JESSE AUDITORIUM SERIES Houston Ballet, The Sleeping Beauty, Thursday, September 29 Andre-Michel Schub, piano, Tuesday, October 25 New York City Opera, La Boheme, Friday, February 3 Saint Louis Symphony Orchestra, Leonard Slatkin, conductor, Wednesday, March 14 Atlanta Symphony Orchestra, Robert Shaw, conductor, UMC Choral Union, Friday, March 30 Czech Philharmonic, Nathaniel Rosen, cello, Tuesday, April 3
CHAMBER MUSIC SERIES Kammergild Chamber Orchestra, Eugene Istomin, piano, Monday, October 10 Beaux Arts Trio, Friday, October 21 Deller Consort, Monday, October 31 Cleveland Quartet, Saturday, November 12 St. Louis Brass Quintet, Friday, March 2 I Musici, Wednesday, April 25
SPECIAL EVENTS Pilobolus Dance Theatre, Wednesday, November 2 Christmas Choral Concert, Choral Union, UMC Philharmonic and Distinguished Guest Soloists, Friday, December 2 and Saturday, December 3 Kansas City Ballet, Wednesday, February 8 American String Quartet (rescheduled) Sunday, April 1
The UMC Concert Series gratefully acknowledges the sponsorship of BOONE COUNTY BANK of the performance of Beethoven's Ninth Symphony by the Atlanta Symphony and the UMC Choral Union under the direction of Robert Shaw
For information phone: Jesse Box Office 882-3781 Concert Series Office 882-3875 t ' . cw~~ ~
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Phone 314-449-2459 R.R. Powell , Prop. presents
ATLANTA SYMPHONY ORCHESTRA ROBERT SHAW, Music Director and Conductor
with
CHRISTINE CARLTON, Soprano FLORENCE KOPLEFF, Contra 1to LEE HENNING, Tenor DAVID KLINE, Bass-Baritone
and
UMC CHORAL UNION DUNCAN COUCH, Conductor
ROBERT SHAW, Conducting
Tuesday, March 27, 1984
This event was made possible in part through the generosity of COLUMBIA COMMISION ON THE ARTS BOONE COUNTY COMMUNITY TRUST BOONE COUNTY BANK MISSOURI ARTS COUNCIL Greetings: It is once again my pleasure to welcome members of our community to the Chancellor's Festival of Music. This year's series of concerts and related events, the eighth annual celebration of this type at the University of Missouri-Columbia, is indeed a worthy successor to past festivals and will surely prove to be an extraordinary experience for us all. This year we take note of the musical achievements of an entire era-an era whose music, more than any other, continues to delight us and whose institutions and traditions form the basis for much of our own musical life. Moreover, with the theme ''The Grand Spectacle: Music of the Nineteenth Century," we pay tribute not only to the genius of now-legendary composers and performers, but to the new audience of that age. Modern concert-goers must trace their lineage, if not in fact then certainly in spirit, to the ticket-buying public of the nineteenth century. It was public support that allowed the kind of concert life we enjoy today, unprecedented before that time, to flourish. The mark of that audience is to be found in the music. No matter the setting-the concert hall, the opera house, the recital stage, even the parlor-our nineteenth-century ancestors expected their musical experiences to be extravagant ones. Through music they sought to take an emotional ride. Musicians were more than willing to provide the vehicle. The sweet melodies, the lush harmonies, the dramatic contrasts, the technical brilliance, and the large performing forces all resulted from and contributed to these expectations. In short, through a confluence of aesthetical, musical, and sociological factors, the musical products of that time have every right to be considered "grand spectacles": artworks for the ears, the eyes, the mind, and the soul. Fortunately the opportunity to indulge ourselves is at hand. Many of the special loves of the nineteenth century-grand opera, operetta, large works for chorus and orchestra, the virtuoso, musical nationalism, among them-will be featured as the Festival unfolds. In accordance with the Festival's purpose, this music will be brought to life by students, local musicians, faculty artists, and distinguished visiting musicians. This year's emphasis on the "grand spectacle" of an earlier time is but another reason for us to acknowledge the Chancellor's Festival of Music as a grand tradition at UMC.
Cordially,
~~bBarbara S. Uehling Chancellor THE 8TH ANNUAl CHANCELLOR'S FESTIVAL OF MUSIC
THE GRANO SPECTACLE MUSIC OF THE NINETEENTH CENTURY
LA BOHEME SYMPOSIUM New York City Opera .. The Impact of the Nineteenth 8: 00 pm, Friday. February 3 Century Audience on the Arts .. Jesse Auditorium 2:40 pm, Thursday, February 16 •" Fine Arts Recital Hall
THE MIKADO LECTURE lMC Opera Workshop Ede Crozier 8;00 pm. Friday ... Saturday "Thomas Hardy: Novelist. February 24-25 Poet, Musician" Jesse Auditorium 2:40 pm. Tuesday, March 6 Museum of Art & Archaeology AN EVENING AT ALOEBURGH Eric Crozier & Nancy Evans ORCHESTRA CONCERT IMC Faculty Performers Saint Louis Symphony University Singers Leonard Slatkin, Conductor 8:00 pv,, Friday, March 9 8:00 pm, Wednesday. March 14 Fine Arts Recital Hall Jesse Auditori1,1m
BEETHOVEN'S NINTH ALL DVORAK PROGRAM lJ4C Choral Union Czech Philharmonic Atlanta Sym.,hony Nathaniel Rosen. Cellist Robert Shaw, Conductor 6:00 pm, Tuesday. April 3 3:00 pm. Tuesday, March 21 Jesse Auditorium Jesse Auditorium
VOICE RECITAL Patricia Miller. Mezzo Soprano 8:00 pm, Sunday, April 15 Fine Arts Recital Hell THE 8TH ANNUAL CHANCELLOR'S FESTIVAL OF MUSIC THE GRAND SPECTACLE: MUSIC OF THE NINETEENTH CENTURY
As the eighteenth century came to its close, the longstanding monopoly over fine art held by aristocratic and ecclesiastical interests found itself in serious jeopardy. A new social order created by the far-reaching realities of the industrial revolution and the potency of the democratic spirit was .in the ascendency in Europe and America. With it came a redefinition of the function of art and the artist in society just as revolutionary. At the center of these dramatic changes was a new force that was both the result and the beneficiary of such trends: a new mass audience for art, fortified by the redistribution of wealth, by urbaniza tion, and by social awareness. Much of the history of nineteenth century art can be best understood by appreciating the then novel relationship between the artist and his middle-class patrons. In the history of music this relationship was especially meaningful. Whereas creative artists of earlier times had sought to edify the elite, their nineteenth-century counterparts were challenged with pleasing in the public arena a large and much less homogeneous audience. And in· spite of nurturing their own often highly per sonal styles, they were generally sincere in taking the tastes and preferences of the new consumers into consideration. For example, the French literary figure Charles Baudelaire (1821-67) contended, with at least some exaggeration, that "Any book which is not addressed to the majority--in number and in intelligence- is a stupid book." Likewise, the undisputed genius of Italian opera of that period Giuseppe Verdi (1813-1901) confessed that he always composed with "one eye on art, the other on the public." The popular notion of the struggling or eccentric artist, dating from this time, is based, of course, on the plight of those unable to win the public's admiration or those unwilling to compromise to gain it. Thus, during the nineteenth century, more people than ever before were able to avail themselves of the musician's art. Obviously much of the music created was tailored to the expectations of the audience. It is no coincidence that the era witnessed the pro liferation of civic orchestras, public opera houses, amateur choral societies, festivals, academies, and music publishers, or that it oversaw the creation of the solo recital to showcase vir tuoso artists whose musicianship thrilled legions of listeners. From a historical perspective, it is clear that there was a premium on music conceived and perceived as emotional expression and on musical extravagance and theatricality of diverse forms. Accordingly, the realm of music became at the hands of various masters a temple of profound art, an institution of moral in struction, a forum of diversified entertainment all directed to the new ticket-buyers. In short, through a confluence of aesthetical, musical, and socio logical factors, the musical products of that time were typically valued as "grand spectacles": artworks for the ears, the eyes, the mind, and the soul. The constantly growing number of patrons and the corresponding increase in the size of perfonnance halls in a sense demanded such a concept and, at the very least, re-enforced the artistic intentions of many composers. This characteristically nineteenth-century attitude, which has continued to hold a strong appeal for music lovers of our century, will be brought into bold relief by a series of truly spectacular events in the 8TH ANNUAL CHANCELLOR'S FESTIVAL OF MUSIC. Whether it be the opulence and melodrama of opera, the satire and tunefulness of operetta, the story-telling responsibilities of the orchestra, the monumental work of art with powerful message, grand gestures, and gigantic forces, the adulation of the virtuoso, or the pride of nationalism, each in its own way will emphasize the interrelationship between music in the Romantic Era and the mass audience who reveled in it. Notes by Michael Budds
'jfl ~,11iil t-11 ; 1: ' . - • , • !
/fJ . . . I • • , · r~ PROGRAM
Symphony No. 1 in C Major, Op. 21 Ludwig van Beethoven Adagio molto - Allegro con brio Andante cantabile con moto Menuetto: Allegro molto e vivace Adagio - Allegro molto e vivace
Intermission
Symphony No. 9 in D Minor, Op. 125 Ludwig van Beethoven with Final Chorus on Schiller's "Ode to Joy" Allegro ma non troppo, un poco maestoso Molto vivace - Presto Adagio molto e cantabile - Andante moderato Presto - Allegro assai Christine Carlton, Soprano Florence Kopleff, Contralto Lee Henning, Tenor David Kline, Bass-Baritone LJJIC Choral Union EXCERPT FROM SCHILLER'S "ODE TO JOY" SET BY BEETHOVEN IN THE FINALE OF SYMPHONY NO. 9
Baritone Solo, Quartet, and Chorus Freude, schtlner Gtltterfunken, Joy, fair spark of the gods, Tochter aus Elysium, Daughter of Elysium, Wir betreten feuertrunken, Impassioned by that holy fire, Himmlische, dein Heiligtum. We come to thy sanctuary. Deine Zauber binden wieder, Thy magic reunites those Was die Mode streng geteilt, Estranged by custom's laws; Alle Menschen werden BrUder All men become brothers, Wo dein sanfter FlUgel weilt. Where thy gentle wings are spread. Wern der grosse Wurf gelungen, He who has conquered that highest peak, Eines Freundes Freund zu sein, Both of being and having a friend, Wer ein holdes Weib errungen, Or has wooed and won a lovely wife, Mische seinen Jubel ein! Let him join in our Jubilee! Ja, wer auch nur eine Seele Yes, he too who on this earthly sphere Sein nennt auf dem Erdenrund! Can call even one heart his own! Und wer's nie gekonnt, der stehle But let him who can none of these Weinend sich aus diesem Bund! Steal away alone in tears. Freude trinken alle Wesen All creatures drink joy An den BrUsten der Natur, From Mother Nature's breast, Alle Guten, alle Btlsen, All that is good, all that is evil, Folgen ihrer Rosenspur. Follow her rosy quest. KUsse gab sie uns und Reben, Kisses and wine she gave us, Einen Freund, geprUft mi Tod; A friend, true unto death; Wollust ward dem Wunn gegeben, Even the worm knows the joy of life, Und der Cherub steht var Gott. And the cherub stands with God!
Tenor Solo and Chorus Froh, wie seine Sonnen fliegen Joyously, as His suns speed Durch des Himmels pr~cht'gen Plan Through the mighty order of Heaven, Laufet, BrUder, eure Bahn, Forward, Brothers, on your way, Freudig, wie ein Held zum Siegen. Joyful, like a conquering hero. Freude, schtlner Gtltterfunken, Joy, fair spark of the gods, Tochter aus Elysium, Daughter of Elysium, Wir betreten feuertrunken, Impassioned by that holy fire, Himmlische, dein Heiligtum! We come to thy sanctuary. Deine Zauber binden wieder, Thy magic reunites those Was die Mode streng geteilt; Estranged by custom's laws; Alle Menschen werden BrUder, All men become brothers, Wo dein sanfter FlUgel weilt. Where thy gentle wings are spread. Seid umschlungen, Millionen! Be embraced, ye Millions! Diesen Kuss der ganzen Welt! A kiss to you from all the world! BrUder, Uberm Sternenzelt Brothers, beyond the starry firmament Muss ein lieber Vater wohnen. A loving father surely dwells. Ihr stUrzt nieder, Millionen? Bowing down, all ye Millions? Ahnest du den Schtlpfer, Welt? Seeking your Creator thus, oh World? Such' ihn Uberm Sternenzelt! Rather look across the heavens! Uber Sternen muss er wohnen. Surely beyond the stars he dwells . ROBERT SHAW
Music Director and Conductor of the Atlanta Symphony Orchestra and regular guest conductor of other major orchestras, Robert Shaw is one of the nation's foremost music makers. His performances with the Atlanta Symphony, encompassing such centers as New York, Wash ington, Chicago, and Los Angeles, have co~sistently received high critical praise. His surrmer festival workshops, both in the United States and abroad, are enthusiastically attended by performers and conductors. A pioneer in the field of recording, he directed the Atlanta Symphony Orchestra and Chorus in the first orchestral re cording to use the innovative digital process. Their continuing efforts have been rewarded with four Grammy Award nominations in as many years. Shaw is the founder and director of the famed Robert Shaw Chorale, commissioner of Hindemith's Requiem: "When Lilacs Last in the Dooryard Bloom'd", builder of the Atlanta Symphony and its acclaimed Chorus, and protege of Arturo Toscanini and George Szell. Appointed by President Carter, he serves on the National Council on the Arts. Ongoing conducting relationships with the Philadelphia Orchestra, the Los Angeles Philharmonic, and the Dallas, Saint Louis, National, and Pittsburgh Symphony Orchestras attest to the national recogni tion for his outstanding musicianship. A native of California, Shaw came to music by way of English litera ture, philosophy, and religion, his major studies at Pomona College. The direction of his life was changed by an invitation from Fred Waring to organize the Fred Waring Glee Club. This opportunity pre sented itself after Waring had heard him conduct the college glee club. Soon he was preparing choruses for Arturo Toscanini and the NBC Symphony Orchestra. In New York he formed the Collegiate Chor ale and later the Robert Shaw Chorale. Even while the Chorale was scoring its triumphs, he was pursuing his career as symphonic con ductor. He served as Music Director of the San Diego Symphony and then joined the staff of the Cleveland Orchestra, working closely with George Szell for ten years. In 1966 he became Music Director of the Atlanta Symphony and within a few years had transformed what was then a good orchestra into the respected one it is today. Early in Shaw's career, Toscanini lavished him with praise. In the years since, his achievements have merited that high praise. His honors include four Grammy Awards, a Gold Record (the first RCA classical·recording to sell more than a million copies, three ASCAP Awards for service to American music, and honorary degrees from over thirty American colleges, universities, and foundations. Among the latter are the first Guggenheim Fellowship ever awarded to a conductor and Columbia University's Alice M. Ditson Award for Service to American Music. GUEST SOLOISTS
Soprano CHRISTINE CARLTON, an Illinois native, has most recently returned from Carnegie Hall where she was featured in a recital given by students of Indiana University. She hold the B.M. degree from Illinois State University and is currently a graduate student at Indiana. The recipient of Third Place prizes in both the 1982 Metropolitan Opera Regional Auditions and the 1983 McAllister Opera Competition, she has appeared in university productions as Donna Anna in Mozart's Don Giovanni and as Violetta in Verdi's La Traviata. Her oratorio experience includes Haydn's Lord Nelson Mass with the Evansville Philharmonic and Haydn's Creation at Indiana University under Robert Shaw. Contralto FLORENCE KOPLEFF began her career with the Robert Shaw Chorale and its forerunner the Collegiate Chorale. As one of the group's soloists, she toured extensively in the United States and abroad. She has since been the guest of many of the nation's major choral ensembles. She made her recital debut at New York's Town Hall, has participated in concert opera performances with the Little Orchestra Society and the American Opera Society, and has appeared in summer festival programs at Tanglewood, in San Diego, and in Anchorage. Her repertory ranges from the Baroque masters to the music of Stravinsky and Britten. Contemporary composer William Flanagan wrote his "Valentine to Sherwood Anderson" for her. A highly respected teacher, she is currently Artist-in-Residence and Professor of Music at Georgia State University in Atlanta. Milwaukee-born LEE HENNING has rapidly emerged as a leading tenor soloist. A graduate of Valparaiso University, he has given numer ous performances in the upper Midwest with such ensembles as the Milwaukee, Chicago, and Minnesota Symphony Orchestras and under the batons of such conductors as Margaret Hillis, Kenneth Schermerhorn, Lukas Foss, and Robert Shaw. In addition to the standard oratorio repertory, Henning has participated in performances of Purcell's Dido and Aeneas, Mendelssohn's Die erste Walpurgisnacht, Weill's Das kleine Mahagonny, and Stravinsky's Oedipus Rex. Currently he is studying voice with Signe Quale at the Wisconsin Conservatory. Bass-baritone DAVID KLINE, a native of North Carolina, received his formal training at the Westminster Choir College and the Manhattan School of Music. The recipient of many awards and grants, he began his professional opera career at the Lake George Opera Festival and has remained extremely active in regional opera. He has partici pated in San Francisco Opera's Western Opera Theater tour and has created roles in several world premieres with the Duke University Summer Opera Festival. He is perhaps best known for interpretations of the great "buffo" roles and character roles in operetta. Aver satile performer, Kline has also to his credit an impressive record in oratorio singing. THE ATLANTA SYMPHONY ORCHESTRA
The Atlanta Symphony Orchestra, now in its 39th season, is one of the youngest American orchestras to achieve national prominence in the past quarter century. Begun as a youth orchestra in 1944, the Atlanta Symphony today serves as the cornerstone of cultural devel opinent in the Southeast. Robert Shaw became its Music Director and Conductor in 1966. In 1962, a shattering event changed the course of music and the arts in Atlanta. An airplane crashed at Orly Field near a Paris suburb, taking the lives of 130 passengers and crew members. Among the victims were 106 Atlantans, most of them members of the Atlanta Art Association. Determined that Atlanta's cultural life would con tinue--partly as a memorial to those who died, partly as a living testimony to the power of the arts to give meaning to life--the city responded to plans for a Memorial Arts Center. Within a year. the Atlanta Symphony, the High Museum of Art, and the Atlanta School of Art (now the Atlanta College of Art) joined together to fonn the Atlanta Arts Alliance. They were joined by the Alliance Theatre the following year and by the Atlanta Children's Theatre in 1973. A gift from Robert W. Woodruff, Atlanta's legend ary "Anonymous Donor," provided seed money for the construction of the thirteen-million-dollar Atlanta Memorial Arts Center. Contri butions from private individuals met and surpassed the goal of matching Woodruff's then anonymous gift. The Orchestra's national reputation was immeasurably enhanced in 1976 following its perfonnances in Washington, D.C., and New York City. Its concerts at the Kennedy Center and at Carnegie Hall played to capacity houses--a rare occurrence for visiting orchestras --and to superlative critical praise. Among the Symphony's more important concerts are those whose audi ences include handicapped listeners, senior citizens, disadvantaged persons, and others to whom great music might otherwise be denied. The Symphony's reach has grown from a handful of concerts at the Atlanta Municipal Auditorium to appearances throughout the state of Georgia that are given at children's hospitals, neighborhood com munity centers, the Atlanta Arts Festival, and even nearby prisons, bringing the joy of music to an ever-widening audience.
The Atlanta Symphony Orchestra records for Telarc and Vox Records. The Atlanta Symphony Orchestra is grateful for continued support from the National Endowment for the Arts and the Georgia Council for the Arts and Humanities. ATLANTA SYMPHONY ORCHESTRA ROBERT SHAW, Music Director and Conductor LOUIS LANE, Principal Guest Conductor WILLIAM FRED SCOTT, Assistant Conductor JERE FLINT, Conductor Atlanta Symphony Youth Orchestra ■ and Symphony Street Serles
The Robert Reid Topping Music Director Chair is endowed by Mr. and Mrs. Rankin Smith. The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation. The Julie and Arthur Montgomery Principal Percussion Chair is endowed by Mr_ & Mrs. Arthur Montgomery.
VIOLIN• Ardath Cohen OBOE TROMBONE William Preucil John Detrino Jonathan Dlouhy Harry Maddox Concertmaster Manuel Diaz Principal Principal Elisabeth Small Enid Jones Deborah Workman Richard Hansbery Associate Concertmaster Robert Jones Assistant Principal Donald Wells Willard Shull Marian Kent Prin. Second Oboe Assistant Concertmaster BASS TROMBONE Haskell Marrinson Patrick McFarland Donald Wells Martin Sauser Heidi Moss Nitchie ENGLISH HORN TUBA Concertmaster Emeritus CELLO• Patrick McFarland David Arenz Michael Moore Christopher Rex CLARINET Principal Principal Second Violin Principal F ranees Jeffrey Laura Ardan TIMPANI Dona Veltek Principal Ass't. Principal Second Violin Assistant Principal Mark Yancich Jaqueline Anderson Norman Baker Principal Edmond Besson Associate Principal Sharon Berenson Jere Flint William Wilder David Braitberg William Rappaport Assistant Principal Kay Gardner Douglas Smith Peter Haase Kathleen Kee PERCUSSION Martha Reaves Head Bruce Klingbeil E-FLAT CLARINET Jack Bell Stephen Horvath Larry LeMaster William Rappaport Principal Lily Li Nan Maddox BASS CLARINET William Wilder Ruth Ann Little Bonita Potts Douglas Smith Eugene Rehm Karen Matthews Paul Warner David Myford BASSOON HARP Thomas O'Donnell BASS• Carl Nitchie Judith Beattie Alice Oglesby Ralph Jones Principal Principal Lorentz Ottzen Principal Charles Nussbaum KEYBOARD Oscar Pereira Dale Schmidt Assistant Principal Alice Oglesby Benjamin Picone Co-Principal Prin. Second Bassoon Sharon Berenson, Asst. Susan Pitard Jane Little Daniel Dowdakin Assistant Principal PERSONNEL MANAGEMENT Carol Ramirez CONTRABASSOON Joseph Walthall Juan Ramirez Harvey Kaufman Daniel Dowdakin Ronda Respess Michael Kenady Paul Warner. Asst. Thomas Thoreson HORN Richard Robinson Brice Andrus LIBRARY Alex Sabbeth Randolph Ujcich Lawrence Tarlow Wiley Weaver Principal Patricio Salvatierrat Steven Gross Librarian Edward Scruggs FLUTE Assistant Principal Jonathan Martin Lesa Terry** Warren Little John Henigbaum Assistant Librarian Patricia Vas Dias Principal Stephen Horvath Christopher Scheuflert Frank Walton Frank Walton Paul Brittan Thomas Witte Marie Yadzinski Assistant Principal STAGE PERSONNEL Cathy Woodtt Robert Russell VIOLA• Prin. Second Flute Angela Allent TRUMPET Stage Manager Reid Harris Camille Wattstt John Head Ed Evans Principal Principal Mark White Peter Bertolino PICCOLO Joseph Walthall Assistant Principal Angela Allent *Players listed alphabetically Camille Wattstt Assistant Principal Prin. Second Trumpet •·orchestra fellow Larry Black tLeave of absence ttReplacing member on leave ADMINISTRATION Executive Vice President Director of Public Relations Assistant Manager and and General Manager Ann Hume Manager of Youth Programs J. Thomas Sacchetti Director of Operations Pat Upshaw Orchestra Manager and William C. Segal Music Administrator Nancy L. Sankoff------ADMINISTRATION ATLANTA SYMPHONY ASSOCIATES PUBLIC RELATIONS Executive Assistant and Director of Director of Publications Office Manager Volunt&er Programs Frazier Moore Laura Ward Phyllis Campbell Marketing Assistant Controller and DEVELOPMENT Lynn Varner Business Manager Assistant Director Secretary Patsy Hudgins Beckwith Vicki Jackson Margaret Kay Accounting Clerk Records Specialist/Secretary SEASON TICKETS Becky Rogers Martha J. Beesley Director ExecutWe Secretary Secretary Dee-Dee Walters Maria Williamson Angela Bastian Assistant Secretary David Graniero Luanne Thayer MUSIC ADMINISTRATION HOUSE MANAGEMENT Receptionist Choral Administrator and Administrative Sara Sommer Assistant to the Music Director House Managers Nola Frink Kevin Brown Office/Mail Clerk Laura Pittard Larry Young Pr~y~=~o~:~otator I.MC CHORAL UNION Duncan Couch, Conductor Jess Wade, Assistant Conductor Dana DePugh, Rehearsal Accompanist
Mark Adams Ruth Capr·on Elbert Frye Michelle Adams Susan Carlson Loretta Frye Robert Adams Jennifer Carlton Nancy Fuemmeler Cathy Alder Michael Carlton Greg Fuller Carrie Alexander Barbara Carter Pamela Gardner Kent Alexander Brenda Chapman Br·ian Garner Elizabeth C.Anderson Marilyn Cheetham Julia Garnett Elizabeth M.Anderson Paul Coats Rebecca Garnett Laur-a Anderson Cheryl Cohoon Denise George Frances Armstrong Ronda Cole Melvin George J. M. Asplund Ginger Collins Tr·acy Girard Deana Astle Lynda Combs Peggy Glick DiAnne Atkin Mary Cone Myrna Goessman Julie Atteberry Michael Conner Gail Gooch Susan Bailey Timothy Conner Ellen Goodwin Brenda Baker Marsha Connor Kara Gower Sheryll Baker Terri Cooper Virginia Gravel Kathy Barklage Crista Couch Mavis Graven David Barlet Becky Cowles Valorie Green Alana Barragan Martha Cox David Greenlee J. Robert Barth 1,.inda Craig Sarah Griffiths Frances Baskett H"idi Crist Jeffrey Groves Ben Batson J. Donald Crowley Jan Haffey Becky Baumgartner Jeanne Crowley Jean Hamilton Linda Bean Scott Crumpecker George Hammer J. Perry Benn Anne Marie Danter Jeri Harrington Don Bennett Diana Davis Harriet Harris Tim Bentch Mary Lc,u Davis Tony Hartsfield Diane Berg Kevin Day Kristine Hase Mathilde Berkley Suzanne Deckert Marilyn Hasselriis Ross Bernhardt Carrie DeLapp Peter Hasselriis Stacy Berry Pamela Depperman Susan Hasselriis Betty Berry Leon Dickinson Verna Haun Habib Bettaieb Sarah Di>
Any concert-goer who has not received by mail an announcement of the events scheduled for the 1984-1985 season, along with ticket information, by Monday, April 23rd may contact the Concert Series Office at your convenience. The telephone number is 882-3875; the address is 135 Fine Arts, University of Missouri-Columbia.
NOTES OF APPRECIATION
The Friends of Music wish to thank publicly Nowell's Flower Shop for the floral arrangements displayed at the Patrons' Reception following tonight's concert. Serving as ushers at this season's concerts have been members of three student organizations on campus: Iota Lambda Chapter of Sigma Alpha Iota, Zeta Chapter of Phi Mu Alpha Sinfonia, and the Culture Connection. The first two of these are professional soci eties associated with the UMC Department of Music. The Culture Connection, a student volunteer group, was fanned recently to increase awareness of Concert Series events among the general stu dent body and to assist in publicity campaigns on campus. The Concert Series is grateful to these organizations and applauds their contributions to university life in this manner.
SPRINGTIME CONCERTS
Spring is here! Spring is "hear"! There are several outstanding events remaining on both the Concert Series and 8th Annual Chan cellor's Festival schedules for warm spring evenings. Each in its own way promises first-rate music-making. Tickets are still avail able for each of these programs. April 1 (Su) AMERICAN STRING QyARTET--a program of music by Beethoven, Dvorak, and Bartok. Tickets from last season's postponed concert will be honored. April 3 (Tu) CZECH PHILHARMONIC with conductor JIRI BELOH LAVEK--an evening devoted to the mua1c of their famous countryman ANTONIN DVORAK. The cellist NATHANIEL ROSEN will appear as guest soloist. April 15 (Su) Voice recital by mezzo soprano PATRICIA MILLER with accompanist William Glazier--the finale of this year's Chancellor's Festival. April 25 {We) The Italian chamber orchestra I MUSICI--a program featuring Baroque concertos. AUDIENCE REMINDERS
CONCERT PREVIEWS lnfonnal lectures concerning each Concert Series event will be presented by audience educator Michael Budds at 7:00 p. m. i n the Recital Hall of the Fine Arts Buildi 119..,_ These talks are designed to illuminate and entertain and will include comments on the style and historical context of the works to be heard that evening. Please note the following special infonnation : --Only one preview will be given for the Christmas Choral Concert . This will occur before the Friday, December 2nd perfonnance . --A special preview will given for the opera La Boheme at 8:00 p.m. on the Wednesday (February l) before the Friday (February 3) performance . Because the New York City Opera production will be sung in Italian, this preview is especially reconmended. UMC voice students will perfonn key arias. --Any changes in the CONCERT PREVIEW schedule will be well publicized.
TICKET INFORMATION Jesse Sox Office is open between 10 a.m . and 4 p.m. the day preceding and the day of the event and at 7:00 p.m. immediately prior to a concert. If the week end i nterrupts this schedule, the box office will be open on two work days pre ceding the event. For questions concerning Jesse Box Office hours, call 882- 3781. Approximately three weeks before each event, individual tickets will also be available at the following convenient outlets: the Missouri Bookstore Customer Service Counter, Brady Commons Room 214, and University Hospital & Clinics Personnel Department (lW-42).
• Standing out quietly. •
MIDAMERICARTSALLIANCE
Concert Series programs are partially funded by t he :• ~lissouri Arts Council, the Mid-Ame r ica Arts Alliance , A J OHN STEVENS tradition. and the Nat ional Endowment for the Arts. ~\·, JamT Gentlemen's clothing .}, ·.,.-.J , 111 ~ and accessories
: 215~.~inth s~·VENs I 442-6397 , 1 L • •I LATE ARRIVALS After the performance has begun, as a courtesy to the artists and the audience, patrons arriving late will be seated only at the first convenient pause in the program.
DISTRACTIONS The auditorium's acoustics enhance the sounds of coughing and other distracting noises. Cough drops are available at the Box Office.
CAMERAS AND RECORDING EQUIPMENT To fulfill contractual obligations with the artists and to insure audience enjoyment, cameras and tape recorders are not permitted in the hall. For your convenience, this equipment may be checked at the Box Office.
PARKING Vehicles must not be parked in the loading zone of Jesse Auditorium. Any unattended vehicles will be towed away.
EMERGENCIES Physicians on call should inform the Box Office of their seat location in case of emergencies.
AMENITIES Restrooms are located on each floor of Jesse Hall, including the basement directly beneath the auditorium lobby. Drinking fountains are located on either side of the main lobby. Smoking and the consumption of food and beverages are permitted in the outer lobby only.
CONTRIBUTIONS Contributions to the Herbert Schooling Concert Series Endowment Fund and to Friends of Music are welcomed throughout the year. For more information about the Schooling Fund, contact the Concert Series Office {882-3875); for the Friends of Music, contact the Department of Music (882-2604).
CONCERT SERIES STAFF Director: Bill Bondeson Administrative Associate: Pat Hamlin Public Relations Coordinator: Joyce Mitchell Conmunity Activities Coordinator: Carole Patterson Education Coordinator: Michael Budds Box Office Manager: Nelda McCrory Jesse Auditorium Manager: Larry Curry House Manager: Melissa Clark Student Assistants: Jeff Meyer, Jim Nacy, Jeff Zumsteg Herbert Schooling Concert Series Endowment Fund (1983-1984) Investment income from contributions to this fund is used to support Concert Series Programs Concert Series Sponsors Sustaining Members (Cont'd) Contributing Members (Cont'd) Q. Michael Ditmore, M.D. Mrs. C. Edmund Marshall Larry & Kay Libbus Concert Series Patrons Dr. & Mrs. Donald E. McGlothlin Barry Luterman Family Dr. & Mrs. William Corwin Allen Charles & Dorothy Mullett Ruth N. Lutz William B. Bondeson Dr. & Mrs. Brent M. Parker Robert & Lorraine McNamara Mr. & Mrs. Louis E. Boyes Gladys K. Pihlblad Dr. & Mrs. James A. Middleton Robert P. Burns, M.D. Dr. & Mrs. W. B. Pingelton Clotilde M. Moller Dr. & Mrs. John Byer Ru th Roberts/Eleanor Roberts Joan & Stephen Mudrick James & Patricia Carter Mr. & Mrs. William R. Sappington, Jr. Raymond & Linda Noll Sandra & John Davenport Berne Singsen Barbara & Osmund Overby Mildred Decker Dr. & Mrs. Joe R. Smith Dr. & Mrs. Gerald T. Perkoff Earl & Lavina Ebbe Truman & Arlyn Storvick Edward & Joyce Pickett Elmer & Ruth Ellis Mr. & Mrs. George W. Peak Mr. & Mrs. Robert C. Epple ~li,~.'.;j reiZnne Warder Jill Raitt Janice & William Fisch Sam & Laura Werner Gus & Loren Reid Dr. & Mrs. Lamont Gaston Calvin Woodruff Mr. & Mrs. John W. Ridgeway Virginia Hagemann Contributing Members Dr. & Mrs. Arthur E. Rikli Mr. & Mrs. Smiley Herrin Sara Ann Allen Richard & Cynthia Schilsky Dr. & Mrs. William C. Allen Florence Scorah ~~a~d ~t1!7na Haft Mary T. Bosch Stephen C. & Sandra Davidson Scott Michael & Elizabeth Hosokawa Mr. & Mrs. James R. Buchholz Stewart & Mavis Smith Terry & Elizabeth Hoyt Winfield J. & Isabel M. Burggraaff Robert & Sue Strom Dr. Kenneth M. Kays Marc de Chazal Dr. & Mrs. Lawrence E. Sullivan 1 Michael & Ene Chippendale Dr. & Mrs. Gerald Summers Ps~t!i1~Z ·d~:'Je~ i.~;~'t Mr. & Mrs. Frank Conley Esther & David Thelen Henry & Nancy Lowe David L. Cowan Marg & Dick Tller Joyce & Roger Mitchell Don & Mary Cowgill Dr. & Mrs. D. . Waidelich Mr. & Mrs. Sidney B. Neale Dr. & Mrs. Richard Wallace Mr. & Mrs. Ralph H. Parker t:. i ~~sbla~~d Davis Mr. & Mrs. A. Perry Philips Peter & Mary Lou Davis t;~s°&&M1;.1tr~~~e~;keeJ;iiliams Dr. & Mrs. James A. Roller Dr. & Mrs. William Dellande Armon & Evelyn Yanders Mrs. Merl L. Rouse Richard & Sarah Dixon Individuals Jerry Royer Mr. & Mrs. D. Dohring Dr. Ralph R. Anderson Mr. & Mrs. H. W. Schooling Joan & Herbert Domke Catherine J. Barrie & Dr. & Mrs. James A. Shapero Anna Douglass Thomas R. Schwarz, Jr. Professor & Mrs. Victor Drapkin t;l;:.· ti_e~e~!ns:~th Susan Bickley ~:.·z Watson & Betty Dunn Carole Sue & Ronald DeLaite H. Stoeckle Dean & Jlrlrs. Willard L. Eckhardt Cricket Dunn Dr. & Mrs. Robert P. Stoy Mr. & Mrs. Jerry Epple Dr. A. Irene Fitzgerald Horace E. Thomas, M. D. Dr. & Mrs. W. H. Eyestone Dr. Ernest M. Funk Barbara Uehling/Stanley Johnson Susan L. Flader Dr. & Mrs. Douglas M. Griggs, Jr. Howard & Sally Fulweiler Robert W. Haverfield ~:Je~ 6'.et~:~t~~!':r.e1 Dr. & Mrs. Richard W. Gengelbach Delbert D. Hemphill Weinstein Derek & Lucille Gill Richard P. Ke$in, Jr. Sustaining Members Talitha R. Gisler Dr. Clara Louise Myers Dr. & Mrs. A. Sherwood Baker Dr. & Mrs. Robert Goodman Charles & Jean Nauer! Dr. & Mrs. Wilson Beckett Mary Jane & Frank Grundler Eevi K. Palo Ray & Wilma Bezoni Floyd K. & Winifred Harmston Catherine Parke Diane Brukardt, M.D. Mark P. Harris Virginia Southwood (Mrs. Eric) Mrs. Naomi Bra selton Helen K. Harrison Mkhael L. Walker & Dalo M. Haessig S. Woodson Canada Dr. & Mrs. Eugene B. Hensley Merea Williams Jack & Winifred Colwill Dr. & Mrs. Merlyn C. Herrick Elizabeth Worrell Joe E. & Ann K. Covington Pat & Don Hoehle Diana L. Wright Mercein and Don Duncan Mr. & Mrs. W. L. Hollander Linda Wright Dr. & Mrs. M. Farhangi Alex Horochowski, M.D. Thomas E. Frank Justin & Helga Huang Students Mr. & Mrs. Melvin D. George Ed & Kay Hunvald Anna Aydt Noel P. Gist Stanley H. Kaplan Educational Center Julie Boyle David Goldstein Cornelia G. Kelly Ned Gruenhagen Mary Alice Helikson, M.D. David & Hanna Klachko Dr. & Mrs. Douglas G. Hatridge Philip L. Jones & Gail S. Ludwig Toimi & Frances Kyllonen Ann Hein Dr. & Mrs. Kenneth K. Keown Mona Laird & Family Bruce A. Luxon Phil Lee Dr. & Mrs. Norman Lawnick Stacey Remick William Lichte Marty Lee Thomas R. Smith Richard & Carol Loeppky Lawrence E. I.:Hote David J. Young Friends of Music (1983-1984) Contributions to Friends of Music provide music scholarships for UMC students Sponsor Scholarship Patrons (Cont'd) Scholarship Patrons (Cont'd) Mrs. Joe M. Roberts Diane Brukardt, M.D. Dr. & Mrs. Jack J. Curtis Scholarship Donors Dr. & Mrs. William C. Bucher Sandra & John Davenport Dr. & Mrs. John A. Crouch Dr. & Mrs. Roger Bumgarner Mr. & Mrs. F. Joe Delong Dr. & Mrs. Jerry D. Kennett Dr. & Mrs. Robert P. Burns Miss Carol Denninghoff Mr. & Mrs. Sidney B. Neale S. Woodson Canada Dr. & Mrs. James C. Denninghoff Allan & Vivian Purdy Centerre Bank of Columbia Dr. & Mrs. Victor H. Drapkin Dr. & Mrs. M. W. Sorenson Central Trust Bank Dr. & Mrs. David Dueker Mr. & Mrs. Raymond Young Mrs. C. W. Edmonston Scholarship Patrons ~~~~&1~;~t~:;1f Chambers Dr. Paul E. Ehrlich Dr. & Mrs. William Corwin Allen Mrs. F. Gano Chance Dr. & Mrs. James Elliott Dr. & Mrs. Tom R. Anderson Mr. & Mrs. John H. Chance Dr. & Mrs. Elmer Ellis Mr. & Mrs. Charles Atkins W. R. Coil Construction Co. Dr. & Mrs. Douglas Ensminger Mr. & Mrs. Tom Atkins David & Gretchen Collins Mr. & Mrs. Jerry Epple, Jr. Dr. & Mrs. A. Sherwood Baker Columbia Quarterback Club Mr. & Mrs. Robert C. Epple Dr. & Mrs. Charles W. Barbee Elizabeth Cooper Memorial Shawn Estes Dr. & Mrs. Giulio Barbero Mr. & Mrs. Howard R. Copeland 1 Dr. & Mrs. John Bauman Dr. & Mrs. Duncan Couch i:~'r ~~sNt~sf~~~afx~n Mr. & Mrs. Joseph Deck Cox Dr. & Mrs. W. H. Eyestone ~: t ~~: ~ .sw.\f1~~well Don & Ann Creighton Norma J. Fair John S. & Priscella Blakemore Sue and Don Crowley Mr. & Mrs. James A. Finch, Jr. Dr. William B. Bondeson Dr. & Mrs. William Crowley 1 Mr. & Mrs. Louis Boyes Dr. & Mrs. T. Z. Csaky ~~t&N~:i~jnt~r~'\~!~ to. Gloria Bradley Jerry & Linda Cupp Mr. & Mrs. Mark A. Foreman Scholarship Patrons (Cont'd) Scholarship Patrons (Cont'd) Contributing Members (Cont'd) Dr. Thomas E. Frank Dr. Frederick N. Springsteel Derek & Lucille Gill Mr. C. C. Frazier Milo & Norma J. Spurgeon Talitha R. Gisler Mr. & Mrs. Frederick Frazier Mrs. E. Sydney Stephens Dr. Herbert Goldberg Dr. & Mrs. Ronald H. Freeman Mr. & Mrs. Temple Stephens Dr. & Mrs. William R. Goodge Dr. & Mrs. Lamoni W. Gaston Dr. & Mrs. Robert P. Stoy Dr. & Mrs. James W. Goodrich ~-: :J::: J~~tcf;;.~~~~o l?::ir:s::Uthomas & Dr. Susan ~;. t ~~- ~~:rJ ,r;:;:e, Dr. & Mrs. Douglas M. Griggs, Jr. Sullivan Frank Ham ~: t ~: f:."Jc",,1:~~r t:· S~e~:ly Robert Swanson ~I!, ~H~~;~ Harris Mr. & Mrs. A. Leonard Guitar Dr. & Mrs. J. Regan Thomas Mr. & Mrs. Eugene B. Hensley Michael R. & Mary Lee Helton Mr. & Mrs. Robert E. Thurston Mr. & Mrs. Darwin Hindman Dr. & Mrs. Delbert D. Hemphill Toastmaster, Inc. Mr. & Mrs. Raymond L. Hodges Mr. & Mrs. John Hendren Transamerica Agency (Ferd Pat & Don Hoehle ~:~i::,~Mutc5s~d~~sic M::'":'~~ri~,i\~nf:~~:i~t) ~- : :J::: ~-! ~ii1~~1er Smiley & Evelyn Herrin Dr. & Mrs. David Troutner Mr. & Mrs. W. R. Hooper Mr. Paul D. Higday Mr. & Mrs. Loring B. Turner David & Winifred Homer Jimmy Hourigan Dr. & Mrs. Leonard A. Voss Mr. & Mrs. C. M. Hulen, Jr. Dr. & Mrs. James Hueser Dr. & Mrs. D. L. Waidelich Ed & Kay Hunvald Mr. & Mrs. John Irvin Mr. & Mrs. Phillip D. Walters Tom Hussey Mr. & Mrs. Harold E. James Dr. & Mrs. Clark Watts Mr. & Mrs. Ken Hutchinson Dr. & Mrs. S. E. Jaynes Mr. & Mrs. Bruce Webb Donna Jean Ingwersen Jefferson Bank Mr. & Mrs. Warren D. Weinstein Patricia & David Ives Dr. Kenneth Kays Daniel H. Winship Mr. & Mrs. Clayton H. Johnson Mr. & Mrs. George F. Kent Dr. & Mrs. David Witten Mrs. Jo Johnson ~: t ~~: ~~rl:t l~i:;er ~~tr.! ~~w~:,:1J"ff l?!~~-~~-J~~~:i'fnJohnson Sharon Krumm Sustaining Members Mr. & Mrs. Rodman Kabrick Mr. & Mrs. Marquis C. Landrum Dr. & Mrs. Wilson Beckett Mr. & Mrs. William Kimel Mr. & Mrs. Arthur P. Lang Mr. & Mrs. Ralph Bedell Dr. & Mrs. Lawrence C. Kingsland Dr. & Mrs. Norman Lawnick Dr. & Mrs. William Birkby Mr. & Mrs. Gary F. Kraus Mr. & Mrs. Richard LeDuc Dr. & Mrs. Don H. Blount Mr. & Mrs. Edward Krehbiel, Jr. Sid and Mary Jean Leeper Stephen & Parker Buckles Vera S. Kroencke Mr. & Mrs. Douglas M Lester Rita & Ron Bunn Dr. & Mrs. Earl Kroth Mr. & Mrs. Howard LeVant Ron & Judy Carter Dr. & Mrs. Ernest Kung Ors. Ron & Bea Litherland Mrs. James E. Comfort Mr. & Mrs. Charles Nick Kyriakos Dr. & Mrs. R. w. Litwiller Ann K. & Joe E. Covington MM•,·. ~ MMrsrs .. GDalaVJddwyneuLthagod Dr. & Mrs. Gwilym Lodwick Mila & Jim Cunningham "' L 0 1 Henry & Nancy Lowe Mr. & Mrs. Vern Dowell Dr. & Mrs. Alan M. Luger Mr. Elmer W. Lower Mr. & Mrs. Charles Emmons Martha P. Magill Margaret Mangel Anna Margaret Fields Oark and Christine Marks Dr. & Mrs. Carl Marienfeld Mr. Noel Gist Mr. & Mrs. Jack Matthews Margaret M. Martin Dr. & Mrs. Bruce J. Gordon Mr. & Mrs. Sid McClard John & Miriam McOure Mary Alice Helikson, M.D. Dr. & Mrs. R. C. McClure Dr. & Mrs. Donald E. McGlothlin Dr. & Mrs. Guy Horton Mr. & Mrs. James A. McKinney Mr. & Mrs. Robert McIntosh Mr. John M. Howie Mr. & Mrs. J. Wendell McKinsey Memorial Funeral Home Linn E. Hudson Mr. & Mrs. Roy McMullan Mr. & Mrs. Michael Menser William H. Lichte Ken & Jane McQuitty Dr. & Mrs. James A. Middleton Mrs. C. E. Marshall Dr. & Mrs. Thomas Mier Mrs. Jeanne B. Miller Mrs. Ruth Miller Aimee N. Moore, Ph.D. Missouri Book Store Clotilde Moller Mrs. Ann B. Mow Joyce & Roger Mitchell Charles & Dorothy Mullett Mr. & Mrs. Frank Myers Mr. & Mrs. Phillip R. Monson Dr. & Mrs. Karl Nolph Charles & Jean Nauert Dr. & Mrs. Joseph Montie Dr. & Mrs. Loren Reid Mr. & Mrs. Victor Neff Dr. & Mrs. Andrew J. Nash Ken & Sharon Schneeberger Mr. & Mrs. Alan Norton Mr. & Mrs. John Nowell Show-Me S-S-Q Sauce, Inc John & Joane O'Connor Dr. & Mrs. Boyd O'Dell Mrs. Robert L. Soller Cynthia M. Oehler Dr. & Mrs. James Oglesby Richard & Diane Warder Barbara & Osmund Overby Dr. & Mrs. James C. Olson Robert L. Wiseman Margot T. Patterson Mr. & Mrs. Don Orscheln Contributing Members Mr. & Mrs. Clinton Petty Dr. & Mrs. Francis Otradovic Julia E. Abbott Dr. & Mrs. George Pred.shot Dr. & Mrs. Brent M. Parker Sara Ann Allen Helen Quigley Mr. & Mrs. Ralph H. Parker Dr. & Mrs. George Amromin Dr. & Mrs. Norman Rabjohn Don and Carole Patterson Dr. & Mrs. James W. Andrews Professor Jill Raitt Dr. John F. Patton Mr. & Mrs. David Babel Linda M. Ridgeway Mr. & Mrs. George W. Peak Martha Jane & Allen Baker Dr. & Mrs. Arthur E. Rikli Dr. & Mrs. Carlos Perez-Mesa Mr. & Mrs. C. W. Ballew Laura Rolfe Dr. & Mrs. Gerald T. Perkoff Dr. & Mrs. Shankha Banerji Dr. & Mrs. C. V. Ross ~-: :J::: ~~!':~:'tiliti~kard r:l:.·: t:l::: f;t~e~~uBass ~rDG!,~i~!ti!ross Mrs. C. Terrance Pihlblad Mr. & Mrs. William H. Bates Cynthia & Richard Schilsky Mr. & Mrs. Richard A. Poe Jack & Polly Batterson Mr. John B. Schwabe, II Thomas Putnam Associates Dr. & Mrs. Samuel P. W. Black Stephen C. & Sandra Davidson Scott DDrr._ ~ MrsMrs . DoKennnaledthPylell Mr. & Mrs. J. C. Blackmore Mr. & Mrs. Jerome W. Seigfreid "' Ra Steve & Emily Bonwich Dr. Eleanor Shaheen Jim & Marilyn Reynolds Dr. & Mrs. Harold F. Breimyer Dr. & Mrs. Pallop Siripipat Dr. & Mrs. RalJ?.h D. Reynolds Dr. & Mrs. Gerald Brouder Mr. & Mrs. Paul E. Smith Karen & Ben Riley Dr. & Mrs. Robert M. Brugger Mrs. Eric J. M. Southwood Mark A. Prelas and Rosemary Roberts Dr. & Mrs. James Buchholz David & Esther Thelen Dr. & Mrs. Gilbert Ross, Jr. Mrs. Dorothy Caldwell Mr. & Mrs. Thomas S. Thomas Mr. & Mrs. Andy Runge William Cowgill Toni Messina & Rich Tiemeyer Dr. & Mrs. Garth Russell Dr. & Mrs. David Davis Mr. & Mrs. Neil Tise ~!~i-~ D.~e"Ji!~kotter f,,';/t~~ D Dellande ~- ~~es,t;~:':fwaddle Mr. & Mrs. Pa:J' Schmidt Leon & Carolyn Dickinson Barbara Uehling & Stan Johnson Dr. & Mrs. H. W. Schooling Dr. Robert Doroghazi Mr. & Mrs. George Viele Mr. & Mrs. Darrell Seltsam Dr. & Mrs. Donald Duncan Mr. Dan Viets Dr. & Mrs. Marvin Shamberger Betty Eads Mrs. B. D. Walters Mr. & Mrs. James A. Shapero Willard L. Eckhardt Mr. Jerry Waterman Robert C. & Mary Ann Shaw Dr. & Mrs. A. Eisenstark Dr. James Westbrook Dr. & Mrs. Joe R. Smith Mary B. Epstein Dr. & Mrs. Jesse Wheeler Robert C. & Jean I. Smith Dr. & Mrs. Medhi Farhangi Arnold & Ann White Mr. & Mrs. Stephen B. Smith Ors. Richard & Mary Finkelstein Mr. & Mrs. Dale Whitman South County Bank Rev. & Mrs. Clarence Forsberg Merea Williams Robert & Veva Spier Dr. & Mrs. Tom Freeman, Jr. Mr. & Mrs. Oyde Wilson Carleton & Sylvia Spotts Mr. & Mrs. Howard Fulweiler Armon & Evelyn Yanders These lists were compiled from contributions received by September 1, 1983