Arbiter, March 19 Students of Boise State University
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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
The Simpsons “Do Diversity” in the Critical Media Literacy Classroom
“Peace and Chicken” The Simpsons “do diversity” in the critical media literacy classroom Emma Jane McGillivray Department of Integrated Studies in Education McGill University, Montreal January 2011 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Masters of Arts © Emma Jane McGillivray 2011 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-75923-3 Our file Notre référence ISBN: 978-0-494-75923-3 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Video Game Composers Apm's Adam Taylor Nathan Barr
FILM MUSIC pdalnkbaooekj]hrke_akbiqoe_bknbehi]j`pahareoekj VIDEO GAME COMPOSERS TOP GAME COMPOSERS ON THE ART, CRAFT AND BUSINESS OF VIDEO GAMES APM’S ADAM TAYLOR MUSIC LIBRARIES AND VIDEO GAME MUSIC NATHAN BARR SCORING HORROR AND HOSTEL: PART II ALF CLAUSEN THE SIMPSONS’ 400TH EPISODE JEFF & MYCHAEL THE FIRST BROTHERS OF FILM SCORING DANNA FINALE TIPS FOR COMPOSERS RKHQIA3JQI>AN/ 2*1,QO 4*1,?=J=@= + PLUS THE BUSINESS OF BUYOUTS RE@AKC=IA?KILKOANO 5GD8NQKCNE (".& $0.104*/( BY PETER LAWRENCE ALEXANDER WITH GREG O’CONNOR-READ 14 ! filmmusicmag.com In a rapidly changing technological environment that’s highly competitive, composers the world over are looking for new opportunities that enable them to score music, and for a livable wage. One of the emerging arenas for this is game scoring. Originally the domain of all synth/sample scores, game music now uses full orchestras, along with synth/sample libraries. To gain a feel for this industry, and to help you, the reader, decide if game scoring is something you want to pursue, Film Music Magazine has established an unprecedented panel in print: six top video game composers with varying styles and musical tastes, plus top game composer agent Bob Rice of Four Bars Intertainment. As you read the interviews, it will become quickly apparent that while there are many Let’s pretend that you’ve started a new music school course just for game composers. Given your experience, similarities between film and TV, and game what would you insist every student learn to master, and scoring, one major difference arises that is why? Rod Abernethy and Jason Graves:E^Zkgrhnklmk^g`mal literally within the mind of the composer. -
Super-Heroes of the Orchestra
S u p e r - Heroes of the Orchestra TEACHER GUIDE THIS BELONGS TO: _________________________ 1 Dear Teachers: The Arkansas Symphony Orchestra is presenting SUPER-HEROES OF THE SYMPHONY this year to area students. These materials will help you integrate the concert experience into the classroom curriculum. Music communicates meaning just like literature, poetry, drama and works of art. Understanding increases when two or more of these media are combined, such as illustrations in books or poetry set to music ~~ because multiple senses are engaged. ABOUT ARTS INTEGRATION: As we prepare students for college and the workforce, it is critical that students are challenged to interpret a variety of ‘text’ that includes art, music and the written word. By doing so, they acquire a deeper understanding of important information ~~ moving it from short-term to long- term memory. Music and art are important entry points into mathematical and scientific understanding. Much of the math and science we teach in school are innate to art and music. That is why early scientists and mathematicians, such as Da Vinci, Michelangelo and Pythagoras, were also artists and musicians. This Guide has included literacy, math, science and social studies lesson planning guides in these materials that are tied to grade-level specific Arkansas State Curriculum Framework Standards. These lesson planning guides are designed for the regular classroom teacher and will increase student achievement of learning standards across all disciplines. The students become engaged in real-world applications of key knowledge and skills. (These materials are not just for the Music Teacher!) ABOUT THE CONTENT: The title of this concert, SUPER-HEROES OF THE SYMPHONY, suggests a focus on musicians/instruments/real and fictional people who do great deeds to help achieve a common goal. -
Die Beiden Hinterhältigen Brüder (Brother from Another Series )
Die beiden hinterhältigen Brüder (Brother From Another Series ) Handlungs- und Dialogabschrift | Januar 2015 by [email protected] | www.simpsons-capsules.net ________________________________________________________________________________ Produktionsnotizen Produktionscode: 4F14 TV-Einteilung: Staffel 8 / Episode 16 Episodennummer: 169 Erstausstrahlung Deutschland: 12.11.1997 Erstaustrahlung USA: 23.02.1997 Autor: Ken Keeler Regie: Pete Michels Musik: Alf Clausen Tafelspruch - keiner Couchgag Die Simpsons kommen in die Wohnstube gerannt, die völlig verkehrt herum, also auf den Kopf gestellt wurde. Als sie dann auf der Couch Platz nehmen wollen, fallen sie ver-ständlicherweise herunter. Ist euch aufgefallen ... ... das Lionel Hutz im Besucherraum des Gefängnisses sitzt? ... das Bart im Restaurant die Kinder-Speisekarte liest? ... das der Eiskübel im Restaurant eine Packung Milch enthält? ... das Bob und Cecile die gleiche Schuhgröße haben? Referenzen / Anspielungen / Seitenhiebe - Der Originaltitel „Brother from Another Series” ist eine Anspielung auf den Actionfilm „Brother from Another Planet“ aus dem Jahr 1984. - Lisa ist der Meinung, das in jedem Zehnjährigen das Herz eines Verbrechers schlägt. Dies ist eine filigrane Anspielung auf ihren zehnjährigen Bruder, der bekanntlich hin und wieder Gemeinheiten ausheckt. - Einige Szenen aus der Folge spielen auf die US-Sitcom „Frasier” an. - Mit Kappadokien meint Bob eine von Erosion und zahlreichen Höhlen und Tälern geprägte Landschaft in Zentralanatolien. Gaststars - keine Bezüge -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
NDSU Magazine
NDSUmagazineNORTH DAKOTA STATE UNIVERSITY SPRING 2003 contents Editor’s note 5 Letters 6-7 Contributors 8-9 On the cover 10-11 Letter to an imaginary friend Introduction by Kathy Freise 12 An homage to Tom McGrath 13-17 Put your finger on it 18-19 Tracking gadget gives professors insight into what students are learning D’oh!-re-mi 20-29 North Dakotan Alf Clausen makes music for “The Simpsons” Excerpts 30-31 Psychology professor Kevin McCaul Lazy bones 32-35 Engineers work on a better bone builder Little time machines 36-37 Historic theaters in North Dakota No longer lost 38-43 Sudanese refugee studies to be an engineer Poetry 44-47 You live it every day Editor Laura McDaniel Editorial staff Cathy Jelsing Dan Koeck Kathy Laid Tammy Swift Volume 3 Number 2 SPRING 2003 Art Direction/Design NDSUmagazine Julie Babler Address changes Send address and name changes to: [email protected] Letters Unless noted “not for publication,” communications to the editor are considered for publication, often in a condensed version. E-mail: laura.mcdaniel@ ndsu.nodak.edu PO Box 5167 Fargo, ND 58105 Fax: 701.231.1989 Volume 3, number 2 NDSUmagazine is published twice a year, in spring and fall, by North Dakota State University, University Relations, PO Box 5167, Fargo ND 58105. NDSU is an equal opportunity institution. President Joseph A. Chapman [email protected] Provost and Vice President for Academic Affairs R. Craig Schnell [email protected] Vice President for Student Affairs George H. Wallman [email protected] Vice President for Research, Creative Activities and Technology Transfer Philip Boudjouk [email protected] Vice President and Dean for Agricultural Affairs Patricia A. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Trade Secrets
Trade Secrets 2 Trade Secret 3 A Subject Maer ........................ 3 Restatement (Third) of Unfair Competition § 39 3 UTSA § 1(4) .................... 4 Religious Technology Center v. Netcom On-Line Communications Services, Inc. ......... 5 Questions ...................... 9 B Ownership .......................... 9 1 Actual Secrecy ..................... 10 United States v. Lange ............... 10 Religious Technology Center v. Netcom On-Line Communications Services, Inc. ......... 12 Exploits Problem ................. 14 2 Priority ......................... 15 3 Collaborations ..................... 15 Restatement (Third) of Unfair Competition § 42 cmt. e .................... 15 C Procedures .......................... 16 United States v. Lange ............... 17 Religious Technology Center v. Netcom On-Line Communications Services, Inc. ......... 17 Rockwell Graphic Systems, Inc. v. DEV Indus- tries, Inc. .................... 18 Restatement (First) of Torts § 757 ........ 21 D Infringement: Similarity . 21 Big Vision Private, Ltd. v. E.I. Dupont De Nemours & Co. ................. 21 E Infringement: Prohibited Conduct . 22 1 Proving Infringement . 22 Grynberg v. BP, PLC ................ 22 2 Direct Infringement . 23 Restatement (Third) of Unfair Competitition § 43 ........................ 23 UTSA § 1(1) .................... 24 E.I. du Pont de Nemours & Co. v. Christopher .. 24 Kamin v. Kuhnau .................. 27 TRADE SECRETS 2 3 Secondary Infringement . 31 UTSA § 1(2) .................... 31 F Defenses .......................... -
Music, Sound & Animation
April 1997 Vol. 2 No. 1 Music,Music, SoundSound && AnimationAnimation Andrea Martignoni on Pierre Hébert’s La Plante humaine William Moritz on The Dream of Color Music Carl Stalling’s Humor Voice Acting 101 Table of Contents 3 Editor’s Notebook A Word on Music and Animation; Harry Love. 5 Letters to the Editor The Thief and the Cobbler. Children’s Workshops; Errata. 8 The Ink and Paint of Music Amin Bhatia recounts a day in his life as an “electronic composer” for animated TV shows, explaining his tools and techniques. 11 The Burgeoning of a Project: Pierre Hébert’s La Plante humaine [English & Italian] Andrea Martignoni delves into Pierre Hébert’s radical method for marrying animation with music. 20 The Dream of Color Music, and Machines That Made it Possible William Moritz gives a quick and dazzling historical overview attempts to create visual music using “color organs.” 25 Who’s Afraid of ASCAP? Popular Songs in the Silly Symphonies From 1929 to 1939, Disney’s Silly Symphonies united animation with a rich array of music, including such songs as “Who’s Afraid of the Big Bad Wolf.” J.B. Kaufman reports. 28 Carl Stalling and Humor in Cartoons Daniel Goldmark shows how Carl Stalling, who may have been the most skilled and clever composer of car- toon music Hollywood ever had, used music to create gags and help tell a story at the same time. 31 Voice Acting 101 So, you want to be a voice actor? Well, Joe Bevilacqua tells you all you ever wanted to know, drawing on his experience and that of some of Hollywood’s top voice talent. -
The Simpsons (1989)"
People's Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Mohamed Kheider University of Biskra Faculty of Letters and Languages Department of Foreign Languages Division of English University of Biskra The Inappropriateness of Deviant Gender Role Portrayals in the American Cartoon "The Simpsons (1989)" A Dissertation submitted to the Department of Foreign Languages in Partial Fulfillment for the requirement of the Master Degree in English language: Literature and Civilization Submitted by: DJABALLAH Sirine Ayat Errahmane Board of Examiners: Chairperson: Mr. SMATI Said (MAB) University of Biskra Supervisor: Mrs. ZERIGUI Naima (MAB) University of Biskra Examiner: Mrs. AMRI-CHENINI Bouthaina (MAA) University of Biskra Academic Year: 2019/2020 Dedication This work is dedicated: First, to myself and to my journey of growth To those who believed in me To my dear father for his endless love and support To my beloved mother, the source of my life, the hand of mercy, my fountain of love and inspiration To my lovely sisters: Nadine, Sherine, and Yasmine To My dear friends: BELOUAFI Amal, MESSEI Hadjer, Sarah Briki, BOUGHRARA Roufaida, and BOUZOUAID Khadija. Most importantly, I dedicate my work to those who did not believe in me I Acknowledgements To reach the end of this journey, I praise ALLAH, The Most Beneficent, and The Most Merciful. I would like to express my deepest gratitude to my supervisor Mrs. ZERIGUI Naima for her guidance and advice. I was lucky to have her not only as my supervisor, but also as my teacher of British Civilization where her efforts and teaching methods have been of great merit in expanding my knowledge in this field.