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ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011 EDUCATION - 1964 : Beaux Arts of California College of Arts and Crafts, Oakland, CA, USA 1967 : Beaux Arts of Stantford University, Palo Alto, CA, US SOLO SHOWS (SELECTION) - 2020 Dennis Oppenheim, Galerie Mitterrand, Paris, France 2019 Dennis Oppenheim, Le dessin hors papier, Musée des Beaux-Arts, Caen, FR 2018 Broken Record Blues, Peder Lund, Oslo NO Violations, Marlborough Contemporary, New York US Straight Red Trees. Alternative Landscape Components, Guild Hall, East Hampton, NY, US 2016 Terrestrial Studio, Storm King Art Center, New Windsor US Three Projections, Art Institute of Chicago, Chicago, US 2015 Collection, MAMCO, Geneva, CH Launching Structure #3. An Armature for Projections, Halle-Nord, Geneva CH Dennis Oppenheim, Wooson Gallery, Daegu, KR 2014 Dennis Oppenheim, MOT International, London, UK 2013 Thought Collision Factories, Henry Moore Institute, Leeds, UK Sculpture 1979/2006, Galleria Fumagalli & Spazio Borgogno, Milano, IT Alternative Landscape Components, Yorkshire Sculpture Park, West Bretton, UK 2012 Electric City, Kunst Merano Arte, Merano, IT 1968: Earthworks and Ground Systems, Haines Gallery, San Francisco US HaBeer, Beersheba, ISR Selected Works, Palacio Almudi, Murcia, ES 2011 Dennis Oppenheim, Musee d'Art Moderne et Contemporain, Saint-Etienne, FR Eaton Fine Arts, West Palm Beach, Florida, US Galerie Samuel Lallouz, Montreal, CA Salutations to the Sky, Museo Fundacion Gabarron, New York, US 79 RUE DU TEMPLE -
Zaynab Abdi, Student
MINNESOTA WOMEN’S PRESS POWERFUL. EVERYDAY. WOMEN. Places & SPaces Nekessa Julia Opoti: The Story of Immigration Green Card Voices: Where Do I Belong? Minnesota Authors Explore Place The Women of Outward Bound: 1965 SPaces Issue womenspress.com July 2018 Issue 34-7 MINNESOTA “In the exhilaration of natural wonders, absorbed in our own WOMEN’S PRESS survival goals, we come through the POWERFUL. EVERYDAY. WOMEN. fog. We find vistas of peace and one- ness with each other, comfort, and acceptance.” — Devvie Cersine What’s inside? Editor Letter 4 Finding Place in the Space We Share COURTESY CRAIG WIKLUND CRAIG COURTESY Reader Response 5 Where Have You Felt at Home? Grounded 6 Smooth Sailing at Age 105 GoSeeDo Calendar 8 Places & Spaces 12-19 • Minnesota: A Place of Refuge? Pat Marble takes Up Kayaking, page 6 • Nekessa Julia Opoti: Arbitrary Borders • Act Now: Immigration Welcome Steps Contact Us MWP team • Green Card Voices: Where Do I Belong? 651-646-3968 Owner/Editor: Mikki Morrissette • Think: Immigration Facts & Data Send a letter to the editor/suggest story idea: Business Development Director: Shelly Damm [email protected] Managing Editor: Sarah Whiting Ism Schism 20 Subscribe: [email protected] Jessica Ostrov: Why Green Spaces Are White Contributors: Zaynab Abdi, Nancy Breymeier, Advertise: [email protected] Devvie Cersine, Maxine Davis, Shannon Drury, Linda BookShelf 25 LeGarde Glover, Kelly Gryting, Nekessa Julia Opoti, Minnesota Authors Explore Place: Wildflowers, Events listings: [email protected] Jessica Ostrov, Kelly Povo, Veronica Quillien, Maya Onigamiising, and Bakken Oil Fields Rao, Erica Rivera, Phyllis Root, Regina Santiago Our vision: There is much to be done, now Learning Life 30 more than ever. -
Frank Big Bear: Nativia
2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | bockleygallery.com Frank Big Bear: Nativia Opening Reception: Friday, November 11, 6 to 8 pm Exhibition: November 10 through December 17, 2016 Gallery Hours: Wednesday through Saturday, Noon to 5 pm Bockley Gallery is pleased to announce its upcoming exhibition Nativia by Duluth-based artist Frank Big Bear. In his 12th solo show at the gallery, Big Bear continues to explore the complex issues in force at the intersection of Native American and American popular cultures. Running throughout this offering of new paintings, drawings and a single collage is the broader leitmotif of the human figure and, more specifically, the portrait. Of note is Big Bear’s Multiverse #1, a large-scale collage where the artist utilized 120 gallery exhibition invitations as a support to express his ideas and actions, which he then organized into a grid pattern. Big Bear approached each card individually as if chapters in a book, collageing onto each surface a range of images culled from magazines, books, graphic novels and catalogues. This cacophony of visual information integrates images, signs and symbols drawn from Native culture with those of popular culture figures, objects and events such as famous artists and artworks, celebrities, models, and even animals. The individual cards are then modified as needed and organized into the larger compositional grid. Of note is another collage in the Multiverse series, Big Bear’s monumental The Walker Collage, Multiverse #10 commissioned by Walker Art Center. It will be unveiled at the November 19 celebratory opening of the museum’s redesigned main entrance on Vineland Place. -
March 2008 Cms Public File Report
Minnesota Public Radio - Classical Stations July 2007 - March 2008 KBPR 90.7FM, Brainerd Bemidji Area Chamber of Commerce Charter Fiberlink, LLC/Charter Business Cragun's Golf and Conference Resort Crow Wing Power Evergreen Press/Lake Country Journal Magazine Fifth Avenue Furniture Floor to Ceiling Store Good Samaritan Communities-Brainerd/Pine River Kodiak Investment Management Kurilla Real Estate Legacy Chorale of Greater Minnesota, The Madhatters Community Theatre Minnesota Heritage House Inc./Pequot Lakes Loc. Minnesota Power Nature's Touch Floral & Gift New York Mills Regional Cultural Center Nisswa Tax Service Nor-Son Incorporated Northern PCS Old Wadena Society Rainy Days Bookstore Reif Center, The St. Joseph's Medical Center/Brainerd Medical Ce Staples Area Men's Chorus Staples Motley Area Arts Council The Tree House KCCM Moorhead/Fargo A Center for the Arts Audrey and Dick Kloubec Avis Rent a Car Bemidji Area Chamber of Commerce Bernie's Wines and Liquors Boulger Funeral Home Braaten Cabinets Bursch Travel American Express-2 Celebration of Women Clay County Historical Society Country Insurance & Financial Services Eventide F/M Communiversity Fargo Moorhead Opera Fargo Moorhead Symphony Orchestra Fargo-Moorhead Area Youth Symphonies Harmon Glass Doctor Heritage Hjemkomst Interpretive Center Historic Holmes Theatre, The Hornbacher's Foods Hotel Donaldson ICS Energy Solutions Innovis Health Korsmo Funeral Service Krekelberg & Skonseng, PLLP Life's Footprint Michael J Burns Architects Minnesota Motor Company Moorhead Public Service -
Download Issue PDF the Fall 2015 Issue Of
Macalester Today FALL 2015 Our Man Marlon Marlon James Wins Man Booker Prize Macalester Today FALL 2015 Features Lesson Plan 10 Brittany Lewis ’09, political activist and PhD, teaches her 10 students never to defer their dreams. High Anxiety 12 With academic stress and mental health disorders on the rise, Macalester is boosting resources to help students build more balanced lives. A Choral Journey 18 Last spring the Macalester Concert Choir took its show on the road to the Pacific Northwest. Building Leaders 26 A stint at an innovative Cambodian school made Max Cady ’10 a teacher. Reimagining Portraits 28 12 For a photography class, Alexandra Greenler ’15 re-created pictures of Macalester female students of yesteryear. Leading The Loft 34 Trained as a visual artist, Britt Udesen ’98 now runs a nationally renowned literary nonprofit. AN ALONZO HARRIS, JON KRAUSE, JAN SONNENMAIR É ON THE COVER: English professor Marlon James wins the 2015 Man Booker Prize for his book A Brief History of Seven Killings. Photo by Janie Airey. 18 (TOP TO BOTTOM): S Manny Roman (CEO Man Group) presents Marlon James with the Man Staff Booker prize. EDITOR Lynette Lamb [email protected] ART DIRECTOR Brian Donahue CLASS NOTES EDITOR Robert Kerr ’92 PHOTOGRAPHER David J. Turner CONTRIBUTING WRITERS Rebecca DeJarlais Ortiz ’06 Jan Shaw-Flamm ’76 ASSISTANT VICE PRESIDENT FOR COM- MUNICATIONS AND PUBLIC RELATIONS David Warch MACALESTER COLLEGE PHOTO: JANIE AIREY JANIE PHOTO: As Macalester Today went to press on October 13, English professor Marlon James was CHAIR, BOARD OF TRUSTEES receiving the Man Booker Prize for his novel A Brief History of Seven Killings. -
2016-17 School Profile
Academy of Holy Angels 2016-17 School Profile 6600 Nicollet Avenue South Richfield, MN 55423 612-798-2600 www.ahastars.org SchoolProfile_2016-17 Mk5.indd 1 9/14/16 1:40 PM About the Academy of Holy Angels Founded: 1877 he Academy of Holy Angels is a coed- to live spiritually, to lead responsibly, to act Description: Catholic, College Tucational Catholic high school located justly, and to serve selflessly. Preparatory, Non-profit in the Minneapolis suburb of Richfield. Student Body: Co-educational, 9-12 The Sisters of St. Joseph established the The Academy serves 625 students from Location: Richfield, Minnesota Academy as a girls school in 1877. It be- diverse ethnic and religious backgrounds. came a coeducational high school in 1972. There are 131 students in the class of 2017. Enrollment: 625 Religious Affiliation: Roman Catholic The Academy’s mission is to educate and The Academy is accredited by AdvancED, 2016-17 Tuition: $14,495 nurture a diverse student population so is a US Department of Education Blue Accreditation: AdvancED that each student, as a whole person, may Ribbon School of Excellence, and earned a achieve full potential to excel intellectually, 2008 Minnesota Quality Award. President: Thomas E. Shipley Principal: Heidi J. Foley College and Career Center Counselors: Tina Proctor, 612-798-2639, [email protected] Ann Kjorstad, 612-798-2691, [email protected] A Note About our Programs Writing Across the Curriculum theater curriculum. AHA’s theater cur- STEM Diploma AHA’s Writing Across the Curriculum riculum includes studies in acting, vocal AHA students can earn a STEM Diploma (WAC) program ensures that students production, movement, dance and more. -
Program Book
52nd ANNUAL CONFERENCE THE LOEWS ATLANTA HOTEL ATLANTA’S MIDTOWN DISTRICT, GEORGIA CREATIVITY, IDENTITY AND SOCIAL JUSTICE The College of the Arts Salutes the International Council of Fine Arts Deans for enhancing fine arts leadership in higher education! More than 100 full-time 2,700 students in our Nine degree options offer faculty members four schools: more than 50 individual Art program concentrations at Fashion Design and Merchandising the baccalaureate through Music Theatre and Dance doctoral levels. College of the Arts John R. Crawford, Dean www.kent.edu/artscollege 330-672-27601 @artsatKSU More than 100,000 people attend the concerts, plays and exhibitions of the college annually. TRANSFORMING LIVES THROUGH THE ARTS Kent State University, Kent State and KSU are registered trademarks and may not be used without permission. Kent State University, WWW.ICFAD.ORG an equal opportunity, affirmative action employer, is committed to attaining excellence through the recruitment and retention of a diverse workforce. 15-COTA-00146-021 ICFAD’s 52nd ANNUAL CONFERENCETHE ARTS: The College of the Arts Crossroads of the CreativeAtlanta, Economy Georgia Salutes the International Council of Fine Arts Deans for enhancing fine arts leadership in higher education! WELCOME FROM THE PRESIDENT More than 100 full-time 2,700 students in our Nine degree options offer faculty members four schools: more than 50 individual Dear ICFAD members, Additionally, three well known institutions of President: John Crawford Art program concentrations at higher education are located here: Georgia Dean, College of the Arts Fashion Design and Merchandising Kent State University the baccalaureate through Welcome to Atlanta, GA for the 52nd annual Institute of Technology, John Marshall Law Music conference of the International Council of School, and the Atlanta division of the Theatre and Dance doctoral levels. -
Raymond Saunders 40 Years: Paris/Oakland
Andrew Kreps Gallery Raymond Saunders 40 Years: Paris/Oakland May 1 - June 12, 2021 657 Howard Street, San Francisco, CA 94105 1275 Minnesota Street, San Francisco, CA Casemore Kirkeby and Andrew Kreps Gallery are pleased to announce 40 Years: Paris/ Oakland, an exhibition of works by Raymond Saunders, presented across two locations in San Francisco. Since the 1960s, Raymond Saunders has developed a singular practice defined by an improvisational approach, as he culls eclectic ephemera, signage, detritus, and other materials from his daily life which reflect his living environment. A cult-like figure in the Bay Area art scene, Saunders’ paintings and installation-based works are loaded with rich swaths of paint, interwoven with found materials and his own notational marks, and white- pencil drawings. Blackboard surfaces, left visible through a heavy accumulation of marks and material, tie Saunders’ works inextricably to his role as an educator, as he handwrites simple equations, lettering, and childlike notes onto the work’s surface. Like jazz, dissonant at first, yet upon closer view, Saunders uses these diverse elements which seem to address the dualities present within life - plight and renewal, lack and abundance, innocence, and despair, as well as the individual and the community. Interweaving his own personal experience and anecdotes, Saunders aims to teach this full reality of the modern environment, the losses and victories, as well as the splendor that exists within the everyday. Spanning four decades of Saunders’ remarkable career, 40 Years: Paris/Oakland spans two locations (657 Howard Street, and 1275 Minnesota Street) and features rarely-exhibited works on canvas from the 1980s and installation-based works from the 1990s. -
2013 MNHS Legacy Report (PDF)
Minnesota History: Building A Legacy JAnuAry 2013 | Report to the Governor and the Legislature on Funding for History Programs and Projects supported by the Legacy Amendment’s Arts and Cultural Heritage Fund Table of Contents Letter from the Minnesota Historical Society Director and CEO . 1 Introduction . 2 Feature Stories on FY12–13 History Programs, Partnerships, Grants and Initiatives Then Now Wow Exhibit . 7 Civil War Commemoration . 9 U .S .-Dakota War of 1862 Commemoration . 10 Statewide History Programs . 12 Minnesota Historical and Cultural Heritage Grants Highlights . 14 Archaeological Surveys . 16 Minnesota Digital Library . 17 FY12–13 ACHF History Appropriations Language . Grants tab FY12–13 Report of Minnesota Historical and Cultural Heritage Grants (Organized by Legislative District) . 19 FY12–13 Report of Statewide History Programs . 57 FY12–13 Report of Statewide History Partnerships . 73 FY12–13 Report of Other Statewide Initiatives Surveys of Historical and Archaeological Sites . 85 Minnesota Digital Library . 86 Civil War Commemoration . 87 Estimated cost of preparing and printing this report (as required by Minn. Stat. § 3.197): $6,413 Upon request this report will be made available in alternate format such as Braille, large print or audio tape. For TTY contact Minnesota Relay Service at 800-627-3529 and ask for the Minnesota Historical Society. For more information or for paper copies of this report contact the Society at: 345 Kellogg Blvd. W., St Paul, MN 55102, 651-259-3000. The 2012 report is available at the Society’s website: legacy.mnhs.org. COVER IMAGE: Kids try plowing at the Oliver H. Kelley Farm in Elk River, June 2012 Letter from the Director and CEO January 15, 2013 As we near the close of the second biennium since the passage of the Legacy Amendment in November 2008, Minnesotans are preserving our past, sharing our state’s stories and connecting to history like never before. -
Marlborough Gallery
Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O. -
Jim Denomie B
2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | www.bockleygallery.com Jim Denomie b. 1955 Education 1995 BFA, University of Minnesota, Minneapolis Grants and Awards and Residencies 2019 McKnight Distinguished Artist Award, Minneapolis 2018 McKnight Artist Fellowship, Minneapolis National Artist Fellowship, Native Arts & Cultures Foundation, Vancouver WA Artist Initiative Grant, MN State Arts Board 2017 Joan Mitchell Center Residency, New Orleans LA 2015 Joan Mitchell Foundation Painters and Sculptors Grant NYC 2012 McKnight Artist Fellowship, Minneapolis 2011 Crow’s Shadow Institute of the Arts Print-making Residency, Pendleton OR 2009 Native American Fine Art Fellowship, Eiteljorg Museum, Indianapolis IN 2008 Bush Artist Fellowship, Bush Foundation, St. Paul 2002 55th Arrowhead Biennial, First Place, Duluth Art Institute 2001 The Return to the Swing, a gathering of indigenous artist participants, hosted by The Evergreen State College, Olympia WA 1999 Jerome Study and Travel Grant, Jerome Foundation, St. Paul Solo Exhibitions 2019 Jim Denomie: Standing Rock Paintings, Bockley Gallery, Minneapolis (Feb 22–Apr 6) Jim Denomie: Fearless, Minnesota State University, Mankato (Jan 14–Feb 4) 2017 Oz, the Emergence, Bockley Gallery (May 5–June 10) 2016 Jim Denomie, Nemeth Art Center, Park Rapids, MN (July 21–Sept 30) 2015 Jim Denomie: Paintings, Projek Traum, Friedrichshafen Germany (Sept 29–Oct 25) 2014 Jim Denomie: Dialogues, Bockley Gallery (Nov 1–Dec 13) 2013-14 Slightly Disturbed, Miller Family Building Center for Visual Research, -
Degrees and Other Awards Conferred by Minnesota Post-Secondary Institutions in 2003-04 Institution by Award Level Totals
Degrees and Other Awards Conferred by Minnesota Post-secondary Institutions in 2003-04 Institution by Award Level Totals Double majors included. Award Level At least 1 but At least 2 Postbaccala Post- First- Less than less than 2 but less than ureate masters professional 1 year years Associate 4 years Bachelor certificate Master certificate Doctorate degree Total ACADEMY COLLEGE 9 4 45 3 61 ALEXANDRIA TECHNICAL COLLEGE 198 137 390 105 830 ALFRED ADLER GRADUATE SCHOOL 26 26 AMERICAN INDIAN OIC 7 12 19 ANOKA TECHNICAL COLLEGE 67 185 172 64 488 ANOKA-RAMSEY COMMUNITY COLLEGE 66 551 617 APOSTOLIC BIBLE INSTITUTE 21 13 34 ARGOSY UNIVERSITY 138 4 38 46 226 ART INSTITUTES INTERNATIONAL MINNESOTA 21 110 82 213 AUGSBURG COLLEGE 2 510 64 23 599 AVEDA INSTITUTE 517 517 BEMIDJI STATE UNIVERSITY 75 908 71 1,054 BETHANY LUTHERAN COLLEGE 117 38 155 BETHEL THEOLOGICAL SEMINARY 4 88 4 59 155 BETHEL UNIVERSITY 3 730 115 848 BROWN COLLEGE 16 920 35 971 CAPELLA UNIVERSITY 15 122 136 828 13 178 1,292 CARLETON COLLEGE 486 486 CENTRAL LAKES COLLEGE 35 292 474 801 CENTURY COMMUNITY AND TECHNICAL COLLEGE 169 239 666 1,074 COLLEGE OF SAINT BENEDICT 516 516 COLLEGE OF SAINT SCHOLASTICA 475 5 232 11 723 COLLEGE OF ST CATHERINE 21 32 204 624 108 350 1,339 COLLEGE OF VISUAL ARTS 31 31 CONCORDIA COLLEGE AT MOORHEAD 787 787 CONCORDIA UNIVERSITY 492 19 151 662 COSMETOLOGY CAREERS-DULUTH 30 30 COSMETOLOGY CAREERS-HIBBING 17 17 CROSSROADS COLLEGE 12 18 30 CROWN COLLEGE 9 31 119 5 5 169 DAKOTA COUNTY TECHNICAL COLLEGE 519 265 213 18 1,015 DULUTH BUSINESS UNIVERSITY 62 45 107 DUNWOODY COLLEGE OF TECHNOLOGY 36 396 91 523 EAST METRO OIC 50 7 57 Degrees and Other Awards Conferred by Minnesota Post-secondary Institutions in 2003-04 Institution by Award Level Totals Double majors included.