DOCSLIB.ORG

Saint Xavier College/Chicago

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Saint Xavier College/Chicago Saint Xavier College/Chicago Evangeline Bollinger, Ph.D., Professor of English, Presiding Processional "Pomp and Circumstance" by Edward Elgar Invocation Avis Clendenen,D.Min. Director, Campus Ministry National Anthem Jan Bickel, M.M. Assistant Professor of Music Welcome Ronald O. Champagne, Ph.D. President, Saint Xavier College Presentation of Melvin Klafter Citation Ronald O. Champagne, Ph.D. Martin J. Detmer Chairman of the Board of Trustees Conferring of Honorary Degrees Ronald O. Champagne, Ph.D. Arturo Velasquez Arthur R. Velasquez Doctor of Public Service President, CID Broadcasting, Inc. Margaret Hillis Martha Gilmer Doctor of Humane Letters Artistic Administrator, Chicago Symphony Joseph Cardinal Bernardin Monsignor John Egan Doctor of Sacred Theology Assistant to President, DePaul University Commencement Address Joseph Cardinal Bernardin Presentation of 1938 Graduates Ronald O. Champagne, Ph.D. Presentation of August, 1987 Graduates Maureen Scott, R.S.M., Ph.D. Vice President, Dean of Faculty Presentation of January, 1988 Graduates Maureen Scott, R.S.M., Ph.D. Presentation of Candidates for Bachelor's Degree Maureen Scott, R.S.M.. Ph.D. Proclamation of Candidates from the Graham School of Management Faisal Rahman, Ph.D. Dean of the Graham School of Management Proclamation of Candidates from the School of Nursing Diane Horner, Ed.D. Dean of the School of Nursing Proclamation of Candidates from the Arts and Sciences Maureen Scott, R.S.M., Ph.D. Conferring of Degrees Ronald O. Champagne, Ph.D. Presentation of Candidates for Master's Degree Maureen Scott, R.S.M., Ph.D. Proclamation of Candidates from the Graham School of Management Faisal Rahman, Ph.D. Proclamation of Candidates from the School of Nursing Diane Horner, Ed.D. Proclamation of Candidates from the Arts and Sciences Maureen Scott, R.S.M., Ph.D. Conferring of Degrees Ronald O. Champagne, Ph.D. Graduate Response Constance Hardy Benediction Betty Smith, R.S.M. Provincial Administrator, Sisters of Mercy Recessional Toccata from Symphony No. 5 for Organ by Charles-Marie Widor Faculty Marshal Henry Novak, M.B.A. Assistant Faculty Marshal Pamela Schwer, M.B.A. Registrar Robert Schwendau, M.Ed. Student Marshal Dorothy Prokop President-elect, Student Government Assistant Student Marshal Janet Fakhouri Vice President-elect, Student Government Organist Harry Krush SAINT XAVIER COLLEGE confers the degree Doctor of Public Service, Honoris Causa upon Arturo Velasquez Arturo Velasquez, founder and owner of Velasquez Automatic Music Company, is honored for his successful career in business, his commitment to higher education and his determined efforts on behalf of the Mexican and Hispanic community to assure better working and social conditions, as well as access to employment and educational opportunities. Born in Jalisco, Mexico, Arturo Velasquez came to the United States at the age of nine. He worked asa migrant worker for several years until settling in Chicago in 1929. During the depression, he worked for $12 a week at the Peanut Specialty Company, a candy factory. With little formal education, he became a jukebox operator and founded Velasquez Automatic Music Company. He later was associated with Cafe La Margarita Restaurant and Azteca Corn Products Corporation. As his business flourished, he ded­ icated himself to helping others in Chicago's Spanish-speaking community. Mr. Velasquez has been instrumental in the formation and support of many civic, political, business and service organizations in the Mexican-American community. He has served as President and Chairman of the Mexican-American Chamber of Commerce and Charter President of the Azteca Lions Club. One of the organizers of the Mexican-American Democratic Organization of Cook County, Mr. Velasquez wasa key link between City Hall and Chicago's Mexican community during the twenty-one yearadministration of Mayor Richard J. Daley. He continues today asa powerful spokesman for the Hispanic community. He has been active in several city and state commissions and has served as a Public Member of the Spanish Speaking Study Commission, State of Illinois. He is a founder of the Illinois Federation of Mexican- Americans. A firm believer in the value of education, Mr. Velasquez served for ten years as Trustee of the City Colleges of Chicago. He currently is a Trustee for the National College of Education and a member of the Advisory Board of Holy Trinity High School. He spearheads support for a scholarship fund for Latinos in two-year college programs who wish to continue in four year colleges. Mr. Velasquez initiated the first Man of the Year Dinner for the General R. E. Wood Chicago Boys Club in 1980 and continues to actively support the unit. In recognition of his lifelong dedication and notable achievement in bettering conditions for the Mexican-American community in the Chicagoland area, resulting in expanded educational programs and broader employment opportunities for all Hispanics; for embodying the American Dream by achieving a successful business career after arriving in this country as an immigrant; and for his exemplar}' personal service and support of education throughout the years. Saint Xavier College is honored to confer upon Arturo Velasquez the degree of Doctor of Public Service, Honoris Causa, this twenty-ninth day of May in the year nineteen hundred and eighty-eight. President of Saint Xavier College Dean of Faculty SAINT XAVIER COLLEGE confers the degree Doctor of Humane Letters, Honoris Causa upon Margaret Hillis Margaret Hillis, founder and Director of the Chicago Symphony Chorus, is renowned for her ded­ ication to excellence in music and heralded for her achievement in molding the Chicago Symphony Chorus into an ensemble that is acclaimed by many critics to be the finest of its kind in the world. Through her leadership, the Chorus has flourished and is now celebrating its thirtieth season, offering compelling performances and award-winning recordings, enriching the world with its magnificent choral repertoire. Miss Hillis made her conducting debut while still in high school, serving as assistant conductor of her school's orchestra. She received a bachelor of music degree from Indiana University and studied with Robert Shaw and Julius Herford at the Julliard School of Music. Miss Hillis later became assistant conductor of Mr. Shaw's Collegiate Chorale. In 1950, she organized the Tanglewood Alumni Chorus which became the American Concert Choir and Orchestra. She has taught at Union Ideological Seminary and The Julliard School. In 1957, Chicago Symphony Orchestra Music Director Fritz Reiner invited her to organize a resident symphony chorus that would be consistent in stature to the orchestra. Respected in the world of music for her achievements on the East Coast, Miss Hillis came to Chicago and established a professional chorus without equal. In 1972, Miss Hillis conducted her first Chicago Symphony subscription concert. Five years later, she received national acclaim when she substituted for Sir Georg Solti on short notice and conducted the Orchestra, Chorus, soloists and other choral forces in a Carnegie Hall performance of Mahler's Eighth Symphony. In demand as a guest conductor. Miss Hillis has conducted the New York City Opera, Santa Fe Opera, San Francisco Symphony and The Cleveland Orchestra Chorus. She serves on the advisory council of the Association of Professional Vocal Ensembles which she helped to found. President Ronald Reagan appointed her to a six year term as a member of the National Council on the Arts in an advisory position. Since its founding, the Chicago Symphony Chorus, directed by Miss Hillis, has appeared in more than 350 subscription and special concerts, participated in summer concerts at the Ravinia Festival and performed with the Chicago Symphony Orchestra in Carnegie Hall. Recordings by the Chicago Sym­ phony Orchestra and Chorus have received seven Grammy Awards from the National Academy of Recording Arts and Sciences. In recognition of her outstanding contributions to American culture through her imaginative, enthu­ siastic, demanding and inspiring direction of the Chicago Symphony Chorus, for her distinguished career as an artist and conductor, and for her significant efforts in bringing excellence in choral music to the public, from magnificent performances in Orchestra Hall to "Do-It-Yourself Messiah" concerts, from Carnegie Hall sell-outs to recordings available around the world. Saint Xavier College is honored to confer upon Margaret Hillis the degree of Doctor of Humane Letters, Honoris Causa, this twenty-ninth day of May in the year nineteen hundred and eighty-eight. President of Saint Xavier College Dean of Faculty SAINT XAVIER COLLEGE confers the degree Doctor of Sacred Theology, Honoris Causa upon Joseph Cardinal Bernardin Joseph Cardinal Bernardin, Archbishop of Chicago, is recognized for his leadership and vision as a prelate of the Catholic Church and his dedication to Catholic education, human rights, peace and justice. Known internationally for his leadership in the Catholic Church, Cardinal Bernardin was born in South Carolina, where he attended Catholic and public schools and the University of South Carolina before becoming a candidate for the priesthood. He then studied at St. Mary's College in Kentucky and St. Mary's Seminary in Baltimore, where he received a Bachelor of Arts degree in philosophy. He continued his theological studies at the Catholic University of America where he also received a Master of Arts degree in Education. Ordained to the priesthood in 1952, he held several posts in his 14 years in the Diocese of Charleston, including those of chancellor, vicar general and as administrator during a period when the See was vacant. Pope John XXI11 named him a papal chamberlain in 1959 and a domestic prelate in 1962. In 1966, Pope Paul VI appointed Monsignor Bernardin Auxiliary Bishop of Atlanta. Upon his episcopal ordination, he became the youngest bishop in the country. In 1968, he was elected General Secretary of the National Conference of Catholic Bishops and the United States Catholic Conference. Appointed Archbishop of Cincinnati in 1972, he served the Ohio Metropolitan See for almost ten years.
Load more

Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • American International School of Vienna Choral Program Invited to Perform Carmina Burana in New York City’S Avery Fisher Hall New York, N.Y
    FOR IMMEDIATE RELEASE: American International School of Vienna Choral Program Invited to Perform Carmina Burana in New York City’s Avery Fisher Hall New York, N.Y. – March 28, 2013 Outstanding music program Distinguished Concerts International New York City (DCINY) announced receives special invitation today that director Kathy Heedles and the American International School Choirs have been invited to participate in a performance of ‘Carmina Burana’ on the DCINY Concert Series in New York City. This performance at Lincoln Center’s Avery Fisher Hall is on March 10, 2014. These outstanding musicians will join with other choristers to form the Distinguished Concerts Singers International, a choir of distinction. Conductor Vance George will lead the performance and will serve as the clinician for the residency. Why the invitation was extended Dr. Jonathan Griffith, Artistic Director and Principal Conductor for DCINY states: “The American International School students and their director received this invitation because of the quality and high level of musicianship demonstrated by the singers on a previous performance of ‘O Fortuna’ from ‘Carmina Burana’. It is quite an honor just to be invited to perform in New York. These wonderful musicians not only represent a high quality of music and education, but they also become ambassadors for the entire community. This is an event of extreme pride for everybody and deserving of the community’s recognition and support.” The singers will spend 5 days and 4 nights in New York City in preparation for their concert. “The singers will spend approximately 9-10 hours in rehearsals over the 5 day residency.” says Griffith.
    [Show full text]
  • 1 Women Conductors: Credibility in a Male-Dominated Profession KAY LAWSON
    1 Women Conductors: Credibility in a Male-Dominated Profession KAY LAWSON At one time the mere suggestion that a woman is capable and more than qualified to lead an orchestra would have brought exclamations of disbelief, perhaps even chuckles muffled behind a discreet hand to the mouth. The nineteenth-century "beau ideal" of the conductor as the musical world's flamboyant, handsome cult hero continues to prevail even today in the minds of audiences, thus making it difficult for conductors not in that mold to gain prominence. Recent attention accorded women conductors might give the impression that they are a phenomenon of the twentieth century, but this is clearly not the case. Tracing the historical path of conducting to its source, we find that modem conducting may have had its beginnings in the convent of St. Vito, a nunnery renowned for its musical performances. Bottrigari, in his publication of 1594, Il Desiderio, described a performance given there: A long table has been prepared, at one end of which is a large clavicembalo, you would see them enter one by one, quietly bringing their instruments, either stringed or wind. They all enter quietly and approach the table without making the least noise and place themselves in the proper place, and some sit, who must do so in order to use their instruments, and others remain standing. Finally, the Maestra of the concert sits down at one end of the table; and with a long, slender and well-polished wand (which was placed there ready for her, because I saw it) and when all the other sisters are clearly ready, gives them without noise, several signs to begin, and then continues by beating the measure of time which they must obey in singing and playing.' Most historical references to the earliest examples of musical leadership in­ dicate that a group of performers was kept together by a leader who beat time by hand or by pounding with a stick.
    [Show full text]
  • The· Central Division Hotel Continental Chicago, Illinois February 23-25
    1984 Divisional Convention . The· Central Division Hotel Continental Chicago, Illinois February 23-25 HEADLINERS AND SPECIAL SESSIONS: Singers. He recently co-authored the current seventh- and eight-grade textbooks published by Silver-Burdette. Professor McNeil's sessions will focus upon World Music. He will be assisted by Harriet Ziegenhals. The first session, "A Celebration of World Music," will include the presenta­ tion of four choral groups performing selected compositions with explanatory remarks by the clinicians. A later general Margaret Hillis session will consist of a brief demonstration-lecture using choral music from the Phillipines, West Africa, Brazil, Japan, and the southern U.S.A. In this session, a sixteen­ voice ensemble from the Community Renewal Chorus of Chicago will be the demonstration group. His third and final session will be a reading session presenting choral works representing diyerse ethnic areas. Hailed as "one of the great choral conductors of the age," L Margaret Hillis is also making her mark as an orchestral con- ductor. In the current season, she will appear with the Chicago Symphony Orchestra, the Louisville Orchestra, and the Hartford Symphony, as well as with the Elgin Sym­ phony, which she has served as Music Director for eleven years. Hillis captured nationwide attention in the fall of Weston Noble 1977, when she substituted on short notice for the ailing Sir Georg Solti in a performance of Mahler's Symphony No.8 in New York's Carnegie Hall. In recent seasons she has con­ ducted the National Symphony, the Minnesota Orchestra, the Milwaukee Symphony, and the Indianapolis Sym­ phony.
    [Show full text]
  • Real Men Sing!
    About Real Men Sing! Guest Chorus Director Guest Voice Clinician The Staples Area Men’s Chorus (SAMC) wants to help Timothy Sawyer has enjoyed an active Mark Stover is the Director of Worship, young men find the joy and richness that singing brings to career as a conductor, educator and Music and Arts at Colonial Church in life. It also wants to help high school and college music professional singer after formal musical Edina, Minnesota. He received his programs attract and retain male singers for their choral training at Bethel University (St. Paul, Bachelors degree from St Olaf College and ensembles, and to help them remain strong and vibrant Minnesota), Exeter University (England), recently completed his M.S.M. in choral organizations. To accomplish this we have started the the University of Minnesota, and in conducting from Luther Seminary. Before REAL MEN SING Choral Festival. doctoral-level study at the University of Iowa. He has done Luther Seminary, Stover served as Director of Worship and advanced conducting studies with Helmuth Rilling, the late Arts at Walnut Creek Presbyterian Church, California, while At no charge to participating schools, the SAMC books the Margaret Hillis, Vance George, Gregg Smith, and Sweden’s teaching choral music at Campolindo High School, and facility, hires a guest conductor and a voice teacher, buys the Eric Ericson, among others. In addition to extensive serving as worship leader for the Open Door Community. music, and provides an evening meal. Rehearsals and experience as a tenor soloist, he is a veteran chorister with Mark has designed contemporary a cappella shows for high workshops are scheduled in the afternoon and the event is several professional choirs, among them the Dale Warland school and college ensembles and regularly works as a capped off with a concert in the evening.
    [Show full text]
  • Chorus Director Duain Wolfe to Retire in 2022 After More Than a Quarter Century Leading the Chicago Symphony Chorus
    For Immediate Release: Press Contacts: May 20, 2021 Eileen Chambers 312-294-3092 CHORUS DIRECTOR DUAIN WOLFE TO RETIRE IN 2022 AFTER MORE THAN A QUARTER CENTURY LEADING THE CHICAGO SYMPHONY CHORUS CHICAGO—The Chicago Symphony Orchestra Association (CSOA) announces that Duain Wolfe, chorus director of the Chicago Symphony Chorus (CSC) since 1994, will retire from his position in spring 2022. Wolfe is only the second director to hold the position since the Chorus was founded in 1957 by its first director Margaret Hillis at the request of Music Director Fritz Reiner. During Wolfe’s notable career he has prepared the Chicago Symphony Chorus for more than 150 programs, including Chicago Symphony Orchestra (CSO) subscription concerts in Orchestra Hall, as well as programs at the Ravinia Festival, Pritzker Pavilion in Chicago’s Millennium Park, Carnegie Hall and the Berlin Philharmonie. Wolfe has prepared the CSC for programs led by CSO music directors Riccardo Muti and Daniel Barenboim; Music Director Laureate Sir Georg Solti; Principal Guest Conductor and Conductor Emeritus Pierre Boulez; Principal Conductor Bernard Haitink; Ravinia Festival music directors Christoph Eschenbach and James Conlon and Artistic Curator Marin Alsop; and numerous guest conductors. “After more than a quarter century, I remain impressed and deeply moved by the astonishing merits of the Chicago Symphony Chorus and the standards it continues to set for our noble profession,” said Chorus Director Duain Wolfe. “My time with this incredible ensemble has been a gift, but it is now time for a new director who can carry the legacy of the Chicago Symphony Chorus to even greater heights of artistic achievement and awareness.
    [Show full text]
  • March 25, 2021 from the CSO's Archives: the First 130 Years This Chicago Symphony Orchestra
    For Immediate Release: March 25, 2021 From the CSO’s Archives: The First 130 Years This Chicago Symphony Orchestra (CSO) radio broadcast series airs weekly through June 2021 on Tuesday evenings from 8:00 to 10:00 p.m. on WFMT (98.7 FM) in Chicago, and is also available via streaming on wfmt.com and the WFMT app (wfmt.com/app). Chicago Symphony Orchestra Tuesday, April 6, 2021, 8:00 p.m. Benny Goodman in Nielsen and Weber Weber Overture to Oberon Sir Georg Solti conductor November 1973 (London) Weber Clarinet Concerto No. 2 in E-flat Major, Op. 74 Jean Martinon conductor Benny Goodman clarinet May 1968 (RCA) Weber Overture to Euryanthe Frederick Stock conductor January 1940 (Columbia) Nielsen Symphony No. 2, Op. 16 (The Four Temperaments) Morton Gould conductor June 1966 (RCA) Weber/Berlioz Invitation to the Dance, Op. 65 Daniel Barenboim conductor March 1979 (Deutsche Grammophon) Nielsen Clarinet Concerto, Op. 57 Morton Gould conductor Benny Goodman clarinet June 1966 (RCA) Fisher/Gould Chicago (That Toddlin’ Town) Morton Gould conductor Benny Goodman clarinet June 1966 (CSO: The First 100 Years) Chicago Symphony Orchestra Tuesday, April 13, 2021, 8:00 p.m. Celebrating Victor Aitay Rimsky-Korsakov Sheherazade Seiji Ozawa conductor Victor Aitay violin June and July 1969 (RCA) Liszt Hungarian Rhapsody No. 2 in D Minor Sir Georg Solti conductor November 1993 (London) Weiner Prince Csongor and the Goblins Sir Georg Solti conductor November 1993 (London) Bartók Hungarian Sketches Fritz Reiner conductor December 1958 (RCA) Kodály Háry János Suite Neeme Järvi conductor February 1990 (Chandos) Beethoven Benedictus from Missa solemnis in D Major Sir Georg Solti conductor Victor Aitay violin Lucia Popp soprano Yvonne Minton mezzo-soprano Mallory Walker tenor Gwynne Howell bass Chicago Symphony Chorus Margaret Hillis director May 1977 (London) Chicago Symphony Orchestra Tuesday, April 20, 2021, 8:00 p.m.
    [Show full text]
  • Journal of the Conductors Guild
    Journal of the Conductors Guild Volume 31, Number 2 2014 719 Twinridge Lane Richmond, VA 23235-5270 T: (804) 553-1378; F: (804) 553-1876 Table of Contents E-mail: [email protected] [email protected] . Advancing the Art and Profession Website: www.conductorsguild.org Officers Gordon J. Johnson, President David Leibowitz, Secretary A Conductors’ Philosopher: page 1 John Farrer, President-Elect Christopher Blair, Treasurer Erin R. Freeman, Vice-President James Allen Anderson, Past President Susanne Langer on Music by Michael Luxner Board of Directors Ira Abrams Reginald Houze John Gordon Ross Conducting Agon; page 8 John P. Boyd John Koshak Lyn Schenbeck* Wesley Broadnax Anthony LaGruth Jonathan Sternberg* the Balanchine/Stravinsky Brooke Creswell Brenda Lynne Leach James R. Tapia Contribution to the Development John Devlin Sasha Mäkilä Emily Threinen of a Specialism Thomas Gamboa Jeffery Meyer Julius Williams by Dr. Eugenie Burkett Andrew George Jon C. Mitchell Burton A. Zipser* Jacob Harrison* Michael Mishra *ex officio Claire Fox Hillard Philip Morehead Bruno Walter, page 22 Advisory Council Leonard Bernstein, and Pierre Boulez Michael Griffith Harlan D. Parker Tempo Interpretation in Emily Freeman Brown Samuel Jones Maurice Peress Mahler Scores Michael Charry Tonu Kalam Donald Portnoy by Nathaniel F. Parker Sandra Dackow Wes Kenney Barbara Schubert Harold Farberman Daniel Lewis Gunther Schuller page 28 Adrian Gnam Larry Newland Leonard Slatkin Scores & Parts Max Rudolf Award Winners Tchaikovsky Romeo & Juliet Herbert Blomstedt Daniel Lewis Gunther Schuller Fantasy—Overture: A guide to David M. Epstein Gustav Meier Jonathan Sternberg preparing a correct score and parts Donald Hunsberger Otto-Werner Mueller Paul Vermel by David Bernard Thelma A.
    [Show full text]
  • CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Fall 2020
    CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Fall 2020 PROGRAM #: CSO 20-40 RELEASE DATE: September 25, 2020 Riccardo Muti conducts Beethoven’s Fifth Symphony Beethoven: Symphony No. 2 in D Major, Op. 36 Bacri: Ophelia's Tears (J. Lawrie Bloom, bass clarinet; world premiere) Beethoven: Symphony No. 5 in C Minor, Op. 67 Mozart: Serenade No. 13 for Strings in G Major, K. 525 (Eine kleine Nachtmusik) (Fritz Reiner, cond.) PROGRAM #: CSO 20-41 RELEASE DATE: October 2, 2020 Carlo Maria Giulini conducts Mozart and Mahler Rossini: Overture to L'italiana in Algeri Mozart: Sinfonia concertante for Oboe, Clarinet, Bassoon, and Horn in E-flat Major (Ray Still, oboe; Clark Brody, clarinet; Willard Elliot, bassoon; Dale Clevenger, horn) Prokofiev: Symphony No. 1 in D Major, Op. 25 (Classical) Mahler: Symphony No. 1 in D Major PROGRAM #: CSO 20-42 RELEASE DATE: October 9, 2020 Theodore Thomas's 185th Birthday (October 11) Brahms: Academic Festival Overture, Op. 80 (Daniel Barenboim, cond.) Wagner: Prelude and Liebestod from Tristan and Isolde (Artur Rodzinski, cond.) Elgar: Variations on an Original Theme, Op. 36 (Enigma) (Sir Georg Solti, cond.) Strauss: Ein Heldenleben, Op. 40 (Fritz Reiner, cond.) Tchaikovsky: Final Waltz and Apotheosis from The Nutcracker, Op. 71 (Morton Gould, cond.) PROGRAM #: CSO 20-43 RELEASE DATE: October 16, 2020 Hannu Lintu and Pekka Kuusisto Sibelius: Finlandia, Op. 26, No. 7 Nielsen: Violin Concerto, Op. 33 (Pekka Kuusisto, violin) Traditonal: Kuusisto Danish Bridal Tune (Pekka Kuusisto, violin) Nielsen: Helios Overture, Op. 17 Sibelius: Symphony No. 5 in E-flat Major, Op. 82 Sibelius: The Swan of Tuonela from Four Legends of The Kalevala, Op.
    [Show full text]
  • Mendelssohn's Elias (Elijah)
    Mendelssohn's Elias (Elijah) Chicago Symphony Orchestra and critical acclaim as one of the fi nest symphonic choruses Riccardo Muti, music director in the world through its performances in Chicago, through- out the United States, and abroad. The Chicago Symphony Chorus’ storied history began in September 1957, when the Chicago Symphony Orchestra announced that Margaret Hillis, at music director Fritz Rein- er’s invitation, would organize and train a symphony chorus. Auditions began two weeks later, and in March 1958, the Chicago Symphony Chorus made its subscription concert debut performing Mozart’s Requiem with Bruno Walter conducting. A few weeks later, Reiner led the Chorus for the fi rst time in performances of Verdi’s Requiem. The Chicago Symphony Orchestra (CSO) is consistently Since then, the Chicago Symphony Chorus has per- hailed as one of today’s leading orchestras. Performances formed and recorded virtually all the major works in the by the CSO are much in demand at home and in the most choral symphonic repertoire, given important world pre- prestigious music capitals of the world. Led by renowned mieres, appeared with visiting orchestras, and taken part in Italian conductor Riccardo Muti as its tenth music director, many noteworthy milestones in the CSO’s history. In June the CSO is working to fulfi ll his vision for the Orchestra— 1994, Duain Wolfe was appointed the second director of to deepen its engagement with the Chicago community, the Chicago Symphony Chorus, succeeding Hillis, who was to nurture the legacy of the CSO while supporting a new named director laureate. generation of musicians, and to collaborate with visionary Chicago Symphony Orchestra recordings featuring the artists.
    [Show full text]
  • A Legacy Continues Cheryl Frazes Hill VOLUME 58 | NUMBER 3 | FALL 2020
    A Legacy Continues Cheryl Frazes Hill VOLUME 58 | NUMBER 3 | FALL 2020 he NCCO has recently taken up the mantle Hillis developed three divisions within her of an important project: carrying on the Foundation, one of which included a Research work begun by Dr. Margaret Hillis and Dr. and Publications Division, established in 1956. TAlfred Mann. NCCO will be making available two This division was designed to provide Association choral research publications developed by both members access to information on performance Hillis and Mann, during the formative years of practice and scholarly guidance in pedagogical, the choral profession. The American Choral Review historical, and analytical approaches to choral and Research Memorandum Series were first repertoire. One of several ways Hillis advanced created by the renowned conductor and Founder/ this information was through a quarterly Bulletin of the Director of the Chicago Symphony Chorus, publication, known then as the American Concert Choir and Choral Foundation Margaret Hillis. Less well known about Margaret Inc Hillis was her establishment of the American , first distributed in June, 1958. An additional publication, entitled Research Memorandum Series, Choral Foundation in 1954, an organization was launched in January, 1959. whose mission it was to promote quality choral performances throughout the United States. The American Choral Foundation (1954) predated the Topics of early Bulletin publications included American Choral Directors Association (1959) articles such as “The Choirmaster and the and was in fact the first organization of its kind Renaissance Choral Repertory” by Noah to foster support during the nascent period of the Greenberg, Music Director of Pro Musica, choral profession.
    [Show full text]
  • Summer 2016 Volume 70, Number 2 135677 Agmazine OCT 2005NEW.Qxd 9/2/16 2:45 PM Page 2
    135677 AGMAzine_OCT 2005NEW.qxd 9/2/16 2:45 PM Page 1 AGMAZINEAGMAZINEOfficial Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Summer 2016 Volume 70, Number 2 135677 AGMAzine_OCT 2005NEW.qxd 9/2/16 2:45 PM Page 2 Page 2 AGMAzine Summer 2016 In This Issue The American Guild of Musical Artists 1430 Broadway, 14th Floor By Tim Smith, MMRC Chair, AGMA Governor and Chorister New York, New York 10018-3308 (212) 265-3687 In this issue, we bring you stories and advice from some of the Fax: (212) 262-9088 many members who shared their thoughts on this issue’s theme, “If www.MusicalArtists.org I knew then what I know now.” Who knew it would be such a Lawrence Tibbett, Founding President loaded question?! As you will see, we had a very nice response. Jascha Heifetz, Founding Vice President James Odom, President Retiring Chicago Symphony Chorus Chorister Mary Ann Beatty John Coleman, 1st Vice President shares with us what 40 years has taught her. Dancer Mathew Donnell Gregory Stapp, 2nd Vice President talks about the importance of being an AGMA member. We bid a sad farewell to four George Scott, 3rd Vice President J Austin Bitner, 4th Vice President members who have passed on. Jane Shaulis, 5th Vice President Raymond Menard, Treasurer Louis Perry, Recording Secretary We start this issue with a short introduction from our new National Executive Director, Len Egert. Deborah shares with us several good reflections on our theme.
    [Show full text]