Graphics and Media Production Course Code: Msm-503 Author: Mr
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Imaging Diamond with X-Rays
Home Search Collections Journals About Contact us My IOPscience Imaging diamond with x-rays This article has been downloaded from IOPscience. Please scroll down to see the full text article. 2009 J. Phys.: Condens. Matter 21 364217 (http://iopscience.iop.org/0953-8984/21/36/364217) View the table of contents for this issue, or go to the journal homepage for more Download details: IP Address: 129.49.56.80 The article was downloaded on 30/06/2010 at 16:59 Please note that terms and conditions apply. IOP PUBLISHING JOURNAL OF PHYSICS: CONDENSED MATTER J. Phys.: Condens. Matter 21 (2009) 364217 (15pp) doi:10.1088/0953-8984/21/36/364217 Imaging diamond with x-rays Moreton Moore Department of Physics, Royal Holloway University of London, Egham, Surrey TW20 0EX, UK E-mail: [email protected] Received 5 April 2009 Published 19 August 2009 Online at stacks.iop.org/JPhysCM/21/364217 Abstract The various techniques for imaging diamonds with x-rays are discussed: x-radiography, x-ray phase-contrast imaging, x-ray topography, x-ray reciprocal-space mapping, x-ray microscopy; together with the characterization of the crystal defects which these techniques reveal. 1. Introduction may also be sharp characteristic peaks superimposed upon the continuous spectrum, characteristic of the target material. X-rays may be used to image whole diamonds, or selected These come from the brief promotion of electrons dislodged regions, by radiography or by using various techniques from target atoms to discrete higher energies. These (or other) employing a Bragg reflection for x-ray diffraction contrast. -
Issue 10 October Keyword 2019.Pages
The Southern Highlands Computer Users Group Inc. Assisting all members to explore and enjoy the benefits of Information Technology. Monthly Newsletter " Keyword” October 2019 2019 Committee Vice President Peter Jackson Secretary Sue Ticehurst Phone 4872-4173 Treasurer John Oprey Phone 4862-1584 Public Officer Ron Hampton Phone 4871-1532 Committee member Philip Reay Mail-out Officer Lynette Reay Editor Keyword &Webmaster Martina Oprey Phone 4862-1584 Please note: We are not computer professionals and our expertise is limited. Our Education Centre. The central point of all our activities for PC and Apple users. Unit 56 HarbisonCare, 2 Charlotte St, Burradoo, 2576, NSW. www.shcug.org.au How to join SHCUG. Visit our Education Centre and drop in at one of our weekly activities to collect an application form. Payment can be made in cash or by cheque and handed to a tutor. Fees are $40 single or $60 couple. Alternatively use EFTPOS transaction IMB Bank: BSB number is: 641 800 and the account number is. 200456000, or send the application form and cheque, made out to SHCUG, to following address: The Treasurer,SHCUG,c/-HarbisonCare, 6/2 Charlotte St, Burradoo, NSW, 2576. Renewing memberships. Renewal forms are sent out each year in early December to all current members by email, with all the relevant information needed to renew membership for the upcoming year. Correspondence: Letters to the committee can be addressed to [email protected] Weekly activities held in Unit 56 Contact Monday mornings, from 10 to 12 noon Members Helping Members. J & M Oprey 4862-1584 Monday afternoons, from 1 to 5 pm. -
Kurztest Affinity Publisher 1.8
Kurztest Affinity Publisher 1.8 Schwerpunkt Handbucherstellung Erstellt mit Affinity Publisher 1.8, von der Herstellerseite als Testversion herunter geladen am 17.05.2020 basierend auf den Kurztests für Textverarbeitungen von „https://buoa.de“. Ein Dokument von Norbert Simon [email protected] Version 1.0 Stand: 08.06.2020 Inhaltsverzeichnis Zu diesem Dokument Das Dokument ist Beschreibung und Testobjekt in einem. Daher ist es in gewisser Weise „überstrukturiert“, damit ein bewertbares Inhaltsverzeichnis entsteht. Der Index ist kein echter; hier geht es ebenfalls lediglich um den Eindruck, wie die Erzeugung grundsätzlich funktioniert. Es wird nur ein Teil des Funktionsumfangs des Affinity Publisher unter subjektiven Gesichtspunkten (siehe „Handbuch-Anforderungen“) genutzt und darauf bezogen bewertet. ©2020 Norbert Simon, alle Rechte vorbehalten. Produktnamen werden ausschließlich redaktionell verwendet, ohne Ver- weis auf die Marken- oder sonstigen Rechte. Generell sind alle Rechte genannter Produkte als „beim Hersteller“ anzusehen. 2 Inhaltsverzeichnis Schwerpunkt Handbucherstellung ...................................................................1 Kurztest Affinity Publisher 1.8 .....................................................................1 Affinity Publisher (& Co) ...............................................................................5 Warum schaue ich ihn mir trotzdem an? .........................................................6 Was der Publisher nicht kann........................................................................7 -
2004 February
February ' -I~"~Z J ~" /., v/ I~ C / WeldingAluminuM nd the Hew Ford GT Advantages of Electron Beam Welding PUBLISHED BY THE AMERICAN WELDING SOCIETY TO ADVANCE THE SCIENCE, TECHNOLOGYAND APPLICATION OF WELDING : : ;:;::x: ;: :,, I i;; !' ,: : G: i I I Whatever your critical welding levels from 80-120 Ksi, Select-Arc can For more detailed requirement, Select-Arc has the right provide the low alloy electrode that is information on ~llllllllllllll~ SELECT-ARC low alloy, flux cored electrode for the ideally suited to handle your selecting the Select- I~IInlIIIIIIIMF job. That is because Select-Arc offers a individual application. Arc low alloy, flux complete line of electrodes specially cored electrode that is formulated for welding low alloy and Select-Arc low alloy, flux cored appropriate for your specific need, call high strength steels. With your choice electrode grades include: 800-341-5215 or contact: of slag systems (T-5, T-1 and all • Molybdenum position T-l) and available in strength • Nickel • Chromium - Molybdenum • Nickel - Chromium - Molybdenum • Manganese - Molybdenum • Weathering These exceptional tubular welding electrodes are manufactured under Select-Arc's quality system, which is approved to ISO 9001, ABS-Level II, CWB 600 Enterprise Drive and the military, and are backed P.O. Box 259 by the company's unparalleled Fort Loramie, OH 45845-0259 • commitment to customer service Phone: (937) 295-5215 and support. Fax: (937) 295-5217 www.select-arc.com Circle No. 32 on Reader Info-Card Hodgson Custom Rolling inc. services a wide variety of industries in the ENERGY 44"1D 6" Thick SECTORS of hydro, petro chemical, atomic, gas, oil, 96"Long wind, etc. -
All That Is Solid: a Celluloid Exploration of Brutalist Architecture
ALL THAT IS SOLID: A CELLULOID EXPLORATION OF BRUTALIST ARCHITECTURE EVA KOLCZE A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF OF MASTER OF FINE ARTS GRADUATE PROGRAM IN FILM YORK UNIVERSITY TORONTO, ONTARIO MAY, 2014 © Eva Kolcze, 2014 Abstract All That Is Solid is an experimental film that investigates Brutalist architecture through the decayed surface of black and white celluloid. The film features three locations: Robarts Library, The University of Toronto Scarborough campus (UTSC) and the Ross building at York University. All are prominent examples of Brutalist architecture on university campuses. Footage of the buildings has been degraded using photochemical processes that result in unique patterns of decay. The decay processes are used to draw material and aesthetic connections between concrete and celluloid. By distressing and dissolving images of massive buildings, the film explores how time breaks down all materials, even solid concrete. The film also explores the shifting reactions and responses to the buildings, from their initial praise by the architectural community as cutting edge and futuristic, to the intense public backlash that followed shortly after they were built. ii TABLE OF CONTENTS Abstract .................................................................................................................. ii Table of Contents……………………………………………………………………….iii Evolution Of The Project ....................................................................................... -
UK Photography Activity Badge
making a start in photography Jessops is proud to support The Scout Association and sponsor the Scout Photographer Badge know your camera! welcome to the Single use cameras SLRs Digital cameras Single use cameras offer an inexpensive and ‘Single lens reflex’ cameras, often called SLRs, Digital cameras come in both compact and SLR exciting world of risk-free way to take great photos. They are built come in two main types - manual and auto-focus. formats. Rather than saving an image to film, complete with a film inside and once this is used SLRs give you greater artistic control as they can digital cameras save images onto memory cards. photography! up, the whole camera is sent for processing. They be combined with a vast range of interchangeable They have tiny sensors which convert an image are perfect for taking to places where you may lenses and accessories (such as lens filters). You electronically into ‘pixels’ (short for picture To successfully complete the Photographer Badge, be worried about losing or damaging expensive can also adjust almost every setting on the camera elements) which are put together to make up the you will need to learn the basic functions of a equipment (Scout camp for example) and you can yourself - aiding your photographic knowledge complete image. camera, how to use accessories, and how to care even get models suitable for underwater use - and the creative possibilities! for your equipment. You will also need to Capturing images this way means that as soon as perfect for taking to the beach! understand composition, exposure and depth of With manual SLRs, the photographer is in complete the picture is taken, you can view it on the LCD field, film types, how to produce prints and control - and responsible for deciding all the screen featured on most digital cameras. -
Price List NEW.Pmd
Price List November 2014 The essential guide to the very best photographic equipment and materials Telephone: 01636-823922 Fax: 01636-821719 Email: [email protected] wwwwww.mor.morcoco.uk.com.uk.com We supply all these top brands... Agfa Hahnemühle Manfrotto Quantum Ansmann Harman Marrutt Reflecta Apple Heliopan Marumi Richards B+W Hensel Medalight Rodenstock Beattie Herma Metz Rosco Benbo Hewes Morco Rotatrim Benro Hitech NEC Samyang Billingham Holga Nissin Sandisk Bowens Hot Press Nova Savage Braun Hoya Omega Sekonic Camlink HP OpTech Sigma Canon Ilford Orchard Silvestri Canson Just Oregon Slik Cokin Kaiser Osram Snapshut Colorama Kenko Panasonic Sony Creativity Kenro Pantone Sunpak Delkin Kentmere Paterson Tamrac Douglas Kodak Peli Tamron Eclipse LaCie PermaJet Tetenal Elinchrom Lastolite Philips Toyo Energizer Lee Photolux Velbon Epson Lensbaby PhotoTherm Visible Dust Falcon Lexar Pinnacle Wein Fotospeed Light Craft Pocket Wizard Westcott Fuji Linhof Polaris X-Rite GePe Lowepro Polaroid Zeiss Gossen Lyson Morco Limited College Farmhouse, Cromwell, Newark, Nottinghamshire, NG23 6JE England Telephone: +44 (0)1636-823922 Fax: +44 (0)1636-821719 Email: [email protected] www.morco.uk.com Introduction Contents Welcome to The MORCO Price List. Page Inkjet Paper and Digital Consumables Since 1987 Morco has been a supplier of a wide range of Ilford Paper.................................................. 1 top quality products to the professional and amateur Fotospeed Paper......................................... 2 photographic and allied markets. Permajet Paper........................................... 2 - 6 Pinnacle Paper............................................ 7 We are the UK distributor for BEATTIE, PHOTOTHERM Hahnemühle Paper...................................... 8 - 9 and WEIN products, we also manufacture/produce MORCO Harman Paper............................................. 10 PHOTOGRAPHIC products. These products are available SnapShut Folio Covers............................... -
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.)
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.) Faculty of Technical, Vocational Education & Skill Training Notes B.Voc. theatre, Stagecraft, Film Production & Media Technology Subject : - Basic Audio Video Production Unit 1 What is Cinematography ? Cinematography is the art of visual storytelling. Anyone can set a camera on a tripod and hit record, but the artistry of cinematography comes in controlling what the viewer sees (or doesn’t see) and how the image is presented. Film is a visual me- dium, and the best-shot films are ones where you can tell what’s going on without hearing any of the dialogue. With some basic knowledge of composition and scene construction, you can plan scenes using this visual language. Learn how different shots work together to form a clear, cohesive narrative and how to compose each shot in a way that is visually pleasing for the viewer. Understanding these simple rules will help make your films more thrilling and engaging. Basic Rules of Composition There are some simple cinematography techniques that will have a great impact in making your videos look more professional. The Rule of Thirds is a technique of dividing the frame up into a 3x3 grid, splitting your frame into nine boxes. Our natural impulse is to put our subject dead center, but a centered subject will look like they’re caught in a spotlight, and by dropping them in the center of the frame, it gives them nowhere to go. Instead, by positioning your action in any of the four vertices where those nine boxes meet, you create a balance in your composition that feels more natural. -
Manic Street Preachers Tornano Con Un Nuovo Disco, Intitolato Futurology, in Uscita L'8 Manic Street Preachers Luglio 2014
LUNEDì 28 APRILE 2014 A soli nove mesi di distanza dall'acclamato Rewind The Film (top 5 nel Regno Unito), undicesimo album da studio della band, i Manic Street Preachers tornano con un nuovo disco, intitolato Futurology, in uscita l'8 Manic Street Preachers luglio 2014. Futurology, il nuovo album, in uscita l'8 luglio. Registrati ai leggendari Hansa Studios di Berlino e al Faster, lo studio dei In concerto in Italia il 2 giugno 2014 al RocK In Manics a Cardiff, i tredici brani che compongono l'album vedono la band Idro di Bologna gallese in forma smagliante, addirittura esplosiva. Uno stacco netto rispetto al disco precedente, ma sempre all'insegna di uno stile inconfondibile. LA REDAZIONE Il primo singolo estratto è "Walk Me To The Bridge", dalle chiare influenze europee. In una recente conversazione con John Doran di Quietus, Nicky Wire ha parlato del testo del brano, che ha cominciato a prendere forma qualche anno fa. "Qualcuno penserà che la canzone contenga tanti riferimenti a Richey Edwards, ma in realtà parla del ponte di Øresund che collega la Svezia alla Danimarca. Tanto tempo fa, quando [email protected] attraversavamo quel ponte, stavo perdendo entusiasmo per le cose e SPETTACOLINEWS.IT pensavo di lasciare la band (il "fatal friend"). 'Walk Me To The Bridge' parla dei ponti che ti consentono di vivere un'esperienza extracorporea quando lasci un luogo per raggiungerne un altro". Secondo James Dean Bradfield, il brano è "una canzone ideale per i viaggi in auto, dal sapore squisitamente europeo e carica di tensione emotiva, con sintetizzatori in stile primi Simple Minds e un assolo di chitarra Ebow alla 'Heroes'". -
Syllabus for M.Sc. (Film Production)| 1
Syllabus for M.Sc. (Film Production)| 1 Detailed Syllabus for Master of Science (Film Production) (Effective from July 2019) Department of Advertising & Public Relations Makhanlal Chaturvedi National University of Journalism and Communication B-38, Press Complex, M.P. Nagar, Zone-I, Bhopal (M.P.) 462 011 Syllabus for M.Sc. (Film Production)| 2 MAKHANLAL CHATURVEDI NATIONAL UNIVERSITY OF JOURNALISM AND COMMUNICATION (DEPARTMENT OF ADVERTISING AND PUBLIC RELATIONS) Master of Science (Film Production) (Effective from July 2019) Marks Distribution Subject Theory Practic Intern Total Credit al al CCC-1 Evolution of Cinema 80 00 20 100 6 CCC-2 Origin and Growth of Media 80 00 20 100 6 Introduction to Socio CCC-3 80 00 20 100 6 Economic Polity Sem - I CCE-1 Art of Cinematography 50 30 20 OR OR 100 6 CCE-2 Storyboarding 50 30 20 OE-1 Understanding Cinema 25 15 10 50 3 CCC-4 Drama & Aesthetics 50 30 20 100 6 CCC-5 Lighting for Cinema 50 30 20 100 6 CCC-6 Audiography 50 30 20 100 6 Sem - II CCE-3 Art of Film Direction 50 30 20 OR OR 100 6 CCE-4 Film Journalism 50 30 20 OE-2 Ideation and Visualization 25 15 10 50 3 CCC-7 Multimedia Platform 50 30 20 100 6 Editing Techniques & CCC-8 50 30 20 100 6 Practice CCC-9 Film Research 50 30 20 100 6 Sem - III Screenplay Writing for CCE-5 50 30 20 Cinema OR 100 6 OR CCE-6 50 30 20 Advertisement Film Making OE-3 Film Society & Culture 40 00 10 50 3 CCC-10 Film Business & Regulations 80 00 20 100 6 CCC-11 Cinematics 50 30 20 100 6 CCC-12 Project Work on Film Making 00 80 20 100 6 Sem - Literature & Cinema CCE-7 80 00 20 IV OR OR 100 6 Film Management & CCE-8 80 00 20 Marketing OE-4 Documentary Film Making 25 15 10 50 3 Syllabus for M.Sc. -
Supplying Files
Henry Ling Limited Supplying files Introduction ............................................................................................................... 2 Version History; A brief history of PostScript and PDF 2.0 Dec 2007 Basic specification for files ......................................................................................... 3 2.1 Jun 2008 A summary of the specifications we want 2.2 Oct 2008 Adobe Acrobat/Adobe Reader ................................................................................... 4 2.3 Feb 2009 Go straight here for tips on how to use Acrobat/Reader to view and examine PDF files 2.4 Sep 2009 Acrobat Distiller/PDF printers ................................................................................... 6 2.5 Aug 2010 How to create a PDF file from any program (see below for specific programs) 2.6 Aug 2011 2.7 Dec 2011 Adobe InDesign ......................................................................................................... 8 Altered Word PDFing instructions Go straight here to configure InDesign’s colour management and create a suitable PDF 2.8 Aug 2012 QuarkXPress ............................................................................................................ 12 Altered PDF printers and Word PDFing instructions Go straight here to configure QuarkXPress’s colour management and create a suitable PDF 2.9 Apr 2013 Added Serif PagePlus instructions Adobe Photoshop ..................................................................................................... 15 2.95 -
Affinity Suite
About us Founded: 1987 Employees: 78 Headquarters: Nottingham, United Kingdom Having been very successful with developing consumer focused creative applications for Windows for over 20 years, in 2009 we decided to change direction. The idea was to create an all-new suite of professional creative applications. These apps would be special in their conception – built from the ground up with the workflow of creative professionals in mind, setting a new, higher standard for creative design apps. The result was the creation of the Affinity suite. The Affinity Suite Affinity core principles • Lightning fast – utilising all latest technologies and graphics acceleration for incredible performance • Never run out of memory – whether dealing with 100+ megapixel images of designs with 1,000s of layers • Shared file format – all Affinity apps share exactly the same file format, on all platforms • Have no bloat – a unique concept of Personas organize the UI into different use cases. • Built for professionals - core requirements like CMYK and 16-bit support built in from the start Professional Photo Editing Software KEY FEATURES Engineered for professionals Built on rock solid foundations with principles of performance, stability and lack of bloat, Affinity Photo is a professional photography tool to the very core. Comprehensive RAW editing Unsurpassed file compatibility Develop camera RAW files in a dedicated built-in We’ve got the best PSD support out there, plus workspace with all the processing adjustments and all the standards you’d expect including PNG, corrections you need. JPG, TIFF, EPS, PDF, and SVG. Work in any colour space Cross platform performance RGB, CMYK, LAB, Greyscale.