DOCSLIB.ORG

Program Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Program Book 52nd ANNUAL CONFERENCE THE LOEWS ATLANTA HOTEL ATLANTA’S MIDTOWN DISTRICT, GEORGIA CREATIVITY, IDENTITY AND SOCIAL JUSTICE The College of the Arts Salutes the International Council of Fine Arts Deans for enhancing fine arts leadership in higher education! More than 100 full-time 2,700 students in our Nine degree options offer faculty members four schools: more than 50 individual Art program concentrations at Fashion Design and Merchandising the baccalaureate through Music Theatre and Dance doctoral levels. College of the Arts John R. Crawford, Dean www.kent.edu/artscollege 330-672-27601 @artsatKSU More than 100,000 people attend the concerts, plays and exhibitions of the college annually. TRANSFORMING LIVES THROUGH THE ARTS Kent State University, Kent State and KSU are registered trademarks and may not be used without permission. Kent State University, WWW.ICFAD.ORG an equal opportunity, affirmative action employer, is committed to attaining excellence through the recruitment and retention of a diverse workforce. 15-COTA-00146-021 ICFAD’s 52nd ANNUAL CONFERENCETHE ARTS: The College of the Arts Crossroads of the CreativeAtlanta, Economy Georgia Salutes the International Council of Fine Arts Deans for enhancing fine arts leadership in higher education! WELCOME FROM THE PRESIDENT More than 100 full-time 2,700 students in our Nine degree options offer faculty members four schools: more than 50 individual Dear ICFAD members, Additionally, three well known institutions of President: John Crawford Art program concentrations at higher education are located here: Georgia Dean, College of the Arts Fashion Design and Merchandising Kent State University the baccalaureate through Welcome to Atlanta, GA for the 52nd annual Institute of Technology, John Marshall Law Music conference of the International Council of School, and the Atlanta division of the Theatre and Dance doctoral levels. Secretary: George Sparks College of the Arts Fine Arts Deans! Savannah College of Art and Design. The Dean, College of Visual triumvirate of civil and human rights history, and Performing Arts James Madison University John R. Crawford, Dean The ICFAD board thought that the Midtown innovative arts and design and higher www.kent.edu/artscollege District of Atlanta was the perfect location education resources creates fertile ground Treasurer: Daniel Guyette 330-672-27601 to focus on this year’s conference theme: for discussions about creativity, identity and Dean, College of Fine Arts Creativity, Identity and Social Justice. The social justice in relation to the arts. Western Michigan University combination of Midtown District’s vibrant Immediate Past President: Lucinda Lavelli and innovative arts scene along with access The ICFAD board welcomes you to this year’s Dean, College of the Arts to the National Center for Civil and Human conference, with a special welcome to new University of Florida @artsatKSU EXECUTIVE COMMITTEE Rights seemed to be an extremely timely and members and those who are attending the More than 100,000 appropriate partnership for us to engage in annual conference for the first time. Thank conversation about the transforming power of you for being here. Please take time to people attend the the arts. Throughout this year’s conference, introduce yourselves to colleagues and Gail Baker, Board Member concerts, plays and we have included presentations and panels you will discover what a great and collegial Dean, College of Communication, Fine Arts and Media University of that center on relationships between the arts, network of connections exists within the exhibitions of the Nebraska Omaha college annually. creative expression, identity and the role International Council of Fine Arts Deans. University of Nebraska Omaha that the arts play in social change and social We also extend our sincere gratitude to our justice. corporate sponsors who contribute so greatly Jeffery Elwell, Board Member Dean, College of Arts and Sciences to the quality of the conference with their University of Tennessee at Chattanooga Atlanta’s Midtown District is the home of a significant support. multitude of arts organizations, including the Patricia S. Poulter, Board Member High Museum of Art, the Center for Puppetry On behalf of the ICFAD Board of Directors and Dean, College of the Arts Kennesaw State University Arts, the Atlanta Symphony Orchestra, the Executive Director, welcome and thank you! Woodruff Arts Center, the Fox Theatre and Please feel free to share your thoughts and OF DIRECTORS BOARD Joe Seipel, Board Member the 14th Street Playhouse – just to name ideas with us for next year’s conference in Dean, School of the Arts a few. The architecture and design history Grand Rapids, MI. We look forward to hearing Virginia Commonwealth University of the area is also noteworthy and includes from you. Michele Whitecliffe, Board Member iconic buildings such as Atlantic Center President, Whitecliffe College of Art and Design and AT&T Midtown Center. During the first Warm regards, decade of the 21st century, the Midtown District has grown exponentially in the areas of technology, urban design, visual and Alison Pruitt, Executive Director performing arts and cultural resources. John R. Crawford International Council of Fine Arts Deans TRANSFORMING LIVES THROUGH THE ARTS President The 52nd Annual Conference of the International Council of Fine Arts Deans Tuesday, October 20 – Saturday, October 24, 2015 Loews Atlanta Hotel Atlanta’s Midtown District, Georgia Kent State University, Kent State and KSU are registered trademarks and may not be used without permission. Kent State University, an equal opportunity, affirmative action employer, is committed to attaining excellence through the recruitment and retention of a diverse workforce. 15-COTA-00146-021 WWW.ICFAD.ORG 3 ICFAD’s 52nd ANNUAL CONFERENCE Atlanta, Georgia CITY OF ATLANT A 233 Peachtree Street K ASIM R EED Harris Tower, Suite 1700 C AMILLE R USSELL L OVE Atlanta, Georgia 30303 EXECUTIVE DIRECTOR MAYOR (404) 546-6815 MAYOR’S OFFICE OF CULTURAL AFFAIRS www.ocaatlanta.com Greetings: On behalf of Mayor Kasim Reed, I would like to welcome the International Council of Fine Arts Deans to Atlanta for the 52nd Annual Conference. Arts and culture continue to enhance Atlanta’s rich heritage and strong economy, making our city a great place to live, work and visit. In recent years, Atlanta has been recognized as a place where arts organizations and individual artists can truly thrive and grow. Atlanta’s arts scene is vibrant, featuring well-­‐established arts institutions as well as many engaging festivals and public art events such as Art on the Atlanta BeltLine, Atlanta Celebrates Photography, ELEVATE and Flux We’re Night. also home to numerous creative hubs, such as the new innovative Ponce City Market development e wher artists and arts organizations live, work and play – having access to studio, gallery and office space. During your visit, I hope you will have time to experience some of these cultural offerings. The Mayor’s Office of Cultural Affairs was established over 40 years ago to safeguard Atlanta’s cultural heritage and to ensure that all of Atlanta’s residents have access to its benefits. As the tenor in arts community shifts toward prioritizing cultural equity, we in Atlanta can feel proud that our own Office of Cultural Affairs has been championing cultural equity for decades and is continuing to make inroads in this area. Vibrant arts communities would not be possible without strong arts education programs and we applaud the work that the ICFAD is doing to continually improve arts leadership in higher education. May the 52nd Annual Conference be a fruitful experience for all and we wish you a wonderful stay in Atlanta! Yours in Culture, Camille Russell Love 4 WWW.ICFAD.ORG THE ARTS: Crossroads of the Creative Economy ICFAD 10 FELLOWS PROGRAM ICFAD INTERNATIONAL COUNCIL OF FINE ARTS DEANS TRANSFORMING Founded on a shared passion and advocacy for the arts and a commitment to excellence in 12 leadership, the International Council of Fine Arts Deans (ICFAD) is a multi-national alliance of PAIN TO POWER executive arts administrators representing institutions of higher education. ICFAD provides professional development opportunities and facilitates forums for the exchange of ideas, information and issues of common concern for the arts in higher education. CENTER FOR CIVIL 14 AND HUMAN RIGHTS 52ND ANNUAL 14 CONFERENCE AGENDA ROUNDTABLE 32 PRESENTATIONS WOODRUFF 44 ARTS CENTER ICFAD 48 ANNUAL MEETING CULTIVATION AND 57 STEWARDSHIP TASK FORCE 2015 FESTIVAL EXPERIENCE AWARD 60 PRESENTATION Chris Avilla ALISON PRUITT ON THE COVER “Making art accessible through Graphic Designer EDITOR BUDGETING FOR 68 technology is a priority for PLANNING MUSIC the Office of Cultural Affairs,” said Camille Russell Love, OCA REHEARSAL FACILITIES Executive Director. “The Atlanta Public Art Tour app, will allow A NEW PARADIGM IN patrons to discover firsthand, the 71 rich and vibrant history of these ACADEMIC PERFORMING ARTS public works and will showcase what the city of Atlanta truly has to offer.” Download yours, to learn more about the public art works that appear on our cover. WWW.ICFAD.ORG 5 ICFAD’s 52nd ANNUAL CONFERENCE Atlanta, Georgia CREATIVITY, IDENTITY AND SOCIAL JUSTICE THE 52ND ANNUAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF FINE ARTS DEANS LOEWS ATLANTA – ATLANTA’S MIDTOWN DISTRICT TUESDAY, OCTOBER 20, 2015 1:45 – 2:00 p.m. Break 3:15 p.m. Meet in the lobby for the shuttle 4:00 – 6:00 p.m. 2:00 – 3:15 p.m. Board of Directors Meeting Breakout Sessions and Dinner at Kennesaw State University Deans: Creating your Advisory Board and Making it Hum in Mercer Ballroom Salon G Arts Executives: A More Perfect Union in Ravinia WEDNESDAY, OCTOBER 21, 2015 3:15 – 3:30 p.m. 8:30 a.m. – 4:45 p.m. Break Fellows Program 8:30 - Noon in Dunwoody 3:30 – 5:15 p.m. 1:45 - 4:45 in Mercer Ballroom Salon G Roundtable Sessions: Timely Topics in the Arts Overlook East 4:00 – 5:00 p.m.
Load more

Recommended publications
  • Objectivity, Interdisciplinary Methodology, and Shared Authority
    ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics.
    [Show full text]
  • The Atlanta Preservation Center's
    THE ATLANTA PRESERVATION CENTER’S Phoenix2017 Flies A CELEBRATION OF ATLANTA’S HISTORIC SITES FREE CITY-WIDE EVENTS PRESERVEATLANTA.COM Welcome to Phoenix Flies ust as the Grant Mansion, the home of the Atlanta Preservation Center, was being constructed in the mid-1850s, the idea of historic preservation in America was being formulated. It was the invention of women, specifically, the ladies who came J together to preserve George Washington’s Mount Vernon. The motives behind their efforts were rich and complicated and they sought nothing less than to exemplify American character and to illustrate a national identity. In the ensuing decades examples of historic preservation emerged along with the expanding roles for women in American life: The Ladies Hermitage Association in Nashville, Stratford in Virginia, the D.A.R., and the Colonial Dames all promoted preservation as a mission and as vehicles for teaching contributive citizenship. The 1895 Cotton States and International Exposition held in Piedmont Park here in Atlanta featured not only the first Pavilion in an international fair to be designed by a woman architect, but also a Colonial Kitchen and exhibits of historic artifacts as well as the promotion of education and the arts. Women were leaders in the nurture of the arts to enrich American culture. Here in Atlanta they were a force in the establishment of the Opera, Ballet, and Visual arts. Early efforts to preserve old Atlanta, such as the Leyden Columns and the Wren’s Nest were the initiatives of women. The Atlanta Preservation Center, founded in 1979, was championed by the Junior League and headed by Eileen Rhea Brown.
    [Show full text]
  • Raise the Curtain
    JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood.
    [Show full text]
  • Download Issue PDF the Fall 2015 Issue Of
    Macalester Today FALL 2015 Our Man Marlon Marlon James Wins Man Booker Prize Macalester Today FALL 2015 Features Lesson Plan 10 Brittany Lewis ’09, political activist and PhD, teaches her 10 students never to defer their dreams. High Anxiety 12 With academic stress and mental health disorders on the rise, Macalester is boosting resources to help students build more balanced lives. A Choral Journey 18 Last spring the Macalester Concert Choir took its show on the road to the Pacific Northwest. Building Leaders 26 A stint at an innovative Cambodian school made Max Cady ’10 a teacher. Reimagining Portraits 28 12 For a photography class, Alexandra Greenler ’15 re-created pictures of Macalester female students of yesteryear. Leading The Loft 34 Trained as a visual artist, Britt Udesen ’98 now runs a nationally renowned literary nonprofit. AN ALONZO HARRIS, JON KRAUSE, JAN SONNENMAIR É ON THE COVER: English professor Marlon James wins the 2015 Man Booker Prize for his book A Brief History of Seven Killings. Photo by Janie Airey. 18 (TOP TO BOTTOM): S Manny Roman (CEO Man Group) presents Marlon James with the Man Staff Booker prize. EDITOR Lynette Lamb [email protected] ART DIRECTOR Brian Donahue CLASS NOTES EDITOR Robert Kerr ’92 PHOTOGRAPHER David J. Turner CONTRIBUTING WRITERS Rebecca DeJarlais Ortiz ’06 Jan Shaw-Flamm ’76 ASSISTANT VICE PRESIDENT FOR COM- MUNICATIONS AND PUBLIC RELATIONS David Warch MACALESTER COLLEGE PHOTO: JANIE AIREY JANIE PHOTO: As Macalester Today went to press on October 13, English professor Marlon James was CHAIR, BOARD OF TRUSTEES receiving the Man Booker Prize for his novel A Brief History of Seven Killings.
    [Show full text]
  • 2016-17 School Profile
    Academy of Holy Angels 2016-17 School Profile 6600 Nicollet Avenue South Richfield, MN 55423 612-798-2600 www.ahastars.org SchoolProfile_2016-17 Mk5.indd 1 9/14/16 1:40 PM About the Academy of Holy Angels Founded: 1877 he Academy of Holy Angels is a coed- to live spiritually, to lead responsibly, to act Description: Catholic, College Tucational Catholic high school located justly, and to serve selflessly. Preparatory, Non-profit in the Minneapolis suburb of Richfield. Student Body: Co-educational, 9-12 The Sisters of St. Joseph established the The Academy serves 625 students from Location: Richfield, Minnesota Academy as a girls school in 1877. It be- diverse ethnic and religious backgrounds. came a coeducational high school in 1972. There are 131 students in the class of 2017. Enrollment: 625 Religious Affiliation: Roman Catholic The Academy’s mission is to educate and The Academy is accredited by AdvancED, 2016-17 Tuition: $14,495 nurture a diverse student population so is a US Department of Education Blue Accreditation: AdvancED that each student, as a whole person, may Ribbon School of Excellence, and earned a achieve full potential to excel intellectually, 2008 Minnesota Quality Award. President: Thomas E. Shipley Principal: Heidi J. Foley College and Career Center Counselors: Tina Proctor, 612-798-2639, [email protected] Ann Kjorstad, 612-798-2691, [email protected] A Note About our Programs Writing Across the Curriculum theater curriculum. AHA’s theater cur- STEM Diploma AHA’s Writing Across the Curriculum riculum includes studies in acting, vocal AHA students can earn a STEM Diploma (WAC) program ensures that students production, movement, dance and more.
    [Show full text]
  • Poets, Artists & Madmen
    POETS, ARTISTS & MADMEN tlanta’s art scene is on the verge of something significant — teetering between mak- ing it and breaking it. Long Aregarded as a creative hodgepodge, the city’s poets, artists and madmen have worked tirelessly in the last year to help redefine the city’s artistic identity. They attracted international attention with the colossal grassroots street art conference Living Walls, improved our public art profile with gloATL and Art on the Belt- line, and cultivated the kind of TV- and filmmaking-friendly environment that’s allowed for the conversion of Lakewood Fairgrounds into a Hollywood-worthy soundstage, and the local filming of AMC’s “The Walking Dead.” So what does the future hold for the arts in Atlanta? Can we build on the mo- mentum we’ve recently gained? Judging tara from the last year’s creative outpouring, -LY the scales are tipped in the right direction. NNE — Debbie MichauD PI XL E Y GLOATL: Critics Pick for Best Dance Company POETS, ARTISTS & MADMEN MIKE GERMON BEST TREND IN THE ARTS BEST NEIGHBORHOOD BEST EMERGING VISUAL ARTIST Atlanta’s art scene has experienced a changing of the FOR ARTISTS LUCHA RODRIGUEZ’s examination of the body as a guard over the past couple of years: The collective has be- There’s a fairly reliable life cycle applicable to art- web of thoughts and organs manifests itself in the ethereal come king. And while the twenty- and thirtysomethings ists’ neighborhoods: In the beginning, no one gives a delicacy of her voluminous hand-cut paper installations behind the city’s nascent art co-ops, galleries and organi- shit about them, not even the artists.
    [Show full text]
  • THE SOCIAL and CIVIC IMPACTS of ROBERT WINSHIP WOODRUFF in the CITY of ATLANTA DURING the 1960S
    Clemson University TigerPrints All Theses Theses 5-2007 The oS cial and Civic Impacts of Robert Winship Woodruff in the itC y of Atlanta During the 1960s Andrew Land Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the United States History Commons Recommended Citation Land, Andrew, "The ocS ial and Civic Impacts of Robert Winship Woodruff in the itC y of Atlanta During the 1960s" (2007). All Theses. 103. https://tigerprints.clemson.edu/all_theses/103 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. THE SOCIAL AND CIVIC IMPACTS OF ROBERT WINSHIP WOODRUFF IN THE CITY OF ATLANTA DURING THE 1960s A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Andrew Cromer Land May 2007 Accepted by: Dr. H. Roger Grant, Committee Chair Dr. Jerome V. Reel, Jr. Dr. Paul C. Anderson ABSTRACT Robert Winship Woodruff was born December 6, 1889, and died March 7, 1985. For more than sixty‐two years he headed the Coca‐Cola Company, headquartered in Atlanta, Georgia. Woodruff amassed a tremendous fortune and was for years the richest man in Georgia and one of the wealthiest in the South. His wealth made him extremely powerful in political circles, and he came to dominate the city of Atlanta in a way unlike any other private citizen in any other comparable American city of the time.
    [Show full text]
  • FALL 2010 a Choice to Change the World
    THE ALUMNAE MAGAZINE OF SPELMAN COLLEGE VOLUME 121 NUMBER 1 FALL 2010 A Choice to Change the World SPELMAN Messenger EDITOR Jo Moore Stewart COPY EDITOR Janet M. Barstow GRAPHIC DESIGN Garon Hart EDITORIAL COMMITTEE Eloise A. Alexis, C’86 Joyce Davis Tomika DePriest, C’89 Kassandra Kimbriel Jolley Renita Mathis Sharon E. Owens, C’76 Kenique Penn, C’2000 WRITERS Tomika DePriest, C’89 Renita Mathis Lorraine Robertson Angela Brown Terrell PHOTOGRAPHERS Spelman College Archives Curtis McDowell, Professional Photography Julie Yarbrough, C’91 The Spelman Messenger is published twice a year (Fall and Spring) by Spelman College, 350 Spelman Lane, S.W., Atlanta, Georgia 30314- 4399, free of charge for alumnae, donors, trustees and friends of the College. Recipients wishing to change the address to which the Spelman Messenger is sent should notify the editor, giving both old and new addresses. Third-class postage paid at Atlanta, Georgia. Publication No. 510240 CREDO The Spelman Messenger, founded in 1885, is dedicated to participating in the ongoing education of our readers through enlightening articles designed to promote lifelong learning. The Spelman Messenger is the alumnae magazine of Spelman College and is committed to educating, serving and empowering Black women. SPELMAN VOLUME 121, NUMBER 1 Messenger FALL 2010 ON THE COVER Kiran Ahuja, C’93 PHOTO OF KIRAN AHUJA COURTESY OF U.S. DEPARTMENT OF EDUCATION 8 True Blue in the White House BY TOMIKA DEPRIEST, C’89 Contents 12 Alumnae on Capitol Hill BY RENITA MATHIS 31 Reunion 2010 2 Voices 4 Books & Papers 18 Alumnae Notes 35 In Memoriam It is not the strongest of the species that survive, nor the most intelligent, but the one most responsive to change.
    [Show full text]
  • Degrees and Other Awards Conferred by Minnesota Post-Secondary Institutions in 2003-04 Institution by Award Level Totals
    Degrees and Other Awards Conferred by Minnesota Post-secondary Institutions in 2003-04 Institution by Award Level Totals Double majors included. Award Level At least 1 but At least 2 Postbaccala Post- First- Less than less than 2 but less than ureate masters professional 1 year years Associate 4 years Bachelor certificate Master certificate Doctorate degree Total ACADEMY COLLEGE 9 4 45 3 61 ALEXANDRIA TECHNICAL COLLEGE 198 137 390 105 830 ALFRED ADLER GRADUATE SCHOOL 26 26 AMERICAN INDIAN OIC 7 12 19 ANOKA TECHNICAL COLLEGE 67 185 172 64 488 ANOKA-RAMSEY COMMUNITY COLLEGE 66 551 617 APOSTOLIC BIBLE INSTITUTE 21 13 34 ARGOSY UNIVERSITY 138 4 38 46 226 ART INSTITUTES INTERNATIONAL MINNESOTA 21 110 82 213 AUGSBURG COLLEGE 2 510 64 23 599 AVEDA INSTITUTE 517 517 BEMIDJI STATE UNIVERSITY 75 908 71 1,054 BETHANY LUTHERAN COLLEGE 117 38 155 BETHEL THEOLOGICAL SEMINARY 4 88 4 59 155 BETHEL UNIVERSITY 3 730 115 848 BROWN COLLEGE 16 920 35 971 CAPELLA UNIVERSITY 15 122 136 828 13 178 1,292 CARLETON COLLEGE 486 486 CENTRAL LAKES COLLEGE 35 292 474 801 CENTURY COMMUNITY AND TECHNICAL COLLEGE 169 239 666 1,074 COLLEGE OF SAINT BENEDICT 516 516 COLLEGE OF SAINT SCHOLASTICA 475 5 232 11 723 COLLEGE OF ST CATHERINE 21 32 204 624 108 350 1,339 COLLEGE OF VISUAL ARTS 31 31 CONCORDIA COLLEGE AT MOORHEAD 787 787 CONCORDIA UNIVERSITY 492 19 151 662 COSMETOLOGY CAREERS-DULUTH 30 30 COSMETOLOGY CAREERS-HIBBING 17 17 CROSSROADS COLLEGE 12 18 30 CROWN COLLEGE 9 31 119 5 5 169 DAKOTA COUNTY TECHNICAL COLLEGE 519 265 213 18 1,015 DULUTH BUSINESS UNIVERSITY 62 45 107 DUNWOODY COLLEGE OF TECHNOLOGY 36 396 91 523 EAST METRO OIC 50 7 57 Degrees and Other Awards Conferred by Minnesota Post-secondary Institutions in 2003-04 Institution by Award Level Totals Double majors included.
    [Show full text]
  • Nancy Robinson Resume
    Nancy Robinson Resume Contact: [email protected] Website: www.nancyrobinson.com EDUCATION 1971 B.A. in English, cum laude, Lawrence University, Appleton, Wisconsin 1976 Night classes in French Academic painting, Atelier Lack, Minneapolis, MN SELECTED GRANTS/AWARDS 2009, 2005 Artist Initiative Grant, Minnesota State Arts Board 1997, 2001 Individual Artist Fellowship Grant, Minnesota State Arts Board 2000 Travel and Study Grant, Jerome, Target and General Mills Foundations 1997-2002 Jerome Scholarship, Women’s Art Registry of Minnesota, Mentor Program 1998 Jerome Artist Residency Grant, Blacklock Nature Sanctuary, Moose Lake, MN SELECTED TEACHING EXPERIENCE 1999-2001 Minneapolis College of Art and Design, Adjunct Faculty, Fine Arts Division 1990-2002 Women’s Art Registry of Minnesota (W.A.R.M.), Mentor SELECTED SOLO EXHIBITIONS 2009 Sin and Guilt, The Minneapolis Institute of Arts 2007, 2001 Flanders Contemporary Art, Gallery Minneapolis, MN 2000 Artemisia Gallery, Chicago, IL 1997 Hamline University, Saint Paul, MN SELECTED TWO-PERSON EXHIBITIONS 2001 Residual Matter (with Erica Spitzer Rasmussen), A.I.R. Gallery, New York City, NY 1997 Flanders Contemporary Art Gallery (with Melissa Stang), Minneapolis, MN SELECTED GROUP EXHIBITIONS 2020-2021 Foot in the Door Show 5: the Virtual Exhibition, Minneapolis Institute of Art 2020 Pandemic Art Lessons: an Online Initiative of the Women’s Art Institute, in collaboration with the Catherine G. Murphy Gallery at St. Catherine University 2020 Socially Distanced and Mixed Media, Saint Paul Virtual
    [Show full text]
  • Public Art Master Plan
    CITY OF ATLANTA PUBLIC ART MASTER PLAN A project of the City of Atlanta Department of Parks, Recreation and Cultural Affairs BUREAU OF CULTURAL AFFAIRS Camille Russell Love, Director Initial Document prepared December 1994 by Project for Public Spaces, New York, NY Final Editing by the Atlanta Master Plan Task Force Eddie M. Granderson, Project Director October 15, 2001 © 2001 ATLANTA PUBLIC ART MASTER PLAN City of Atlanta Bill Campbell, Mayor Atlanta City Council Hon. Robert “Robb” L. Pitts, President Hon. Vern McCarty, District 1 Hon. Debi Starnes, District 2 Hon. Michael Bond, District 3 Hon. Cleta Winslow, District 4 Hon. Sherry Dorsey, District 5 Hon. Cathy Woolard, District 6 Hon. Lee Morris, District 7 Hon. Clair Muller, District 8 Hon. Felicia Moore, District 9 Hon. C.T. Martin, District 10 Hon. Jim Maddox, District 11 Hon. Derrick Boazman, District 12 Hon. “Able” Mable Thomas, Post 1 Hon. Julia Emmons, Post 1 Hon. Doug Alexander, Post 3 Department of Parks, Recreation and Cultural Affairs Karl McCray, Acting Commissioner Bureau of Cultural Affairs Camille Russell Love. Director City of Atlanta Department of Parks, Recreation and Cultural Affairs BUREAU OF CULTURAL AFFAIRS City Hall East 675 Ponce de Leon Ave., 5th Floor Atlanta, GA 30308 Phone: (404) 817-6815 Fax: (404) 817-6827 www.bcaatlanta.org [email protected] I ATLANTA PUBLIC ART MASTER PLAN TABLE OF CONTENTS Preface .....................................................................................................................................................
    [Show full text]
  • 404733 COVERS.Indd
    interplay 6-9 october 04 minneapolis Welcome to Minneapolis and to the Mid America College Art Association biennial conference “Interplay”. Mid America was founded in 1936 by practicing artists and its focus since then has been on art making and communication about art making on the college and university level. Its organizational structure is simple: it depends on the support of artists to volunteer and keep the biennial meetings going. We welcome all those who would like to be involved to become involved. Like every self-run democratic organization, MACAA depends upon the next generation of artists to pick up the banner and move it forward according to their vision. Contact any MACAA Board Member to find out how to become involved or attend the MACAA meeting during the 2005 CAA conference in Atlanta. At this writing we have not identified a site for the 2006 conference; I hope to be able to announce it during the conference. Thanks to everyone who submitted proposals, chaired a panel, gave a presentation, and volunteered their time. I am most grateful to all of the sponsoring and participating organizations that donated time, talent, and resources. Thanks are due to Professor Mo Neal, University of Nebraska [past president of MACAA, 2000- 2002] for the smooth transition and for directing the conference hosted by Nebraska in 2002. Thanks also to Professor Mark Pharis, past chair of the University of Minnesota’s Department of Art [1998-2004] for his encouragement and support of the conference during the past two years. University of Minnesota Art faculty members Jan Estep, Brenda Linden, and Melanie Van Houten joined me on an internal steering committee and I thank them for working hard to make the conference a success.
    [Show full text]