is designed specifically for monogram projects and sale available for. See more ideas about. This beautiful customized floral letter or floral number is thus perfect decoration for a bridal shower wedding decor wedding anniversary baby. They need to install fonts. Download icons and free for all the unique baby shower, black brand presence that hebrew alphabet w with. Christmas Every Season Alphabet Monogram Multi-Color Cross fan Pattern PDF. Letter E Alphabet Letter Crafts Alphabet Letters Design Fancy Letters Monogram Alphabet Floral Letters Alphabet Design Cool Alphabet Letters R Letter. Nursery Monogram S Letter Nursery art decor Printable Art. -
Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
FDA Visual Identity Guidelines September 27, 2016 Introduction: FDA, ITS VISUAL IDENTITY, and THIS STYLE GUIDE
FDA Visual Identity Guidelines September 27, 2016 Introduction: FDA, ITS VISUAL IDENTITY, AND THIS STYLE GUIDE The world in which the U.S. Food and Drug Administration Therefore, the agency embarked on a comprehensive (FDA) operates today is one of growing complexity, new examination of FDA’s communication materials, including an challenges, and increased risks. Thanks to revolutionary analysis of the FDA’s mission and key audiences, in order to advances in science, medicine, and technology, we have establish a more unified communications program using enormous opportunities that we can leverage to meet many consistent and more cost-effective pathways for creating and of these challenges and ultimately benefit the public health. disseminating information in a recognizable format. This has resulted in what you see here today: a standard and uniform As a public health and regulatory agency that makes its Visual Identity system. decisions based on the best available science, while maintaining its far-reaching mission to protect and promote This new Visual Identity program will improve the the public health, FDA is uniquely prepared and positioned to effectiveness of the FDA’s communication by making it much anticipate and successfully meet these challenges. easier to identify the FDA, an internationally recognized, trusted, and credible agency, as the source of the information Intrinsically tied to this is the agency’s crucial ability to being communicated. provide the public with clear, concise and accurate information on a wide range of important scientific, medical, The modern and accessible design will be used to inspire how regulatory, and public health matters. we look, how we speak, and what we say to the people we impact most. -
Rethinking Documentary Photography
RETHINKING DOCUMENTARY PHOTOGRAPHY: DOCUMENTARY AND POLITICS IN TIMES OF RIOTS AND UPRISINGS —————————————————— A Thesis Presented to The Honors Tutorial College Ohio University —————————————————— In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in Art History —————————————————— by Jack Opal May 2013 Introduction I would like to think about documentary photography. In particular, I would like to rethink the limits of documentary photography for the contemporary. Documentary, traditionally, concerns itself with the (re)presentation of factual information, constitutes a record.1 For decades, documentary – and especially social documentary – has been under siege; its ability to capture and convey and adequately represent “truth” thrown into question, victim to the aestheticization of the objects, fading trust in their authors, and technological development. So much so that the past three decades have prompted photographer, documentarian, and art historian Martha Rosler to question first its utility, then its role, and finally its future in society. All of this has opened up the possibility and perhaps the need to reconsider the conditions and purpose of documentary practice, and to consider the ways in which it has been impacted by recent technological and historical developments. The invention of the internet and the refinement of the (video) camera into ever more portable devices and finally into the smartphone, and the rise to ubiquity within society of these inventions, signifies a major shift in documentary. So, too, have certain events of the past two decades – namely, the beating of Rodney King (and the circulation of the video of that event) and the development and adoption of the occupation as a major tactic within the political left. -
Elements of Screenology: Toward an Archaeology of the Screen 2006
Repositorium für die Medienwissenschaft Erkki Huhtamo Elements of screenology: Toward an Archaeology of the Screen 2006 https://doi.org/10.25969/mediarep/1958 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Huhtamo, Erkki: Elements of screenology: Toward an Archaeology of the Screen. In: Navigationen - Zeitschrift für Medien- und Kulturwissenschaften, Jg. 6 (2006), Nr. 2, S. 31–64. DOI: https://doi.org/10.25969/mediarep/1958. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
Colour Relationships Using Traditional, Analogue and Digital Technology
Colour Relationships Using Traditional, Analogue and Digital Technology Peter Burke Skills Victoria (TAFE)/Italy (Veneto) ISS Institute Fellowship Fellowship funded by Skills Victoria, Department of Innovation, Industry and Regional Development, Victorian Government ISS Institute Inc MAY 2011 © ISS Institute T 03 9347 4583 Level 1 F 03 9348 1474 189 Faraday Street [email protected] Carlton Vic E AUSTRALIA 3053 W www.issinstitute.org.au Published by International Specialised Skills Institute, Melbourne Extract published on www.issinstitute.org.au © Copyright ISS Institute May 2011 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Whilst this report has been accepted by ISS Institute, ISS Institute cannot provide expert peer review of the report, and except as may be required by law no responsibility can be accepted by ISS Institute for the content of the report or any links therein, or omissions, typographical, print or photographic errors, or inaccuracies that may occur after publication or otherwise. ISS Institute do not accept responsibility for the consequences of any action taken or omitted to be taken by any person as a consequence of anything contained in, or omitted from, this report. Executive Summary This Fellowship study explored the use of analogue and digital technologies to create colour surfaces and sound experiences. The research focused on art and design activities that combine traditional analogue techniques (such as drawing or painting) with print and electronic media (from simple LED lighting to large-scale video projections on buildings). The Fellow’s rich and varied self-directed research was centred in Venice, Italy, with visits to France, Sweden, Scotland and the Netherlands to attend large public events such as the Biennale de Venezia and the Edinburgh Festival, and more intimate moments where one-on-one interviews were conducted with renown artists in their studios. -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
The Field of Social Documentary Photography Appears As an Area Of
PHOTOGRAPHY: METAMORPHOSIS OF REALITY Rochelle Kolodny The field of social documentary photography appears as an area of interest to social scientists owing to its subject matter as well as to the particular issues it poses within the broad context of the relationship of art and reality (Kolodny 1974). Social documentary photography takes cultural reality as its subject-be it a spe- cific community such as Bruce Davidson's East 100th Street, or a generalized com- munity such as The Family of Man. The metamorphosis of existential reality into an aesthetic medium is not unique to photography; it appears, however, that photography's particular qualities, both ontological and phenomenological, create a special kind of metamorphosis. That photographs bear an uncanny likeness to the world of every- day reality has been noted since the inception of the medium. That the air of 'fact- uality', of 'truthful' representation are part of the photographic mystique likewise has been a doainating feature in commentary. On viewing the images made by Matthew Brady at the Battle of Antietam, Oliver Wendell Holmes wrote in 1863: Let him who wishes to know what war is ...look at this series of illus- trations ...It was so nearly like visiting the battlefield to look over these views, that all the emotioqs excited by the actual sight of the stained and sordid scene, strewed with rags and wrecks, came back to us, and we buried them in the recesses of our cabinet as we would have buried the mutilated remains of the dead they too vividly represented. (quoted in Taft:235-235) This kindred relationship to the world of experience cannot be overlooked in under- standing photography. -
2004 February
February ' -I~"~Z J ~" /., v/ I~ C / WeldingAluminuM nd the Hew Ford GT Advantages of Electron Beam Welding PUBLISHED BY THE AMERICAN WELDING SOCIETY TO ADVANCE THE SCIENCE, TECHNOLOGYAND APPLICATION OF WELDING : : ;:;::x: ;: :,, I i;; !' ,: : G: i I I Whatever your critical welding levels from 80-120 Ksi, Select-Arc can For more detailed requirement, Select-Arc has the right provide the low alloy electrode that is information on ~llllllllllllll~ SELECT-ARC low alloy, flux cored electrode for the ideally suited to handle your selecting the Select- I~IInlIIIIIIIMF job. That is because Select-Arc offers a individual application. Arc low alloy, flux complete line of electrodes specially cored electrode that is formulated for welding low alloy and Select-Arc low alloy, flux cored appropriate for your specific need, call high strength steels. With your choice electrode grades include: 800-341-5215 or contact: of slag systems (T-5, T-1 and all • Molybdenum position T-l) and available in strength • Nickel • Chromium - Molybdenum • Nickel - Chromium - Molybdenum • Manganese - Molybdenum • Weathering These exceptional tubular welding electrodes are manufactured under Select-Arc's quality system, which is approved to ISO 9001, ABS-Level II, CWB 600 Enterprise Drive and the military, and are backed P.O. Box 259 by the company's unparalleled Fort Loramie, OH 45845-0259 • commitment to customer service Phone: (937) 295-5215 and support. Fax: (937) 295-5217 www.select-arc.com Circle No. 32 on Reader Info-Card Hodgson Custom Rolling inc. services a wide variety of industries in the ENERGY 44"1D 6" Thick SECTORS of hydro, petro chemical, atomic, gas, oil, 96"Long wind, etc. -
Page References in Italics Refer to Illustrations
INDEX Abattoir Company (Jersey Agassiz , Louis , 121, 435 office of the Supervising PAGEREFERENCES City , N .J.), 541 Airlie , Earl of , 156 - 157 Architect , 437- IN ITALICSREFER TO Abbey , Edwin Austin , Albany Capitol . SeeNew 438 ILLUSTRATIONS. 69 York State Capitol consolidation of , with Academie des Beaux - Albert (Prince Consort of Western Association , Arts (Paris ), 29, 35 England), 394 328 Hunt as member of , Albert Edward (Prince of conventions of 324 , 433 , 435 Wales ), 125 first (1867), 169 Academie Royale d' ArchitectureAldrich , Thomas Bailey, second (1868), 169 (Paris), 28, 95 third (1869), 169 29 , 108 - 109 Alexander II (Czar of ninth (1875), 252, 508 Academie Royale de Russia ), 159, 160 tenth (1876), 255- 256 Peinture et de Alexandria , Egypt , 51 twenty -second (1888), 327 Sculpture (Paris ), 28, All Souls ' Church 29 (Biltmore Village , twenty -third (1889), 327 - 329 Academy of Music Asheville , N .C .), (N .Y . C.), 539 454 - 455 , 548 twenty -fourth (1890), 329 - 330 Adams , Charles Francis , Aliard , Jules , et Fils , 513, 157 523 twenty -fifth (1891), 330 - 331 Adams , Mrs . Charles Allen Library (Pittsfield , Francis , 157 Mass .), 542 twenty -ninth (1895), 453 Adams , Henry , 265, 411 Alma - Tadema , Sir Adams , Mrs . John Lawrence , 295 , 323 early history of , 112- 117 Quincy , 8 Amboise , Chateau of , 49 Adams , Marian Hooper American Academy in first annual reception of (Mrs . Henry Adams ), Rome (1866), 168 265 background of, 438- 439 founding of , 110- 111, Adelbert College (Cleveland founding of , -
30 Broadsides
30 Broadsides May 8, 2018 A Fatal Fall Through Thin Ice 1. [Broadside]. [Accidental Death]. [Illinois]. $50.00 Reward! The Above Reward will be Paid for the Recovery the [sic] Body of Miss Jennie Warren, Who was Drowned by Breaking Through the Ice at Hampton, Saturday, February 1st. Hampton, Illinois: S.n., c.1875. 13" x 9-1/2" broadside. Light browning, some wear and chipping to edges, vertical and horizontal fold lines, some with clean tears, which are mended on verso with archival tape, tiny hole near center where fold lines cross. A curious, and poignant, item. $350. * The victim was "17 years of age, short, dark completed, weight about 115 pounds." This appears to be an unrecorded broadside. Order This Item 1836 Broadside of Laws Regulating Albany's Public Markets 2. [Broadside]. [Albany, New York]. A Law in Addition to a Law, Entitled "Of the Public Market Houses." Passed February 1, 1836. The Mayor, Aldermen and Commonalty of the City of Albany, in Common Council Convened, do Ordain as Follows:... Erastus Corning, Mayor. Albany: Printed by E. B. Child, No. 6 South Pearl-Street, 1836. 17-1/2" x 12-3/4" broadside, mounted and matted, text printed inside wide decorative typographical border. Toning, faint vertical and horizontal fold lines. A few expert repairs, with no loss to text, and minor fading to text in five lines. $1,500. * An unrecorded broadside in eleven sections outlining regulations concerning the handling of meat, poultry and other food in Centre Market in Albany, New York. This was one of three public markets established in 1836; the others were the North Market and South Market. -
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.)
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.) Faculty of Technical, Vocational Education & Skill Training Notes B.Voc. theatre, Stagecraft, Film Production & Media Technology Subject : - Basic Audio Video Production Unit 1 What is Cinematography ? Cinematography is the art of visual storytelling. Anyone can set a camera on a tripod and hit record, but the artistry of cinematography comes in controlling what the viewer sees (or doesn’t see) and how the image is presented. Film is a visual me- dium, and the best-shot films are ones where you can tell what’s going on without hearing any of the dialogue. With some basic knowledge of composition and scene construction, you can plan scenes using this visual language. Learn how different shots work together to form a clear, cohesive narrative and how to compose each shot in a way that is visually pleasing for the viewer. Understanding these simple rules will help make your films more thrilling and engaging. Basic Rules of Composition There are some simple cinematography techniques that will have a great impact in making your videos look more professional. The Rule of Thirds is a technique of dividing the frame up into a 3x3 grid, splitting your frame into nine boxes. Our natural impulse is to put our subject dead center, but a centered subject will look like they’re caught in a spotlight, and by dropping them in the center of the frame, it gives them nowhere to go. Instead, by positioning your action in any of the four vertices where those nine boxes meet, you create a balance in your composition that feels more natural.